Years of Living the Legacy
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Who Owns the News Media?
RESEARCH REPORT July 2016 WHO OWNS THE NEWS MEDIA? A study of the shareholding of South Africa’s major media companies ANALYSTS: Stuart Theobald, CFA Colin Anthony PhibionMakuwerere, CFA www.intellidex.co.za Who Owns the News Media ACKNOWLEDGEMENTS We approached all of the major media companies in South Africa for assistance with information about their ownership. Many responded, and we are extremely grateful for their efforts. We also consulted with several academics regarding previous studies and are grateful to Tawana Kupe at Wits University for guidance in this regard. Finally, we are grateful to Times Media Group who provided a small budget to support the research time necessary for this project. The findings and conclusions of this project are entirely those of Intellidex. COPYRIGHT © Copyright Intellidex (Pty) Ltd This report is the intellectual property of Intellidex, but may be freely distributed and reproduced in this format without requiring permission from Intellidex. DISCLAIMER This report is based on analysis of public documents including annual reports, shareholder registers and media reports. It is also based on direct communication with the relevant companies. Intellidex believes that these sources are reliable, but makes no warranty whatsoever as to the accuracy of the data and cannot be held responsible for reliance on this data. DECLARATION OF CONFLICTS Intellidex has, or seeks to have, business relationships with the companies covered in this report. In particular, in the past year, Intellidex has undertaken work and received payment from, Times Media Group, Independent Newspapers, and Moneyweb. 2 www.intellidex.co.za © Copyright Intellidex (Pty) Ltd Who Owns the News Media CONTENTS 1. -
A Brief History of Radio Broadcasting in Africa
A Brief History of Radio Broadcasting in Africa Radio is by far the dominant and most important mass medium in Africa. Its flexibility, low cost, and oral character meet Africa's situation very well. Yet radio is less developed in Africa than it is anywhere else. There are relatively few radio stations in each of Africa's 53 nations and fewer radio sets per head of population than anywhere else in the world. Radio remains the top medium in terms of the number of people that it reaches. Even though television has shown considerable growth (especially in the 1990s) and despite a widespread liberalization of the press over the same period, radio still outstrips both television and the press in reaching most people on the continent. The main exceptions to this ate in the far south, in South Africa, where television and the press are both very strong, and in the Arab north, where television is now the dominant medium. South of the Sahara and north of the Limpopo River, radio remains dominant at the start of the 21St century. The internet is developing fast, mainly in urban areas, but its growth is slowed considerably by the very low level of development of telephone systems. There is much variation between African countries in access to and use of radio. The weekly reach of radio ranges from about 50 percent of adults in the poorer countries to virtually everyone in the more developed ones. But even in some poor countries the reach of radio can be very high. In Tanzania, for example, nearly nine out of ten adults listen to radio in an average week. -
The Dstv Access Channels List South Africa
The DStv Access Channels List South Africa electronicsdiary.com/2019/01/za-dstv-access-channels-list-south-africa.html January 16, 2019 Last Updated: January 2020 So what channels are on DStv Access for subscribers in South Africa? Here is the complete list of channels on the DStv Access Package. Category Number of Channels Free Channels 13 Documentaries and Lifestyle 4 Sport 3 Entertainment and Movies 17 Kids and Teens 5 Music 5 News and Commerce 10 Religion 6 Specialist and Foreign 1 Interactive 1 Total 62 (Plus 99 audio channels) So the table above was just a summary of what you get when you sign up for this package. A more detailed list of channels, with name and number in their respective category, is presented below. Related: How To Repair Your DStv Remote The DStv Access Package goes for 110 Rand per month and contains 62 channels. Dstv Access channels 2019 are now obsolete. Here is the complete dstv access channels list 2020. 