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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
'Judas Priest-On Tour' Violators Attacked
MARCH 18, 1978 VOL. 1, NO. 1 Benefiting FREE San Antonio For Your Austin• Houston Entertainment ~ 'Judas Priest-On Tour' JC 35296 The high priest of heavy rock 'n' roll with their inimitable style grace our shores once again. To change or not to change. That is what a rock and roll band must deal with. A group may develop a success ful formula for its music, which leads to personal and/ or commercial contentment. Musicians, upon reach ing this point, find their music evolving in a new direction or continuing their successful format. Judas Priest has choosen the security of proven success. Their first two ViolatorsAttacked domestic albums were well See story on page 10 received in this area. With the release of a new album "Stained Class" and • Elvis Costello an upcoming concert March INSIDETHIS • Radio Survey 24 their claim to fame is • Trivia Quiz sound. ISSUE! .-HELLO IT'SUS- / Welcome to It's Onlu Rock and , Muhammad Ali, chicken fried steak, Roll. What are you being welcomed cars with dead batteries, Rocky Hor to anyway? ror Picture Show and working over It's Only Rock and Roll is a time to afford concert tickets and newspaper/magazine of sorts put out vinyl habits. by a few people who know and love Sound comp'iicated, si1ly, insane, music and believe it's time for a unclear? It is all that and more. semi-intelligent, semi-informed rag Best of all it's fun and we' 11 attanpt about music on the local scene. to write about it: show pictures of Because no one is adequately it and make a meager living from it filling the music news and informa as long as it stays complicated, tion void in San Antonio, we decided silly, insane, unclear and fun. -
Putting on a Gig.Pages
Promoting a Howard Jones gig Putting on a gig can be a great experience! There is a fair amount of effort and time involved in putting on a gig. It is not all toil and stress though. We both put in a lot of hard work into making our gigs a success, but at the same time we had tremendous fun, met some great people, made some new friends, learnt a lot and the sense of satisfaction was wonderful. This guide is not intended to be comprehensive, but some helpful hints based on our personal experiences from Cheltenham and Barnsley. Best of luck! Paul and Andy A Note of Caution This is not intended to put you off - but do please bear in mind that as a promoter you are personally responsible for ensuring the success of the event, the booking of the venue and the artist, ticket sales, the finances, promotion, all the organisation and coordination. If ticket sales are not good you will have to make up any shortfall against the costs, if tickets sell well you could make some money! Timing Try and give yourself around 6 months to get your gig organised and promoted. Anything less than 4 months and you are probably being optimistic that you can get everything organised and the tickets sold. Gigs which take place on a Friday or Saturday will generally be better attended than those held on other nights. Financials/Money Gigs can make a profit or a loss. The promoter is responsible for this. Put together a budget listing all the costs and the expected income to ensure that the venture will be economic. -
Camila Cabello Emerson Loughman Palmer Jeffrey Foskett
Camila Cabello Emerson Loughman Romance 8 Palmer 8 Epic Records and Syco Music Be Empirical Producer: Various LonMan Records There is no hiding Camila Cabello’s love Producer: Mark Loughman for fellow pop star and collaborator Shawn Mendes. Aptly titled Romance, her second You’ve got modern rock & roll royalty here LP is dedicated to her relationship with the with Emerson Swinford, Mark Loughman singer (“Used To This”) and the emotional and David Palmer, whose six-song EP turmoils of attraction, heartbreak and love contains melodic, cleverly conceived gems. detailing an unfiltered and refreshing look at Loughman’s production with Simon Phillips’ engineering is warm, engag- Cabello’s life. She proudly sheds her innocence and embraces her sexual- ing and strikingly crisp. “Finding Sense” grabs you with an intelligent take ity on “My Oh My” with lyrics like “Swear on my life that I’ve been a good on the current state of society, consumerism and politics. “The Best I Can girl (Oh)/Tonight, I don’t wanna be her.” Romance showcases Cabello’s Give Is All You Get” is a delight, with ‘60s harmonics and a Marc Bolan/ vocal strengths, her ability to switch from a raspy seductress to an emo- Cheap Trick feel. “You See Wonderful, You See Pretty” is also noteworthy tional crooner is delightful. – Jacqueline Naranjo for its socially astute lyrics and rich guitar work. –Eric Harabadian Jeffrey Foskett Wildwood Kin Voices 10 Wildwood Kin 8 BMG Silvertone Producer: Jeff Larson Producer: Ed Harcourt, Ian Grimble and others What do The Beach Boys, Nancy Sinatra, The lush, soulful acoustic melodies and Heart, Billy Joel, America and Chicago have soaring vocal harmonies of UK alt folk in common? They have all employed the trio Wildwood Kin––and the transcendent services of vocalist-arranger extraordinaire chemistry of Meg Loney and her cousins, Jeffrey Foskett. -
