I'll Miss You Most Of

Total Page:16

File Type:pdf, Size:1020Kb

I'll Miss You Most Of University of South Carolina Scholar Commons March 2011 3-1-2011 The aiD ly Gamecock, TUESDAY, MARCH 1, 2011 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2011_mar Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, MARCH 1, 2011" (2011). March. 18. https://scholarcommons.sc.edu/gamecock_2011_mar/18 This Newspaper is brought to you by the 2011 at Scholar Commons. It has been accepted for inclusion in March by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, MARCH 1, 2011 VOL. 105, NO. 34 ● SINCE 1908 $1.5 million gift to boost USC energy research Fluor Corporation donation partners university Engineering and Computing. The hiring search will two.“What stood out here to us was the combination with Savannah River National Laboratory begin immediately, USC President Harris Pastides said. of science and commerce,” Seaton said. “It allows University offi cials said the scientist will develop joint scientists to do their world-class research and provides Josh Dawsey research projects between USC and the Savannah River the business acumen to back it up.” [email protected] National Laboratory for advances in hydrogen and Seaton said his company had high expectations for renewable energy technology. The business expert will the project and considered it an investment instead of USC announced Monday a $1.5 million gift from the collaborate with scientists and technologists to translate a donation. Seaton said his company funded a similar Fluor Corporation that will partner top-notch scientists those discoveries into commercial applications. program at Clemson two years ago. and innovators for new energy research, offi cials from The gift will also start a relationship between USC “We want to see the best and brightest practice science both parties said. and the national laboratory, the only lab in the nation because it’s a basis for economic growth,” Seaton said. USC will add $3.5 million in grants , gifts and without a formal relationship with a public university. Fluor is headquartered in Texas but employs about equipment to the project, and state lottery funds will “Beyond the science, if you’re an entrepreneur, we 2,000 people in the Upstate, Seaton said. It’s a Fortune provide $5 million more for a $10 million total. want a lot of start-up companies here,” Pastides said. 500 company with a global workforce of more than The $10 million will create a Center of Economic Pastides was fl anked at the Thomas Cooper Library 36,000 . Excellence for the Hydrogen Economy and will fund announcement by David Seaton, Fluor’s CEO and a two new endowed professorships, one in the Darla USC alumnus. Seaton said the corporation sees 20 or Comments on this story? Moore School of Business and one in the College of so proposals for funding each year and accepts one or Visit: dailygamecock.com/news ‘I’ll miss you most of all’ Chief fi nancial offi cer leaves USC with hundreds of fond memories Josh Dawsey [email protected] n 24 years at USC, William “Ted” Moore was a distinguished professor, a keen intellectual Courtesy of Amy Woodell Ithinker, a noted researcher and a friend and Amy Woodell poses on her college mission trip to Zambia. mentor to both students and faculty alike. His days as USC’s chief financial officer and planning guru ended Monday , as boxes were slowly carried out of his offi ce and his green Lexus sedan Inspired student drove off campus for the fi nal time. Moore becomes vice president and provost at Georgia Southern University April 1, leaving sews own charity behind a cross-campus network of acquaintances, of their husbands’ estates. friends and staffers who say they’ll miss the Clothed in Hope Over time this law has 62-year-old Purple Heart veteran who controlled to aid Zambians become negated by society, USC’s $1.1 billion budget . and not only do the “My life here has been a labor of love for this Sarah Nelson widows no longer receive university,” Moore said. “I’ll forever have lifelong [email protected] their entitled 20 percent, friends and acquaintances and a long list of great The Ng’ombe compound but they are also forced memories of Carolina.” in Lusaka, Zambia, is home into “sexual cleansing” Moore started his career as a professor in the to many vivid memories to remove this haunting Darla Moore School of Business, where he was and experiences that Amy ghost . honored dozens of times for his teaching. Moore Woodell will never forget. Launched officially on was eventually named the Berlinberg Distinguished Over a summer mission Feb. 21 , Clothed in