DOCSLIB.ORG

Fall River,Ma……02723

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fall River,Ma……02723 MANY NEW TITLES-ALL TRANSFERRED FROM FILM-TOP QUALITY FROM FORGOTTEN HOLLYWOOD! FORGOTTEN HOLLYWOOD…..40 ALDEN STREET……FALL RIVER,MA……02723 MY HEART BELONGS TO DADDY-(Para.1942)-Richard Carlson-Martha O’Driscoll MEET THE NAVY-(British 1946)-Lionel Murton-Margaret Hurst-John Pratt THE MAN IN THE ROAD-(British 1957)-Hugh Williams-Ralph Ince MOONLIGHT MASQUERADE-(Rep.1942)-Dennis O’Keefe-Jane Frazee-Betty Kean MEET ME ON BROADWAY-(Col.1946)-Marjorie Reynolds-Fred Brady MY MAN GODFREY-(Univ.1957)-David Niven-June Allyson-Jessie Royce Landis-COLOR THE MAD MARTINDALES-(20th 1942)-Jane Withers-Alan Mowbray-George Reeves THE MAN WHO DARED-(Col.1946)-Leslie Brooks-George Macready-Director John Sturgis MY GUN IS QUICK-(U.A.1957)-Robert Bray-Phil Victor-Pat Donahue MANILA CALLING-(20th 1942)-Lloyd Nolan-Carol Landis-Cornel Wilde MAN ABOUT TOWN-(French 1947)-Maurice Chevalier MR.STEVE-(French 1957)-Jeanne Moreau-”L’Etrange Monsieur Steve”-In English! MOONTIDE-(20th 1942)-Jean Gabin-Ida Lupino-Claude Rains A MAN ABOUT THE HOUSE-(British 1947)-Margaret Johnston-Kieron Moore THE MAN WHO DIED TWICE-(Rep.1958)-Rod Cameron-Vera Ralston-Mike Mazurki THE MAN IN THE TRUNK-(20th 1942)-Lynne Roberts-George Holmes-Raymond Walburn MANHATTEN ANGEL-(Col.1948)-Gloria Jean-Ross Ford MIDDLE OF THE NIGHT-(Col.1959)-Frederic March-Kim Novak-Albert Dekker THE MAGNIFICENT DOPE-(20th 1943)-Henry Fonda-Lynn Bari-Don Ameche MARY LOU-(Col.1948)-Robert Lowery-Joan Barton-Glenda Farrell-Frankie Carle MONSTER OF PIEDRAS BLANCAS-(1959)-Les Tremayne-Forrest Lewis MARGIN FOR ERROR-(20th 1943)-Joan Bennett-Milton Berle-Otto Preminger MISS TATLOCK’S MILLIONS-(Para.1947)-John Lund-Wanda Hendrix-Barry Fitzgerald MACUMBA LOVE-(U.A.1960)-Walter Reed-Ziva Rodann-COLOR THE MOON IS DOWN-(20th 1943)-Cedric Hardwicke-Lee J.Cobb MY OWN TRUE LOVE-(Para.1948)-Phyllis Calvert-Melvyn Douglas-Wanda Hendrix THE MAGIC FOUNTAIN-(1961)-Peter Nestler-Sir Cedric Hardwicke-COLOR THE MEANEST MAN IN THE WORLD-(20th 1943)-Jack Benny-Pricilla Lane-Edmund Gwynn THE MAN FROM TEXAS-(British 1948)-James Craig-Lynn Bari MARK OF THE TORTOISE-(Rialto 1964)-Hildegarde Neff-George Gotz-Dubbed MINESWEEPER-(Para.1943)-Richard Arlen-Jean Parker-Russell Hayden-Robert Mitchum THE MARK OF CAIN-(British 1948)-Sally Gray-Eric Portman-Patrick Holt MUTINY IN THE SOUTH SEAS-(ITC 1966)-John Hanson-Horst Frank-COLOR MYSTERY BROADCAST-(Rep.1943)-Ruth Terry-Frank Albertson MILLION DOLLAR WEEKEND-(E.L.1948)-Gene Raymond-Frances Lederer A MAN NAMED JOHN-(1965)-Rod Steiger In The Life Story Of Pope John XXIII-COLOR MELODY PARADE-(Mono.1943)-Mary Beth Hughes-Eddie Quillan MONEY MADNESS-(Film Classics 1948)-Hugh