Rush: the Three Musketeers
Alex L1feson: His guitar playing has become one of Rush's most recognizable features. the thraa musketeers Legendary Trio Complete New Album And Prepare For International Tour. of 'producer for the next Rush opus, sort out what we want to do. by Kerry Doole another lengthy interview with yet Signals was a transitional album for eddy Lee looked as though another rock scribe, and then a chat us. We were groping in the dark. It he'd just pitched nine in with a couple of young Canuck fans was about expanding the horizons nings of his beloved base who had crossed the Atlantic just of the band and the sound, and the G ball. Rush was nearing the for this chance to rub shoulders next album will be a little closer to end of a major European ! our when with their heroes. what we were really pointing to on we caught up with the band in the Selling out Wembley for four Signals." cavernous bowels of Wembley straight nights is reason enough for It is this penchant for Arena, the London venue reserved anyone to wear a smug, se lf progression, this commitment to for the upper echelons of the rock satisfied sm ile, but Geddy Lee's change, that sets Rush apart from heirarchy. mind was already on the next the heavy-metal mainstream, and It is a measure of Lee's class and album, scheduled for early 1984 the new album should further sever dedication to his craft that at the release. any ties to that genre. Most bands gig's conclusion he found time for "All we're doing is thinking about . -
50 Years in Rock History
HISTORY AEROSMITH 50 YEARS IN ROCK PART THREE AEROSMITH 50 YEARS IN ROCK PART THREE 1995–1999 The year of 1995 is for AEROSMITH marked by AEROSMITH found themselves in a carousel the preparations of a new album, in which the of confusions, intrigues, great changes, drummer Joey Kramer did not participate in its termination of some collaboration, returns first phase. At that time, he was struggling with and new beginnings. They had already severe depressive states. After the death of his experienced all of it many times during their father, everything that had accumulated inside career before, but this time on a completely him throughout his life and could no longer be different level. The resumption of collaboration ignored, came to the surface. Unsuspecting and with their previous record company was an 2,000 miles away from the other members of encouragement and a guarantee of a better the band, he undergoes treatment. This was tomorrow for the band while facing unfavorable disrupted by the sudden news of recording circumstances. The change of record company the basics of a new album with a replacement was, of course, sweetened by a lucrative drummer. Longtime manager Tim Collins handled offer. Columbia / Sony valued AEROSMITH the situation in his way and tried to get rid of at $ 30 million and offered the musicians Joey Kramer without the band having any idea a contract that was certainly impossible about his actions. In general, he tried to keep the to reject. AEROSMITH returned under the musicians apart so that he had everything under wing of a record company that had stood total control. -
The White Animals
The 5outh 'r Greatert Party Band Playr Again: Narhville 'r Legendary White AniMalr Reunite to 5old-0ut Crowdr By Elaine McArdle t's 10 p.m. on a sweltering summer n. ight in Nashville and standing room only at the renowned Exit/In bar, where the crowd - a bizarre mix of mid Idle-aged frat rats and former punk rockers - is in a frenzy. Some drove a day or more to get here, from Florida or Arizona or North Carolina. Others flew in from New York or California, even the Virgin Islands. One group of fans chartered a jet from Mobile, Ala. With scores of people turned away at the door, the 500 people crushed into the club begin shouting song titles before the music even starts. "The White Animals are baaaaaaack!" bellows one wild-eyed thirty something, who appears mainstream in his khaki shorts and docksiders - until you notice he reeks of patchouli oil and is dripping in silver-and-purple mardi gras beads, the ornament of choice for White Animals fans. Next to him, a mortgage banker named Scott Brown says he saw the White Animals play at least 20 times when he was an undergrad at the University of Tennessee. He wouldn't have missed this long-overdue reunion - he saw both the Friday and Saturday shows - for a residential closing on Mar-A-Lago. Lead singer Kevin Gray, a one-time medical student who dropped his stud ies in 1978 to work in the band fulltime, steps onto the stage and peers out into the audience, recognizing faces he hasn't seen in more than a decade. -
Dancing in My Underwear
