City of Naples Application for Date Received ______Public Art File Number ______Staff Reviewer______Proposed X Existing

Artist:______Arik Levy ______Address:______29 rue des Panoyaux 75020 France Telephone #: ______Fax+33 1 44 78 6161 #______E+33 1 44 78 00 46 -mail:[email protected]

Owner/Developer of Property:______Randy Kurtz (Developer) Address:______870 111 Avenue North, Suite 5, Naples, FL 34108 ____ Telephone #: 239-564-0000______Fax #: ______E239-594-0925 -mail:[email protected]

Development Project Name ______THE COLLECTIVE NAPLES ______

Artwork Title (if created or rendered) ______CraterStone296 ______

Address/Location of Subject Property ______111 10th Street South, Naples, FL 34102 ______(Between 1st Avenue South and 3rd Avenue South in the Naples Design District) ____

Legal Description of Property Involved ______From a point of beginning at the northwest corner of block______19, tier 11, continue south along the east line of 10th street , south 220' then east 165', then north____ 220'; ______thence west 165' to point the beginning, all in block 19, tier 11, Naples seaboard replat as recorded in ______plat book 1, page 59, Collier County records. ______

Total Square Footage of Non-Residential Construction ______52,000sq ft. (128,244 sq ft incl park garage) (63,924 sq ft AC & Non AC Incl) Total Cost or Appraised Value of Artwork ______220,000.00 Euro / $246,169.00USD (160,000Euro/ $178,104USD)* Location of the Artwork On-Site ______Placement at center point in the courtyard/plaza field area. (Attachment A1) Created in 2017, CraterStone296 is a unique (one-of-a-kind) large-scale sculpture carved from one solid block of Compac Ink Engineering Stone marble-based material (92%mineral and 8%resin) . CraterStone296 stands at a height of 296cm a length of 75cm and width of 78cm. (H116.54" x L29.53" x W30.71") (H9.71' x L2.46' xW2.56') CraterStone296 is an exploration of perception of form and material with masterful precision-carved organically-morphed geometric interior spaces providing a visually light contrast to the monumental strength of the stone. Its presence is otherworldly and futuristic and notes to the monolithic sculptures of the past, providing context in this place and time where precious stones were carved by hand, now precision carved by machines. CraterStone296 has a smooth, polished surface texture. It's light, marbled white-grey earth-tone is elegant and timeless. It's form emphasizes strength and stability as well as upward movement allowing the viewer to explore the dynamic facets of the work. STANDARDS Section 46-42(f) lists the standards that shall be considered by the Public Art Advisory Committee and City Council when reviewing petitions for public art. Please explain how the proposed artwork will meet the standards.

1. Artwork installed in public places shall be of exceptional quality and enduring value.

______MATERIAL: Compac Ink Engineering Stone is a material that has great integrity as it is able to withstand the extreme humidity, moisture and heat of the SWFL climate. ______The CraterStone296 structure has been engineered ready for installation to ensure stability. ______MASTERY: Arik Levy work is collected and revered globally with a prolific career spanning ______three decades. His work is internationally recognized awarded and his style is iconic.

______Exceptional Quality & Enduring Value: Levy's works are produced in Europe to the artists high standards. His current work is appraised in the range of $30,000 to $500,000USD+ The relationship of artwork and site shall be considered in terms of the physical dimensions, social dynamics, local character and surrounding urban context.

______PHYSICAL DIMENSIONS: L75 x W78 x H296cm (L 29.5" x ______30.71" x 116.54") (Pedestal Base: 20" height)

______SOCIAL DYNAMICS:______Crate ______r Stone296 will be placed in the courtyard______area of The Collectiv e providing______an aesthetic experience to positively engage people visiting The Collective and walking the Design District. ______LOCAL CHARACTER: Located at_ The______Collective, CraterStone296 is befitting of the local______character of the Naples Design District in that it provides an aesthetic that is relevant and speaks to both art and design while providing a visual enhancement to the overall city walk along 10th Street.

