Island of Military Bases (Ebook)
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Visual/Media Arts
A R T I S T D I R E C T O R Y ARTIST DIRECTORY (Updated as of August 2021) md The Guam Council on the Arts and Humanities Agency (GCAHA) has produced this Artist Directory as a resource for students, the community, and our constituents. This Directory contains names, contact numbers, email addresses, and mailing or home address of Artists on island and the various disciplines they represent. If you are interested in being included in the directory, please call our office at 300-1204~8/ 7583/ 7584, or visit our website (www.guamcaha.org) to download the Artist Directory Registration Form. TABLE OF CONTENTS DISCIPLINE PAGE NUMBER FOLK/ TRADITIONAL ARTS 03 - 17 VISUAL/ MEDIA ARTS 18 - 78 PERFORMING ARTS 79 - 89 LITERATURE/ HUMANITIES 90 - 96 ART RELATED ORGANIZATIONS 97 – 100 MASTER’S 101 - 103 2 FOLK/ TRADITIONAL ARTS Folk Arts enriches the lives of the Guam community, gives recognition to the indigenous and ethnic artists and their art forms and to promote a greater understanding of Guam’s native and multi-ethnic community. Ronald Acfalle “ Halu’u” P.O. BOX 9771 Tamuning, Guam 96931 [email protected] 671-689-8277 Builder and apprentice of ancient Chamorro (seafaring) sailing canoes, traditional homes and chanter. James Bamba P.O. BOX 26039 Barrigada, Guam 96921 [email protected] 671-488-5618 Traditional/ Contemporary CHamoru weaver specializing in akgak (pandanus) and laagan niyok (coconut) weaving. I can weave guagua’ che’op, ala, lottot, guaha, tuhong, guafak, higai, kostat tengguang, kustat mama’on, etc. Arisa Terlaje Barcinas P.O.BOX 864 Hagatna, Guam 96932 671-488-2782, 671-472-8896 [email protected] Coconut frond weaving in traditional and contemporary styles. -
Textile Industry Needs Christopher D
The Journal of Cotton Science 21:210–219 (2017) 210 http://journal.cotton.org, © The Cotton Foundation 2017 ENGINEERING & GINNING Textile Industry Needs Christopher D. Delhom, Vikki B. Martin, and Martin K. Schreiner ABSTRACT lthough the immediate customer of the gin is Athe cotton producer, the end user of the ginned The immediate customers of cotton gins are lint is the textile mill, retailers, and eventually the the producers; however, the ultimate customers consumer. Thus, it is essential for the ginner to are textile mills and consumers. The ginner has satisfy both the producers and the textile industry. the challenging task to satisfy both producers and Consequently, the ginner needs to be aware of the the textile industry. Classing and grading systems needs of the textile industry. are intended to assign an economic value to the The intent of the cotton classing and grading bales that relates to textile mill demands and the system is to assign an economic value to the bale that quality of the end product. International textile documents its properties as it relates to the quality of mills currently are the primary consumers of U.S. the end product. Since the last edition of the Cotton cotton lint where it must compete against foreign Ginners Handbook in 1994, the customers of U.S. origins. International textile mills manufacture cotton have changed radically, shifting from primar- primarily ring-spun yarns, whereas domestic mills ily domestic to international mills. International mills manufacture predominantly rotor spun yarns. Pro- have been accustomed primarily to hand-harvested ducers and ginners must produce cottons to satisfy cotton that has been processed at slow ginning all segments of the industry, i.e., domestic and in- rates. -
B. TARGET Yahack RECOMMENDATIONS
TARGET ANALYSIS B. TARGET yAHACK RECOMMENDATIONS The groups of targets discussed hereinafter" ars'tlros^ &&%£ Ifl" c. Covered artillery positions operations involving £ fl lieved important in either prolonged air ««esfiJrir # Mobile artillery positions 2 attack to reduce the efficiency of OKINAWA GUNTO as a military E". Pillboxes establishment, or attack to precede and support landing opera- F. Trenches, foxholes, rifle pits, machine-gun & tions. The same groups are not important to both type of opera- positions CD ations. Only airfields, shipping, and urban areas are discussed G. Land mines and wire UJ from the standpoint of the former operation. H. Antitank barriers I. Off-shore obstacles The target groups, not necessarily in order of priority, are: J. Potential positions (burial vaults) I 111. SHIPPING I. AIRFIELDS IV. URBAN AREAS 11. MILITARY DEFENSES V. LAND TRANSPORT A. Coast defense and dual-purpose batteries VI. COMMUNICATIONS (RADIO) B. Antiarcraft batteries VII.MISCELLANEOUS TARGETS. I CD < 2 IAIRFIELDS v < 1. Purpose. An attack analysis on the OKINAWA Airfields abilities for all revetments within the diameter of a circle 1500 & must depend on the purpose- for which attacks are to be carried or 2000 feet if about 900 bombs are dropped. For high altitude out. In sections 2 5, it is assumed that the goal is a short- (25,000 feet) about 3600 bombs would attain similar results within G term neutralization of local enemy air strength (in order, for a 3000-or 4000-foot circle. example, to facilitate amphibious operations). Prolonged general reduction of enemy operating efficiency is treated in section 6. In order to protect his planes, the enemy has under construc- tion or completed 19 concrete arch-type fighter shelters at YON- 2. -
