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Joel Devlin Director of Photography
Joel Devlin Director of Photography Credits include: WILLOW Director: Debs Paterson High Fantasy Action Adventure Drama Series Showrunner: Wendy Mericle Writer/Executive Producer: Jon Kasdan Executive Producers: Ron Howard, Kathleen Kennedy Roopesh Parekh, Michelle Rejwan Producer: Tommy Harper Featuring: Ellie Bamber, Erin Kellyman, Warwick Davis Production Co: Imagine Entertainment / Lucasfilm / Disney+ ALEX RIDER Director: Rebecca Gatward Action Adventure Spy Series Producer: Richard Burrell Featuring: Otto Farrant, Vicky McClure, Stephen Dillane Production Co: Eleventh Hour Films / Amazon ITV Studios / Sony Pictures Television THE BEAST MUST DIE Director: Dome Karukoski Crime Drama Producer: Sarada McDermott Featuring: Jared Harris, Cush Jumbo, Billy Howle Production Co: New Regency Television International / BritBox THE SPANISH PRINCESS Director: Rebecca Gatward Tudor Period Drama Series Showrunner: Matthew Graham Featuring: Charlotte Hope, Ruari O’Connor, Olly Rix Production Co: New Pictures / Starz! HIS DARK MATERIALS: THE SUBTLE KNIFE Director: Leanne Welham Epic Fantasy Adventure Drama Series Series Producer: Roopesh Parekh Adaptation of Philip Pullman’s award-winning novel. Featuring: Dafne Keen, Ruth Wilson, Lin-Manuel Miranda ‘Will’s World’ for HIS DARK MATERIALS: NORTHERN LIGHTS Director Will McGregor Producer: Laurie Borg Production Co: Bad Wolf / HBO / BBC One THE TRIAL OF CHRISTINE KEELER Directors: Andrea Harkin, Leanne Welham Dramatisation of the infamous Profumo Affair Producer: Rebecca Ferguson that rocked the British -
Subversive Female Mentors in Philip Pullman's His Dark Materials
This is the published version of the bachelor thesis: Baró González, Jana; Martín Alegre, Sara, dir. "Witch-oil" : subversive female mentors in Philip Pullman’s ’His Dark Materials’. 2015. 29 pag. (801 Grau en Estudis Anglesos) This version is available at https://ddd.uab.cat/record/137417 under the terms of the license “Witch-oil”: Subversive Female Mentors in Philip Pullman’s His Dark Materials TFG Estudis Anglesos Supervisor: Dr Sara Martín Alegre Jana Baró González June 2015 Table of Contents I. Introduction 3 II. His Dark Materials as Children’s Fantasy 4 III. Deceiving the Authority: Marisa Coulter as a Subversive Mother 8 IV. The Wicked Hag and the Joyful Goddess: Serafina Pekkala as a Contemporary Witch 15 V. Serafina Pekkala and Mrs. Coulter as Lyra’s Contrasting Mentors 22 VI. Conclusions 25 VII. Bibliography 27 Abstract Philip Pullman’s fantasy trilogy His Dark Materials follows Lyra Belacqua’s journey across different worlds, where she meets a series of adult figures who act as her guides and mentors – and also as tormentors and pursuers. This paper will focus on two of the women who teach and nurture Lyra: Serafina Pekkala, a witch, but a benign figure; and Marisa Coulter, an intelligent, glamorous woman who turns out to be her mother, and one of the main villains. In my view – from a Gender Studies perspective –, Serafina and Coulter offer positive examples of the representation of women in fantasy literature, which their role as mentors for the protagonist, with all their differences, prove. Their memorable personalities go beyond stereotypes, and they are characters with agency and believable motives. -
Mcsporran, Cathy (2007) Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction
McSporran, Cathy (2007) Letting the winter in: myth revision and the winter solstice in fantasy fiction. PhD thesis http://theses.gla.ac.uk/5812/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Letting the Winter In: Myth Revision and the Winter Solstice in Fantasy Fiction Cathy McSporran Thesis submitted for the degree of Doctor of Philosophy Department of English Literature, University of Glasgow Submitted October 2007 @ Cathy McSporran 2007 Abstract Letting the Winter In: Myth-Revision and the Winter Solstice in Fantasy Fiction This is a Creative Writing thesis, which incorporates both critical writing and my own novel, Cold City. The thesis explores 'myth-revision' in selected works of Fantasy fiction. Myth- revision is defined as the retelling of traditional legends, folk-tales and other familiar stories in such as way as to change the story's implied ideology. (For example, Angela Carter's 'The Company of Wolves' revises 'Red Riding Hood' into a feminist tale of female sexuality and empowerment.) Myth-revision, the thesis argues, has become a significant trend in Fantasy fiction in the last three decades, and is notable in the works of Terry Pratchett, Neil Gaiman and Philip Pullman. -
