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Bossini International Holdings Limited Invests HK$40M in New Brand “SPARKLE”
PRESS RELEASE August 28, 2002 Bossini International Holdings Limited Invests HK$40m in new brand “SPARKLE” New label expected to generate huge interest in PRC casual wear market and record sales of HK$120m in first seven months Bossini International Holdings Limited (592), the Hong Kong-based fashion chain store, today announced the September launch of SPARKLE, targeting the casual wear sector on the Mainland. During the next seven months, Bossini plans to build an extensive sales network for the new brand by establishing SPARKLE fashion chains in seven major cities including Shanghai, Beijing, Tianjin, Wuhan, Nanjing, Guangzhou, and Shenzhen. An anticipated 50 directly managed stores will open in the first phase of the launch, most located in high traffic areas and within department stores. Store sizes range from an average of 1,000 square feet to a maximum of 3,000 square feet. Mr. Edgar To, Executive Director of Bossini International Holdings Limited said, “Our capital expenditure for the first stage launch of the SPARKLE brand is HK$17m. In return, we expect to record sales of HK$120m in the first seven months of operations to the end of March 2003. We also anticipate rapid growth in sales over the next three years, with retail gross margin of 45%.” Mr. To said the time is right to implement a multi-brand strategy and grow Bossini’s share of the Mainland market. “There is rapid economic growth in many cities in the PRC and it is expected that this will be sustained at least up to 2008,” he said. -
CHAPTER 3 Hong Kong Music Ecosphere
Abstract The people of Hong Kong experienced their deepest sense of insecurity and anxiety after the handover of sovereignty to Beijing. Time and again, the incapacity and lack of credibility of the SAR government has been manifested in various new policies or incidents. Hong Kong people’s anger and discontent with the government have reached to the peak. On July 1, 2003, the sixth anniversary of the hand-over of Hong Kong to China, 500,000 demonstrators poured through the streets of Hong Kong to voice their concerns over the proposed legislation of Article 23 and their dissatisfaction to the SAR government. And the studies of politics and social movement are still dominated by accounts of open confrontations in the form of large scale and organized rebellions and protests. If we shift our focus on the terrain of everyday life, we can find that the youth voice out their discontents by different ways, such as various kinds of media. This research aims to fill the gap and explore the relationship between popular culture and politics of the youth in Hong Kong after 1997 by using one of the local bands KingLyChee as a case study. Politically, it aims at discovering the hidden voices of the youth and argues that the youth are not seen as passive victims of structural factors such as education system, market and family. Rather they are active and strategic actors who are capable of negotiating with and responding to the social change of Hong Kong society via employing popular culture like music by which the youth obtain their pleasure of producing their own meanings of social experience and the pleasure of avoiding the social discipline of the power-bloc. -
Contracted Sales Growth Will Slow in 2021 on Tightened Credit
CORPORATES SECTOR IN-DEPTH Property – China 28 January 2021 China Property Focus: Contracted sales growth will slow in 2021 on tightened credit TABLE OF CONTENTS » We expect national contracted sales growth in 2021 to slow amid tighter onshore Mild national contracted sales growth credit conditions. National contracted sales value grew 10.8% year-on-year in 2020 likely in 2021 2 (compared with 10.3% growth in 2019), largely driven by an increase in average selling Rated developers' offshore bond issuance remained robust in January price. Contracted sales volume (gross floor area), increased by 3.2% in 2020, higher than amid signs of tightening onshore the 1.5% growth in 2019, reflecting solid housing demand and the gradual economic credit to the sector 4 recovery in China despite the disruption caused by the coronavirus outbreak in early Liquidity stress indicator remained flat in December 2020 5 2020. Eight rating actions from 27 November to 26 January 6 » Rated developers' offshore bond issuance remained robust in January amid signs Appendix I 8 of tightening onshore credit to the sector. Rated developers issued $11.5 billion of Appendix II 9 offshore bonds in January 2021 (to 26 January), mainly for refinancing. The amount Appendix III 13 dropped 30% from $16.5 billion in January 2020 but remained robust compared to the Moody's related publications 14 $4.4 billion average monthly issuance in 2020. The active issuance at the beginning of the year also reflects developers' efforts to replenish liquidity amid signs of tightening onshore credit to the sector. On 31 December 2020, the Chinese regulators announced Contacts new guidelines to limit Chinese banks' property loan exposure. -