Mead Library Listing As of December 2019 MEAD QUILTERS LIBRARY Page 2 of 14
MEAD QUILTERS LIBRARY Page 1 of 14 Surname Forename Title Publisher ISBN Date Adams Pauline Quiltmaking Made Easy Little Hills Press 1-86315-010-2 1990 Alderman Betty Precious Sunbonnet Quilts American Quilters Society 978-1-57432-951-3 2008 Alexander Karla Stack A New Deck Martindale 1-56477-537-2 Anderson Charlotte Warr Faces & Places C & T Publishing 1-57120-000-2 1995 Anderson F. Crewel Embroidery Octopus Books Ltd. 0-7064-0319-3 1974 Asher & Shirley & Beginner's Guide To Feltmaking Search Press 1-84448-004-6 2006 Bateman Jane Austin Mary Leman American Quilts Primedia Publications 1999 Baird Liliana The Liberty Home Contemporary Books 0-80922-988-9 1997 Balchin Judy Greetings Cards to Make & Treasure Search Press 978-1-84448-394-5 2010 Bannister & Barbara & The United States Patchwork Pattern Book Dover Publications Ltd. 0-486-23243-3 1976 Ford Edna Barnes Christine Colour- the Quilters Guide That Patchwork Place 1-56477-164-4 1997 Bell Louise 201 Quilt Blocks, Motifs, Projects & Ideas Cico Books London 0-19069-488-1 2008 Berg & Alice & Little Quilts All Through The House That Patchwork Place 1-56477-033-8 1993 Von Holt Mary Ellen Berlyn Ineke Landscape in Contemporary Quilts Batsford 0-7134-8974-X 2006 Berlyn Ineke Sketchbooks & Journal Quilts Ineke Berlyn 2009 Besley Angela Rose Windows for Quilters Guild of Master Craftsman 1-86108-163-4 2000 Bishop & Robert & Amish Quilts Laurence King 1-85669-012-1 1976 Safandia Elizabeth Bonesteel Georgia Lap Quilting Oxmoor House Inc. 0-8487-0524-6 1982 Mead Library Listing as of December 2019 MEAD QUILTERS LIBRARY Page 2 of 14 Surname Forename Title Publisher ISBN Date Bonesteel Georgia Bright Ideas for Lap Quilting Oxmoor House Inc. -
On the Structuring of a Model for Multiplying Exhibition Experience Through Utilizing Digital Technologies
On the structuring of a model for multiplying exhibition experience through utilizing digital technologies KITANO, Keisuke (Professor, College of Image Arts and Sciences, Ritsumeikan University) OHSHIMA, Toshikazu (Professor, College of Image Arts and Sciences, Ritsumeikan University) WATANABE, Shuji (Associate Professor, College of Image Arts and Sciences, Ritsumeikan University) future of energy and was primarily aimed at teenagers Abstract: to deepen their understanding of nuclear power and This paper discusses a research report for radioactivity in the wake of the nuclear accidents structuring a model for multiplying exhibition triggered by the Great East Japan Earthquake. experience through utilizing digital technologies such Serving as preparatory work for the Dejima as Virtual Reality(VR) and game design creation based Project by mobilizing digital technology and video- on two field research projects. game-inspired induction methodology into exhibit One of the projects is about achievements and development, through the incorporation of interactive findings of exhibition practice conducted in spring visual technology with playful design in addition to 2012 at Kyoto Museum for World Peace, Ritsumeikan conventional one-way information presentation, such University. The other is about preparatory stages as through the use of panels and exhibits, the interests of a project of which the main purpose is to structure and motivation of visitors can be raised, and realization a game-inspired Virtual Reality system in which one of memorable exhibiting can be considered. could experience a digital simulation of Nagasaki’s Dejima in the Edo Period in Japan through multi-modal Five meetings were held with staff members interactivity. involved in this exhibition in which it was decided to conduct two projects: A) Production of interactive visual systems; and B) Production of tour experiencing Keywords: design for exhibiting and viewing. -
Reflecting Noble Luxury and Refinement, New Lightweight Wool Materials Are of Key Interest to Designers, Retailers and Bespoke Tailors