Beaumont-Francis Rafferty MUTINY IN THE SOUTH SEAS-(1966)-John Hanson-Horst Frank-COLOR THE MYSTERY OF THE 13TH GUEST-(Mono.1943)-Dick Purcell-Helen Parrish-Tim Ryan THE MOZART STORY-(1948)-Hans Holt-Wilton Graff-Austrian Film Dubbed In English MOZAMBIQUE-(1966)-Steven Cochran-Hildegarde Neff-COLOR MY KINGDOM FOR A COOK-(Col.1943)-Charles Coburn-Marguerite Chapman MISS MINK OF 1949-(20th 1949)-Jimmy Lydon-Lois Collier MASTERMIND-(1969)-Charlie Chan Spoof With Zero Mostel-Bradford Dillman-COLOR MURDER IN TIMES SQUARE-(Col.1943)-Edmund Lowe-Marguerite Churchill-John Litel MOTHER IS A FRESHMAN-(20th 1949)-loreta Young-Van Johnson MELODY-(British 1971)-Jack Wild-Mark Lester-Music By The Bee Gees!-COLOR MR.WINKLE GOES TO WAR-(Col.1944)-Edward G.Robinson-Ruth Warrick MAN ON THE RUN-(British 1949)-Derek Farr-Lawrence Harvey MOVIE CRAZY YEARS-(1971)-Rare W.B.Documentary With Interviews-88 Minutes-COLOR THE MERRY MONOHANS-(Univ.1944)-Donald O’Connor-Peggy Ryan MANHANDLED-(Para.1949)-Dorothy Lamour-Sterling Hayden-Dan Duryea THE NIGHT PATROL-(F.B.O.1926)-Richard Talmadge-Mary Carr MOON OVER LAS VEGAS-(Univ.1944)-Anne Gwynne-David Bruce MISS GRANT TAKES RICHMOND-(Col.1949)-Lucille Ball-William Holden-Janis Carter THE NERVOUS WRECK-(1926)-Harrison Ford-Phyllis Haver MOONLIGHT AND CACTUS-(Univ.1944)-The Andrews Sisters-Elyse Knox-Shemp Howard MAKE BELIEVE BALLROOM-(Col.1949)-Jimmy Dorsey-Nat Cole-Kay Starr-F.Laine-G.Krupa NEVADA-(Para.1927)-Gary Cooper-William Powell-Thelma Todd MINSTRAL MAN-(P.R.C.1944)-Benny Fields-Gladys George-Alan Dinehart MISTER SOFT TOUCH-(Col.1949)-Glenn Ford-Evelyn Keyes MEN ON HER MIND-(P.R.C.1944)-Mary Beth Hughes-Edward Norris MY OWN TRUE LOVE-(Para.1949)-Melvyn Douglas-Phyllis Calvert THE NIGHT BIRD-(Univ.1928)-Reginald Denny-Betsy Lee-Sam Hardy MAKE YOUR OWN BED-(W.B.1944)-Jack Carson-Jane Wyman THE MILKMAN-(Univ.1950)-Donald O’Connor-Jimmy Durante-Piper Laurie NOT SO DUMB-(M.G.M.1929)-Marion Davies-Elliot Nugent-Raymond Walburn THE MAN IN HALF MOON STREET-(Para.1944)-Nils Asther-Helen Walker-Paul Cavanagh MYSTERY SUBMARINE-(Univ.1950)-MacDonald Carey-Marta Toren-Robert Douglas NEW YORK NIGHTS-(U.A.1929)-Norma Talmadge-Gilbert Roland-John Wray MASQUERADE IN MEXICO-(Para.1945)-Dorothy Lamour-Arturo De Cordoba MOTOR PATROL-(Lippert 1950)-Don Terry-Sid Melton-Onslow Stevens NOTHING BUT THE TRUTH-(Para.1929)-Richard Dix-Helen Kane Ned Sparks MISS SUSIE SLAGLE’S-(Para.1945)-Veronica Lake-Sonny Tufts MISS PILGRIM’S PROGRESS-(British 1950)-Michael Rennie-Yolande Donlan NIGHT PARADE-(R.K.O.1929)-Aileen Pringle-Hugh Trevor-Lloyd Ingram-Boxing Film! A MEDAL FOR BENNY-(Para.1945)-Dorothy Lamour-Arturo DeCordoba-J.Caroll Naish MURDER IN THE CATHEDRAL-(British 1951)-John Grosser-Alexander Gauge-David Ward NUMBERED