_S______URROUNDING URBAN CONTEXT:_ The Collective building showcases stunning architecture and thoughtful design with architectural elements that are enhanced by the visual language of Arik Levy's CraterStone296. Across the street, facing The Collective is a wall lush with vines running along a sidewalk lined with trees.

2. All public art located on private property shall be outside of any and all buildings and be completely visible from the adjacent right-of-way. To this end, public art may be placed in the required front, side or rear yard upon a determination by the city manager that the location meets the intent of this section and does not cause a safety or visibility hazard.

______CraterStone296 will be placed in the center front entrance of The Collective building.

______The placement of the sculpture will enhance the asthetic quality of the building and its surroundings. It will not pose a safety or visibility hazard as it will not obstruct ______walkable areas in any way.

______

______ARTIST SELECTION CRITERIA The City has adopted the Florida Arts Council criteria for the selection of public art. Artists should meet at least two of the following criteria in order to have a submission presented to the Public Art Advisory Committee. Please list the qualifications of the artist for the applicable criteria: 1. The artist has completed other public commissions on a similar scale.

______Current: Monumental RockGrowthHermitage, Moscow, Hermitage Contemporaty Museum, Moscow 2019

______Baker Museum, Florida – solo exhibition Un/Natural History RockGrowth 370 (Height 12')– 09/2017

______Atomium, – RockGrowth 808 Atomium (Height 9 meters– public space permanent installation – 04/2014 RockFormationTower 350 and 3 Rocks in bronze, Shenzhen Bay Boning Garden, China, 01/2018 ______

2. The artist has received awards, grants or fellowships.

______German Design Award 2016______* Red Dot Award: Product Design 2016 * EDIDA(Elle Decoration International Award) 2015

______Wallpaper* Design Awards London 2014 * Best of Year 2013 awards/INTERIOR DESIGN USA 2013

Grand Prix Stratégies du Design, Perfume Bottle for Issey Miyake, Paris 2010 * ______Design PLUS Award 1999, Ambiente Fair, Frankfurt Germany * Seiko Epson (International Art Center Award) – Japan, 1991 ______Grand Prix de la Presse Internationale de la Critique du Meuble Contemporain - France 1999

3. The artists’ works are included in private, corporate or museum collections.

Mus______eum of Modern Art, ______New York – Need light – 1998 * Museum, Jerusalem, 2001 * Victoria & Albert Museum, London 2004

Seoul Arts Center, Hangaram Design Museum, Seoul, 2005 * Centre Georges Pompidou, Paris, 2006 * ______Triennale Design Museum, Milan, 2009 * Museum of Arts and Design, New York, 2010 * The Art Institute of Chicago, Chicago 2010 ______

COLLECTIONS: SoLocal Group, Boulogne Billancourt – RockGrowthCube 150 - 2017 Fondazione______Bisazza, Montecchio Maggiore – RockChamber + ExperimentalGrowth series – 2012 HSBC Connection Collection / Volume 1 – Rockshelves + Rocksplit – 2009 4. The artist has participated in exhibitions at major museums or galleries. ______Biennale Internationale Saint-Paul de Vence 2018 * Shift of Perception, solo exhibition, Podgorny-Robinson Gallery, Saint-Paul de Vence, ______06/2018-07/2018 * Artis-Naples, The Baker Museum, Naples, Florida – Unnatural History - solo exhibition – 09/2017 to 01/2018 Saatchi Gallery, London, 06/2017 * Louise Alexander Gallery, Nomad, Monaco – solo exhibition – 04/2017 ______Design Miami, Miami – Ice by Arik Levy – 12/2016 * Alon Segev Gallery, – Absent Presence - solo exhibition – 03/11/2016 London Design Museum, London – 09/2012 * Natural History Museum, London – 09/2011 * Design Museum Holon, Israel – 01/2011 ______Santa Monica Museum of Art, USA – 05/2010 * Isart Contemporary Art Gallery, Munich – 2000 * Sculpture Biennale Ein Hod, Israel 1997 Louisiana Museum, Danemark – 1996 * Sculpture Park, Jaffa, Israel – 1986 ______Materials The items listed below are required components of your Public Art Plan that will be submitted for approval by the Public Art Advisory Committee. Please submit 12 copies of the materials listed below with the completed application. For Proposed Artwork- that which has not been created, the following items are required: 1. A written description of the selection process used to secure the artist(s). 2. The artist(s) name, resume of credentials and photo examples of previous artwork. 3. A detailed written and graphic description of proposed artwork including overall length, width and height, materials used and method of construction. 4. The proposed schedule for creation, completion, and installation of approved artwork at the development site. 5. Photographs, drawing(s) or model(s) of proposed art work detailing the location where artwork and recognition plaque will be installed (site plan) 6. A detailed cost estimate or other evidence of value such as the artist’s bill of sale. For Existing Artwork the following items are required: 1. The artist(s) name, resume of credentials and photo examples of previous artwork. 2. Detailed graphic and/or photographic or architectural renderings of existing artwork. 3. A written description of proposed public art to be installed at development site, or other public place, including overall length, width, height, and materials used. 4. A site plan indicating the location where artwork and recognition plaque are to be installed 5. A schedule for the installation of existing artwork. 6. An independent appraisal of the value of the artwork to the Public Art Advisory Committee or other evidence of value such as the artist’s bill of sale. City of Naples Disclosure of Interest

