T. E. Lawrence
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Paul Mellon Centre for Studies in British Art Library: New Accessions March 2017
Paul Mellon Centre for Studies in British Art Library: New accessions March 2017 0730807886 Art Gallery Board of Claude Lorrain : Caprice with ruins of the Roman forum Adelaide: Art Gallery Board of South Australia, C1986 (44)7 CLAU South Australia (PAMPHLET) 8836633846 Schmidt, Arnika Nino Costa, 1826-1903 : transnational exchange in Milan: Silvana Editoriale, 2016 (450)7 COST(N).S European landscape painting 0854882502 Whitechapel Art William Kentridge : thick time London: Whitechapel Gallery, 2016 (63)7 KENT(W).B Gallery 0956276377 Carey, Louise Art researchers' guide to Cardiff & South Wales [London]: ARLIS UK & Ireland, 2015 026 ART D12598 Petti, Bernadette English rose : feminine beauty from Van Dyck to Sargent [Barnard Castle]: Bowes Museum, [2016] 062 BAN-BOW 0903679108 Holburne Museum of Modern British pictures from the Target collection Bath: Holburne Museum of Art, 2005 062 BAT-HOL Art D10085 Kettle's Yard Gallery Artists at war, 1914-1918 : paintings and drawings by Cambridge: Kettle's Yard Gallery, 1974 062 CAM-KET Muirhead Bone, James McBey, Francis Dodd, William Orpen, Eric Kennington, Paul Nash and C R W Nevinson D10274 Herbert Read Gallery, Surrealism in England : 1936 and after : an exhibition to Canterbury: Herbert Read Gallery, Canterbury College of Art, 1986 062 CAN-HER Canterbury College of celebrate the 50th anniversary of the First International Art Surrealist Exhibition in London in June 1936 : catalogue D12434 Crawford Art Gallery The language of dreams : dreams and the unconscious in Cork: Crawford Art Gallery, -
The Female Art of War: to What Extent Did the Female Artists of the First World War Con- Tribute to a Change in the Position of Women in Society
University of Bristol Department of History of Art Best undergraduate dissertations of 2015 Grace Devlin The Female Art of War: To what extent did the female artists of the First World War con- tribute to a change in the position of women in society The Department of History of Art at the University of Bristol is commit- ted to the advancement of historical knowledge and understanding, and to research of the highest order. We believe that our undergraduates are part of that endeavour. For several years, the Department has published the best of the annual dis- sertations produced by the final year undergraduates in recognition of the excellent research work being undertaken by our students. This was one of the best of this year’s final year undergraduate disserta- tions. Please note: this dissertation is published in the state it was submitted for examination. Thus the author has not been able to correct errors and/or departures from departmental guidelines for the presentation of dissertations (e.g. in the formatting of its footnotes and bibliography). © The author, 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted by any means without the prior permission in writing of the author, or as expressly permitted by law. All citations of this work must be properly acknowledged. Candidate Number 53468 THE FEMALE ART OF THE FIRST WORLD WAR 1914-1918 To what extent did the female artists of the First World War contribute to a change in the position of women in society? Dissertation submitted for the Degree of B.A. -
Edwards H. Metcalf Library Collection on TE Lawrence
Edwards H. Metcalf Library Collection on T.E. Lawrence: Scrapbooks Huntington Library Scrapbook 1 Page Contents 1 recto [Blank]. 1 verso Anal. 1. Newspaper clipping. North, John, 'Hejaz railway brings back memories of Lawrence', Northern Echo, June 14, 1965. Anal. 2. Newspaper clipping. 'Memories of T.E.', Yorkshire Post, May 18, 1965. Mss. Note from Beaumont 'Please accept these free with my compliments. T.W. Beaumont'. 2 recto Black-and-white photograph of Beaumont. 'Thomas W. Beaumont Served under T.E. Lawrence in Arabia as his Sgt. Vickers Gunner'. 2 verso Black-and-white photograph. Mss. 'To my friend Theodora Duncan with every good wish. T.W. Beaumont' Typed note. ' Parents of Peter O'Toole with T.W. Beaumont At the gala opening of the film "Lawrence of Arabia", at the Majestic Theatre in Leeds, Yorkshire, Sunday evening, Oct. 13, 1963'. 3 recto Anal. 3. Newspaper clipping. 'A Lawrence Talks About That Legend', Leeds, Yorkshire, April 10, 1964. Two black-and-white photographs. 'Mr. T. W. Beaumont meets Dr. M.R. Lawrence elder brother of T.E. Lawrence, at Leeds City Station, Yorkshire. April 10, 1964. 3 verso Newspaper cartoon. 'Boy! I'm glad they don't use US nowadays!' Anal. 4. 'The following small photographs were taken during WW-I on the Eastern Front by T.W. Beaumont & friends, and smuggled out of Arabia. Newspaper cartoon. 'Arms for the love of Allah!' 4 recto Black-and-white photograph. 'Siwa Oasis, 1915-17 Involved in the defense of Suez. Operations against the Senussi in Lybian Desert. Photographed by C.S. -