DISPLAY CHINA 2018 2018.6.27-29 Shanghai New International Exhibition Center
DISPLAY CHINA 2018 2018.6.27-29 Shanghai New International Exhibition Center In conjunction with Organiser China Optics and Optoelectronics Manufactures Association LCB (CODA) Message from Organiser Reed Exhibitions Kuozhan (Shanghai) Co.,Ltd. The electronic and information industry is playing an ever more important role in the global economy. Having made consistent progress for a decade, the revenue of China's display industry grew 7.5 and 3 times respectively during the 11th Five-Year and 12th Five-Year Plan periods, and became the most important growth pole in the global display industry. According to forecast, the China will rank first in production output of display panel by 2019. China's new display industry has developed sophisticated technologies and mature markets, and meanwhile it is steadily progressing in technology research and innovation. Technology, market, product and competition of the display industry will change a lot in the coming years. The consistent innovation in materials and production techniques has been continuallly pushing new display and touch panel products toward larger sizes, faster response time and precise control. In order to exhibit the latest new display technologies, lead and accelerate integration of new display technologies and applications, China Optics and Optoelectronics Manufactures Association LCB (CODA) and Reed Exhibitions Kuozhan will jointly organize the DISPLAY CHINA exhibition. This exhibition will attract more than 22,000 high-end participants from display panel production, associated -
Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
Representation of Females As Victims in Hong Kong Crime Films (2003-2015)
REPRESENTATION OF FEMALES AS VICTIMS IN HONG KONG CRIME FILMS (2003-2015) Perspectives from One Nite in Mongkok, Protégé and The Stool Pigeon TINGTING HU (胡婷婷) MA. Media, Loughborough University, UK, 2011 BA. Arts, Shanghai Theatre Academy, China, 2010 This thesis is submitted for the degree of Master of Research Department of Media, Music, Communication and Cultural Studies Faculty of Arts Macquarie University, Sydney December 25, 2015 MRES Thesis 2015 Tingting HU (ID: 43765858) TABLE OF CONTENTS ABSTRACT ........................................................................................................................ iii CERTIFICATE OF AUTHORSHIP/ORIGINALITY .................................................. iv ACKNOWLEDGMENTS .................................................................................................. v CHAPTER 1 INTRODUCTION ....................................................................................... 1 CHAPTER 2 FEMINISM AND HONG KONG CRIME FILMS ................................. 7 Feminism and Film Studies .................................................................................................. 7 The Western Context ......................................................................................................... 7 The Chinese Context ....................................................................................................... 11 Crime Films and Violence Against Women ....................................................................... 15 Crime Films ................................................................................................................... -
California Tower Celebrated Its Grand Opening in Lan Kwai Fong with the Theme ‘Dance to the Beat of Your Own Drum’
