DOCSLIB.ORG

Naughty Girls and Gay Male Romance/Porn: Slash Fiction, Boys' Love Manga, and Other Works by Female" Cross-Voyeurs" in the US Academic Discourses

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Naughty Girls and Gay Male Romance/Porn: Slash Fiction, Boys' Love Manga, and Other Works by Female Carola Katharina Bauer Naughty Girls and Gay Male Romance/Porn Slash Fiction, Boys’ Love Manga, and Other Works by Female “Cross-Voyeurs” in the U.S. Academic Discourses Anchor Academic Publishing Bauer, Carola Katharina: Naughty Girls and Gay Male Romance/Porn: Slash Fiction, Boys’ Love Manga, and Other Works by Female “Cross-Voyeurs” in the U.S. Academic Discourses. Hamburg, Diplomica Verlag GmbH 2012 ISBN: 978-3-95489-001-9 Print: Anchor Academic Publishing, an Imprint of Diplomica® Verlag GmbH, Hamburg, 2012 Bibliographical Information of the German National Library: The German National Library lists this publication in the German National Bibliography. Detailed bibliographic data can be found at: http://dnb.d-nb.de The digital publication (eBook) of this work with the ISBN 978-3-95489-501-4 can be purchased on the general market or directly from the publisher. All rights reserved. This publication may not be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Dieses Werk ist urheberrechtlich geschützt. Die dadurch begründeten Rechte, insbesondere die der Übersetzung, des Nachdrucks, des Vortrags, der Entnahme von Abbildungen und Tabellen, der Funksendung, der Mikroverfilmung oder der Vervielfältigung auf anderen Wegen und der Speicherung in Datenverarbeitungsanlagen, bleiben, auch bei nur auszugsweiser Verwertung, vorbehalten. Eine Vervielfältigung dieses Werkes oder von Teilen dieses Werkes ist auch im Einzelfall nur in den Grenzen der gesetzlichen Bestimmungen des Urheberrechtsgesetzes der Bundesrepublik Deutschland in der jeweils geltenden Fassung zulässig. Sie ist grundsätzlich vergütungspflichtig. Zuwiderhandlungen unterliegen den Strafbestimmungen des Urheberrechtes. Die Wiedergabe von Gebrauchsnamen, Handelsnamen, Warenbezeichnungen usw. in diesem Werk berechtigt auch ohne besondere Kennzeichnung nicht zu der Annahme, dass solche Namen im Sinne der Warenzeichen- und Markenschutz-Gesetzgebung als frei zu betrachten wären und daher von jedermann benutzt werden dürften. Die Informationen in diesem Werk wurden mit Sorgfalt erarbeitet. Dennoch können Fehler nicht vollständig ausgeschlossen werden, und der Diplomica Verlag, die Autoren oder Übersetzer übernehmen keine juristische Verantwortung oder irgendeine Haftung für evtl. verbliebene fehlerhafte Angaben und deren Folgen. © Anchor Academic Publishing ein Imprint der Diplomica® Verlag GmbH http://www.diplomica-verlag.de, Hamburg 2012 Printed in Germany Table of Contents 1. Introduction: John Donne and “American Girl-on-Girl Action” vs. the Strange Case of Female “Cross-Voyeurs” .................................................................................. 1 2. Theoretical Framework: Queer Theory Meets Feminism Meets Foucauldian Discourse Analysis .......................................................................................................... 5 2.1 A “Deliberately Disruptive” Challenge to Heterosexism: Queer Theory and Its Key Concepts .............. 5 2.2 Troubling Gender & Sexuality: Judith Butler “in the Interstices” of Feminist and Queer Theory ........... 9 2.3 Technologies of Power/Knowledge: Using Foucauldian Discourse Analysis ........................................ 13 3. “Cross-Writing” Female Novelists under Scrutiny: Mary Renault & Others in the U.S. Academic Discourses (1969 – Today) .................................................................. 16 3.1 Gay Male Fiction by Women – An Inventory ......................................................................................... 16 3.2 From Victims of “Misfortune” to “Fag Hags” and the “New Couple”: Speaking about (Heterosexual) Women and Gay Men since 1969 ........................................................................................................... 19 3.3 About the Three Ways to Conceptualize Your “Faghagging” Novelist: Interpretations of “Cross- Writing” Women and Their Works in U.S. Academia ............................................................................ 25 3.3.1 The (Heterosexual) Woman as Empathic Outsider and Mediator – Mary Renault and Patricia Nell Warren in Traditional Literary Criticism around 1970 ....................................................... 