The Moth Live (Stream) Digital Program
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Radiolovefest
BAM 2017 Winter/Spring Season #RadioLoveFest Brooklyn Academy of Music New York Public Radio* Adam E. Max, Chairman of the Board Cynthia King Vance, Chair, Board of Trustees William I. Campbell, Vice Chairman of the Board John S. Rose, Vice Chair, Board of Trustees Katy Clark, President Susan Rebell Solomon, Vice Chair, Board of Trustees Joseph V. Melillo, Executive Producer Mayo Stuntz, Vice Chair, Board of Trustees Laura R. Walker, President & CEO *As of February 1, 2017 BAM and WNYC present RadioLoveFest Produced by BAM and WNYC February 7—11 LIVE PERFORMANCES Ira Glass, Monica Bill Barnes & Anna Bass: Three Acts, Two Dancers, One Radio Host: All the Things We Couldn’t Do on the Road Feb 7, 8pm; Feb 8, 7pm & 9:30pm, HT The Moth at BAM—Reckless: Stories of Falling Hard and Fast, Feb 9, 7:30pm, HT Wait Wait...Don’t Tell Me®, National Public Radio, Feb 9, 7:30pm, OH Jon Favreau, Jon Lovett, and Tommy Vietor, Feb 10, 7:30pm, HT Snap Judgment LIVE!, Feb 10, 7:30pm, OH Bullseye Comedy Night, Feb 11, 7:30pm, HT BAMCAFÉ LIVE Curated by Terrance McKnight Braxton Cook, Feb 10, 9:30pm, BC, free Gerardo Contino y Los Habaneros, Feb 11, 9pm, BC, free Season Sponsor: Leadership support provided by The Joseph S. and Diane H. Steinberg Charitable Trust. Delta Air Lines is the Official Airline of RadioLoveFest. Audible is a major sponsor of RadioLoveFest. VENUE KEY BC=BAMcafé Forest City Ratner Companies is a major sponsor of RadioLoveFest. BRC=BAM Rose Cinemas Williams is a major sponsor of RadioLoveFest. -
Meet the Moth (PDF
“It is brilliant and quietly addictive” – The London Guardian “New York’s hottest and hippest literary ticket” – The Wall Street Journal What is The Moth? The Moth is an acclaimed not-for-profit organization dedicated to the art and craft of storytelling. It is a celebration of both the raconteur, who breathes fire into true tales of ordinary life, and the storytelling novice, who has lived through something extraordinary and yearns to share it. At the center of each performance is, of course, the story – and The Moth’s directors work with each storyteller to find, shape and present it. Since its launch in 1997, The Moth has presented thousands of stories, told live and without notes, to standing-room-only crowds worldwide. Moth shows are renowned for the great range of human experience they showcase. Each show starts with a theme, and the storytellers explore it, often in unexpected ways. Since each story is true and every voice authentic, the shows dance between documentary and theater, creating a unique, intimate, and often enlightening experience for the audience. Moth stories dissolve socio-economic barriers, expose vulnerabilities, and quietly suggest ways to overcome challenges and see with new eyes. The Moth conducts six ongoing programs. The Moth Mainstage is our flagship program, which has featured stories by Malcolm Gladwell, Ethan Hawke, Annie Proulx, Salman Rushdie, as well as an astronaut, a pickpocket, a hot-dog eating champion and hundreds more. The Moth Mainstage is a staple of the literary and art scene in New York City, but also tours throughout the United States and abroad as The Moth on the Road. -
An Ethnographic Study of the Moth Detroit Storyslam
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 8-2012 An Ethnographic Study of The othM Detroit StorySLAM Catherine Jo Janssen East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Linguistic Anthropology Commons Recommended Citation Janssen, Catherine Jo, "An Ethnographic Study of The othM Detroit StorySLAM" (2012). Electronic Theses and Dissertations. Paper 1461. https://dc.etsu.edu/etd/1461 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. An Ethnographic Study of The Moth Detroit StorySLAM ___________________________ A thesis presented to the faculty of the Department of Curriculum and Instruction East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in Reading ___________________________ by