Hope Professor of Finance . trip in Zambia, this third- is geared toward helping The business school was also where he met his year fashion merchandising women break from this wife Linda. She was a student in the Moore School student spent six weeks cycle and help them to of Business, and he was a young professor. Linda working with a college feel loved and treasured. Moore was looking for her professor “who kept ministry at the University Woodell hopes to enable notoriously bad offi ce hours,” Moore said. After she of Zambia. them to gain independence couldn’t fi nd him, he helped her instead. However, she said the through producing and Three years later, they were married. Over the most signifi cant memories selling their own clothing, years, the pair could be seen eating dinner on of her trip derive from as well as by educating campus, as Moore’s typical 14-hour-long days often the weekend visits to the them on various life- precluded him from going home before 9 p.m. slums. Woodell said these threatening diseases and They’d attend symphonies and performances and Brian Almond / THE DAILY GAMECOCK dramatic experiences have teaching them financial ride bikes around Fort Jackson. Ted Moore packed his offi ce up in boxes after almost now led her down a path responsibility. 24 years at USC. He is leaving for Georgia Southern. MOORE ● 2 she didn’t see coming. “The Zambian society “I never imagined myself really prides itself on as a 21-year-old CEO of independence, and they a nonprofi t organization,” love being able to sustain said Woodell, who now themselves,” Woodell said. owns and operates the “So instead of me giving nonprofit organization them $10 a week, they’d Project Condom unwraps fashions tonight Clothed in Hope. be earning their own Inspired by her mission money so they could feel The fourth season work and unforgettable just the joy of being able to of Project Condom,the experience, Woodell experience success in this annual fashion show where hopes to provide a place of society.” designers must create outfi ts occupation and education “I want it to be more out of condoms, takes place for the widowed women in than just a means of an in the Russell House ballroom Zambia. income. I want to provide tonight at 8 p.m. Doors open “[The women are] the education on HIV, AIDS, at 7 p.m., and seats usually ones who have to be strong. malaria and waterborne fi ll quickly. They’re the ones who have illness — just things that Put on by Changing to wake up every day and they have no idea about but Carolina Peer Educators, take care of the children they’re obviously affected Student Health Services, by themselves and the by because the average life Campus Wellness and ones who were just really expectancy is 47 .” Carolina Productions, the affected by the oppression,” Woodell’s initial vision event’s purpose is to promote Woodell said. “It just never began with these women safe, healthy sex practices. got out of my mind that I making “gameday” Summer Rayne Oakes, “the just had to do something.” dresses while using parts world’s fi rst eco-model,” will According to Clothed of a Zambian fabric called be a special judge. in Hope’s website, a chitenge . However, due to Keri Goff / THE DAILY GAMECOCK Zambian law passed in complicated import and — Compiled by Mikelle Street 1989 gave widowed women entitlement to 20 percent CHARITY ● 2 Tuesday Musical Mashups USC faces Furman All new website 65° 35° The underplayed Carolina hosts the The Daily Gamecock bootleg genre fea- Paladins in search of recently launched a tures artists like Girl its seventh straight sleek new, interactive Talk and Super Mash victory so far this Website. Check it out. Wednesday Bros. season. 68° 42° See page 5 See page 7 PAGE 2 The Daily Gamecock ● TUESDAY, MARCH 1, 2011 MOORE ● Continued from 1 dock in Georgetown to its top administrator in the met.” wonderful.” CHARITY ● Continued from 1 She is leaving her new dock in Savannah. provost’s offi ce , and the two USC President Harris As his boxes were packed export laws in Zambia, position as director of legal The business school have remained close friends Pastides credits Moore’s Monday afternoon, Moore Woodell has found affairs for USC’s School of was also where Moore for more than two decades. financial acumen for blew Owens a kiss. shipping the products to Medicine. The two have met Helen Doerpinghaus , “He has a terrific sense helping the university “It’s like the last scene of the U.S. to be harder than bought a new house in then a young faculty of humor and makes people survive the recent recession. ‘The Wizard of Oz,’ when anticipated.