27 3.3.2 About “Fag Hags” on “Power Trips” and Their Fake “Ersatz Works” – Bradley & Others in the Works of Gay Male Intellectuals and Academics since the 1970s ......................................... 31 3.3.3 The Feminist and the Lesbian “Factor”: Interpreting Mary Renault & Marguerite Yourcenar from a Third Point of View in the 1970s, 1980s, and 1990s ........................................................ 34 3.4 Heresies, Girlfags, and “Faghagging” Novelists – A Conclusion Regarding the “Do’s and Don’ts” of the Academic Discourse(s) about Renault & Other Cross-Writers ......................................................... 39 4. Female “Cross-Readers”: Talking about “Textual Poachers” and Slash Fiction in American Fan Fiction Studies since the 1980s ........................................................... 44 4.1 Snape and Harry Sitting in a Tree, K-I-S-S-I-N-G: Defining the Genre of Slash Fiction ....................... 44 4.2 A Fateful Encounter: Feminist Theory and Media Studies Meet Slash Fiction – The Beginnings of an Academic Debate (1985-1992) ............................................................................................................... 48 4.2.1 “Pornography by Women for Women, with Love”: The Pornography Wars, Joanna Russ, Patricia Frazer Lamb, Diana Veith, and K/S Fiction in the 1980s ............................................. 49 4.2.2 The “Guerilla Tactics” of “Textual Poachers”: Slash Fiction Fandom Meets Media Studies – Henry Jenkins, Constance Penley, and Camille Bacon-Smith (1988-1992) ................................ 55 4.3 “Let’s Talk about Slash, Baby.” Characteristics of an Academic Debate (1985-Today) ........................ 59 4.3.1 Shrieking Teens, Divorced Housewives, and Their Mediocre Fiction: Slash Writers/Readers as the “Other” Fans in Scholarly Accounts ..................................................................................... 61 4.3.2 Women’s “All-too-often Purple (Gay) Prose” – Genre and Gender Essentialism in the Academic Discourse about Slash Fiction ..................................................................................................... 65 4.3.3 Subversive/Queer Pleasures? Explaining “Normal Female Interest in Men Bonking” ............... 71 4.4 A Tale of Two Academic Discourses: Slash Fiction Fans vs. “Cross-Writing” Novelists ..................... 77 5. Boys’ Love for Women, Made in Japan: Yaoi and Shounen-ai Manga in the U.S. Academic Discourse (1983-2011) ................................................................................. 80 5.1 Beautiful Men and “Rotten Girls”: Boys’ Love Manga in Japan and the USA ...................................... 80 5.2 Female “Cross-voyeurism,” an Intrinsically Japanese Phenomenon? Yaoi and Shounen-ai in U.S. Scholarly Accounts since 1983 ............................................................................................................... 86 5.2.1 Robots, Samurai, and Pokémon: North America, Japan, and (Techno-) Orientalism .................. 86 5.2.2 The Threat of “Tentacle Rape” and Those Poor, Oppressed Geishas: The Portrayal of BL as a Medium of Empowerment for Japanese Women .......................................................................... 87 5.2.3 Queer Japan: Conceptualizing a “Strange” Sexual Culture, or the Benefits of Exoticism ........ 911 5.3 An Exciting “Import” and Its American Counterpart – Discussing Boys’ Love and Slash Fiction in the U.S. Academic Discourses ...................................................................................................................... 97 6. Conclusion: Theorizing Female “Cross-Voyeurism” in U.S. Academia – A “Vicious Circle” ............................................................................................................ 99 7. Works Cited .................................................................................................................. 