Dancing in My Underwear The Soundtrack of My Life By Mike Morsch Copyright© 2012 Mike Morsch i Dancing in My Underwear With love for Judy, Kiley, Lexi, Kaitie and Kevin. And for Mom and Dad. Thanks for introducing me to some great music. Published by The Educational Publisher www.EduPublisher.com ISBN: 978-1-62249-005-9 ii Contents Foreword By Frank D. Quattrone 1 Chapters: The Association Larry Ramos Dancing in my underwear 3 The Monkees Micky Dolenz The freakiest cool “Purple Haze” 9 The Lawrence Welk Show Ken Delo The secret family chip dip 17 Olivia Newton-John Girls are for more than pelting with apples 25 Cheech and Chong Tommy Chong The Eighth-Grade Stupid Shit Hall of Fame 33 iii Dancing in My Underwear The Doobie Brothers Tom Johnston Rush the stage and risk breaking a hip? 41 America Dewey Bunnell Wardrobe malfunction: Right guy, right spot, right time 45 Three Dog Night Chuck Negron Elvis sideburns and a puka shell necklace 51 The Beach Boys Mike Love Washing one’s hair in a toilet with Comet in the middle of Nowhere, Minnesota 55 Hawaii Five-0 Al Harrington Learning the proper way to stretch a single into a double 61 KISS Paul Stanley Pinball wizard in a Mark Twain town 71 The Beach Boys Bruce Johnston Face down in the fields of dreams 79 iv Dancing in My Underwear Roy Clark Grinnin’ with the ole picker and grinner 85 The Boston Pops Keith Lockhart They sound just like the movie 93 The Beach Boys Brian Wilson Little one who made my heart come all undone 101 The Bellamy Brothers Howard Bellamy I could be perquaded 127 The Beach Boys Al Jardine The right shirt at the wrong time 135 Law & Order Jill Hennessy I didn’t know she could sing 143 Barry Manilow I right the wrongs, I right the wrongs 151 v Dancing in My Underwear A Bronx Tale Chazz Palminteri How lucky can one guy be? 159 Hall & Oates Daryl Hall The smile that lives forever 167 Wynonna Judd I’m smelling good for you and not her 173 The Beach Boys Jeffrey Foskett McGuinn and McGuire couldn’t get no higher . -
Disappoints" Chairs
'\foiume 7, Number 3 College At Lincoln Center, Fordham University, New York February 19-March 4,1986 Fordham Divests From Three Five-Year Corporations Operating In South Africa Plan To Be By Franz C. Adams includes the Chairman of the Board of Trustees of the University's total capital investment of about Prepared Richard Bennett, Fr. O'Hare, and foar Board $36 million. Fordham University's Board of Trustees, voted members. Philion said he plans to meet with the Board of last December 10 to disinvest University funds Trustees on whether there are any possibilities for from companies "who are not observing the By Mary Kay Linge ^ Investment figures taken from the University's complete divestment. "I would like to see people Sullivan Principals" according to University Presi- four portfolios show the value of Fordham stock take the risk and show their support because we dent Rev. Joseph A. O'Hare, The Board also In response to a request made by University in businesses in South Africa to be over $9 million are morally right," he said. adopted a set of general principles concerning President Rev. Joseph A. O'Hare, S.J., the College social responsibility and investment policies, he at Lincoln Center is to prepare "a Strategic Plan said. for developments over the next five years," an- According to Stephen Philion, (FC '86), co- nounced Dean William Tanksley in a February 4 founder of the Fordham Coalition for Divestment, memorandum to the faculty. Students, faculty and about 30 leaders on the campuses of Rose Hill and administrators are all expected to be involved in the College at Lincoln Center are in favor of com- this project, said Tanksley, which is set to be plete divestment of Fordham stocks. -
70S & 80S MUSIC
70s & 80s MUSIC TITLE ARTIST ABBA Medley Stars On 45 Are You Old Enough Dragon Billy Don't Be A Hero Paper Lace C'est La Vie Robbie Nevil Abc Pop - Various Artists As Stevie Wonder Black Betty Ram Jam California Dreamin' The Mamas & The Papas Abraham, Martin & John Pop - Various Artists Atomic Blondie Black Cat Janet Jackson Call Me Blondie Addicted To Love Robert Palmer Baby got back Sir mix a lot Black Man Ray China Crisis call me al paul simon Africa Toto Baby I love You Aretha Franklin Blame It On The Boogie The Jacksons Can You Feel It The Jacksons After The Love Has Gone Earth Wind & Fire Back To Life Soul II Soul Blinded By The Light Bruce Springsteen Can't Fight This Feeling REO Speedwagon Ain't No Mountain High Enough Diana Ross Bad Michael Jackson Blue Monday New Order Can't Get Enough Of Your Love Babe Barry White Ain't No Sunshine Bill Withers Bad Girls Donna Summer bohemian rhapsody queen Can't Help Lovin' That Man Trudy Richards Ain't No Sunshine Pop - Various Artists Bad To The Bone G.Thorogood & The Destroyyers Boogie Fever Slyvers Can't Stop the Music The Village People Ain't Nobody Rufus & Chaka Khan Ball Of Confusion Pop - Various Artists Boogie Wonderland Earth Wind & Fire Candy Iggy Pop All Fired Up Pat Benatar The Ballad of Lucy Jordan Marianne Faithfull Borderline Madonna Cant Get Enough Of Your Love Barry White all i wanna do Heart The Ballad Of Lucy Jordan Pop - Various Artists Born In The U.S.A.