Recommended publications
  • Screamo Bands and Artists List
    Screamo Bands and Artists List Anomie https://www.listvote.com/lists/music/artists/anomie-567578/albums One Hundred Steps https://www.listvote.com/lists/music/artists/one-hundred-steps-10340978/albums The Third Memory https://www.listvote.com/lists/music/artists/the-third-memory-3522992/albums The Vaine https://www.listvote.com/lists/music/artists/the-vaine-10946051/albums Waifle https://www.listvote.com/lists/music/artists/waifle-106641938/albums Bert McCracken https://www.listvote.com/lists/music/artists/bert-mccracken-793753/albums Amanda Woodward https://www.listvote.com/lists/music/artists/amanda-woodward-580065/albums On the Last Day https://www.listvote.com/lists/music/artists/on-the-last-day-638842/albums Circle Takes the https://www.listvote.com/lists/music/artists/circle-takes-the-square-678948/albums Square Andorra~atkins https://www.listvote.com/lists/music/artists/andorra~atkins-492751/albums Pg. 99 https://www.listvote.com/lists/music/artists/pg.-99-709143/albums Raein https://www.listvote.com/lists/music/artists/raein-946817/albums I Set My Friends On https://www.listvote.com/lists/music/artists/i-set-my-friends-on-fire-800133/albums Fire Daïtro https://www.listvote.com/lists/music/artists/da%C3%AFtro-10228/albums Joliette https://www.listvote.com/lists/music/artists/joliette-25412414/albums Snöras https://www.listvote.com/lists/music/artists/sn%C3%B6ras-10672786/albums United Nations (band) https://www.listvote.com/lists/music/artists/united-nations-%28band%29-7888317/albums Usurp Synapse https://www.listvote.com/lists/music/artists/usurp-synapse-7902265/albums
    [Show full text]
  • Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
    "THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr.
    [Show full text]
  • Sum 41 Alive
    SSUMUM 4411 AALIVELIVE IS SCREAMO B.S.? FLORIA’S FUEL IAN BLURTON~MINISTRY~THE TEA PARTY~WILDHEARTS CLAIRE STANSFIELD~MOONEY SUZUKI~DFA 1979 THE JERRY CAN The summer is the season of rock. Tours roll across the coun- try like mobile homes in a Florida hurricane. The most memo- rable for this magazine/bar owner were the Warped Tour and Wakestock, where such bands as Bad Religion, Billy Talent, Alexisonfire, Closet Monster, The Trews and Crowned King had audiences in mosh-pit frenzies. At Wakestock, in Wasaga Beach, Ont., Gasoline, Fox Racing, and Bluenotes rocked so hard at their two-day private cottage party that local authorities shut down the stage after Magneta Lane and Flashlight Brown. Poor Moneen didn't get to crush the eardrums of the drunken revellers. That was day one! Day two was an even bigger party with the live music again shut down. The Reason, Moneen and Crowned King owned the patio until Alexisonfire and their crew rolled into party. Gasoline would also like to thank Chuck (see cover story) and other UN officials for making sure that the boys in Sum41 made it back to the Bovine for another cocktail, despite the nearby mortar and gunfire during their Warchild excursion. Nice job. Darryl Fine Editor-in-Chief CONTENTS 6 Lowdown News 8 Ian Blurton and C’mon – by Keith Carman 10 Sum41 – by Karen Bliss 14 Floria Sigismondi – by Nick Krewen 16 Alexisonfire and “screamo” – by Karen Bliss 18 Smash it up – photos by Paula Wilson 20 Whiskey and Rock – by Seth Fenn 22 Claire Stansfield – by Karen Bliss 24 Tea Party – by Mitch Joel
    [Show full text]
  • The Evolution of Emo and Its Theoretical Implications 175
    The Evolution of Emo and Its Theoretical Implications 175 Mirosław Aleksander Miernik The Evolution of Emo and Its Theoretical Implications The purpose of this article is to analyze how emo, a youth subculture, evolved in the United States during a period of approximately twenty five years, since the mid-1980s, particularly focusing on how it changed in regard to the zeitgeist of the time period, as well as how it appropriated various elements of past subcultures into itself in order to create its own subcultural identity. Special attention will be paid to the third incarnation, which emerged at the beginning of the twenty-first century and proved to be the most widespread variation of the subculture. It is also interesting how this incarnation was affected by historical events such as the Columbine High School Massacre and 9/11. The theoretical implications of emo are the second issue that this article at- tempts to tackle. In particular, when viewed from the perspective of post-subculture studies, it allows one to revisit certain theories of the Centre for Contemporary Cultural Studies at the University of Birmingham (CCCS), which pioneered sub- culture studies in the 1960s and 70s. The relationship between post-subculture studies and the CCCS’s approach has always been very complex. Even though many representatives of post-subculture studies criticized the CCCS for various shortcomings, most significantly for an a priori approach that ignores empirical evidence and limits the concept of authenticity within subcultures (Muggleton 19–30). At the same time, the work of the CCCS has been always treated with respect and considered a milestone.