106 1. Introduction: John Donne and “American Girl-on-Girl Action” vs. the Strange Case of Female “Cross-Voyeurs” “Chandler: I was just watching regular porn. Monica: [Relieved] Really? Chandler: Yes, just some old fashioned, American, girl-on-girl action. Monica: You have no idea how happy that makes me!”1 In the Friends episode “The One with the Sharks,” aired in October 2002, one of the sitcom’s main characters, Monica Geller, catches her husband, Chandler, masturbating – apparently, while watching a shark documentary. Convinced that her partner is secretly into “shark porn,” Monica tries to accept and even re-enact his “perverse” desires – only to discover with quite some relief that Chandler just changed the channel when she came into the room and that he originally was getting off on “some regular […] old fashioned, American, girl-on-girl action.” The feminist theorist Rebecca Whisnant has criticized this scene as being one of the “pop cultural references” teaching women “that men’s pornography use is inevitable and completely legitimate, and that the way to be a cool, modern, liberated woman is to not only tolerate it, but to join in” (Whisnant 16) – a harsh judgment which can be partly explained by the radical feminist, anti- pornography stance Whisnant takes in her paper “Confronting
Load more

Recommended publications
  • Gender and Consent in Supernatural Fanfiction's Alpha/Beta/Omega
    i Just Go Find Yourself a Nice Alpha: Gender and Consent in Supernatural Fanfiction’s Alpha/Beta/Omega Universe by Tessa Barone A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Arts in English (Honors Scholar) Honors Baccalaureate of Arts in History (Honors Scholar) Presented May 28, 2019 Commencement June 2019 ii iii AN ABSTRACT OF THE THESIS OF Tessa Barone for the degree of Honors Baccalaureate of Arts in English and Honors Baccalaureate Arts in History presented on May 28, 2019. Title: Just Go Find Yourself a Nice Alpha: Gender and Consent in Supernatural Fanfiction’s Alpha/Beta/Omega Universe. Abstract approved:_____________________________________________________ Rebecca Olson Shows, books, and media are constantly negotiating power with their fans. Who decides what is canon? To whom does the story belong?? The answer has traditionally been in favor of producers. However, in the age of the internet, fans now hold considerably more power than they ever have before, and some shows, like the CW’s Supernatural, respond by participating in “fanservice.” Many fans of this show strongly support slash and incest pairings, and by allowing such interpretations to be acknowledged in the narrative Supernatural makes increasingly transgressive readings available to the audience. The trope known as “Alpha/Beta/Omega Dynamics” is extremely popular, borderline pornographic, and virtually eradicates women from the narrative—instead depicting a relationship between men that is highly heterosexual in dynamic. This trope deconstructs the gender binary by assigning gender roles based on behavior, rather than biology, and appeals to an animal code of ethics in order to indulge in problematic, sexist, and abusive sexual situations.
    [Show full text]
  • Conflicts in Appraising Lesbian Pulp Novels Julie Botnick IS 438A
    Pulp Frictions: Conflicts in Appraising Lesbian Pulp Novels Julie Botnick IS 438A: Seminar in Archival Appraisal June 14, 2018 Abstract The years between 1950 and 1965 were the “golden age” of lesbian pulp novels, which provided some of the only representations of lesbians in the mid-20th century. Thousands of these novels sit in plastic sleeves on shelves in special collections around the United States, val- ued for their evocative covers and campy marketing language. Devoid of accompanying docu- mentation which elaborates on the affective relationships lesbians had with these novels in their own time, the pulps are appraised for their value as visual objects rather than their role in peo- ple’s lives. The appraisal decisions made around these pulps are interdependent with irreversible decisions around access, exhibition, and preservation. I propose introducing affect as an appraisal criterion to build equitable collections which reflect full, holistic life experiences. This would do better justice to the women of the past who relied on these books for survival. !1 “Deep within me the joy spread… As my whole being convulsed in ecstasy I could feel Marilyn sharing my miracle.” From These Curious Pleasures by Sloan Britain, 1961 Lesbian pulp novels provided some of the only representations of lesbians in the mid-20th century. Cheaper than a pack of gum, these ephemeral novels were enjoyed in private and passed discreetly around, stuffed under mattresses, or tossed out with the trash. Today, thou- sands of these novels sit in plastic sleeves on shelves in special collections around the United States, valued for their evocative covers and campy marketing language.