Catherine Jo Janssen August 2012 ___________________________ Joseph Sobol, PhD, Chair Delanna Reed Melissa Schrift, PhD Keywords: storytelling, ethnographic study, performance event, slam, Detroit ABSTRACT An Ethnographic Study of The Moth Detroit StorySLAM by Catherine Jo Janssen The Moth Detroit StorySLAM is one of many storytelling events staged in urban bar environments. Unlike the increasingly aged audiences attending the National Storytelling Festival and similar story festivals, the Detroit StorySLAM consistently yields “at capacity” crowds of college students and young professionals. Participants were informally interviewed during the September, October, and November slams of 2010 and the January 2011 slam. -
STORYTELLING and SOCIAL CHANGE a Guide for Activists, Organizations and Social Entrepreneurs
STORYTELLING and SOCIAL CHANGE A guide for activists, organizations and social entrepreneurs Paul VanDeCarr Working Narratives “I know from experience that when two people sit down to tell stories from their lives and to listen, something happens. Together maybe they learn, they forgive, they cry, they remember. Something in them moves, even if it’s just a tiny bit. Storytelling and Social Change offers valuable guidance for people who want to use the practice of telling and listening to stories to make a positive difference in their communities.” —Dave Isay, founder and president of StoryCorps “Storytelling can be a part of everything that organizers do. Conducting research. Doing political education. Building Coalitions. Closing the gap between what people believe and the policies we want to push. Storytelling and Social Change looks at how we can use stories to do all those things better.” —Rinku Sen, president and executive director of Race Forward TABLE OF CONTENTS INTRODUCTION METHODS About this guide 1 What is Theatre of The Oppressed? 36 Introduction 2 What is Public Narrative and how do we use it? 38 STRATEGY How can we use fction in our work? 40 Why tell stories for social change? 4 What is a story circle and how do we facilitate one? 43 How do we develop a storytelling strategy? 6 How and why can we use humor? 44 How is storytelling used for social change? 8 How can we use history? 47 Where can we tell stories? 9 How do we tell stories about the future we want to see? 48 How do we do research to support our storytelling? 10 -
Borowitz Reports - Topical and Timeless Obama’S Use of Complete Sentences Stirs Controversy Stunning Break with Last Eight Years [November 18, 2008]
“are nonprofit, either by design or de facto”—though his books, including The Trillionaire Next Door (2000), Governor Arnold (2004), The Borowitz Report (2004), and The Republican Playbook (2006) have been profitable. In writing the online Borowitz Report (see next page), “I have no real method,” he says. Research means waking up, having coff ee in bed with his wife, Olivia Gentile ’96 (a jour- nalist and author of the new biography Life List: A Woman’s Quest for the World’s Most Amazing Birds), and watching the news. “I tend to be on top of only the one or two biggest stories of the day,” he says. “Then my mind wanders to some take on that material. Sometimes it’s just stating the truth very baldly [Obama Poised to Become Most Ass-Kissed President Ever]—Mark Borowitz with actor Will Smith at a Twain said you can’t really improve on the truth. Sometimes 1990 Los Angeles party celebrating the it’s exaggerating or amping up the truth to an extreme [Bush to premiere of The Fresh Prince of Bel-Air Phase Out Environment by 2004/All Species Under Review, Pres- WILLIAMS PAMELA ident Says]. Sometimes it’s politicians saying exactly what’s on matically when the Wall Street Journal did a front-page story about their mind, which they would never do in real life [Palin Blames him in 2003; thousands of aspiring subscribers crashed the site. Daughter’s Pregnancy on Media/Demands Media Marry Bris- He accepts no advertising, because “advertisers would have the tol]. Having written thousands of these columns now, it’s more right to approach me and say, ‘We didn’t like that.’” Syndicating like muscle memory than an intellectual process.” Alter observes the column to a few dozen newspapers does make some money, that the columns are “not just funny and he uses the site to promote his own books and appearances. -