Legacies of the Anglo-Hashemite Relationship in Jordan
Legacies of the Anglo-Hashemite Relationship in Jordan: How this symbiotic alliance established the legitimacy and political longevity of the regime in the process of state-formation, 1914-1946 An Honors Thesis for the Department of Middle Eastern Studies Julie Murray Tufts University, 2018 Acknowledgements The writing of this thesis was not a unilateral effort, and I would be remiss not to acknowledge those who have helped me along the way. First of all, I would like to thank my advisor, Professor Thomas Abowd, for his encouragement of my academic curiosity this past year, and for all his help in first, making this project a reality, and second, shaping it into (what I hope is) a coherent and meaningful project. His class provided me with a new lens through which to examine political history, and gave me with the impetus to start this paper. I must also acknowledge the role my abroad experience played in shaping this thesis. It was a research project conducted with CET that sparked my interest in political stability in Jordan, so thank you to Ines and Dr. Saif, and of course, my classmates, Lensa, Matthew, and Jackie, for first empowering me to explore this topic. I would also like to thank my parents and my brother, Jonathan, for their continuous support. I feel so lucky to have such a caring family that has given me the opportunity to pursue my passions. Finally, a shout-out to the gals that have been my emotional bedrock and inspiration through this process: Annie, Maya, Miranda, Rachel – I love y’all; thanks for listening to me rant about this all year. -
Then with the Civilian Administration up Until Britain Lence And
AN ABSTRACT OF THE THESIS OF MichaelA.Earl-Taylor for the degree of Master of Arts in Interdisciplinary Studies in History, Anthropology and English presented on May 30, 1989. Title:British Policies Towards Palestine 1917-1922. q. Abstract approved: ?A Ku Phi This study traces British government policies with regard to Palestine from the time the British Expedition- ary Forces under General Allenbyinvested Jerusalem in December 1917 to the imposition of the Mandatewith Britain as the Mandatory power, which came into effect on July 22,1922. The first chapter provides an historical introduction and examines the sequence of events leading to the Balfour Declaration of November 1917. The subsequent chapters deal with British policies during the MilitaryAdministration,which lasted from 1917-1920, and then with the Civilian Administration up until Britain formally assumed the Mandate of the Covenant ofthe League of Nations. Perhaps no policies ever pursued by successive British governments have been more fraught with ambiva- lence and contradiction than those of the Palestine mandate.British interests were defined not only by moral concerns with regard to the position of the Jewish people, but strategic considerations of Palestine and its geo- graphic location as a buffer zone to the lifeline of the empire--the Suez Canal.In this respect, the government of India, the source of the British military power in the Near East exerted as much, and sometimes more, influence over British Middle East policy as theForeign Office, and later, the Colonial Office combined. The inclusion of the Balfour Declaration in the Man- date placed the British government in an extraordinary and difficultposition. -
Fttfe MUSEUM of MODERN1 ART
jr. ,•&-*- t~ V* *«4* /C^v i* 41336 - 2Z f± **e y^^A-^-^p, fttfE MUSEUM OF MODERN1 ART P WEST 53RD STREET, NEW YORK -uEPHONE: CIRCLE 5-89CO FOE IMMEDIATE RELEASE (Note* Photographs of paintings available) BRITAIN DELIVERS WAR PAINTINGS TO MUSEUMxOF MODERN ART. LORD HALIFAX TO OPEN EXHIBITION. On Thursday evening, May 22, Lord Halifax, Great Britain's Ambassador to the United States, will formally open at the Museum of Modern Art an exhibition of the Art of Britain At War, designed to show the wartime roles England assigns to her artists and de signers. It will be composed of oils, watercolors, drawings, prints, posters, cartoons, films, photographs, architecture and camouflage of the present war as well as work of British artists during the first World War. The exhibition will open to the public Friday morning, May 23, and will remain on view throughout the summer. It will then be sent by the Museum to other cities in the United States and