    [Show full text]
  • Radicalizing Romance: Subculture, Sex, and Media at the Margins
    RADICALIZING ROMANCE: SUBCULTURE, SEX, AND MEDIA AT THE MARGINS By ANDREA WOOD A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2008 1 © 2008 Andrea Wood 2 To my father—Paul Wood—for teaching me the value of independent thought, providing me with opportunities to see the world, and always encouraging me to pursue my dreams 3 ACKNOWLEDGMENTS I would like to thank Kim Emery, my dissertation supervisor, for her constant encouragement, constructive criticism, and availability throughout all stages of researching and writing this project. In addition, many thanks go to Kenneth Kidd and Trysh Travis for their willingness to ask me challenging questions about my work that helped me better conceptualize my purpose and aims. Finally, I would like to thank my friends and family who provided me with emotional and financial support at difficult stages in this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 LIST OF FIGURES .........................................................................................................................7 ABSTRACT .....................................................................................................................................9 CHAPTER 1 INTRODUCTION ..................................................................................................................11
    [Show full text]
  • Boys' Love, Cosplay, and Androgynous Idols
    Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 3(1-2), 19 ISSN: 2542-4920 Book Review Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan Jenny Lin 1* Published: September 10, 2019 Edited By: Maud Lavin, Ling Yang, and Jing Jamie Zhao Publication Date: 2017 Publisher: Hong Kong: Hong Kong University Press, Queer Asia Series Price: HK $495 (Hong Kong, Macau, Mainland China, and Taiwan) US $60 (Other countries) Number of Pages: 292 pp. hardback. ISBN: 978-988-8390-9 If, like me, you were born before 1990 and are not immersed in online fan cultures, you may never have heard of the acronyms BL and GL that comprise the primary thrust of Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan (hereafter Queer Fan Cultures). Fortunately, this captivating anthology’s editors Maud Lavin, Ling Yang, and Jing Jamie Zhao define ‘BL (Boys’ Love, a fan subculture narrating male homoeroticism)’ and ‘GL (Girls’ Love, a fan subculture narrating female homoeroticism)’ (p. xi) at the outset in the Introduction. Lavin, Yang, and Zhao expertly unpack and contextualise these and other terms that may be new to the less enlightened reader – ‘ACG (anime, comics, and games)’ (p. xii); ‘slash/femslash (fan writing practices that explore male/female homoerotic romances)’ (p. xiv); and Chinese slang ‘tongzhi (gay), guaitai (weirdo), ku’er (cool youth)’ (p. xix) – which reappear in fruitful discussions in the following chapters. I recently assigned Queer Fan Cultures in a seminar, and my millennial students, who enthusiastically devoured the book, already knew all about BL, GL, and ACG, as well as related concepts like “cosplay” (costume play, as when people dress like manga and anime characters) and “shipping,” which denotes when fans couple two seemingly heterosexual characters in a same-sex relationship.
    [Show full text]
  • Patricia Highsmith's Queer Disruption: Subverting Gay Tragedy in the 1950S
    Patricia Highsmith’s Queer Disruption: Subverting Gay Tragedy in the 1950s By Charlotte Findlay A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2019 ii iii Contents Acknowledgements ………………………………………………………………..……………..iv Abstract……………………………………………………………………………………………v Introduction………………………………………………………………………………………..1 1: Rejoicing in Evil: Queer Ambiguity and Amorality in The Talented Mr Ripley …………..…14 2: “Don’t Do That in Public”: Finding Space for Lesbians in The Price of Salt…………………44 Conclusion ...…………………………………………………………………………………….80 Works Cited …………..…………………………………………………………………………83 iv Acknowledgements Thanks to my supervisor, Jane Stafford, for providing always excellent advice, for helping me clarify my ideas by pointing out which bits of my drafts were in fact good, and for making the whole process surprisingly painless. Thanks to Mum and Tony, for keeping me functional for the last few months (I am sure all the salad improved my writing immensely.) And last but not least, thanks to the ladies of 804 for the support, gossip, pad thai, and niche literary humour I doubt anybody else would appreciate. I hope your year has been as good as mine. v Abstract Published in a time when tragedy was pervasive in gay literature, Patricia Highsmith’s 1952 novel The Price of Salt, published later as Carol, was the first lesbian novel with a happy ending. It was unusual for depicting lesbians as sympathetic, ordinary women, whose sexuality did not consign them to a life of misery. The novel criticises how 1950s American society worked to suppress lesbianism and women’s agency. It also refuses to let that suppression succeed by giving its lesbian couple a future together.
