Community Services Report 2012-2013

Home , Brian Malouf, Mike Kappus, Mindi Abair, Scott Borchetta, Technical Grammy Award

2 MISSION

2 INTRODUCTION

3–11 EDUCATION PROGRAMS AND IMPACT

11–15 PRESERVATION/ADVANCEMENT PROGRAMS AND IMPACT

16 COMMUNITY FEEDBACK

17 FUNDRAISING INITIATIVES

18-24 FINANCES AND SUPPORTERS

25 CONNECT AND CONTACT MISSION The GRAMMY Foundation was established by The Recording Academy in 1988 to cultivate the understanding, appreciation and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimag- ined musical breakthroughs of future generations of music professionals.

INTRODUCTION The GRAMMY Foundation’s Community Services Report brings the programs of the GRAMMY Foundation — music education, preservation and advancement — to life with Jack Osbourne, of Fuse TV, interviewing the band Phoenix at a GRAMMY accounts of programs and events held throughout the year across the country. Each year, 2 Foundation benefit concert at Club we continue to expand our initiatives and attract diverse participants, whether they are Nokia in Los Angeles. young people applying for our GRAMMY in the Schools programs, promising law students submitting papers for our Entertainment Law Initiative Writing Competition, or archivists, librarians, and scientific researchers submitting grant proposals to our GRAMMY Foundation Grant Program. While the term “forward-thinking” captures the GRAMMY Foundation’s strategy for our programmatic growth, the Community Services Report is a look back at our 2013 Fiscal Year (Aug. 1–July 31) and an opportunity to reflect on our achievements. This year, we’ve chosen to begin with a snapshot of our program participants over several years, and we hope you enjoy hearing about where they are now.

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org WHERE ARE THEY NOW?

Many GRAMMY Camp alumni, both summer program and GRAMMY Camp — Jazz Session participants, have gone on to make impressive achievements in their professional careers. A few examples are:

Kristen Castro (GRAMMY Camp, 2010 and 2011) has released an EP titled The Heart Palette, produced her first music video for the song “Step,” filmed web series for VEVO titled “You Play Like a Girl” and “The Tavern,” and is performing across California.

Lisa Nicole (GRAMMY Camp, 2006) has opened Tampa Bay Performing Arts Academy in Palm Harbor, Fla. She teaches musical theater and voice to students ranging in ages 5 to 18 years old. Her academy works with Music Theater International to license official Disney productions and perform them in Tampa. In the past her students have won the Excellence in Music Award from the Junior Theater Festival. In addition to her work with youth, Nicole also has recorded two albums and is a voting member of The Recording Academy. She has aspirations to one day 3 produce and write a children’s musical.

Billy Norris (GRAMMY Camp — Jazz Session, 2006) is currently musical director and guitarist for GRAMMY- nominated artist Gavin DeGraw.

Sergeant Travis Werling (GRAMMY Camp, 2010) recently returned from one year deployment to Afghanistan as a bassist for the 82nd Airborne rock band Green Light Go. He spent the year traveling around the war zone providing entertainment for NATO forces from all over the world. He also taught music lessons and performed for citizens and diplomats in Afghanistan. Werling is currently involved with entertaining and providing music therapy for wounded warriors at Brooke Army Medical Center in San Antonio. He is performing public outreach concerts with his new band, 323D Fort Sams Own, at Fort Sam in Houston.

The majority of winners and finalists in our ELI Writing Competition are now practicing attorneys contributing to the field of entertainment law. Corey Field (ELI Writing Competition winner, 2000) is counsel in the intellectual property department, and a member of the entertainment and media, intellectual property litigation, and trademark and copyright groups at Ballard Spahr LLP. He is the principal author of the treatise “Entertainment Law: Forms And Analysis,” published by Law Journal Press, New York, and from 2010-2012 he served as president of the Copyright Society of the USA. Matthew “Mac” Reynolds (ELI Writing Competition winner, 2008) currently serves as an attorney at Reynolds & Associates as well as an artist manager for Reynolds Management. His most notable clients are 56th GRAMMY winners for Best Rock Performance Imagine Dragons and GRAMMY-nominated pop/rock band the Killers.