Reflecting noble luxury and refinement, new lightweight wool materials are of key interest to designers, retailers and bespoke tailors. Beyond demanding perfected fits and wool’s signature aesthetic, discerning consumers expect emotional, sensorial tactility in garments. Responding to luxury market demands, leading Italian and English spinners and weavers are introducing exclusive fine-micron yarns and fabrics, derived from rare Australian merino. Stylesight explores Baruffa Group’s finest wool yarns for first-class sweater knits, cut-and-sew jersey, and wovens. Vogue Australia December 2012 / Elizabeth Debicki in wool, on location at Haddon Rig, a Merino wool farm in New South Wales. With seductive, magnetic charm, lighter weight but often still densely constructed wovens and knits are key on men and women's runways and at textile trade shows. Wool—traditionally a winter fiber—evolves with cutting-edge superfine qualities from 150s and 180s up to 250s. Offering noble refinement and unique trans-seasonal possibilities, wool moves beyond its pastime connotations. Gossamer knits / Posh mesh / Lightweight jerseys / Dense, hefty yet lightweight wools Finest wool Fabrics F/W 13 Dormeuil Limited Edition - finest wool yarns Zegna Baruffa Lane Record Bale - finest wool fabric Loro Piana Borgosesia Finest wool Fabrics Taylor & Lodge Meticulous fiber selection from choice breeds, along with revolutionary spinning and weaving technologies, is core to new noble wool productions. Wools characterized by strength, elasticity, fluidity, low pilling and -
Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings -
Roodstown Castle Video Script
Roodstown Castle Adèle Commins and Daithí Kearney Roodstown Castle is a prominent feature of the built heritage of Co. Louth. Its excellent state of preservation gives it added stature and it provides an excellent example of a tower house in Ireland. National records provide an interesting account of the change of name of the townland of Roodstown since 1301. Over the years the following variants of the name existed: Rotheston (1301), Routheston (1305), Rotheston (1582), Roothstowne (1635), Roothtowne (1655), Roothestowne (1658), Roods towne (1659), Rootstowne (1664), Roodestowne (1666), Roodstowne (1667), Roothstowne (1670), Roothtown (1685), Rootstown (1777), Roodstown (1836). At this time it was noted that Rooth was a family name.1 The 1837 Topographical Dictionary of Ireland noted that the townland contained 25 houses at the time with 148 inhabitants and described it as a village.2 This dictionary also suggested that the townland was called Rootstown or Ruthstown. In the Barony of Ardee and Civil Parish of Stabannan, the townland of Roodstown is surrounded by a number of other townlands including Gudderstown, Rock, Broadlough, Drumcashel, Philibenstown and Irishtown. Roodstown Castle is the most prominent structure today in the townland. The castle overlooks the N33 and the River Dee and is an imposing feature in the landscape visible today from a number of surrounding roads including the N52 and N33. Roodstown Castle is positioned on the roadside at a junction. To the right of the castle is Ardee and to the left of the castle is Stabannan. In days gone by this was the main road from Ardee to Castlebellingham. -
Textile Periods in Ancient Peru: Ii Paracas Caverns and the Grand Necropolis
TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M O';EALE- UNRERSITY OF CFORNIA PUBLTICATIONS IN EwasN AROOY AND ETENOLOG#Y Volnme 39, No. 2, pp. 14>202, plates 1-6, 20 figures in text ,, ,, .. vE \ . # :. UNIVERSITY 0t CALIP6RNIA PRESS BERKELEY AND tOS ANGBLES 1942 TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M. O'NEALE UNIVERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES 1942 UNIVERSITY Or CALIFORNIA PUBLICATIONS IN AMERICAN ARCHAEOGY AND ETHNOLOGY EDITORS: A. L. KRoEBER, R. H. LoWIE, T. D. MCCowN, R. L. OLSON Volume 39, No. 2, pp. 143-202, plates 1-5, 20 figures in text Submitted by editors March 12, 1941 Issued October 23, 1942 Price, 75 cents UNIVESITY OF CALIFORNIA PRESS BERKELEY, CALIFORNIA CAM1BRDGE UNIVERSITY PRESS LONDON, ENGLAND PRINTED IN THE UNITED STATES OF AMERIOA CONTENTS PAGE METHOD AND MATERIAL ..................................................... 143 Revisions . ............................................................... 144 Paracas time periods: Caverns and Necropolis ................................ 145 TRAITS COMMON TO ALL PERIODS .............................................. 148 Paracas yarns . .......................................................... 149 Paracas loom types ....................................................... 151 Technical processes at Paracas ............................................. 152 Warp-weft techniques ................................................... 152 Plain weaves ................. ...................................... -
Nansei Islands Biological Diversity Evaluation Project Report 1 Chapter 1