Movie Tv Sho Audio Radio
70 FILM REVIEWS MOVIES 71 NEW MOVIES ONBOARD 72 MOVIES TV SHOWS 74 TV SHOWS AUDIO Entertainment 76 AUDIO/RADIO RADIO © 2018 20TH CENTURY FOX. ALL RIGHTS RESERVED. BAD TIMES AT THE EL ROYALE FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE THREE MOVIES. THE INCREDIBLES Is The Incredibles the best animated movie ever? Yes. Yes, it is. It’s hilariously funny, exciting, moving and visually beautiful. A family of superheroes have to live in witness protection as normal people because superheroes have been deemed a menace to society. Naturally, Mr Incredible hates his boring life as an insurance salesman and his goingplacesmagazine.com children have to hide their superhero skills. But when an opportunity for a return to the old life comes knocking, Mr Incredible puts his entire family at risk, which sounds like a job LOGAN for Elastigirl. Is Logan the best superhero movie ever? EDGE OF TOMORROW Probably. A thunderous Hugh Jackman Because it was made all the way back in Is Edge of Tomorrow the best science fiction | 70 is Wolverine one last time as he plays a 2004, the animation for The Incredibles may movie ever? Maybe not, but it’s definitely | January 2019 January | reluctant father figure to the stunningly not seem quite as plush as, say, Zootopia, the best science fiction movie starring Tom intense young actress Dafne Keen. On a but director Brad Bird (who made his name Cruise, and when it comes to big-budget desperate journey from Mexico to the far with The Simpsons) created such a complete action Hollywood movies, nobody delivers north, the pair are perfectly matched as universe that you instantly forget. -
The Exploration of Will's Maturation Through Intersubjectivity in Philip
DOI: 10.7816/idil-06-35-03 idil, 2017, Cilt 6, Sayı 35, Volume 6, Issue 35 THE EXPLORATION OF WILL’S MATURATION THROUGH INTERSUBJECTIVITY IN PHILIP PULLMAN’S HIS DARK MATERIALS TRILOGY1 Gözde ERSOY2 ABSTRACT This paper, through focusing on Philip Pullman’s The Subtle Knife (1997) and The Amber Spyglass (2000) from His Dark Materials trilogy, analyses the maturation process of young co-protagonist Will, who in the beginning is introduced to the readers as a boy carrying the world on his shoulders. It showcases his gradual coming of age through the effect of his actions with others, and whilst doing this social thinker Jürgen Habermas’s interpretation of the intersubjectivity theory helps to trace the changes in him. Moreover, the article briefly discusses the way in which intersubjectivity differs from Bakhtinian interpretation of multi-voiced narratives. Therefore, concepts such as mutual understanding and self-reflection are shown to affect the process of maturation in quest style young adult narratives. In the meantime, the whole discussion is backed up with a framework belonging to the doyen of fantasy literature critic John Clute, whose “full fantasy Story” (1997; 2011) model with its gradual four phases, is incorporated into the analysis. Keywords: Intersubjectivity, Growth and Maturation, Philip Pullman, Full- fantasy Story, Jürgen Habermas. 1 This article has partly been produced from the author’s Ph.D. thesis, for which she was awarded the degree in 2016 from Brunel University London, entitled: “Trajectories, Theresholds, Transformations: Coming of Age in Classic Modern Fantasy Fiction.” 2 Research Assistant Dr. Gözde ERSOY, Süleyman Demirel University (Isparta / Turkey), Faculty of Arts and Letters, Department of Western Languages and Literatures, contact e-mail: gozdeersoy(at)sdu.edu.tr 1915 www.idildergisi.com Ersoy, G. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
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Being Alone: Experiences of Isolation in the Imaginary Worlds of “His Dark Materials”