The City’s Ethics Code requires disclosure of interests of individual owners, of more than 5% interest in the subject property, for city land use and development permits. Completion of this disclosure form is required to allow the members of City Council or any Board or Committee to determine if they have a conflicting relationship with any of the owners of the property that is the subject of the petition. All individuals with such ownership interest in the property that is the subject of this petition should be listed on the pages below. Address of subject property or folio number: _111______10th______Street S., N aples, FL 34102 ______Name of owner(s) as recorded on the deed or other instrument for the subject property (attach copy): __Randy_____ Kurtz______(All other owners are liste d on page 2 of _ this______document) Indicate the form of ownership: The property is owned by persons other than an INDIVIDUAL. List all parties with more than 5% ownership interest as well as the percentage of such interest on page 2. Describe the nature of ownership such as tenancy by entireties, joint tenancy, tenancy in common, joint tenancy, or other ______. The property is owned by a CORPORATION. List stockholders and the percentage of stock owned by each (if more than 5%) on page 2. The property is in the name of a TRUSTEE. List the beneficiaries of the trust with the percentage of interest (if more than 5%) on page 2. The property is in common ownership of a CONDOMINIUM. List the names of members of the condominium (if there are less than 20) on page 2. X The property is in the name of a GENERAL or LIMITED PARTNERSHIP. List the name of the limited partners (with more than 5% interest) on page 2. There is a contingency clause or contract terms that involves additional parties. List all individuals (with more than 5% ownership interest) if a corporation, partnership, or trust, on page 2. There is a CONTRACT FOR PURCHASE. List the names of the contract purchasers, on page 2. Date of the contract ______There is an OPTION TO PURCHASE. List the names of the purchasers on a separate disclosure statement list. Date of Option ______Date option terminates ______or Anticipated closing date ______OTHER. If the property is owned in another form not listed above, set out the type of ownership and list the names of individual owners (with more than 5% interest) on page 2: ______City of Naples Disclosure of Interest

NAME OF INDIVIDUAL OWNER ADDRESS % OWNERSHIP

Randy Kurtz 870 111th Avenue North, Suite 5, Naples, FL 34108 50.41%

Paul Jones 132 Mountain Shore Trail, Six Mile, SC 29682 19.67%

Ron Tysoe 8430 Shawnee Run Road, Cincinnati, OH 45243 15%

John Cooney 633 Tamiami Trail North, Naples FL 34102 5%

Randall Stofft 633 Tamiami Trail North, Naples FL 34102 5%

Greg Collins 4324 Silver Fox Drive, Naples , FL 34119 4.92%

City of Naples Application for Public Art_For Existing Artwork: The Artist Name, Resume of Credentials and Photo Examples of Previous work

Arik Levy

"Creation is an uncontrolled muscle" according to Arik Levy (born 1963).