    [Show full text]
  • Death & Violence
    Frank Turner Suicide Machines Offspring Mighty Mighty Bosstones Goldfinger Death & Violence Elements of Ataris Yellowcard Bouncing Souls Misfits Bright Eyes Useless ID simple_things Fall Out Boy UK Subs Nature Melancholy time_i_feel same_song i_cant_help Youth Every Time I Die same_way one_more_day more_shotmore_day Death Cab for Cutie three_years Good Riddance play way_i_feel GG Allin Exploited last_year okay_im well write Anthems dead_end_road chang next_year yeah_cause little_bit one_more_song Thrice next_time sometim thing past_few_years long_way time love_with_someone caus today insid move hardest havent help right along 2 4 6 8 Lawrence Arms shades_of_grey told hope someday real + moon_light ago seen seem mayb just candl day little_time melodi time_yeah Horror come thaw back thing lost new i_cantsing + dusk sparrow + let song 1.1 sand i_guess homeever 1.00 way_yeah littl bit way sad_song lifeboat home riverbloom old meantend_road seem time day time_to_time Dance echo night dark_night sorri miss runaway + alway first_place right_time like whoa doo drown ship star cloudtraffic_lights known made aliv tri know mind + knew now guess_i favorit fine + watchground - 0.95 hear can Art grey month never - sad_songs feel i_feeleveryth + water_icitiair shadow still found okay + 1.0 wing mile storm werent thought like_im start cheater wast get nothing_i i_guess_i better wrong cant invinc come fine_yeah Post-grunge + + shipwreck tree wind float went rememb many_times alright ocean seven_seas love wishmini - 0.90 old_song findcant_move yeah feel_like_im
    [Show full text]
  • An Interview with Chris Carrera of Disavow
    HxC: Heady Chugs and Heavy Nugs — An Interview with Chris Carrera of Disavow Hardcore and punk is well and alive in PVD. Alongside hometown heroes, such as DROPDEAD, Lightening Bolt, Daughters and many others, punk veterans Weak Teeth have collaborated with members of The Hurt Ensemble to create a band that measures up to epic proportions. Disavow is a D-beat/hardcore/screamo band that is slowly making a name for themselves in the local scene and beyond. I was lucky enough to catch Chris Carrera, guitarist of Disavow, and ask him a couple questions about the band. Mathew Gilbert (Motif): Disavow is a relatively new band, correct? Could you name the members and what they play in the band? Chris Carrera: Disavow has been a band since April 2016. We starting writing what would become our demo in April and played our first show in May with 10 minutes of material. Dylan plays drums, Chris plays guitar, Michael does vocals and Jon plays bass. MG: I’ve seen Disavow play a couple times at As220, and your set completely blew me away. It reminded me a lot of late ’90s and early 2000s punk and hardcore-influenced screamo. Are there any bands from that era that you guys are influenced by? I heard a lot of Joshua Fit For Battle and Orchid- esque riffs, which is awesome! CC: We draw a lot of influence from bands like His Hero is Gone and Converge, but other bands we have played in have been influenced by screamo bands like Orchid and Circle Takes the Square, so I think inevitably those are going to be apparent in any project we start.
    [Show full text]
  • Arts Oct 28 2009.Indd
    arts october 28, 2009 the paper page 15 by Sean Bandfi eld Would you identify place? One of the common com- kids feel good about themselves. STAFF HARDCOREBEQUE [Crunkcore] as a movement It could be jealousy. Seeing plaints about Crunkcore is the When you’re writing a or a scene? a band that’s getting that suc- superfi ciality of its lyrics. Dah- song and when you release Dahvie Vanity is a shad- It’s a movement, because cessful so fast… vie explains that his message something, are you making ow character and an all right there’s a bunch to listeners is, an effort to give the fans what guy. Dressed in black lace and of people, it’s “Live it up, they want? spiked platform boots, with not just a trend. love it up…just Yeah. I really try to push my red-fl are hair, he could only People really party on.” I ask music to where I don’t com- front the techno-scream proj- live their lives him if such a pletely change, but I’m giving ect known as Blood On The like this. message is vir- what the fans want. Dance Floor. His band scorches What’s the tuous. What the fans want – is earth with brokenCYDE on the lifestyle? Just be safe. that what’s best for them? Crunk Kids Tour, which cuts The Crunk You’ve got to When you were a kid and and burns across our nation as movement is be smart. you wanted to eat cookies these words are put to paper.