Canada, The nucleus of the exhibition opening in May will be the group of paintings, watercolors and prints which the Museum expected to open as a much smaller exhibition in November 1940. After several postponments the Museum was finally forced to abandon it as, due to wartime shipping conditions, the pictures did not arrive although word had been received that the shipment had left London early in November. The Museum received the shipment late in January. After weeks of further negotiation with British officials in this country and by cable with London the Museum decided that it would be possible to augment the material already received with other work done by British artists since the first material was sent. -
T. E. Lawrence Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8bg2tr0 No online items T. E. Lawrence Papers: Finding Aid Finding aid prepared by Gayle M. Richardson, April 30, 2009. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org © 2009 The Huntington Library. All rights reserved. T. E. Lawrence Papers: Finding mssTEL 1-1277 1 Aid Overview of the Collection Title: T. E. Lawrence Papers Dates (inclusive): 1894-2006 Bulk dates: 1911-2000 Collection Number: mssTEL 1-1277 Creator: Lawrence, T. E. (Thomas Edward), 1888-1935. Extent: 8,707 pieces. 86 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org Abstract: The collection consists of papers concerning British soldier and author T.E. Lawrence (1888-1935) including manuscripts (by and about Lawrence), correspondence (including over 150 letters by Lawrence), photographs, drawings, reproductions and ephemera. Also included in the collection is research material of various Lawrence collectors and scholars. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Boxes 82-86 -- Coin & Fine Art, Manuscript & Rare Book Dealers. Restricted to staff use only. These boxes include provenance, price and sale information; please see Container List for an item-level list of contents. Publication Rights All photocopies, for which the Huntington does not own the original manuscript, may not be copied in any way, as noted in the Container List and on the folders. -
Hejaz: the First Postage Stamps of 1916 and T E Lawrence
Final version. 16.9.05 Hejaz: The First Postage Stamps of 1916 and T E Lawrence. David R Beech FRPSL Hejaz, more correctly spelt Hijaz, is a region in the Arabian Peninsular that includes both the Red Sea littoral and the holy Islamic cities of Mecca and Medina. It had been part of the Turkish Ottoman Empire since 1517. In 1845 the Ottomans strengthened their influence by taking greater control from the local chiefs. To consolidate the position further, and to facilitate the journey for pilgrims, a railway, known as the Hijaz Railway, was built between 1900 and 1908 from Damascus to Medina. On 5th November 1914 Great Britain declared war on the Ottoman Empire which had joined the First World War on the same side as Germany. Arab Revolt against the Turks would benefit British interests and a secret agreement of 23rd October 1914 for support was made with the Sherif of Mecca in Hijaz. On 7th June 1916 Hijaz proclaimed independence, on 10th June its forces occupied Mecca, and on 27th June Hijaz declared war on Turkey. Also on 27th June Husayn [or Hussein as quoted below] ibn ‘Ali, Grand Emir and Sherif of Mecca (c1854-1931), who had been appointed to his office by the Turks in 1908, further declared independence of Ottoman rule and on 29th October was proclaimed King of the Hijaz. Into the story enters T E Lawrence, “Lawrence of Arabia” (1888-1935) in the company of Ronald (later Sir Ronald) Storrs (1881-1955), Oriental Secretary at the Arab Bureau and later High Commission, in Cairo. -
Fifty Fine Items
FIFTY FINE ITEMS Peter Harrington london Peter Harrington 1 Peter Harrington london catalogue 170 FIFTY FINE ITEMS all items from this catalogue are on display at dover street doveR st opening houRs: 10am–7pm monday–FRiday; 10am–6pm satuRday mayfair chelsea 43 doveR stReet 100 Fulham Road london w1s 4FF london sw3 6hs Front cover illustration from Pedro de Medina's VAT no. gb 701 5578 50 This uk 020 3763 3220 uk 020 7591 0220 Regimiento de navegacion, item 7; illustration opposite Peter Harrington Limited. Registered office: WSM catalogue is shipped in a eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 by J. K. Rowling, item 50. Services Limited, Connect House, 133–137 Alexandra biodegradable envelope made with usa 011 44 20 3763 3220 usa 011 44 20 7591 0220 Back cover photograph by Nigel Robinson. Road, Wimbledon, London SW19 7JY recycled material www.peterharrington.co.uk Design: Nigel Bents. Photography: Ruth Segarra. Registered in England and Wales No: 3609982 Dear friends, state of the binding; the gorgeous Sangorski manuscript of Poe’s "Annabel Lee" and other poems in a sumptuous jewelled binding by Riviere; and a photograph With the publication of our first catalogue of the new year, I’d like to say thank album of the Soviet Union state visit to China under Chairman Mao, complete you to all our customers for their support throughout 2020 and the challenges with Mao’s signature. But there are many other wonderful things, listed in short- that strange year brought – it has been greatly appreciated. title form overleaf. -