    [Show full text]
  • Queer Definitions
    ! ! The Amherst College Queer Resource Center's Terms, Definitions, and Labels Compiled and adapted by David Huante '16 QRC Activities Coordinator ! ! Terminology is important. The words we use, and how we use them, can be very powerful. Knowing and understanding the meaning of the words we use improves communication and helps prevent misunderstandings. The following terms are not absolutely-defined. Rather, they provide a starting point for conversations. As always, listening is the key to understanding. Every thorough discussion about the queer community starts with terminology. Some of this terminology may be confusing or surprising; please do not hesitate to ask for clarification. This is a partial list of terms you may encounter. New language and terms emerge as our understanding of these topics changes and evolves. ! ! ! ! ! ! ! ! ! ! ! Affectional (Romantic) Orientation Ally Refers to variations in object of An individual whose attitudes and emotional and sexual attraction. The term behavior are supportive and affirming is preferred by some over “sexual of all genders and sexual orientations orientation” because it indicates that the and who is active in combating feelings and commitments involved are homophobia, transphobia, not solely (or even primarily, for some heterosexism, and cissexism both people) sexual. The term stresses the personally and institutionally. affective emotional component of attractions and relationships, regardless of orientation. Androgyny Asexual Displaying physical and social A person who doesn't experience characteristics identified in this culture sexual attraction or who has low or no as both feminine and masculine to the interest in sexual activity. Unlike degree that the person’s outward celibacy, an action that people choose, appearance and mannerisms make it asexuality is a sexual identity.
    [Show full text]
  • UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
    UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Lovers and (Boy) Friends: Shifting Identities in Japanese BL Manga Permalink https://escholarship.org/uc/item/13c4t9vm Author Brown, Victoria Elizabeth Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Lovers and (Boy) Friends: Shifting Identities in Japanese BL Manga A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Asian Studies by Victoria Elizabeth Brown Committee in charge: Professor Sabine Frühstück, Chair Professor William Fleming Professor Katherine Saltzman-Li December 2019 The thesis of Victoria Elizabeth Brown is approved. ____________________________________________ Katherine Saltzman-Li ____________________________________________ William Fleming ____________________________________________ Sabine Frühstück, Committee Chair September 2019 ABSTRACT Lovers and (Boy) Friends: Shifting Identities in Japanese BL Manga by Victoria Elizabeth Brown As academic scholarship on the Japanese popular media genre known as Boys’ Love has been focused upon the genre’s fan culture and female readers, this thesis project aims to move away from the fans and to the texts in order to explore how the genre is in conversation with changes in societal understandings of same-sex sexuality in Japan. Following brief introductions of four portrayals of men that are commonly found in Japanese popular media, three contemporary manga titles are analyzed to explore how the authors negotiate the narrative conventions of the Boys’ Love genre with the shifting understandings of same-sex sexuality vis-à-vis the visual appearance of the characters, the role of these characters in their fictionalized societies, and the settings wherein the narratives take place.
    [Show full text]
  • 2019-03-17 5C8e1290421a2 Gagafeminism.Pdf
    OTHER BOOKS BY J. JACK HALBERSTAM Skin Shows: Gothic Horror and the Technology of Monsters Posthuman Bodies. Coedited with Ira Livingston Female Masculinity The Drag King Book. With Del LaGrace Volcano In a Queer Time and Place: Transgender Bodies, Subcultural Lives The Queer Art of Failure OTHER BOOKS IN THE QUEER IDEAS SERIES Queer (In)Justice: The Criminalization of LGBT People in the United States by Joey L. Mogul, Andrea J. Ritchie, and Kay Whitlock God vs. Gay? The Religious Case for Equality by Jay Michaelson Beyond (Straight and Gay) Marriage: Valuing All Families under the Law by Nancy D. Polikoff From the Closet to the Courtroom: Five LGBT Rights Lawsuits That Have Changed Our Nation by Carlos A. Ball OTHER BOOKS IN THE QUEER ACTION SERIES Come Out and Win: Organizing Yourself, Your Community, and Your World by Sue Hyde Out Law: What LGBT Youth Should Know about Their Legal Rights by Lisa Keen For Maca CONTENTS A NOTE FROM THE SERIES EDITOR 1 PREFACE Going Gaga 4 INTRODUCTION 11 ONE Gaga Feminism for Beginners 24 TWO Gaga Genders 64 THREE Gaga Sexualities: The End of Normal 112 FOUR Gaga Relations: The End of Marriage 154 FIVE Gaga Manifesto 206 ACKNOWLEDGMENTS 233 NOTES 235 A NOTE FROM THE SERIES EDITOR The American lesbian, gay, bisexual, transgender, and queer movement has never been only a movement about civil rights. From its beginnings in the 1950s, groups like the Mattachine Society and Daughters of Bilitis understood the power of popular culture. The gay liberation movement of the early 1970s understood that the way to political power was through popular culture.