    [Show full text]
  • Pmk Distribution September, 2012
    PMK DISTRIBUTION SEPTEMBER, 2012. -------------------------------------------------------- CONTENT: LAST DISTRO UPDATE .……………..……………...... page 2 COMPLETE DISTRO LIST .……………. ……………...... page 3 PUNK / HARDCORE / GRIND …………….………………… page 3-15 SLUDGE / METALCORE / BLACK METAL .…………...………………… page 16-19 NOISE / AMBIENT / EXPERIMENTAL .……………………………… page 20-22 OTHER .……………………………… page 23-25 FANZINES / BOOKS .……………………………… page 26 -------------------------------------------------------- MONEY TRANSFER: PayPal Bank Transfer (optionally over 10-20 €/us$) Hidden Cash (no coins) CHEAPEST POSTAGE EUROPE & OVERSEA: 2 € / 3 us$ (1-5 cd / 1-3 mc / 1-3 zine) 3 € / 4 us$ (6-8 cd / 4-6 mc / 4-6 zine) 5 € / 7 us$ (1-2 lp) -------------------------------------------------------- CONTACT: LONCAREVIC GORAN TRG ST. RODOLJUBA 14/16 19370 BOLJEVAC SERBIA / EUROPE [email protected] www.myspace.com/pmkrecords www.discogs.com/label/PMK+Records 1 -------------------------------------------------------- • LAST DISTRO UPDATE • September, ‘12. -------------------------------------------------------- VINYL V/A "AMEBIX BALKANS" - A TRIBUTE TO AMEBIX LP (8 balkan's stench/sludge/black covers legends / http://soundcloud.com/punkgr / artwork by doomsday graphics & lightbearer studios / incl. innersleeve / 10€) OD VRATOT NADOLU "Mercury" 12'' (dystopia ugly style hardcore / macedonia / www.myspace.com/odvratotnadolu / clear vinyl / 10€) NOOTHGRUSH "1994" 12'' (the first more psychedelic sludge recordings / white vinyl / 10€) DAZD "Self titled" 12'' (occult punk/metal / serbia
    [Show full text]
  • Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia" (2016)
    Dickinson College Dickinson Scholar Student Honors Theses By Year Student Honors Theses 5-22-2016 Consuming Authenticity: Deconstructing “Do-It- Yourself” Punk Rock Ethics in Philadelphia Patricia Ann Kotrady Dickinson College Follow this and additional works at: http://scholar.dickinson.edu/student_honors Part of the American Popular Culture Commons, Music Commons, and the Sociology of Culture Commons Recommended Citation Kotrady, Patricia Ann, "Consuming Authenticity: Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia" (2016). Dickinson College Honors Theses. Paper 238. This Honors Thesis is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. Consuming Authenticity Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia By Patricia Ann Kotrady Submitted in partial fulfillment of Honors Requirements for the Department of American Studies at Dickinson College May 10, 2016 Table of Contents Introduction: Welcome to “the Best Punk Scene in the Country Right Now” 1 “The House Shows Don’t Really Happen Everywhere”: Why Philadelphia? 7 “Semi Anti-Establishment, I Guess”: Punk as a Vessel 12 “You Know, Just Do It”: An Overview of DIY Punk Ethics 16 “This Music is Just Organic”: 21 Authenticity, Opposition, and the Myth of the Mainstream "We never want to be a band that's just in it to make a buck”: 27 The Narrative of “Selling Out” “It’s Never Been Easier to Make Music Like a Pro”: 32
    [Show full text]
  • Overzicht NL Hc-Bands* (2013)
    Overzicht NL hc-bands* (2013) *Momenteel actieve bands Bandnaam Plaats Provincie (Sub)genre For Blood And Vengeance Almere Flevoland Hardcore Entombed Scars Almere Flevoland Hardcore Cornered Leeuwarden Friesland Hardcore Bad Attitude Leeuwarden Friesland Hardcore Pantah Leeuwarden Friesland Hardcore 0Fight8 Leeuwarden Friesland Hardcore Chelsea Smile Leeuwarden Friesland Hardcore Swindle Leeuwarden Friesland Punk Manu Armata Harlingen Friesland Hardcore Sparky's Revenge Harlingen Friesland Punkrock Mundane Harlingen Friesland Hardcore Stonehawk Sneek Friesland Stoner Swim Or