The recipients of our Grant Program are impressive and inspiring. Descriptions of funded projects dating back to 2000 are available at www.grammyfoundation.org.

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Music Educator Award The Music Educator Award was established to recognize current educators (kindergarten through college, public and private schools) who have made a significant and lasting contribution to the field of music education. This person also makes a commitment to promoting the broader cause of maintaining music education in the schools. A joint partnership and presentation of The Recording Academy and the GRAMMY Foundation, this special award was announced on the 55th Annual GRAMMY Awards by President/CEO of The Recording Academy and GRAMMY Foundation Neil Portnow, TV and radio host/producer and GRAMMY Foundation Honorary Board Chair Ryan Seacrest, and eight-time GRAMMY winner Justin Timberlake. The award is open to current U.S. music teachers and anyone is invited to submit a nomination — students, parents, friends, colleagues, community members, school deans, and administrators. Teachers are also able to nominate themselves. All nominees will be notified and invited to fill out a full application. Information is available at grammymusicteacher.com. The application process will adjust each year to allow the broad array of effective teaching styles and methods used in the discipline to be recognized and awarded. 4 Each year, one recipient will be selected from 10 finalists, and will be recognized for his/her remarkable impact on students’ lives. The recipient will be flown to Los MUSIC EDUCATOR Angeles to accept the award and receive a $10,000 honorarium at the Special AWARD Merit Awards Ceremony & Nominees Reception that recognizes recipients of the In 2013 the GRAMMY Foundation received Lifetime Achievement Award, Trustees Award and Technical GRAMMY Award more than 32,000 nominations during GRAMMY Week. The recipient will also attend the annual GRAMMY Awards ceremony and a range of GRAMMY Foundation events. The nine finalists will receive between the award’s announcement during a $1,000 honorarium and the schools of all 10 finalists will also receive matching the 55th Annual GRAMMY Awards on grants. The honorariums and grants provided to the finalists and schools are made Feb. 10, 2013, and the deadline of April 15. possible by the generosity and support of the GRAMMY Foundation’s Education That equates to roughly Champions Box Tops For Education, Converse, Disney Performing Arts, Ford Motor 493 nominations a day or Company Fund, Journeys, Microsoft Surface, and Universal Music Group. a nomination every 2.9 minutes for 65 days straight. Information is available at www.grammymusicteacher.com.

GRAMMY Camp — Basic Training GRAMMY Camp — Basic Training is held on university campuses and other venues across the country. The program provides students with insight into careers in the music industry through daylong conferences featuring workshops with artists and industry professionals. The continued support of the Ford Motor Company Fund allowed us to offer the GRAMMY Camp — Basic Training experience in three additional cities in 2012. Since 1988, more than 212,000 students have benefitted from the GRAMMY Camp — Basic Training program.

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GRAMMY CAMP GRAMMY Camp 2012-2013 Ethnic Breakdown GRAMMY Camp2012-2013 2012-2013 ETHNIC Ethnic BREAKDOWN Breakdown