The Moth Mainstage in Mesa Performing Live at Mesa Arts Center
Media Contact: Casey Blake 480-644-6620 [email protected] Occasional Magic: The Moth Mainstage in Mesa Performing Live at Mesa Arts Center MESA, AZ (Jan. 10, 2019) – Beloved storytelling nonprofit The Moth – the force behind the popular The Moth Radio Hour, heard on 485 public radio stations nationwide, and The Moth podcast, which is downloaded over 52 million times a year – will return to Mesa Arts Center on Friday, February 1 for an 8:00 p.m. event. Tickets are on sale now at mesaartscenter.com, at the Mesa Arts Center box office or by calling 480-644-6500. The Moth presents true, personal stories and each show is composed of simple, old-fashioned storytelling on thoroughly modern themes, by wildly divergent raconteurs; every story is told live on stage, without notes. The event is directed by Jenifer Hixson, produced by Patricia Ureña hosted by Jon Goode and will feature storytellers Alistair Bane, Ruby Cooper, Tania Katan, Angelica Lindsey-Ali, and Michael VonAllman. Host of the event, Jon Goode, is an author, poet and playwright who hails from Richmond, Virginia and currently resides in Atlanta, Georgia. He has been a featured performer on HBO’s Def Poetry, TVOne's Verses & Flow and BET's Lyric Café. His stage play Khalas was showcased in the 2013 International Festival of Arts and Ideas. In 2006, Jon’s work with Nick @ Nite earned him an Emmy nomination alongside the Promax Gold for best copyright North America. Jon has toured the college performance circuit extensively and has performed at over 500 colleges and universities. -
Playhouse Youth Company from the Director
DREAM AWAKE PLAYHOUSE YOUTH COMPANY FROM THE DIRECTOR Dear Playhouse Friends, ‘we are such stuff As dreams are made on, and our little life Is rounded with a sleep.’ • Shakespeare, The Tempest. What are the significance of dreams when you’re stuck in a room? It has been an incredibly taxing and exhausting year and a half for all, and preparing to make Dream Awake I thought a lot about the strange and unique impact on the next generation. The deferral of their lives, their growth and their dreams. When building this show, Michaela Murphy, our Director of Education, asked me to pick a theme to centre the show around. Dreams came pretty naturally and quickly. It’s a theme that works on multiple levels: the way it felt like we were sleepwalking through the last year, the mad dreams we’ve had along the way, and also dreams of the future. I was interested in not just hearing from this group, but working with them to build an entire show around what the word ‘dream’ has meant to them during the last year. And that’s exactly what we did. It has been an absolute pleasure to work with this exceptional group of young women. It is my first in-person production I’ve directed since the pandemic began, and I cannot have asked for better reintroduction into the theatrical world. They have worked so hard and grown so tremendously, while imbuing the rehearsal room with such creativity, curiosity, humour and joy, all of which has been so infectious. -
Sleepwalk with Me and Other Painfully True Stories / Mike Birbiglia