    [Show full text]
  • Panel Transitions in Moto Hagiō's Shōjo Manga
    Ito 1 Elsiemae Ito Professor H (Class) (Date) Transcending Identity: Panel Transitions in Moto Hagiō’s Shōjo Manga “Iguana Girl” Shōjo manga (girls’ comics) is an influential genre that examines identity and encourages readers to identify with its characters. The genre of shōjo manga was formed by manga creators like Moto Hagiō. Hagiō’s short story, “Iguana Girl,” (Iguana no Musume, 1991) is a classic shōjo manga that represents the idea of identity. Readers can identify with the protagonist Rika, who struggles to overcome her perception of herself. Throughout the story, Rika looks like an iguana to her mother, and the story follows the conflict between the mother and daughter. The theme of identity is highlighted by the manga’s use of panel style, as discussed by cartoonist and comic Fig. 1. “Iguana Girl,” by Hagiō Moto. “Iguana Girl.” A Drunken theorist Scott McCloud as well as shōjo manga scholar Dream and Other Stories. Fantagraphics, 2010, p. 163 Deborah Shamoon. Specifically, McCloud’s panel transitions of action-to-action and subject-to-subject are used predominantly in “Iguana Girl.” I argue that in “Iguana Girl,” Moto Hagiō uses these panel transitions to reveal her characters’ emotions or examine her characters’ identity, thereby expanding shōjo manga’s representation of female identity and encouraging readers to explore their own selves. SHŌJO MANGA GENRE AND CONVENTIONS Manga, or Japanese comics, are read by diverse audiences, with genres targeting different Ito 2 genders and age groups. In Japan, publication and reception of manga are high. Deborah Shamoon, professor of Japanese literature, film, and popular culture, states in her book Passionate Friendship: The Aesthetic of Girls’ Culture in Japan that “Manga in general comprise about 40 percent of the total books and magazines sold in Japan, and circulation of manga magazines for girls is nearly three million per month” (101).
    [Show full text]
  • GLBT Historical Society Archives
    GLBT Historical Society Archives - Periodicals List- Updated 01/2019 Title Alternate Title Subtitle Organization Holdings 1/10/2009 1*10 #1 (1991) - #13 (1993); Dec 1, Dec 29 (1993) 55407 Vol. 1, Series #2 (1995) incl. letter from publisher @ditup #6-8 (n.d.) vol. 1 issue 1 (Win 1992) - issue 8 (June 1994 [2 issues, diff covers]) - vol. 3 issue 15 10 Percent (July/Aug 1995) #2 (Feb 1965) - #4 (Jun 1965); #7 (Dec 1965); #3 (Winter 1966) - #4 (Summer); #10 (June 1966); #5 (Summer 1967) - #6 (Fall 1967); #13 (July 1967); Spring, 1968 some issues incl. 101 Boys Art Quarterly Guild Book Service and 101 Book Sales bulletins A Literary Magazine Publishing Women Whoever We Choose 13th Moon Thirteenth Moon To Be Vol. 3 #2 (1977) 17 P.H. fetish 'zine about male legs and feet #1 (Summer 1998) 2 Cents #4 2% Homogenized The Journal of Sex, Politics, and Dairy Products One issue (n.d.) 24-7: Notes From the Inside Commemorating Stonewall 1969-1994 issue #5 (1994) 3 in a Bed A Night in the Life 1 3 Keller Three Keller Le mensuel de Centre gai&lesbien #35 (Feb 1998), #37 (Apr 1998), #38 (May 1998), #48 (May 1999), #49 (Jun 1999) 3,000 Eyes Are Watching Me #1 (1992) 50/50 #1-#4 (June-1995-June 1996) 6010 Magazine Gay Association of Southern Africa (GASA) #2 (Jul 1987) - #3 (Aug 1987) 88 Chins #1 (Oct 1992) - #2 (Nov 1992) A Different Beat An Idea Whose Time Has Come... #1 (June 3, 1976) - #14 (Aug 1977) A Gay Dragonoid Sex Manual and Sketchbook|Gay Dragonoind Sex A Gallery of Bisexual and Hermaphrodite Love Starring the A Dragonoid Sex Manual Manual|Aqwatru' & Kaninor Dragonoid Aliens of the Polymarinus Star System vol 1 (Dec 1991); vol.