Artist, technician, photographer, designer, video artist, Levy's skills are multi-disciplinary and his work can be seen in prestigious galleries and museums worldwide. Best known publicly for his sculptures – such as his signature Rock pieces –, his installations, limited editions and design, Levy nevertheless feels "The world is about people, not objects."

Hailing originally from Israel and moving to Europe after his first participation in a group sculpture exhibition in Tel-Aviv in 1986, Levy currently works in his studio in Paris.

His formation was unconventional where surfing, as well as his art and graphic design studio, took up much of his time back home. Following studies at the Art Center Europe in he gained a distinction in Industrial Design in 1991.

After a stint in Japan where he consolidated his ideas producing products and pieces for exhibitions, Levy returned to Europe where he contributed his artistry to another field – contemporary dance and opera by way of set design.

The creation of his studio then meant a foray back to his first love, art and industrial design, as well as other branches of his talents.

Considering himself now more of a "feeling" artist, Arik Levy continues to contribute substantially to our interior and exterior milieu, his work including public sculpture, as well as complete environments that can be adapted for multi use. "Life is a system of signs and symbols," he says, "where nothing is quite as it seems."

Upcoming events and exhibitions

2017 Installation of RockTripleFusion VerticalGiant 660 and RockTripleFusionGiant 500, Taipei. two monumental public sculptures commissioned to be part of the residential project Da-An Park Towers by Sir Richard Rogers, in Taipei, Taiwan. Baker Museum, Florida – solo exhibition – 09/2017 Crystal Worlds Museum, Wattens – 11/2017 Louise Alexander Gallery, Nomad, Monaco – Solo exhibition – 04/2017 Aeroplastic, Brussels – group exhibition – 04/2017 Setareh gallery, Dusseldorf – I Remembered It Differently - solo exhibition – 03/2017 Samsung, commission for BaselWorld – Galaxy Stand – 03/2017 Jensen Gallery, Sydney – group exhibition – 03/2017

Spring 2018 Installation of RockGrowthHermitage, Moscow. monumental public sculpture commissioned to be installed in front of the future Hermitage Moscow, a unique museum complex that will see the day in the Zilart District in Moscow, Russia.

City of Naples Application for PUBLIC ART - The Collective - Naples Design District Permanent installations and ongoing exhibitions 2016 Atomium, Brussels – RockGrowth 808 Atomium – public space permanent installation– 04/2014 Crystal Worlds Museum, Wattens – Transparent Opacity – five-year solo installation – 09/2012 to 2017 Selection of art exhibitions and installations 2016 Alon Segev Gallery, Tel Aviv – Absent Presence - solo exhibition – 03/11/2016 Design Miami, Miami – Ice by Arik Levy – 12/2016 Les Rencontres D’arles, Arles – 20/20 – Group Exhibition – 07/2016 to 09/2016 PODGORNY ROBINSON gallery temporary space, Saint Paul de Vence – Summer group exhibition – 07/2016

2015 Setareh gallery, Dusseldorf – solo exhibition – 09/2015 Please Do Not Enter, Los Angeles – solo exhibition – 05/2015 Praguekabinet gallery, Prague - Intuitive Reactions – solo exhibition – 05/2015 Aeroplastics Contemporary, Humble me – group exhibition – 04/2015 Atomium, Brussels – RockGrowth 808 Atomium – public space permanent installation– 04/2014 Crystal Worlds Museum, Wattens – Transparent Opacity – five-year solo installation – 09/2012 to 2017 selection of art exhibitions and installations Pékin Fine Arts Gallery, Hong-Kong - Manmade (Human) Nature – solo exhibition – 02/2015 Alon Segev Gallery, Art15, London – group exhibition – 05/2015 Louise-Alexander Gallery, Art15, London – group exhibition – 05/2015