GRAMMY Camp 49% Caucasian GRAMMY Camp is an interactive residential 49% 5% CaucasianHispanic summer program for high school students 5% Hispanic that focuses on all aspects of the commercial 20% African American 20% African American music industry. The curriculum is led by core 6% Asian faculty, guest artists and music professionals 20% 6% OtherAsian across a wide range of career tracks. GRAMMY 20% Other Camp covers all aspects of creating, performing and recording music, and culminates in media projects, recordings and/or showcaseGRAMMY Camp 2012-2013GRAMMY Gender CAMP Breakdown performances. GRAMMY Camp 2012-2013 Gender Breakdown 5 2012-2013 GENDER BREAKDOWN In summer 2013 the ninth annual installment of GRAMMY Camp was held at the University of Southern California in Los Angeles and at 37% Female Converse Rubber Tracks studio in Brooklyn, N.Y. 37% Female GRAMMY Camp Los Angeles culminated with 63% Male a launch party concert at the El Rey Theatre, 63% Male while GRAMMY Camp New York wrapped with a launch party at the New School’s Auditorium. In 2013 the program selected 99 high school students from 87 cities and 27 U.S. states for GRAMMY Winner Jimmy Jam moderates this unique music industry experience. In addition, through a partnershipGRAMMY Signature2013 BASICSchools TRAINING 2012-2013 LOCATIONS Geographic Breakdown a music panel with Eman and Evan with GUCCI, four international students from Japan and England attendedGRAMMY Signature Schools 2012-2013 Geographic Breakdown Bogart during GRAMMY Camp— Basic GRAMMY Camp in Los Angeles, bringing the total number of campers to 103. Austin, Texas | Lanier High School Training in Los Angeles. Compton, Calif. | Compton High School The 2013 session of GRAMMY Camp was supported in part by AEG, Los Angeles | Dorsey High 10% School Northwest — USC Thornton School of Music ASCAP Foundation Irving Caesar Fund, Audio Technica, Avid, BET, Black Los Angeles 33%10% SouthwestNorthwest River Entertainment, CenterStaging, Coca-Cola, Converse, Ella Fitzgerald Miami | University of Miami 20%33% MidwestSouthwest Charitable Foundation, Guitar Center, JBL by Harman, KCRW-FM, Kroesche New York Pace University | 20% Midwest Music Group, Line 6, Les Paul Foundation, Mackie, M-Audio, the New School, Spokane, Wash. | Deer Park 14% High NortheastSchool The Recording Academy, Roland, Shure, Universal Music Group, and USC Spokane, Wash. | North Central 23%14% High SoutheastNortheast School Thornton School of Music. Tucson, Ariz. | Catalina Foothills 23% High Southeast School Tucson, Ariz. | Sahuarita High School grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.orgGRAMMY Camp 2012-2013 • Geographic grammyfoundation.org Breakdown GRAMMY Camp 2012-2013 Geographic Breakdown

19% Northeast 19%4% NortheastInternational 39%4% InternationalSouthwest 39%3% NorthwestSouthwest 15%3% MidwestNorthwest 21%15% SoutheastMidwest 21% Southeast EDUCATION PROGRAMS AND IMPACT

GRAMMY CAMP GEOGRAPHIC BREAKDOWN 2012-2013

19% Northeast 4% International 41% Southwest 3% Northwest 15% Midwest 18% Southeast

REGION BREAKDOWN GRAMMY Camp New York students with GRAMMY-winning singer/songwriter Vince Gill Northwest at Converse Rubber Tracks studio in Brooklyn, N.Y. Alaska • Hawaii • Idaho • Montana Oregon • Washington • Wyoming Southwest Arizona • California • Colorado • Nevada New Mexico • Texas • Utah Midwest Arkansas • Illinois • Indiana • Iowa • Kansas • Kentucky Michigan • Minnesota • Missouri • Nebraska • North Dakota Ohio • Oklahoma • South Dakota • Wisconsin Northeast Connecticut • Delaware • Maine • Maryland Massachusetts New Hampshire • New Jersey • New York Pennsylvania • Rhode Islande • Vermont • Virginia Washington D.C. • West Virginia Southeast Alabama • Georgia • Florida • Louisiana • Mississippi North Carolina • South Carolina • Tennessee International Japan • England GRAMMY Camp L.A. students with GRAMMY Foundation Honorary Chair Ryan Seacrest