MEN-(F.N.1930)-Conrad Nagel-Beatrice Claire-Tully Marshall MURDER HE SAID-(Para.1945)-Fred MacMurray-Helen Walker THE MAGIC FACE-(Col.1951)-Luther Adler As Hitler! NO LIMIT-(Para.1931)-Clara Bow-Stuart Erwin-Norman Foster MOLLY AND ME-(20th 1945)-Gracie Fields-Monte Wooley-Roddy McDowall THE MAGIC CARPET-(Col.1951)-Lucille Ball-John Agar-COLOR THE NIGHT ANGEL-(Para.1931)-Frederic March-Nancy Carroll-Alan Hale MEN IN HER DIARY-(Univ.1945)-Virginia Grey-Jon Hall THE MATING SEASON-(Para.1951)-Gene Tierney-John Lund-Thelma Ritter-Larry Keating A NIGHT IN MONMARTRE-(British 1931)-Horace Hodges-Hugh Williams-Heather Angel MY NAME IS JULIA ROSS-(Col.1945)-Nina Foch-Dame May Whitty-George MacReady MY SIX CONVICTS-(Col.1952)-John Beal-Gilbert Roland-Regis Toomey NEVER THE TWAIN SHALL MEET-(M.G.M.1932)-Leslie Howard-Conchita Montenegro THE MISSING CORPSE-(P.R.C.1945)-J.Edward Bromberg-Isabel Randolph MY MAN AND I-(M.G.M.1952)-Ricardo Montalban-Shelly Winters-Wendell Corey NIGHT COURT-(M.G.M.1932)-Walter Huston-Philips Holmes-Anita Paige MR.ACE-(U.A.1946)-George Raft-Silvia Sidney-Jerome Cowan A MILLIONAIRE FOR CHRISTIE-(20th 1951)-Fred MacMurray-Eleanor Powell-Cameos! NIGHT WORLD-(Univ.1932)-Lew Ayers-Mae Clarke-Boris Karloff MANEATER OF KUMAON-(Univ.1946)-Wendell Corey-Sabu-Morris Carnovsky MAN ON A TIGHTROPE-(20th 1953)-Frederic March-Terry Moore-Adolph Menjou NIGHT AFTER NIGHT-(Para.1932)-George Raft-Constance Cummings-Mae West MARGIE-(20th 1946)-Jeanne Crain-Glenn Langan-Lynn Bari-COLOR MISSION OVER KOREA-(Col.1953)-John Hodiak-John Derek-Maureen O’Sullivan THE NIGHT OF JUNE 13-(Para.1932)-Clive Brook-Francis Dee-Charlie Ruggles THE MAN FROM FRISCO-(Rep.1946)-Michael O’Shea-Anne Shirley-Dan Duryea MAN IN THE DARK-(Col.1953)-Edmond O’Brien-Audrey Totter NO MORE WOMEN-(Para.1933)-Edmund Lowe-Victor McLaglan-Sally Blaine MURDER IN THE MUSIC HALL-(Rep.1946)-Vera Ralston-William Marshall MURDER ON MONDAY-(British 1953)-Ralph Richardson-Jack Hawkins THE NOTORIOUS SOPHIE LANG-(Para.1934)-Gertrude Michael-Paul Cavanaugh THE MASK OF DIJON-(P.R.C.1946)-Erich Von Stroheim-Jeanne Bates-Edward Van Sloan MEET MR.LUCIFER-(British 1953)-Stanley Holloway-Peggy Cummins THE NARROW CORNER-(W.B.1933)-Douglas Fairbanks Jr.-Patricia Ellis-Ralph Bellamy MINSTRAL MAN-(P.R.C.1946)-Benny Fields-Gladys George-Alan Dinehart THE MAN FROM CAIRO-(Lippert 1953)-George Raft-Gianna Maria Canale NIGHT FLIGHT-(M.G.M.1933)-Clark Gable-Helen Hayes-Lionel Barrymore THE MAGIC BOW-(British 1946)-Stewart Granger-Phyllis Calvert MEXICAN MANHUNT-(A.A.1953)-George Brent-Hillary Brooke-Morris Ankrum NIGHT OF TERROR-(Col.1933)-Bela Lugosi-Sally Blane-Wallace Ford $14.95 each. Add $3 postage • FORGOTTEN HOLLYWOOD…..40 ALDEN STREET……FALL RIVER, MA……02723 • $14.95 each. Add $3 postage.