    [Show full text]
  • Friendship Between Gay Men and Heterosexual Women: an Interpretative Phenomenological Analysis
    Friendship between Gay Men and Heterosexual Women: An Interpretative Phenomenological Analysis Tina Grigoriou Families & Social Capital ESRC Research Group London South Bank University 103 Borough Road London SE1 0AA March 2004 Published by London South Bank University © Families & Social Capital ESRC Research Group ISBN 1-874418-41-1 Families & Social Capital ESRC Research Group Working Paper No. 5 FRIENDSHIP BETWEEN GAY MEN AND HETEROSEXUAL WOMEN: AN INTERPRETATIVE PHENOMENOLOGICAL ANALYSIS Tina Grigoriou Page Acknowledgements 2 Introduction 3 Previous Research in the Field 4 Methodology 7 Analysis 12 1) Defining the friendship between gay men and heterosexual women 13 2) Friends as family 16 3) Valued characteristics of the friendship between gay men and heterosexual women 20 4) Comparing this friendship to other forms of friendship 24 5) Participants’ understanding of their social network’s perception of the friendship between them 28 Overview and Conclusions 30 References 34 Appendix 37 1 Acknowledgments I would like to thank my supervisors, Dr Adrian Coyle, Senior Lecturer and Co-Course Director at the Department of Psychology at University of Surrey and Dr Xenia Chryssochoou, Associate Professor at the Department of Psychology at Panteion University of Social and Political Sciences, for their support and advice over the course of completing my MSc dissertation in Social Psychology. I am also grateful to all the participants for sharing their insights and feelings with me. 2 Introduction This working paper explores the friendship dynamics between gay men and heterosexual women. Many studies have investigated cross-sex friendships without taking into account the sexual identity of the participants (Buhrke & Fuqua, 1987; Fehr, 1996; Gaines, 1994; Monsour, 1992; O’Meara, 1989; Parker & de Vries, 1993; Reid & Fine, 1992; Rubin, 1985; Sapadin, 1988; Swain, 1992, Werking, 1997) and therefore draw conclusions about cross-sex friendships and negotiation of sexual boundaries (O’Meara, 1989; Reid and Fine, 1992; Swain, 1992).
    [Show full text]
  • An Analysis of Moto Hagio's the Heart of Thomas
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-18-2019 When a Woman Betrays the Nation: an Analysis of Moto Hagio’s The eH art of Thomas Kaoru Tamura Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Japanese Studies Commons, and the Women's Studies Commons Recommended Citation Tamura, Kaoru, "When a Woman Betrays the Nation: an Analysis of Moto Hagio’s The eH art of Thomas" (2019). Arts & Sciences Electronic Theses and Dissertations. 1747. https://openscholarship.wustl.edu/art_sci_etds/1747 This Thesis is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Program in East Asian Studies When a Woman Betrays the Nation: an Analysis of Moto Hagio’s The Heart of Thomas by Kaoru Tamura A thesis presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 2019 St. Louis, Missouri © 2019, Kaoru Tamura Table of Contents List of Figures ................................................................................................................................ iii Acknowledgments........................................................................................................................
    [Show full text]