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Zoe Adler Brendan Eprile Christine Meisenhelter Niki Bottoni Kelsey Alexander Jacob Feldman Devan Monroe Cody Brady Wes Anderson Jennifer Firestone Autumn Myers Brooks Brown Houston Averiett II Sophia Forino Takumi Nakayama Michael Cappelluti Hudson Barineau Dane Foster Tanya Orlov Mackin Carroll Kellcee Batchelor Yasamin Ghodsbin Pavlina Osta Lauren Craig Colby Benson Wyatt Giampa Quinn Oulton Daniel Davila Harun Bonnett Zach Gospe Ross Phillips Isabella Englert 7 Haleigh Bowers Alecia Greene Jason Saitta Michael Ervin Conner Broome Rita Guzman Tafari Salaam Amelia Eversole 2013 Rachel Brothers Raina Henderson DorianSanders 2013 Adam Gould GRAMMY CAMP Patrick Bucknor Seth Irby Ryota Sasaguri GRAMMY CAMP Jadha Gunawan LOS ANGELES Isaiah Carter Nasya Jeffers Julian Scanlan NEW YORK Abby Kanfer SELECTEES Ryan Casey Noah Kovalick Drew Schwendiman SELECTEES Samuel Korycki Ben Cohen Mikey LaSusa Jahmori Simmons Logan Lawrence Elizabeth Cohen Devon Lawrence Aaron Spieldenner Michael Maple Zoe Concha Anh Le Dominic Spitaliere Reath Neilson GRAMMY CAMP Carter Couron David Li Tyler Talmadge Whitney Nixon At GRAMMY Camp Los Angeles Cael Dadian Danielle Lowe Chloe Tang Angelica Pollard and GRAMMY Camp New York Daniel Davila Wyatt Lowe Camille Thornton Victoria Pritchard more than 40 songs Mark Diaz Kennedi Lykken LillianaVillines Valentina Rico were written. Shelby Dibs Graham Marsh Chase Walker Hanani Taylor Isaac Duribe Jacob McCoy Marcus Wanner Ben Thomas Sabrina Elam Jonathan McCoy Maxwell Yi Samantha Vick Hayley Emerson Evan Mehta Kyle Ward Isaiah Weatherspoon Emily Weeks Bobby Woody T.J. Wooten

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2013 Jazz Session Selectees

Chloe Brisson Chris Burrus GRAMMY Kate Gratson JAZZ CHOIR Nathan Heldman Mark Mekailian Ashley Pezzotti Elena Pinderhughes Elliott Skinner

Simone Boszormenyi Members of GRAMMY Camp — Jazz Session perform at Spaghettini Members of the GRAMMY Camp – Jazz Session Choir GRAMMY JAZZ Adrian Cota Italian Fine Dining and Entertainment in Seal Beach, Calif. record at the famous Capitol Studios COMBO James Francies Andrew Sommer GRAMMY Camp — Jazz Session 8 The GRAMMY Camp — Jazz Session program selects top high school instrumentalists and singers for a Matthew Babineaux once-in-a-lifetime experience to rehearse, perform and record together — often with GRAMMY-winning guest Johnathan Black artists — at a series of high-profile GRAMMY Week events. The GRAMMY Foundation supports jazz as an Max Boiko indigenous American art form, and GRAMMY Camp — Jazz Session is vital to cultivating the next generation Bob Bruya of jazz musicians. Many former GRAMMY Camp — Jazz Session members have gone on to have successful Fernando Ferrarone solo careers, and have performed with artists such as Terence Blanchard, Chick Corea, Gavin DeGraw, India. Fredric Griggs Arie, Branford Marsalis, Wynton Marsalis, and Christian Scott, as well as organizations such as the Jazz at Sam Hart Lincoln Center Orchestra and the New York Philharmonic. The GRAMMY Foundation covers all costs for Coleman Hughes this program, including roundtrip airfare to Los Angeles and room and board to ensure that each selected GRAMMY Julian Lee applicant can attend, regardless of their financial situation. JAZZ BAND Aidan Lombard Matthew Malanowski In 2013 GRAMMY Camp — Jazz Session selected 30 high school singers and instrumentalists and two journalists Blake Manternach representing 31 cities and 15 states. The GRAMMY in the Schools Media Team — comprised of former GRAMMY Michael Raehpour Camp journalism campers — documented the GRAMMY Week experience for a range of GRAMMY Foundation Francis Salerno websites and social media platforms. Highlights included a performance with GRAMMY winner Arturo Sandoval Lenard Simpson at Spaghettini Fine Dining and Entertainment in Seal Beach, Calif., and also with GRAMMY winner Juanes at Henry Solomon GRAMMY In The Schools Live! at the University of Southern California’s Grand Ballroom. In addition, nearly Nathan Sparks $2 million in scholarships were offered to ensemble members by Berklee College of Music, Manhattan School Peter Wikle of Music, New School for Jazz and Contemporary Music, and the USC Thornton School of Music.