California Tower Celebrated its Grand Opening in Lan Kwai Fong With the theme ‘Dance to the Beat of Your Own Drum’ (Hong Kong, 30 November 2015) The highly anticipated grand opening of the California Tower took place on 30th November 2015, drawing in Hong Kong’s creme de la creme to witness the unveiling of the brand new, one-stop lifestyle and entertainment destination in the heart of Central. With the theme colour purple, the event centred around the expression ‘Dance to the Beat of Your Own Drum’ - a motto that sums up spirit of the California Tower, where it’s all about having fun, enjoying the spaces that it has to offer - and finding your own rhythm. At the Grand Opening, Chairman of the Lan Kwai Fong Group and the “Father of Lan Kwai Fong” Dr Allan Zeman said, “With the return of California Tower, it pumps in a lot of new energy and will bring Lan Kwai Fong to a whole new level! The premium dining, entertainment and lifestyle concepts in the new building will provide endless entertainment to people in Hong Kong and beyond!” The Grand Opening saw seminal Cantopop singer and actress, the Kelly Chen take to the stage. While Lan Kwai Fong went from humble beginnings 30 years ago to the world-famous dining and nightlife destination it is today, the legendary performer has been in showbiz for almost 20 years, with millions of records sold. What’s more, with her energetic live performance that got the crowd moving on their feet, the “Diva of Asia” was the embodiment of “Dance to the Beat of Your Own Drum”. -
List of Action Films of the 2010S - Wikipedia, the Free Encyclopedia
List of action films of the 2010s - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/List_of_action_films_of_the_2010s List of action films of the 2010s From Wikipedia, the free encyclopedia This is an incomplete list, which may never be able to satisfy particular standards for completeness. You can help by expanding it (//en.wikipedia.org /w/index.php?title=List_of_action_films_of_the_2010s&action=edit) with reliably sourced entries. This is chronological list of action films originally released in the 2010s. Often there may be considerable overlap particularly between action and other genres (including, horror, comedy, and science fiction films); the list should attempt to document films which are more closely related to action, even if it bends genres. Title Director Cast Country Sub-Genre/Notes 2010 13 Assassins Takashi Miike Koji Yakusho, Takayuki Yamada, Yusuke Iseya Martial Arts[1] 14 Blades Daniel Lee Donnie Yen, Vicky Zhao, Wu Chun Martial Arts[2] The A-Team Joe Carnahan Liam Neeson, Bradley Cooper, Quinton Jackson [3] Alien vs Ninja Seiji Chiba Masanori Mimoto, Mika Hijii, Shuji Kashiwabara [4][5] Bad Blood Dennis Law Simon Yam, Bernice Liu, Andy On [6] Sorapong Chatree, Supaksorn Chaimongkol, Kiattisak Bangkok Knockout Panna Rittikrai, Morakot Kaewthanee [7] Udomnak Blades of Blood Lee Joon-ik Cha Seung-won, Hwang Jung-min, Baek Sung-hyun [8] The Book of Eli Albert Hughes, Allen Hughes Denzel Washington, Gary Oldman, Mila Kunis [9] The Bounty Hunter Andy Tennant Jennifer Aniston, Gerard Butler, Giovanni Perez Action comedy[10] The Butcher, the Chef and the Wuershan Masanobu Ando, Kitty Zhang, You Benchang [11] Swordsman Centurion Neil Marshall Michael Fassbender, Olga Kurylenko, Dominic West [12] City Under Siege Benny Chan [13] The Crazies Breck Eisner Timothy Olyphant, Radha Mitchell, Danielle Panabaker Action thriller[14] Date Night Shawn Levy Steve Carell, Tina Fey, Mark Wahlberg Action comedy[15] The Expendables Sylvester Stallone Sylvester Stallone, Jason Statham, Jet Li [16] Faster George Tillman, Jr. -
Anthony Wong
26 April/4 May 2019 – Udine – Teatro Nuovo and Cinema Centrale FAR EAST FILM FESTIVAL 21 rd Programme for Friday the 3 of May ANTHONY WONG The Hong Kong superstar returns to the Far East Film Festival after 20 years! Back in Udine to collect his Golden Mulberry Award for Outstanding Achievement and present the wonderful Still Human. Press release for the 2nd of May 2019 For immediate release UDINE – Friday the 3rd of May. Penultimate day of the 21st Far East Film Festival. After Jeon Do-yeon and Yao Chen, it's time to turn the festival's spotlights on another superstar: Anthony Wong! He's played the lead in masterpieces like Johnnie To's The Mission. He's starred in unforgettable cult movies like Andrew Lau and Alan Mak's Infernal Affairs. He's been a hit man, a cop, a romantic hero and a serial killer. He's played every role in every genre, from crime and comedy to fantasy and splatter. His filmography is practically infinite, and it's no exaggeration to say that he is the face of the last thirty years of Hong Kong cinema... Already a guest at the very first edition of the FEFF in 1999, when he presented Beast Cops by Gordon Chan and Dante Lam, Anthony now returns to Udine exactly twenty years later to collect his Golden Mulberry Award for Outstanding Achievement (taking his place in the Udine hall of fame alongside other giants of Asian cinema including Jackie Chan, Joe Hisaishi, Feng Xiaogang, Johnnie To and Brigitte Lin). -
Brattle Theatre Film Notes: Au Began His Career As a Cine- the 1980S