Simon & Schuster 1230 Avenue of the Americas New York, NY 10020 www.SimonandSchuster.com Copyright © 2010 by Mike Birbiglia All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Simon & Schuster Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. First Simon & Schuster hardcover edition October 2010 SIMON & SCHUSTER and colophon are registered trademarks of Simon & Schuster, Inc. For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1-866-506-1949 or [email protected]. The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event, contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com. Designed by Nancy Singer Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Birbiglia, Mike. Sleepwalk with me and other painfully true stories / Mike Birbiglia. p. cm. 1. Birbiglia, Mike. 2. Comedians—United States—Biography. I. Title. PN2287.B45463A3 2010 792.7'6028092—dc22 2010018393 ISBN 978-1-4391-5799-2 ISBN 978-1-4391-7565-1 (ebook) To my parents, Vincent and Mary Jean. If it weren’t for your support of my many delusions, I would not have been able to write this book. Also, don’t read the chapters about yourselves. Also, I love you. CONTENTS Don’t Tell Anyone I Have Something to Say! Delusional Please Stop the Ride Goddammit Like Hell Patti and the Bear Going Places The Deal I Can’t Stop! My Hero Something in My Bladder The Promise of Sleep Sleepwalk with Me One More Thing Thank-Yous It’s January 20, 2005, and I’ve just performed at a college in Walla Walla, Washington. -
The Transom Review Volume 14/Issue 1
The Transom Review Volume 14/Issue 1 Catherine Burns January 2014 (Edited by Sydney Lewis) Moth founder, George Dawes Green on stage at The Players. Photo by Denise Ofelia Mangen The Transom Review – Vol.14/ Issue 1 Intro from Jay Allison One of the pleasures of producing The Moth Radio Hour is working with the Women of The Moth. They can take an incipient story and make it rise up. They can get the storyteller out on the high wire with just the right balance of fear and confidence. Their skill is hidden away, but it’s what makes The Moth special. Catherine Burns leads the artistic team, and in her Transom Manifesto she has generously illuminated some of her secret tricks for us. She talks about what makes a Moth story work, and, more particularly, what makes it work (or not) across different media, with fascinating examples. Catherine is a self-confessed story nerd, and she’s willing to hang out on Transom to chat with you about beats, stakes, pov, tense – whatever microelement of narrative intrigues you. You Talkin’ to Me: How Stories Work at The Moth From day one, The Moth has been about the simplest thing: a true story well told in front of a live audience. At the end of 2013, there will have been more than 10,000 stories told at The Moth since George Dawes Green started it in 1997. And tens of thousands more have been told at the storytelling events that have sprung up around the world. Storytelling is an ancient art form, but, as George likes to say, this modern movement is new in the sense that these nights of raw personal stories — dinner table stories — have for the first time come out of the kitchen and onto the stage. -
Close to Home: the Moth in Santa Monica
Close to Home: The Moth in Santa Monica FRI / OCT 4 / 7:30 PM Jon Goode HOST Bushra Al-Fusail, Ruby Cooper, Samuel James, Omar Qureshi, and Carol Spencer STORYTELLERS MOTH STAFF Catherine Burns ARTISTIC DIRECTOR Sarah Haberman EXECUTIVE DIRECTOR Dayren Santamaria MUSICIAN Sarah Austin Jenness DIRECTOR Chloe Salmon PRODUCER Gary Buchler ASSISTANT PRODUCER Jennifer Birmingham MANAGING DIRECTOR OF PROGRAMS Catherine Burns Sarah Haberman Sarah Austin Jenness EXECUTIVE PRODUCERS Jenifer Hixson SENIOR DIRECTOR Meg Bowles SENIOR DIRECTOR Thank you to the Hollywood Foreign Press Association Charitable Trust for making this show possible. Photo by Denise Ofelia Mangen Mangen Ofelia Denise by Photo PERFORMANCES MAGAZINE 6 ABOUT THE ARTISTS Kate Tellers Greg Ayres BOARD MEMBERS DIRECTOR OF MOTHWORKS MANAGER, COMMUNITY PROGRAM Deborah Dugan Marina Klutse Delia Bloom CO-CHAIR DIRECTOR OF FINANCE AND PROGRAM MANAGER, Ari Handel ADMINISTRATION HIGH SCHOOLS CO-CHAIR Suzanne Rust Juan Rodriguez Serena Altschul SENIOR CURATORIAL PRODUCER PROGRAM MANAGER, Lawrence C. Burstein Brandon Grant COMMUNITY ENGAGEMENT Joan D. Firestone DIRECTOR OF MARKETING L Fiorelli Neil Gaiman ASSOCIATE ARCHIVIST Adam Gopnik Inga Glodowski Alice Gottesman DIRECTOR OF DEVELOPMENT Emily Couch Eric Green Sarah Jane Johnson ASSOCIATE PRODUCER, Tony Hendra CHIEF OF STAFF THE MOTH RADIO HOUR Courtney Holt Aldi Kaza Amanda Garcia Anne Maffei ASSISTANT DIRECTOR OF ASSOCIATE PRODUCER, Dr. Alan Manevitz PRODUCTION MOTHWORKS Joanne Ramos Hanna Campbell Quinn McNeill Melanie Shorin SENIOR MANAGER EDUCATION DIGITAL MEDIA ASSISTANT Roger Skelton PROGRAM Julio Chavez Carmen Rita Wong Maggie Albert ASSISTANT PRODUCER, ASSISTANT DIRECTOR COMMUNITY AND EDUCATION DEVELOPMENT COMMITTEE INSTITUTIONAL GIVING Zora Shaw Sarah Cole Regina Spann ASSISTANT PRODUCER Eric Green HUMAN RESOURCES MANAGER Adriene Z. -