GRAMMY Camp — Jazz Session is supported in part by Best Buy, Converse and the Ella Fitzgerald Charitable GRAMMY IN Cameron Capers Foundation. Additional support is provided by Capitol Studios & Mastering (EMI Music), CenterStaging, THE SCHOOLS Allison Spice Gibson, Guitar Center, Shure, Spaghettini Fine Dining and Entertainment, and Zildjian. MEDIA TEAM

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Teen Substance Abuse Awareness Through Music Contest In 2013, the MusiCares and GRAMMY Foundation’s Teens Make Music Contest offered a great opportunity for aspiring teen musicians to use the healing and uplifting medium of music to help spread messages about issues surrounding addiction. The contest asks young musicians to create original music and/or music videos that celebrate healthy and inspirational living, or accurately depict the dark side of drug abuse. The first–place winner received a cash award of $500. The second–place winner received a cash prize of $250 and other prizes. The third–place winner received $100 and other prizes. All three winners had the opportunity to attend the 55th Annual GRAMMY Awards backstage experience, which included a GRAMMY rehearsal and a guided tour of the Village studios. These winners had their original compositions posted on the MusiCares and GRAMMY Foundation’s GRAMMY website and the Vans Warped Tour website. In addition, prizes included iPads with the GarageBand app and an opportunity to release a record with Clarity Way, a drug and alcohol rehab facility in Hanover, Pa. 9 GRAMMY Signature Schools Community Award Just as the GRAMMY Award recognizes excellence in recording, the GRAMMY Signature Schools program honors top public high school music programs with cash grants. Created in 1998, the GRAMMY SIGNATURE GRAMMY Signature Schools program recognizes the top U.S. public high schools that make an outstanding commitment to music education during an academic school year. This application- SCHOOLS Six high school music programs across based program has grown to include several categories: the top schools are designated the country in economically underserved areas Gold recipients. The best of the Gold recipients is named the National GRAMMY Signature School. The remaining schools are named GRAMMY Signature Schools. Understanding that were recipients of the GRAMMY Signature many schools struggle to maintain a quality program the GRAMMY Foundation established School Enterprise Award. With the $5,500 the GRAMMY Signature Schools Enterprise Award for high-needs schools in economically- grant, these schools could now afford: underserved communities. Since the program’s inception, 734 public high schools were • A bus for field trips or music festivals selected as GRAMMY Signature Schools and have been awarded $1,290,500 in grants. A total of • Sheet music of four new orchestra pieces 10 schools were selected in 2013 with grants totaling $56,000. The GRAMMY Signature Schools for their choir or band program is approved by the National Association of Secondary School Principals and MENC: The • Three new trumpets National Association for Music Education. • Four clarinets • Three electric guitars Using the model of the GRAMMY Signature Schools program, the GRAMMY Foundation has also created the GRAMMY Signature Schools Community Award. Through this program, the GRAMMY Foundation partners with our corporate sponsors to identify deserving public high school music programs to receive the award and a $2,000 grant. Unlike the other GRAMMY Signature Schools programs, the Community Award program is not application-based. In 2013 funding for the program was provided by GRAMMY Foundation partners Best Buy and the Hot Topic Foundation and 103 schools received this award, with grants totaling $206,000.