1/5 DStv Access Channels List 2020 Channel Number Name 118 Telemundo 126 FOX life 128 WWE Superslam 132 CBS Reality 135 Discovery TLC Entertainment 137 TNT Africa 138 eMovies 139 M-Net Movies Zone 140 eMovies Extra 152 Africa Magic Epic 155 Real Time 156 SABC Encore 163 Mzansi Wethu 2/5 164 Mzansi Bioskop 173 TV Mall 176 The Home Channel 178 Fashion One 180 People’s Weather 182 Nat Geo Wild 190 Spice TV 191 SABC 1 192 SABC 2 193 SABC 3 194 e.TV 195 e.TV Extra 200 SuperSport Blitz 210 SuperSport 10 239 TellyTrack 251 Soweto TV 260 Bay TV 261 1 KZN 262 Tshwane TV 263 Cape Town TV 265 GauTV 292 Lesotho TV 299 NTA i 3/5 301 Cartoon Network 309 Disney Junior 310 JimJam 311 eToonz 319 Mindset 320 Channel O 321 Mzansi Music 322 MTV Base 327 Sound City 331 One Gospel 340 Dumisa 341 FAITH 342 Day Star 343 TBN Africa 390 Emmanuel TV 400 BBC World News 404 SABC News 405 Newzroom Afrika 406 Al Jazeera 407 Russia Today 408 Parliamentary Service 409 CGTN News 410 CNBC Africa 4/5 412 Business Day TV 413 NDTV 24×7 447 CCTV 4 If you are confused about anything please let us know in the comments session below. -
Rfi/It/2019/9 Sabc Digital Streaming Services
Tender Number: RFI/IT/2019/9 Title: REQUEST FOR INFORMATION: FOR SABC DIGITAL STREAMING SERVICES do REQUEST FOR INFORMATION REQUEST FOR INFORMATION TITLE: RFI/IT/2019/9 SABC DIGITAL STREAMING SERVICES This Request for Information calls for SABC Digital Streaming Services. RFI documents are obtainable from 26th April 2019 from the following websites: Government E-Portal http://www.etenders.gov.za SABC Website http://www.sabc.co.za/sabc/tenders Compulsory Briefing Session will be held Date: 10th May 2019 Time: 11:15 Venue: SABC Radio Park, Ground Floor Auditorium Closing Date: 27th May 2019at 12:00 For enquiries contact Vuyi Manentsa E-mail: [email protected] This RFI is an invitation for person(s) to submit information(s) for the provision of the services as set out in the specification contained herein. Accordingly, this RFI must not be construed, interpreted, or relied upon, whether expressly or implicitly, as an offer capable of acceptance by any person(s), or as creating any form of contractual, promissory or other rights. No binding contract or other understanding for the supply of services will exist between SABC and the respondent. Confidential and Proprietary Information Page 1 of 10 RFI Document Tender Number: RFI/IT/2019/9 Title: REQUEST FOR INFORMATION: FOR SABC DIGITAL STREAMING SERVICES doc SOUTH AFRICAN BROADCASTING SABC SOC LIMITED (“the SABC”) REQUEST FOR INFORMATION (RFI) RFI NUMBER : RFI/IT/2019/9 RFP TITLE : REQUEST FOR INFORMATION: FOR SABC DIGITAL STREAMING SERVICES EXPECTED TIMEFRAME RFI PROCESS EXPECTED DATES RFI Advertisement Date 26th May 2019 RFI document can be accessed on EPortal & RFI Available from SABC Website Compulsory Briefing Session Date & 10th May 2019 @ 11:15 Time Venue for Briefing Session SABC Radio Park, Ground Floor Auditorium RFI Closing Date and Time 27th May 2019 at 12:00 Delivery Venue SABC RADIO PARK Vuyi Manentsa E-mail: [email protected] Contact details The SABC retains the right to change the timeframe whenever necessary and for whatever reason it deems fit. -
A Channel Guide
Intelsat is the First MEDIA Choice In Africa Are you ready to provide top media services and deliver optimal video experience to your growing audiences? With 552 channels, including 50 in HD and approximately 192 free to air (FTA) channels, Intelsat 20 (IS-20), Africa’s leading direct-to- home (DTH) video neighborhood, can empower you to: Connect with Expand Stay agile with nearly 40 million your digital ever-evolving households broadcasting reach technologies From sub-Saharan Africa to Western Europe, millions of households have been enjoying the superior video distribution from the IS-20 Ku-band video neighborhood situated at 68.5°E orbital location. Intelsat 20 is the enabler for your TV future. Get on board today. IS-20 Channel Guide 2 CHANNEL