Load more

Recommended publications
  • 819 PR Kit Pages
    Media Contact: Liz Bodet 504-583-5550 [email protected] TABLE OF CONTENTS Broussard’s Family Tree.............................................................................. 1 Cocktails Through the Decades...................................................................... 2 Coffee Menu......................................................................................... 3 Spice Menu.......................................................................................... 4 Rice Menu........................................................................................... 5 Pecan Menu.......................................................................................... 6 Citrus Menu: Reveillon............................................................................... 7 819 RUE CONTI | 504.581.3866 | BROUSSARDS.COM As Broussard’s commemorates 100 years of fine dining, we also celebrate our native foods and traditions that share the same rich history as our grande dame restaurant. Louisiana’s hot, humid summers and short, mild winters allow for a variety of sweet citrus to be grown and then harvested in late fall or early winter, just in time for Reveillon. Chef Jimi Setchim showcases Louisiana citrus with several special menu items on the traditional Reveillon menu. “Walk through any neighborhood in New Orleans and you’ll pass countless citrus trees. Some sprouted up on their own long ago. Some were planted by home gardeners because of how well they grow in Louisiana. All of them are stunning— the rich green leaves,
    [Show full text]
  • "Hello, Dolly!" at Auditorium Theatre, Jan. 27
    AUDITORIUM THEATRE ROCHESTER JANUARY 27 BROAD'lMAY TO FEBRUARY 1 THEATRE LEAGUE 1969 YVONNE DECARLO m HELLO, gOLL~I llng1na1ly D1rected and ChoreogrJphPd by GOWER CHDIPIOII Th1s Pr oductiOn D1rected by LUCIA VICTOR ~tenens FEATURING OUR SATURDAY NITE SPECIAL Prime Rib of Beef Au Jus Baked Potato with Sour Cream & Chives Vegetable - Salad - Coffee $3.95 . ALSO MANY OTHER DELICIOUS ITEMS Stop in for dinner before the show or after the show for a late evening anack SERVING 7 DAYS & NITES FROM 11 A.M. till 2 A.M. 1501 UNIVERSITY AVE . EXTENSION PLENTY OF FlEE PAIICING For Reservations Call: 271-9635 or 271-9494 PARTY AND BANQUET ACCOMMODATIONS Consult Us For Your Banquets And Part i es . • • we w i ll be glad to hove you . Wm. Fisher, Budd Filippo & Ken Gaston proudly present YVONNE DE CARLO in The New York Critics Circle & Tony Award Winn1ng Mus1cal "HELLO, DOLLVI 11 Book IJy Music & Lyrics by MICHAEL STEW ART JERRY HERMAN Based on the originc~l play by Thornton Wilder also starring DON DE LEO with Kathleen Devine George Cavey Rick Grimaldi Suzanne Simon David Gary Althea Rose Edie Pool Norman Fredericks Settings Designed by Lighting Consultant Costumes by Oliver Smith Gerald Richland freddy Wittop Dance & Incidental Music Orchestration by Arrangements by Musical Dirt!cliun by Phillip J. Lang Peter Howard Gil Bowers [)ances Staged for this Production hy Jack Craig Original Choreography & Direction by GOWER CHAMPION This Production Staged by Lucia Victor PHIL'S PANTRYS J A Y ' S "REAL DELICATESSENS" Fresh Sliced Cold Meats D I N E R Home Made Salads & Baked Beans lWO LOCAnONS 2612 W.