Being Alone: Experiences of Isolation in the Imaginary Worlds of “His Dark Materials” Graham Law Waseda University Abstract: Because of its apparently unlimited freedom both to play with material settings and to explore the human consequences, fantasy fiction seems an appropriate context in which to consider the relationship between being alone and feeling alone. In other words, to consider the extent to which isolation as a psychological experience is shaped by isolation in the physical sense. To be published in: “Literary Geographies in Isolation,” Literary Geographies 6:2 (Dec. 2020) https://www.literarygeographies.net/index.php/LitGeogs Philip Pullman’s His Dark Materials trilogy * at the narrative level, a series of novels founded on the idea of a multiplicity of parallel worlds (like the 'Narnia' Chronicles of the Christian apologist C.S. Lewis, of which it is in many respects a deconstruction) * at the philosophical level a Blakean critique of the dichotomization of body and soul typical in the Christian tradition * at the psychological level a sustained analysis of the experience of sexual maturation The characteristics of social interaction ... 1) ... within the virtual classroom * using a laptop camera at home occasionally brings alien beings into view or even into the conversation = house-mates, family members, domestic animals, 2) ... throughout the imaginary worlds of Pullman’s fantasy novels * preoccupied with the physiological and psychological complexities of the state of being ‘alone’ = in adjectival form, attributed to a human or humanized agent, and with the various senses of unaccompanied, single-handed, or solitary (OED A.1.a-c), = this term occurs in this sense more than 50 times in the course of a narrative not far short of 400,000 words. -
Extract from Chapter Ten of La Belle Sauvage Eleven-Year-Old Malcolm
Extract from chapter ten of La Belle Sauvage Eleven-year-old Malcolm lives with his parents at the Trout Inn near Oxford, across the river Thames from Godstow Priory, where the nuns are looking after a special guest. One night his father comes to Malcolm’s bedroom. Now read on: “Malcolm, you en’t in bed yet—good. Come downstairs for a minute. There’s a gentleman wants a word with you.” “Who is it?” said Malcolm eagerly, jumping up and following his father out. “Keep your voice down. He’ll tell you who he is if he wants to.” “Where is he?” “In the Terrace Room. Take him a glass of Tokay.” “What’s that?” “Hungarian wine. Come on, hurry up. Mind your manners and tell the truth.” “I always do,” said Malcolm automatically. “News to me,” said his father. But he ruffled Malcolm’s hair before they entered the bar. The gentleman waiting gave him a start, though all he was doing was sitting still by the cold fireplace. Perhaps it was his dæmon, a beautiful silvery spotted leopard, or perhaps it was his dark, saturnine expression; in any event, Malcolm felt daunted, and very young and small. His dæmon, Asta, became a moth. “Good evening, sir,” he said. “Your Tokay what you ordered. Would you like me to make up the fire? It’s ever so cold in here.” “Is your name Malcolm?” The man’s voice was harsh and deep. “Yes, sir. Malcolm Polstead.” “I’m a friend of Dr. Relf,” said the man. “My name is Asriel.” “Oh. -
The Subtle Knife Is the Second Part of the Trilogy That Began with the Golden Compass
The Subtle Knife is the second part of the trilogy that began with The Golden Compass. That first book was set in a world like ours, but different. This book begins in our own world. * * * * * In The Subtle Knife, readers are introduced to Will Parry, a young boy living in modern- day Oxford, England. Will is only twelve years old, but he bears the responsibilities of an adult. Following the disappearance of his explorer-father, John Parry, during an expedition in the North, Will became parent, provider and protector to his frail, confused mother. And it's in protecting her that he becomes a murderer, too: he accidentally kills a man who breaks into their home to steal valuable letters written by John Parry. After placing his mother in the care of a kind friend, Will takes those letters and sets off to discover the truth about