2014 Le Frenois, Tourcoing – Lux – group exhibition – Sparkler art video – 10/10/2014 Alon Segev, Tel Aviv – Primitive Components – solo exhibition – 30/10/2014 Louise Alexander Gallery, Porto Cervo – Uncontrolled Nature – solo exhibition – 06/2014 Ilan Engel Gallery, Paris – New Works – solo exhibition – 06/2014 Atomium, Brussels – RockGrowth 808 Atomium – public space permanent installation and exhibition – 04/2014 Aeroplastics Contemporary, Brussels – Full House: 100 artists – group exhibition – 04/2014 Fondation EDF, Paris – Que la lumière soit – RewindableLight art video – 04/2014

2013 Galerist, Istanbul – Activated Nature – 11/2013 Enclos des Bernardins, Paris – RockGrowth installation – 09/2013 Musée des Arts Décoratifs, Paris – selection of artworks alongside the exhibition “Dans la ligne de mire” – 09/2013 Vitra Design Museum, Weil am Rhein – RewindableLight art video – Lightopia group exhibition – 09/2013 La Maison Champs Elysées, Paris – Crater_F210 and installation of other artworks – 09/2013 Galerie Maubert, Paris – Nouvelle Lune – group exhibition – 04/2013 Alcazar, Paris – Fractal installation and photo exhibition (Orchids and Seduction series) – 04/2013 Mitterrand+Cramer, Geneva – new sculptures – solo exhibition – 03/2013

2012 Passage de Retz, Paris – Nothing is quite as it seems – solo exhibition – 11/2012 Bisazza Foundation, Montecchio Maggiore – Experimental Growth – solo exhibition & permanent collection – 11/2012 Galerist, Istanbul – Le Jardin de la Spéculation Cosmique – group exhibition curated by Fatoş Üstek

City of Naples Application for PUBLIC ART - The Collective - Naples Design District – 10/2012 Crystal Worlds Museum, Wattens – Transparent Opacity – two-year solo installation – 09/2012 Alon Segev Gallery, Tel Aviv – Genetic Intimacy – solo exhibition – 09/2012 London Design Museum, London – Osmosis Interactive installation at Swarovski’s Digital Crystal – group exhibition – 09/2012 Jardin du Hauvel, Saint-Hymer – Art et Nature – group exhibition curated by Jean-Gabriel Mitterrand – 06/2012 Hedge Gallery, San Francisco – Flections – group exhibition curated by Sabrina Buell – 06/2012 Priveekollektie, Heusden aan de Maas – EmotionalDeflection – solo exhibition – 05/2012 Galerie Maubert, Paris – Le Sacre du Printemps – group exhibition – 04/2012 Alon Segev Gallery, Tel Aviv – Arik Levy & Guy Yanai – group exhibition – 03/2012 Stonetouch, Geneva – Candelabra – group exhibition – Nuit des Bains – 03/2012

2011 Natural History Museum, London - installation - Regeneration : Chaton Superstructures at the Natural History Museum JGM. Galerie, Paris – M+C group exhibition Galerie Pierre-Alain Challier, Paris – Un regard d'Obsidienne – group exhibition Design Museum Holon, Israel – Post Fossil: excavating 21st century creation – group exhibition – 21_21 Design Sight gallery, Tokyo – Reality Lab – group exhibition 2010 Alon Segev Gallery, Tel Aviv – Natural Disorder – solo exhibition Mitterrand+Cramer, Genève – Geotectonic – solo exhibition Priveekollektie, Heusden aan de Maas – My Name Is Arik – solo exhibition

Istanbul Modern, Istanbul – Log Forest installation – Dice Kayek’s Istanbul Contrast Art Amsterdam, Amsterdam – Personality Disorder Social Codes – installation at No Holds Barred Eighth Veil Gallery, Los Angeles – Out there logging – solo exhibition Santa Monica Museum of Art, Santa Monica CA – Luminescence, between Fire & Ice – solo exhibition Lambretto Art Project, Milano – 13 798 grams of design – group exhibition 21_21 Design Sight gallery, Tokyo – Post Fossil: excavating 21st century creation – group exhibition