Laughing at Death: the Forms and Functions of Humor in Illness
LAUGHING AT DEATH: THE FORMS AND FUNCTIONS OF HUMOR IN ILLNESS TRAUMA NARRATIVES Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in Communication By Nicholas Thomas Iannarino Dayton, Ohio December, 2010 LAUGHING AT DEATH: THE FORMS AND FUNCTIONS OF HUMOR IN ILLNESS TRAUMA NARRATIVES Name: Iannarino, Nicholas Thomas APPROVED BY: _______________________________ Teresa L. Thompson, Ph.D Faculty Advisor ________________________________ Louis P. Cusella, Ph.D Committee Member _________________________________ Kathleen B. Watters, Ph.D Committee Member __________________________________ James D. Robinson, Ph.D Committee Member Director of Graduate Studies, Department of Communication ii ABSTRACT LAUGHING AT DEATH: THE FORMS AND FUNCTIONS OF HUMOR IN ILLNESS TRAUMA NARRATIVES Name: Iannarino, Nicholas Thomas University of Dayton Advisor: Dr. Teresa L. Thompson This thesis attempts to demonstrate that public storytelling and memoirs – if crafted and shared effectively – may elicit beneficial private/intrapersonal and public/interpersonal functions, and might be utilized as effective media for the formulation and dissemination of humorous health narratives. Through the study of three illness trauma narratives that utilize humor, this thesis analyzes the forms in which productive humor was employed throughout the process of narrative construction, and the information the humorous aspects of the narrative product expresses to audiences about the illness experience. More specifically, this thesis attempts to demonstrate that the integration of humor with health narratives can effectively call attention to health issues such as REM sleep behavior disorder, severe drug addiction, and cancer. iii ACKNOWLEDGMENTS My most special thanks are in order to Dr. -
Media Contact: Casey Blake 480-644-6620 [email protected] the Moth to Return to Mesa Arts Center Jan. 27 Tickets
Media Contact: Casey Blake 480-644-6620 [email protected] The Moth to return to Mesa Arts Center Jan. 27 Tickets on Sale Now MESA, AZ (Jan. 5, 2017) – Beloved storytelling nonprofit The Moth – the force behind the popular The Moth Radio Hour, heard on 450 public radio stations nationwide, and The Moth podcast, which is downloaded over 45 million times a year – will return to Mesa Arts Center on Friday, Jan. 27 for a 7:30 p.m. event. Tickets are on sale now. “New York’s hottest and hippest literary ticket.” – The Wall Street Journal. Tickets are available at mesaartscenter.com or by calling 480-644- 6500. The Moth presents true, personal stories by luminaries in the arts and sciences, as well as an astronaut, an undertaker, a voodoo priestess and a retired NYPD detective, among many others. Each show is composed of simple, old-fashioned storytelling on thoroughly modern themes, by wildly divergent raconteurs; every story is told live on stage, without notes. Directed by Catherine McCarthy and hosted by Dame Wilburn, the two-hour show will feature five storytellers including David Montgomery (Los Angeles, CA), Jared Stevenson (Mesa, AZ), Bess Stillman (AZ), Enrique García Naranjo (Tucson, AZ) and one more to be announced. About the Host/Storytellers: DAME WILBURN (host) is a poet, storyteller and writer. She is also Chief Marketing Director for Twisted Willow Soap Company. After honing her storytelling abilities by attending the Detroit Waldorf School for ten years and spending summers on the front porch of her grandparents' home in Macon, Georgia, Dame went on to be a Moth GrandSLAM champion and frequent Moth Mainstage storyteller and host.