    [Show full text]
  • The Films of Raoul Walsh, Part 1
    Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema ....................
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Signed, Sealed and Delivered: ''Big Tobacco'' in Hollywood, 1927–1951
    Tob Control: first published as 10.1136/tc.2008.025445 on 25 September 2008. Downloaded from Research paper Signed, sealed and delivered: ‘‘big tobacco’’ in Hollywood, 1927–1951 K L Lum,1 J R Polansky,2 R K Jackler,3 S A Glantz4 1 Center for Tobacco Control ABSTRACT experts call for the film industry to eliminate Research and Education, Objective: Smoking in movies is associated with smoking from future movies accessible to youth,6 University of California, San Francisco, California, USA; adolescent and young adult smoking initiation. Public defenders of the status quo argue that smoking has 10 2 Onbeyond LLC, Fairfax, health efforts to eliminate smoking from films accessible been prominent on screen since the silent film era California, USA; 3 Department of to youth have been countered by defenders of the status and that tobacco imagery is integral to the artistry Otolaryngology – Head & Neck quo, who associate tobacco imagery in ‘‘classic’’ movies of American film, citing ‘‘classic’’ smoking scenes Surgery, Stanford University with artistry and nostalgia. The present work explores the in such films as Casablanca (1942) and Now, School of Medicine, Stanford, 11–13 California, USA; 4 Center for mutually beneficial commercial collaborations between Voyager (1942). This argument does not con- Tobacco Control Research and the tobacco companies and major motion picture studios sider the possible effects of commercial relation- Education and Department of from the late 1920s through the 1940s. ships between the motion picture and tobacco Medicine,
    [Show full text]
  • In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
    In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity.
    [Show full text]
  • Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
    The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair­ banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills.
    [Show full text]
  • Riccardo Freda’S I Vampiri (1957) and the Birth of Italian Horror
    Northumbria Research Link Citation: Guarneri, Michael (2017) The Gothic bet: Riccardo Freda’s I vampiri (1957) and the birth of Italian horror cinema from an industrial perspective. Palgrave Communications, 3 (1). p. 29. ISSN 2055-1045 Published by: Palgrave Macmillan URL: https://doi.org/10.1057/s41599-017-0030-3 <https://doi.org/10.1057/s41599-017- 0030-3> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/32602/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) ARTICLE DOI: 10.1057/s41599-017-0030-3 OPEN The Gothic bet: Riccardo Freda’s I vampiri (1957) and the birth of Italian horror cinema from an industrial perspective Michael Guarneri1 ABSTRACT Scholars tend to agree on Riccardo Freda’s I vampiri (1957) being the first Italian horror film.
    [Show full text]
  • Talking Theatre Extract
    Richard Eyre TALKING THEATRE Interviews with Theatre People Contents Introduction xiii Interviews John Gielgud 1 Peter Brook 16 Margaret ‘Percy’ Harris 29 Peter Hall 35 Ian McKellen 52 Judi Dench 57 Trevor Nunn 62 Vanessa Redgrave 67 NICK HERN BOOKS Fiona Shaw 71 London Liam Neeson 80 www.nickhernbooks.co.uk Stephen Rea 87 ix RICHARD EYRE CONTENTS Stephen Sondheim 94 Steven Berkoff 286 Arthur Laurents 102 Willem Dafoe 291 Arthur Miller 114 Deborah Warner 297 August Wilson 128 Simon McBurney 302 Jason Robards 134 Robert Lepage 306 Kim Hunter 139 Appendix Tony Kushner 144 John Johnston 313 Luise Rainer 154 Alan Bennett 161 Index 321 Harold Pinter 168 Tom Stoppard 178 David Hare 183 Jocelyn Herbert 192 William Gaskill 200 Arnold Wesker 211 Peter Gill 218 Christopher Hampton 225 Peter Shaffer 232 Frith Banbury 239 Alan Ayckbourn 248 John Bury 253 Victor Spinetti 259 John McGrath 266 Cameron Mackintosh 276 Patrick Marber 280 x xi JOHN GIELGUD Would you say the real father—or mother—of the National Theatre and the Royal Shakespeare Company is Lilian Baylis? Well, I think she didn’t know her arse from her elbow. She was an extraordinary old woman, really. And I never knew anybody who knew her really well. The books are quite good about her, but except for her eccentricities there’s nothing about her professional appreciation of Shakespeare. She had this faith which led her to the people she needed. Did she choose the actors? I don’t think so. She chose the directors. John Gielgud Yes, she had a very difficult time with them.