ENC FR P CHANNEL ENC FR P 947 Irdeto 11170 H Bonang TV FTA 12562 H 1 Magic South Africa Irdeto 11514 H Boomerang EMEA Irdeto 11634 V 1 Magic South Africa Irdeto 11674 H Botswana TV FTA 12634 V 1485 Radio Today Irdeto 11474 H Botswana TV FTA 12657 V 1KZN TV FTA 11474 V Botswana TV Irdeto 11474 H 1KZN TV Irdeto 11594 H Bride TV FTA 12682 H Nagravi- Brother Fire TV FTA 12562 H 1KZN TV sion 11514 V Brother Fire TV FTA 12602 V 5 FM FTA 11514 V Builders Radio FTA 11514 V 5 FM Irdeto 11594 H BusinessDay TV Irdeto 11634 V ABN FTA 12562 H BVN Europa Irdeto 11010 H Access TV FTA 12634 V Canal CVV International FTA 12682 H Ackermans Stores FTA 11514 V Cape Town TV Irdeto 11634 V ACNN FTA 12562 H CapeTalk Irdeto 11474 H Africa Magic Epic Irdeto 11474 H Capricorn FM Irdeto 11170 H Africa Magic Family Irdeto -
The Development of a Business Model for a Community Radio Station
Developing a business model for a community radio station in Port Elizabeth: A case study. By Anthony Thamsanqa “Delite” Ngcezula Student no: 20531719 Submitted in partial fulfilment of the requirements for the degree of Masters in Business Administration at the NMMU Business School Research supervisor: Dr Margaret Cullen November, 2008 DECLARATION BY STUDENT FULL NAME: Anthony Thamsanqa “Delite” Ngcezula STUDENT NUMBER: 20531719 QUALIFICATION: Masters in Business Administration DECLARATION: In accordance with Rule G4.6.3, I hereby declare that this treaties with a title “Developing a business model for a community radio station in Port Elizabeth: A case study” is my own work and that it has not previously been submitted for assessment to another University or for another qualification. SIGNITURE: __________________________ DATE: ________________________ i ACKNOWLEDGEMENTS I would like to express my sincere gratitude and thanks to my research supervisor, Doctor Margaret Cullen, whose academic guidance and encouragement was invaluable. I wish to thank Kingfisher FM as without their cooperation this treatise would not have been possible. I would like to thank my wife, Spokazi for putting up with the long hours I spent researching and writing this treatise. I wish to thank my girls, Litha and Gcobisa for their unconditional love. I would like to thank my parents, Gladys and Wilson for the values they instilled in me. I wish to thank the following people who made listening to radio an experience and inspired my love for radio presenting and -
29 March 2021 the SOS Support Public
Suite 1 Art Centre, 22 6th Str cnr 4th Ave, PARKHURST 2193, Johannesburg TEL +27 11 788 1278, CELL +27 60 911 5889 [email protected], www.soscoalition.org.za 29 March 2021 The SOS Support Public Broadcasting Coalition and Media Monitoring Africa (MMA) welcome the distribution agreement between the South African Broadcasting Corporation (SABC) and eMedia Investments – the company behind free-to-air service Openview. In a statement released by the SABC and Openview on March 25th 2021, the Public Broadcaster noted that “In addition to SABC 1, 2, and, 3, Openview will carry three additional television channels from the Public Broadcaster and all its 19 radio channels.” In general, we believe this to be a step in the right direction, and one that goes some way in ensuring more people can receive the SABC’s content and programming. As much as the deal deserves celebration, it is also an indictment on South Africa’s failures to fast-track policy implementation on Digital Terrestrial Television (DTT), something which directly negatively impacts the SABC. We note that the proposed switch off in March 2022 which appears to be being attempted by executive fiat will only likely result in numbers of people without even access to Free to air SABC with devastating results for those without access to satellite. At the same time the deal also highlights the unsustainability of the current model which relies on and requires significant costs going to Sentech. The deal signals not only the abject failure of DTT but another major battle looming over Sentech. -
TV on the Afrikaans Cinematic Film Industry, C.1976-C.1986