2009 Slott gallery, Paris – Confessions – solo installation in “Préliminaires” exhibition Kenny Schachter/ROVE, London – Fruit & Flowers – group exhibition Chaton Superstructures at the Liechtenstein Museum and TableScape architectural Jewellery at Sotheby’s, VIenna Osmosis commissioned by Swarovski Crystal Palace, Ex Magazzini di Porta Genova Milano – solo exhibition Oratorio Basilica di S. Ambrogio, Milano – Prophets & Penitents, Confessions of a Chair – group exhibition Galleria Nina Lumer, Milano – Love Design – group exhibition –

2008 Design Miami, Miami – Beyond Organic: Design In the State of Nature – group exhibition Kenny Schachter/ROVE, London – Diversion – group exhibition Chatsworth, UK – Beyond Limits – group exhibition Sudeley Castle, UK – The Artist’s Playground – group exhibition Wright20, Chicago, IL – Absent Nature – solo exhibition Barbara Davis Gallery, Houston, TX – Imperative Design – group exhibition Galerie Alain Gutharc, Paris – Propositions lumineuses 2 – group exhibition Galerie NumerisCausa, Paris – Il était une fois… – group

City of Naples Application for PUBLIC ART - The Collective - Naples Design District exhibition

2007 Kenny Schachter ROVE Projects LLP, London – Cosmic Nature - 2007The Mews Gallery by Rabih Hage, London – Sitting Pretty – exhibition of photos by Jonathan Root, featuring a portrait of Arik Levy with his creation Identity Disorder Dialogues méditerranéens, St. Tropez – BigRock – installation Centre des arts, Centre des arts - L’Autre – solo exhibition Drugstore Publicis, Paris – MiniMaxi – installation

2006 Baccarat, Paris – Phantom – installation Passage de Retz, Paris – BigRock – permanent installation Centre culturel français, Milan – République Libre du Design – installation Organ Passage de Retz / Mouvements modernes, Paris – Du Bois Dont On Se Chauffe – group exhibition

2005 Galerie Alain Gutharc, Paris – Propositions lumineuses – group exhibition Centre Pompidou, Paris – D.Day – From primitive to virtual - installation Garanti Gallery, Istanbul – Feel before you see – solo exhibition National Glass Centre/Glass Gallery, Sunderland, UK

2004 Park Ryusook Gallery, Seoul – Love counts – solo exhibition Victoria & Albert Museum, London – Brilliant – group exhibition

2002 and before Hertzlia Museum, Israel Video Zone Biennale – Two stars hotel – in collaboration with Sigalit Landau Pascale Cottard-Ollsson Gallery, Stockholm – solo exhibition Isart Contemporary Art Gallery, Munich – Virtual light Isart Contemporary Art Gallery, Munich – Virtual/Religious’ Sculpture Biennale Ein Hod, Israel – Humanism 2020 Louisiana Museum, Danemark – Design og identitet Sculpture Park, Jaffa, Israel – 1986

Museum acquisitions and collections

Museum acquisitions The Art Institute of Chicago, Chicago – Contemporary Domestic Confessional – 2010 Museum of Arts and Design, New York – Giant Giant Mega Heliodor – 2010 Triennale Design Museum, Milan – Meteorite drawing – 2009 Centre Georges Pompidou, Paris – installation Fractal Cloud – 2006 Seoul Arts Center, Hangaram Design Museum, Seoul – Umbilical Light – 2005 Centre Georges Pompidou, Paris – Handshake light – 2005 Centre Georges Pompidou, Paris – Piflow light – 2005 Victoria & Albert Museum, London – Umbilical ball and Umbilical knitted lights – 2004 Centre Georges Pompidou, Paris – Xm3 duo, Light pocket, Alchemy tube lights – 2002 Centre Georges Pompidou, Paris – Double layer chair, CD shelf – 2002 FNAC, Fond national d’art contemporain, Paris – Infinite light video – 2001 Israel Museum, Jerusalem – White hole light installation – 2001 Israel Museum, Jerusalem – Need light – 2000 Museum of Modern Art, New York – Need light – 1998

City of Naples Application for PUBLIC ART - The Collective - Naples Design District Collections Bisazza Foundation, Montecchio Maggiore – RockChamber + ExperimentalGrowth series – 2012 HSBC Connection Collection / Volume 1 – Rockshelves + Rocksplit – 2009