Brattle Theatre Film Notes: au began his career as a cine- the 1980s. Hong Kong cinema Hong Kong, 2002. R. 101 min. matographer, working on films experienced a resurgence in the Cast: Andy Lau, Tony Leung Chiu Lsuch as “Where’s Officer Tuba?” 1980s and early 1990s with the Wai, Anthony Wong Chau-Sang, in 1986 and “Chungking Express” in release of films like director John Eric Tsang; Writer: Felix Chong; Woo’s “A Better Tomorrow” (1986) Cinematographer: Yiu-Fai Lai; 1994. He started his dire c t o r i a l Pr oducer: Andy Lau; Direc t o r s : career with 1987’s “The Ultimate and “The Killer” (1989) both with ( Wai Keung Lau, Alan Mak ) Vampire” and has since worked on action star Chow Yun-Fat. The films movies like the “Best of the Best” w e re known for their chore o- series (1996), “Young and graphed action as well as the inter- ard-boiled and fast paced is D a n g e rous” series (1996); “The nal moral conflicts of the main char- one way to describe the acters. HHong Kong action thriller Duel” (2000); and “The Park” (2003). “Infernal Affairs.” is co-director, Alan Mak, also nfernal Affairs” also adds a told HKMania.com that the level of intrigue. While the he film, which runs from Nov. movie has some very exciting 19 until Nov. 25 at the Brattle Hscript took three years to “I write. He said that the taste of the action scenes, the psychological TTheatre in Cambridge, herald- Hong Kong public shifted fro m impact of the duplicitous ro l e s ed a new wave of Hong Kong cin- action movies in the 1980s to takes its effect on the undercover ema for many critics. -
INFERNAL AFFAIRS (2002, 101 Min.) Online Versions of the Goldenrod Handouts Have Color Images & Hot Links
November 13 2018 (XXXVII:12) Wai-Keung Lau and Alan Mak: INFERNAL AFFAIRS (2002, 101 min.) Online versions of The Goldenrod Handouts have color images & hot links: http://csac.buffalo.edu/goldenrodhandouts.html DIRECTED BY Wai-Keung Lau (as Andrew Lau) and Alan Mak WRITING Alan Mak and Felix Chong PRODUCED BY Wai-Keung Lau producer (as Andrew Lau), line producers: Ellen Chang and Lorraine Ho, and Elos Gallo (consulting producer) MUSIC Kwong Wing Chan (as Chan Kwong Wing) and Ronald Ng (composer) CINEMATOGRAPHY Yiu-Fai Lai (director of photography, as Lai Yiu Fai), Wai-Keung Lau (director of photography, as Andrew Lau) FILM EDITING Curran Pang (as Pang Ching Hei) and Danny Pang Art Direction Sung Pong Choo and Ching-Ching Wong WAI-KEUNG LAU (b. April 4, 1960 in Hong Kong), in a Costume Design Pik Kwan Lee 2018 interview with The Hollywood Reporter, said “I see every film as a challenge. But the main thing is I don't want CAST to repeat myself. Some people like to make films in the Andy Lau...Inspector Lau Kin Ming same mood. But because Hong Kong filmmakers are so Tony Chiu-Wai Leung...Chen Wing Yan (as Tony Leung) lucky in that we can be quite prolific, we can make a Anthony Chau-Sang Wong...SP Wong Chi Shing (as diverse range of films.” Lau began his career in the 1980s Anthony Wong) and 1990s, serving as a cinematographer to filmmakers Eric Tsang...Hon Sam such as Ringo Lam, Wong Jing and Wong Kar-wai. His Kelly Chen...Dr. -
Music from the 1990S to the Present
j：,/ � • .. ….......:._. ‘. • '1- ;V . jn/w Tnn • ft ¾( ! \ ..' � •'. I . I .广, I n . .....Vv'Z …'.J I O > 3 . • • I •• . ^ • jr ,' ‘:'. ； , ''Jr ... Hong Kong Film Music from the 1990s to the Present CHENG LingYan A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Philosophy in Ethnomusicology © The Chinese University of Hong Kong June 2004 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of the materials in the thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. ^ST university~7^// ^XLIBRARy SYSTEM^W Abstract i Hong Kong Film Music from the 1990s to the Present Submitted by LingYan CHENG for the degree of Master of Philosophy in Ethnomusicology at The Chinese University of Hong Kong in June 2004 Abstract This thesis focuses on Hong Kong film music from the 1990s to the 2000s. In recent years, there has been much research and theory on western film music, especially the Hollywood film industry, by musicologists and scholars in film studies, popular music studies, and other fields. However, there has been little research on Hong Kong Film music, the system of which is different from that of western film music, and therefore I will apply basic film music concepts, but using the real situation of Hong Kong film music to formulate my own argument. The methodology used in this thesis will include the application of basic concepts used by scholars of film music, such as the functions of music in film, combined with fieldwork and analysis of films.