Competing Audio-visual Industries: A business history of the influence of SABC- TV on the Afrikaans cinematic film industry, c.1976-c.1986 by Coenraad Johannes Coetzee Thesis presented in fulfilment of the requirements for the degree of Master of Art and Sciences (History) in the Faculty of Arts and Sciences at Stellenbosch University Supervisor: Dr Anton Ehlers December 2017 Stellenbosch University https://scholar.sun.ac.za THESIS DECLARATION By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2017 Copyright © 2017 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za ETHICAL CONSIDERATIONS Historical research frequently requires investigations that have ethical dimensions. Although not to the same extent as in medical experimentation, for example, the social sciences do entail addressing ethical considerations. This research is conducted at the University of Stellenbosch and, as such, must be managed according to the institution’s Framework Policy for the Assurance and Promotion of Ethically Accountable Research at Stellenbosch University. The policy stipulates that all accumulated data must be used for academic purposes exclusively. This study relies on social sources and ensures that the university’s policy on the values and principles of non-maleficence, scientific validity and integrity is followed. All participating oral sources were informed on the objectives of the study, the nature of the interviews (such as the use of a tape recorder) and the relevance of their involvement. -
Chapter One the Popular Economies of Soweto and Black Johannesburg In
CHAPTER ONE THE POPULAR ECONOMIES OF SOWETO AND BLACK JOHANNESBURG IN PERSPECTIVE 1.1 The research problematique “Soweto is a metaphor for black life in South Africa.” Aggrey Klaaste (2004:123) This thesis investigates a number of practices, processes, relationships, actors and institutions prevalent in the residential areas that form part of Johannesburg that is known as Soweto, all of which have in common the exchange, hoarding, spending and risking of cash money. It describes the actual flows of monies between actors and institutions while also inquiring into the social meanings of the flows of such monies between actors and social groups and institutions. The relationships of indebtedness that result from such flows, the savings and credit practices and institutions which direct such flows of monies, and the processes of consumption and games of chance which I describe here, are analysed in this thesis in the context of what I call the ‘popular economies’ of Soweto and Black Johannesburg.1 By popular economies I denote a field of patterned yet changing ‘economic’ relationships, processes and practices that stresses the historically structured yet open-ended flows of money in the context of the shifting dynamics of everyday life. The notion of popular economies is employed here in an effort to move beyond the conventional distinctions between formal/informal economies and legal/illegal economies so as to explore the moral or normative dimensions of such money flows, especially in relation to historically constructed ideas about the state, legality, power, social class, identity and social legitimacy. As such the concept popular economies allows me, as an ethnographer, to take seriously questions of material and social reproduction, identity (in the 1 In this thesis - as in any study of South Africa - an obligatory note on racial terminology is called for. -
Efstathiou N.Pdf (1.773Mb)
Assessing the influence of radio advertising on consumer purchasing decisions ND Efstathiou orcid.org 0000-0002-1752-3807 Mini-dissertation accepted in partial fulfilment of the requirements for the degree Masters of Business Administration at the North-West University Supervisor: Prof CA Bisschoff Graduation: May 2019 Student number: 29788285 ABSTRACT Radio advertising is an advertising platform that has been used by brands, products and services since 1922. The influence of radio advertising on a consumer’s purchase decision is tough to determine, the research that is available on radio advertising, in general, is far less in comparison to other advertising research studies in the marketing of brands, products and services. This study aims to determine the impact of radio advertising on a consumer purchase