    [Show full text]
  • Silhouettes of Stars, Players, and Directors of Warner Bros. Pictures
    library! THE MUSEUM 0F MODERN ART j Received: Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from John McElwee Digitized by the Internet Archive in 2014 https://archive.org/details/silhouettesofstaOOunse I : SILHOUETTES Of Stars, Players, and Directors Of WARNER BROS. PICTURES, INC. LIBRARY THS MUSEUM OF MODERN ART Received: From in ?2 WARNER BROS. PICTURES, INC. jT* 321 West 44th Street New York City PRINTED IN U.S.A. FL >l 5-3 FOREWORD This unpretentious volume contains a wealth of material in bio- graphical form covering all important stars, players, and directors of Warner Bros. Pictures, Inc. It should be invaluable to the motion picture editor, or to anyone doing editorial work pertaining to motion pictures. This volume went to press in October, 1937. All data, therefore, is up-to-date, and most of it is accurate for several months to come. You will note that the end of each biography contains the list of pictures the player has been featured in. It is suggested that you — the editor — may keep each biography up to the minute as to performances by adding each new picture a star is cast in, as you receive a new announcement. TABLE OF CONTENTS How It All Began 1 Nagel, Anne 125 STARS AND PLAYERS O'Brien, Pat 127 O'Connell, Hugh 130 Acuff, Eddie 8 Oliver, Gordon 132 Aherne, Brian 9 O'Neill, Henry 134 Baker, Kenny 12 Perry, Linda 136 Blondell, Joan 16 Powell, Dick 138 Blondell, Gloria 20 Purcell, Dick 141 Bogart, Humphrey
    [Show full text]
  • Bette Davis Ain’T for Sissies
    INVISIBLE THEATRE - PRESS RELEASE Press Contact: Cathy Johnson or Susan Claassen Administration: (520) 884-0672 Box Office: (520) 882-9721 1400 N. First Avenue, Tucson, AZ 85719 [email protected] www.invisibletheatre.com FOR IMMEDIATE RELEASE Invisible Theatre continues its 48th Anniversary Season with the Arizona premiere of BETTE DAVIS AIN’T FOR SISSIES starring and written by Jessica Sherr Three Performances Only! November 16, 2018 at 7:30 PM November 17, 2018 at 3:00 PM November 17, 2018 at 7:30 PM (October 29, 2018, Tucson, AZ); BETTE DAVIS AIN’T FOR SISSIES, starring and written by Jessica Sherr, is a 90-minute one-woman show about the 1930’s icon, Bette Davis, on the night of the 1939 Academy Awards. Young Miss Davis is nominated for Best Actress in Dark Victory, and the Los Angeles Times LEAKED the OSCAR winners EARLY ... the BOLD, DEFIANT and DISILLUSIONED Bette Davis decides to leave the Oscars! Journey into the young starlets battle to win freedom from the grip and control of the studio moguls of Hollywood. Witness Bette’s most defining moments as a tenacious young starlet fighting her way to the top!! See what happens when someone who always wins, loses. This production is made possible in part through the generous support of Jane and Marvin Brown "Sherr is mesmerizing to watch. A dynamic performance reflecting both vanity and vulnerability." -Edinburgh Guide BETTE DAVIS AIN’T FOR SISSIES will play on November 16 and 17, 2018 at the Invisible Theatre, located at 1400 N. First Avenue (at Drachman), Tucson, AZ 85719.
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]