Drown Heerenveen Friesland Hardcore When Walls Collapse Heerenveen Friesland Hardcore/Metalcore Cold Blooded Heerenveen Friesland Hardcore/Death Metal 13 Steps Drachten Friesland Hardcore Pinheadz Ameland Friesland Punkrock Brat Pack Nijmegen Gelderland Punkrock Sloth Nijmegen Gelderland Punk/Crust Landverraad Nijmegen Gelderland Punk/Crust Antillectual Nijmegen Gelderland Punkrock Through The Struggle Nijmegen Gelderland Hardcore Dead Giveaway Nijmegen Gelderland Punkrock New Morality Arnhem Gelderland Hardcore Lies! Groningen Groningen Hardcore Herder Groningen Groningen Stoner/Sludge Grinding Halt Groningen Groningen Screamo Long Way Down Groningen Groningen Punkrock Citizens Patrol Panningen Limburg Punk Backfire! Maastricht Limburg Hardcore Born From Pain Heerlen Limburg Metalcore Bloodtrial Heerlen Limburg Hardcore Dysfunctional Kid Heerlen Limburg Punkrock Better Off Stein Limburg Hardcore Cold Reality Gennep Noord-Brabant Hardcore Harsh Realms Roosendaal Noord-Brabant
    [Show full text]
  • Faouda Wa Ruina: a History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Islamic World and Near East History Commons, and the Social and Cultural Anthropology Commons Recommended Citation Trott, Brian Kenneth, "Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal" (2018). Theses and Dissertations. 1934. https://dc.uwm.edu/etd/1934 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott A Thesis Submitted in Partial Fulfillment of the Requirements of a Degree of Master of Arts In History at The University of Wisconsin - Milwaukee May 2018 ABSTRACT FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott The University of Wisconsin-Milwaukee, 2018 Under the Supervision of Professor Gregory Carter While the punk rock and heavy metal subcultures have spread through much of the world since the 1980s, a heavy metal scene did not take shape in Morocco until the mid-1990s. There had yet to be a punk rock band there until the mid-2000s. In the following paper, I detail the rise of heavy metal in Morocco. Beginning with the early metal scene, I trace through critical moments in its growth, building up to the origins of the Moroccan punk scene and the state of those subcultures in recent years.
    [Show full text]
  • The History of Rock Music: the 2000S
    The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Rockers (These are excerpts from my book "A History of Rock and Dance Music") Eastern rockers TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Jon Spencer Blues Explosion's influence (loud and sloppy garage-blues) was still felt throughout the country, as proven by the Immortal Lee County Killers in Alabama with The Essential Fuck-Up Blues (2001); the Black Keys in Ohio with The Big Come Up (2002); and by the Kills in Florida, playing the version popularized by the White Stripes on No Wow (2005). The Fiery Furnaces (4), formed by Matthew Friedberger and Eleanor Friedberger, siblings from Chicago who relocated to New York, exhibited a versatile and multi-faceted style on Gallowsbird's Bark (2003). Anti- crooning vocals and spiked guitar riffs as well as wildly unstable dynamics evoked the Rolling Stones at their most drunken/deranged, or Captain Beefheart's Magic Band fronted by Janis Joplin. At the same time the exuberant neglect of their arrangements was reminiscent of Pere Ubu. Blueberry Boat (2004) stretched out into longer and more ambitious songs, collages of genres and tours de force of arrangement (including electronic keyboards) that were meant to create a new form of musical theater. That form came to life on Rehearsing My Choir (2005), a work structured as a dialogue between an older woman and a younger one over a substratum of eccentric and cacophonous sounds.
    [Show full text]