Introduction WWF Japan’s involvement with the Nansei Islands can be traced back to a request in 1982 by Prince Phillip, Duke of Edinburgh. The “World Conservation Strategy”, which was drafted at the time through a collaborative effort by the WWF’s network, the International Union for Conservation of Nature (IUCN), and the United Nations Environment Programme (UNEP), posed the notion that the problems affecting environments were problems that had global implications. Furthermore, the findings presented offered information on precious environments extant throughout the globe and where they were distributed, thereby providing an impetus for people to think about issues relevant to humankind’s harmonious existence with the rest of nature. One of the precious natural environments for Japan given in the “World Conservation Strategy” was the Nansei Islands. The Duke of Edinburgh, who was the President of the WWF at the time (now President Emeritus), naturally sought to promote acts of conservation by those who could see them through most effectively, i.e. pertinent conservation parties in the area, a mandate which naturally fell on the shoulders of WWF Japan with regard to nature conservation activities concerning the Nansei Islands. This marked the beginning of the Nansei Islands initiative of WWF Japan, and ever since, WWF Japan has not only consistently performed globally-relevant environmental studies of particular areas within the Nansei Islands during the 1980’s and 1990’s, but has put pressure on the national and local governments to use the findings of those studies in public policy. Unfortunately, like many other places throughout the world, the deterioration of the natural environments in the Nansei Islands has yet to stop. -
Working with Bone, Antler and Horn
Working with Bone, Antler and Horn David Constantine © 2014 V1.4 April 2014 Contents List of Figures and Tables ..................................................................................................................................... i Introduction .......................................................................................................................................................... 1 What is Bone Working? ..................................................................................................................................... 1 Recommended reading and additional resources ............................................................................................... 1 Contact Details ................................................................................................................................................... 1 Raw Materials ....................................................................................................................................................... 2 Definitions and basic biology of skeletal materials ........................................................................................... 2 Historical Availability and Use .......................................................................................................................... 4 Period Toolkits .................................................................................................................................................... 10 Basic toolkit .................................................................................................................................................... -
New Zealand Crafts Issue 28 Winter 1989
FTSCOUNCI‘E:~I" 2: Crafts Council Magazine 28 Winter 1989 $10 incl GST STATE — FOREWORD The State‘Of the Crafts in New Zealand Crafts CouncilCr5ft5Magazine 28 Winter Double Issue 1989 Nan Berkeley — outrageous 25 Details 41 Craft Index Textiles visionary Jenny Pattrick Richard Tarrant 42 The NZ Spinning, Weaving and The NZ Society of Potters Inc. 26 Craft Index Jewellery/Metal Woolcraft Society Inc. Rick Rudd Nola Fournier 29 The Association of Handcraft Craft Index Ceramics Printers Ken McGrath 43 Craft Index Textiles IO The crafts in Maori society 30 The crafts and the fine arts 44 The crafts and tourism Amy Brown Lesieigh Salinger Hon. Jonathan Hunt l2 Craft Index Ceramics . The Craft Buyer's Guide I989 . 46 The National Association of Woodturners NZ Inc. l3 Nga Puna Waihanga 32 The Association of NZ J.A. Hazlett NZ Maori Artists and Writers Society Leatherworkers Warren Hunt Inc. 47 Craft Index Wood 33 Craft Index Leather 14 Craft Index Ceramics 48 The crafts and sponsorship 34 The New Zealand Lace Society Vanessa Gibbs 16 The crafts and women Inc. Pauline Pease Cassandra Fusco 50 The Furniture Group 35 Craft Index Textiles James Dowle 18 The NZ Society of Artists in Glass On the twenty-fifth anniversary of the World Crafts Council, it is appro- Peter Raos 36 The Association of NZ 51 Craft Index Wood priate to consider the important role that the crafts play in the lives of New Embroiderer's Guilds Inc. Zealanders. I9 Craft Index Glass Elizabeth Ellett 54 The crafts and the public art As a people, we have excelled in this area of arts.