decision. The majority of research studies rely on the effect of television and print advertising, and recently internet advertising has shown a higher engagement level for consumers to influence purchase decisions. The disruptive nature of internet advertising has had an influence on the revenue generation for traditional platforms such as radio, print and television. Radio advertising is a platform used mostly by local businesses on a local radio station in the business’s vicinity. Research in the marketing of brands, products and services have included radio advertising, including the singularity of a message of a radio advertisement message recall-analysis. Traditional media are used for branding, and to action a sales promotion to drive revenue generation and profitability. Advertising does have a material influence on consumers’ purchase decisions. The question in this study determines the influence radio would have on that decision. -
DOCUMENT RESUME Proceedings of the Annual Meeting of The
DOCUMENT RESUME ED 423 566 CS 509 910 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (81st, Baltimore, Maryland, August 5-8, 1998). International--Part II INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE 1998-08-00 NOTE 611p.; For other sections of these Proceedings, see CS 509 905-922. PUB TYPE Collected Works Proceedings (021) Reports Research (143) EDRS PRICE MF03/PC25 Plus Postage. DESCRIPTORS Civil Liberties; Democracy; Economic Factors; *Foreign Countries; Government Role; Higher Education; *International Communication; *Journalism Education; Language Skills; Marxian Analysis; *Mass Media Use; Media Research; *News Reporting; Newspapers; Public Opinion; Radio; Telecommunications; Television IDENTIFIERS *Media Coverage ABSTRACT The International--Part II section of the Proceedings contains the following 20 papers: "An Economic Imperative: Privatization as Reflected in Business Reporting in the Middle East. Egypt as a Case Study" (Leonard Ray Teel, Hussein Amin, Shirley Biagi, and Carolyn Crimmins); "Broadcasting in South Africa: The Politics of Educational Radio" (Paul R. van der Veur); "Why Beijingers Read Newspapers?" (Tao Sun, Xinshu Zhao, and Guoming Yu); "News about Korea and Japan in American Network Television Evening News: A Content Analysis of Coverage in 1996" (Jowon Park); "Political Parties and Changes in Taiwanese Electronic Media in the 1990s" (Wei-Kuo Lin); "State Control on Television News in Post-War Lebanon" (Marwan -
Elvis Presley in the South African Musical Imaginary
54 Acta Academica • 2015 47(2): 54-71 © UV/UFS • ISSN 0587-2405 <http://www.ufs.ac.za/ActaAcademica> Elvis Presley in the South African musical imaginary Harry Sewlall Prof H Sewlall, University of Venda, Private Bag X5050, Thohoyandor 0950; email: [email protected] First submission: 20 June 2014 Acceptance date: 2 June 2015 This paper derives its impetus from a question an elderly American woman once asked me: “Do people in South Africa know Elvis?” “Of course we South Africans know Elvis!” I replied. Or do we, really? Using a historiographic approach, this paper is an attempt to explore how Elvis Presley’s image was first imported into South Africa, especially during the Apartheid era when there was no television and media censorship was a fact of daily life. Additionally, this essay will reflect on the impact of the media – then and now – in creating images, fantasies and illusions in constituting the subjectivity of the Elvis of real life and the Elvis of sound, stage and celluloid in the South African musical imaginary. Harry Sewlall / Elvis Presley in the South African musical imaginary 55 1. Introduction: postmodern technologies and the marketing of Elvis’s image This paper has its genesis in my encounter with an elderly American couple on my first visit to Graceland, the home of Elvis Presley in Memphis, Tennessee in 2002 – the 25th anniversary of the death of the singer. Graceland, incidentally, was opened to the public on June 7, 1982 and on March 27, 2006 was declared a National Historic Landmark (Graceland). According to this online source, Graceland is said to be the second most visited edifice in the USA after the White House.