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GRAMMY Signature Schools | Total Schools: 113

14%

10 15% 27% 25%

19%

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2013 GRAMMY Signature School Recipients

2013 GRAMMY SIGNATURE SCHOOLS ENTERPRISE 2013 GRAMMY SIGNATURE SCHOOL COMMUNITY AWARD ($5,500 EACH) AWARD RECIPIENTS ($2,000 EACH) Based primarily on financial need Vigor High School | Prichard, Alaska Roswell High School | Roswell, Ga. Colony High School | Palmer, Alaska Hayden High School | Phoenix, Ariz. Nampa Senior High School | Nampa, Idaho Compton High School | Compton, Calif. Catalina Magnet High School | Tucson, Ariz. Chicago High School for the Arts | Chicago John Marshall High School | Los Angeles Fresno High School | Fresno, Calif. Lake View High School | Chicago 11 North Central High School | Spokane, Wash. Cabrillo High School | Long Beach, Calif. Kenwood Academy High School | Chicago Palacios High School | Palacios, Texas East Oakland High School of the Arts | Oakland, Calif. Auburn High School | Rockford, Ill. Sahuarita High School | Sahuarita, Ariz. Patrick Henry High School | San Diego Arsenal Technical High School | Indianapolis, Ind. San Jose High School | San Jose, Calif. Manhattan High School | Manhattan, Kan. 2013 NATIONAL GRAMMY SIGNATURE SCHOOL West High School | Denver, Colo. Warren Central High School | Bowling Green, Ky. ($10,000) Cross High School | New Haven, Conn. McDonogh 35 High School | New Orleans, La. Highest-ranking Signature School recipient Trumbull High School | Trumbull, Conn. Boston Arts Academy | Boston, Mass. Waterford High School | Waterford, Conn. Neuqua Valley High School | Naperville, Ill. Baltimore City College High School | Baltimore Clearwater High School | Clearwater, Fla. Westlake High School | Waldorf, Md. Stranahan High School | Ft. Lauderdale, Fla. Detroit School of the Arts | Detroit, Mich. 2013 GRAMMY SIGNATURE SCHOOLS GOLD Ft. Lauderdale High School | Ft. Lauderdale, Fla. Everett High School | Lansing, Mich. ($5,500 EACH) | Merritt Island, Fla. Merritt Island High School Burnsville High School | Burnsville, Minn. Recognizes quality string, wind/percussion and choral | Miami, Fla. Miami Edison Senior High School Washburn High School | Minneapolis, Minn. performance ensembles | Miami, Fla. Miami Jackson Senior High School Stillwater Area High School | Oak Park Heights, Minn. Marcus High School Flower Mound, Texas | Miami Beach, Fla. | Miami Beach Senior High School Richfield Senior High School | Richfield, Minn. York Community High School Elmhurst, Ill. Oak Ridge High School | Orlando, Fla. | Roseville Area High School | Roseville, Minn. Cypress Creek High School | Orlando, Fla. Johnson Senior High | St, Paul, Minn. Jones High School | Orlando, Fla. 2013 GRAMMY SIGNATURE SCHOOL ($2,000) Harding Senior High School | St. Paul, Minn. Pensacola High School | Pensacola, Fla. Recognizes excellent performance Hickman High School | Columbia, Mo. Pompano Beach High School | Pompano Beach, Fla. ensembles and high-quality instruction Lafayette High School | St Joseph, Mo. Crooms Academy of Information Technology | Sanford, Fla. Northwood High School | Irvine, Calif. | St. Louis, Mo. Booker T. Washington High School | Atlanta Normandy High School | St. Louis, Mo. Mountain View High School | Buford, Ga. Bayless Senior High School

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2013 GRAMMY Signature School Recipients (continued)

2013 GRAMMY SIGNATURE SCHOOL COMMUNITY AWARD RECIPIENTS ($2,000 EACH) (continued)

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The GRAMMY Foundation’s preservation and advancement initiatives foster dialogue about the compelling issues facing the music industry, support projects that increase the understanding of music and its role in society, and raise public awareness of the urgent need to preserve our nation’s recorded sound legacy.