Fine Printing & Illustration
Fine Printing & Illustration ¶ Item 68. Jones (David). Coleridge (Samuel Taylor). The Rime of the Ancient Mariner. Modern Fine Printing & Illustration Catalogue 1484. Maggs Bros Ltd 48 Bedford Square London 2018 Wood-engraving by Simon Brett of the keystone above the front door at 48 Bedford Square, reproduced here in memory of Cobden-Sanderson’s sacrifice of his type to theThames. Front endpapers: Item 64. Henry (Avril K.). Toys. Back endpapers: Item 3.The endpapers for Donald Glaister's binding of the Ashendene Boccaccio. Maggs Bros Ltd., 48 Bedford Square, London WC1B 3DR Contents of Catalogue The William Lang Doves Press collection. 1. Margaret Adams calligraphic album. 2. Art Workers’ Guild. Sketches made on Lithography Night. 1905. 3–7. Ashendene Press. 8. Edward Bawden. How to Make Money. c. 1929. 9. Aubrey Beardsley. The Pierrot of the Minute. 1897 10 & 11. Ian Beck. Fugitive Lyrics. 2013. 12. Edward Burne-Jones. Mezzotint, signed, of Pan and Psyche. 1887. 13. Michael Caine. Lament for Ignacio Sanchez mejias. 1995. 14–16. Corvinus Press. Three rare T.E. Lawrence books. 17–19. Cresset Press. 20. Nancy Cunard, John Banting, John Piper, Ithell Colquhoun and others. Salvo for Russia. 1942. 21–22. Doves Press. 23. Eragny Press. Les Ballades de Villon. 1900. 24–26. Essex House Press. 27. Fleece Press. To the War with Paper & Brush. 2007. 28–30. Robert Gibbings. 31–36. Eric Gill. 37–54. Golden Cockerel Press. 55–61. Gregynog Press. 63. Temporary Culture. Forever Peace: To Stop War. 64. Avril Henry. Original illustrated manuscript of Toys. 65. High House Press. A Marriage Triumph. -
The Arab Bureau, Land Policy, and the Doineau Trial in French Algeria, 1830-1870
“It is Not in a Day That a Man Abandons His Morals and Habits”: The Arab Bureau, Land Policy, and the Doineau Trial in French Algeria, 1830-1870 by K.A. Bowler Department of History Duke University Date:___________________ Approved: ______________________________ William Reddy, Supervisor ______________________________ Malachi Hacohen ______________________________ Akram Khater ______________________________ Donald Reid ______________________________ Alex Roland Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2011 ABSTRACT: “It is Not in a Day That a Man Abandons His Morals and Habits”: The Arab Bureau, Land Policy, and the Doineau Trial in French Algeria, 1830-1870 by K.A. Bowler Department of History Duke University Date:___________________ Approved: ______________________________ William Reddy, Supervisor ______________________________ Malachi Hacohen ______________________________ Akram Khater ______________________________ Donald Reid ______________________________ Alex Roland An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2011 Copyright 2011 by K.A. Bowler Abstract This dissertation revises influential scholarship on nineteenth-century French colonial policy in Algeria. After French troops conquered Algeria in 1830, French civilian and military administrations competed for control. There were two major points of conflict between the civilian and military administrative branches: the extent to which the French should adopt or tolerate pre-existing political and social norms; and, most important, the process by which Europeans acquired and settled the land belonging to the indigenous population. In general, the military, especially the Arab Bureau, advocated a tolerance for and acceptance of local legal and social customs and supported a slow process of European colonization. -
TE Lawrence and the Mint Par Andrew Williams Département D
Université de Montréal The Toxic Morsel: T.E. Lawrence and The Mint par Andrew Williams Département d’études anglaises faculté des arts et des sciences Thèse présentée a la faculté des études supérieures en vue de l’obtenation du grade de Philosphi Doctor (PhD) en études anglaises Novembre 2004 ©Andrew Williams 2004 à carnpr dL. Université de Montréal de R - V tfl Université t1lh de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraîts substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document.