his father. Will does indeed make an astonishing discovery, but it's not about his father. Along a busy road, he happens upon an extraordinary window in the air. Almost invisible to the eye, it opens into an entirely different world. Anxious to remain hidden, Will ventures through this window into the shimmering, haunted city of Cittàgazze, where he meets Lyra Belacqua and her dæmon, Pantalaimon, who have also wandered into Cittàgazze from yet another world while searching for the answers behind Dust. Aside from Will and his new companions, this city is eerie, empty and silent. The people have fled to the hills to escape the Specters, phantom-like beings that feed on the consciousness of grown-ups, leaving them zombie-like and void forever after. -
Satanic Characters in Philip Pullman's Trilogy, His Dark Materials
1 Dreadful Monsters or Self-sacrificing Parents? Satanic Characters in Philip Pullman’s Trilogy, His Dark Materials Zsuzsanna Tóth * University of Szeged, Hungary Abstract Within a close transtextual inheritance of John Milton’s Paradise Lost (1667) and William Blake’s The Marriage of Heaven and Hell (1790-1793) starring Satan, Philip Pullman’s contemporary fantasy trilogy, His Dark Materials (1995-2000), retells the Judeo-Christian myth of the Fall of Man in order to criticize the grand narrative of Christianity. From the theoretical position of myth criticism, the paper proves that on the one hand, in Pullman’s mythopoesis the symbolic role of Satan is divided into two characters, a man called Lord Asriel and a woman called Mrs Marisa Coulter. On the other hand, their about-turn cannot be considered a real character development even though both the public and private purposes of Lord Asriel and Mrs Coulter diametrically change at the end of Pullman’s story. Keywords: character-development, fantasy literature, myth-criticism, Satan 1. Introduction: On the Devil’s Party Satan as the embodiment of antagonism has been a recurring character in Judeo-Christian literature. Since the era of Romanticism, he has been interpreted as a tragic, heroic figure (Pál and Újvári, 2001: 364), also as one of the embodiments of man’s intellectual freedom (405). The most prominent examples are John Milton’s Paradise Lost (1667), Johann Wolfgang von Goethe’s Faust (1808; 1832) and Mikhail Bulgakov’s The Master and Margarita (1966). The list continues with a British author of children’s and adolescents’ fiction, namely Philip Pullman (1946- ) who retells the Judeo-Christian myth of the Fall of Man in his post-modern fantasy trilogy, entitled His Dark Materials . -
The Subtle Knife Ebook, Epub
THE SUBTLE KNIFE PDF, EPUB, EBOOK Philip Pullman | 368 pages | 03 Oct 2013 | Scholastic | 9781407139760 | English | London, United Kingdom The Subtle Knife PDF Book They break in and soon reach the tower where they find a roughed-up elderly man bound and gagged. Frequently Bought Together. John tells Will that the subtle knife is the most powerful weapon in the world, that it is the only weapon that can destroy God, and that Will must find Lord Asriel and force the ultimate confrontation between good and evil. In stock online Available in stores. This content is imported from YouTube. Popular pages: His Dark Materials. The season will pick up exactly where season 1 ends: like, hours after. Internet Explorer. Immediate Media Company Limited publishers of radiotimes. On set, the threads and portals or windows were real, created with wire by the VFX team to allow the actors to more easily interact with them. Chrome On the Control button top right of browser , select Settings from dropdown. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Anything more than that will just be spoiler territory. Meanwhile, the witch Serafina Pekkala is searching for her clan, when she comes across Mrs. The narrators really bring the story to life. Rate Product. Now, for the first time ever, Lois H. Edition Horoscopes. And something to run it down. Sign me up! Back to top. He returns to camp only to find the witches are gone, two angels have arrived, and the only sign left of Lyra is her alethiometer. Did he spoil his own return? She kills John and then herself, and Will is left bereft.