Competitions and awards 2015 EDIDA 2015 (Elle Decoration International Award) 2015 – Lighting category – Wireflow pendants by Arik Levy for Vibia - Milan Design Plus powered by ISH 2015 – Bowl collection by Arik Levy for Inbani - Frankfurt

2014 Design Plus powered by Light+Building 2014 : Best of Design Plus - Wireflow pendants by Arik Levy for Vibia – Frankfurt Wallpaper* Design Awards 2014 – Best line work – Wireflow pendants by Arik Levy for Vibia – London

2013 Interior Design Best of Year 2013 – Best floor and sconce lighting – Fold by Arik Levy for Vibia – New York

2011 Good Design award : Pattern collection for EMU – USA Design Plus powered by ISH 2011 award : best product – Structure collection for Inbani – Frankfurt

2010 Grand Prix Stratégies du Design 2010 : best Branding Packaging – bottle A Scent for Issey Miyake – Paris

2009 Red Dot Design Award : best product design 2009 – SH05 ARIE shelving system by E15 – Essen The Interior Innovation Award, category “Best of the Best” - SH05 Arie shelving system by E15 – Köln Wallpaper* Design Awards 2009 – Best new beds – Landscape by Arik Levy for Verardo – Italy Wallpaper* Design Awards 2009 – Best shelving – Fluid by Arik Levy for Desalto – Italy

2008 JANUS Award for Industry, design and innovation 2008 – Log Light by Saasz – Paris Label VIA, Torch table lamp by Baccarat – France, 2008 Red Dot Design Award : best product design 2008 – Mistic collection by Gaia & Gino – Essen, Germany ELLE Decoration International Design Awards 2008 – Designer of the year Wallpaper* Design Awards 2007 – Best modular furniture – Cubic Meter by A. Levy for Kenny Schachter – London Design PLUS Award 2008, Mitos glassware collection by Kvetna – Frankfurt Globes de Crystal Arts et Culture 2008 Paris Première – Best Designer – Paris

2007 JANUS Award for Industry, design and innovation 2007, Invisible system by Visplay – Paris Wallpaper* Design Awards 2007, Furniture designer of the year, finalist – London Wallpaper* Design Awards 2007 – Best centerpiece – Mistic collection by Gaia & Gino – London

City of Naples Application for PUBLIC ART - The Collective - Naples Design District 2006 Design PLUS Award 2006, Mistic vase by Gaia&Gino 2005 The Interior Innovation Award, category “Best detail” 4to8 table by Desalto – Köln The Interior Innovation Award, category “Best detail” Liko glass table by Desalto – Köln Elle Decoration magazine Design Award for lighting (2nd edition)

2003 The Interior Innovation Award, category “Best of the Best” Liko table by Desalto – Köln 2002 Prix de l’Observeur du Design/APCI, Arik sofa by Ligne Roset – France Grand Prix de la Presse Internationale de la Critique du Meuble Contemporain, Arik sofa by Ligne Roset – France, 2002 Label VIA, Arik sofa by Ligne Roset – France, 2002

2001 Cartier international office furniture and light system in collaboration with Vitra Label VIA, Slim stacking chair by Ligne Roset – France, 2001 George Nelson Award, Interior magazine, 2001

2000 Label Via, U cd shelf by Ligne Roset – France, 2000 iF Award light fixtures – Germany, 2000 L'Express Best of category Light – France, 2000 Carte blanche VIA – France

1999 Label VIA, Light Pocket lamp by Ligne Roset – France Grand Prix de la Presse Internationale de la Critique du Meuble Contemporain, Cloud lamp – France Design PLUS Award 1999, Ambiente Fair, Seed porcelaine lamp – Frankfurt

1997 Mouvement français de la qualité – posters for “Qualité 97” campaign – Paris, 1997 1991 Seiko Epson (International Art Center Award) – Japan, 1991

PHOTO EXAMPLES OF PREVIOUS WORK:

City of Naples Application for PUBLIC ART - The Collective - Naples Design District Contact Method & Concept: Chad Jensen (239)253-0673 for details related to this application