The GRAMMY Foundation Grant Program The GRAMMY Foundation Grant Program, with funding provided by The Recording Academy and the GRAMMY Foundation, awards grants to organizations and individu- GRANT PROGRAM als in two categories — scientific research studies that advance our knowledge of the In 2013 more than $89,000 in grants, impact of music on the human condition, and archive projects designed to preserve across four states, was awarded for 13 the music and recorded sound heritage of the Americas for future generations. The scientific research on music’s impact on Grant Program continues to garner more qualified applications each year, resulting the human condition. Of this, more than in our abilities to fund outstanding, meaningful and diverse projects. $35,000 was granted to researching music’s impact on childhood development. In 2013 grants totaling more than $200,000 were awarded to 14 recipients in the United States to help facilitate a range of research, archiving and preserva- The GRAMMY Foundation Grant Program tion projects on a variety of subjects. Research projects included a study that will allocated nearly $26,000 toward investigate a potential core deficit in rhythm processing in developmental stuttering, combining behavioral and neuroimaging studies in children with studies in songbirds. preservation activities that focused Preservation and archiving initiatives included a project that will preserve and provide strictly on the genre of jazz. access to a unique organ recording collection of master organ player rolls and noteworthy arrangements produced in the 1920s; and an effort to preserve and digitize the audiovisual collections of imperiled media of the Andrews Sisters, Bing Crosby, Benny Goodman, and Bob Hope, among others.

The recipients of our Grant Program, which will enter its 27th anniversary year in 2014, are impressive and inspiring. We’ve collected descriptions of funded projects dating back to 2000 and have featured three projects in the videos below. Please take a moment to view the stories of Caffé Lena, America’s oldest continuously running folk music coffeehouse; the Herman Leonard Jazz Archive of the late photographer’s historically significant archive of 65,000 negatives; and the University of California Los Angeles’ research project that studied the brain systems involved in emotional music perception in typically developing and autistic adolescents.

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Preservation Implementation New York Philharmonic — New York Center for Popular Music at Middle The Arhoolie Foundation — El Cerrito, | Awarded: $20,000 Tennessee State University — Calif. | Awarded: $20,000 The New York Philharmonic Archives will Murfreesboro, Tenn. | Awarded: $19,993 Since 2005, the Arhoolie Foundation has digitize and preserve 52 hours of brittle There are nearly 4,000 tapes in the Charles digitized more than 90,000 Mexican-American lacquer discs documenting 36 unique live radio K. Wolfe Audio Collection at the Center recordings on 78s, 45s and cassettes from broadcasts from the 1930s and 1940s. The for Popular Music, many of which are oral their Strachwitz Frontera Collection. The total cache of 245 radio broadcast recordings histories of musicians or field recordings. collection has been made accessible through made between 1932–1962 comprise a total of Dating from the 1930s–2000, this is likely the a partnership with the UCLA Digital Library approximately 350 hours of audio in various premier collection in the American Mid-South Program. Arhoolie will complete their final 14 formats to be made available to the public at region. The center will inventory the contents, stage to digitize the rare LPs and unissued the philharmonic’s reading room and the New conserve the recordings, transcribe to digital reel-to-reel master tapes. The Strachwitz York Public Library for the Performing Arts. format when appropriate, and make the Frontera Collection is a one-of-a-kind, unique www.nyphil.org collection publicly accessible. cultural treasure that needs preservation and www.popmusic.mtsu.edu accessibility. New Orleans Jazz & Heritage Foundation www.arhoolie.org http://frontera.library.ucla.edu/ — New Orleans | Awarded: $3,095 American Organ Institute Archive and The New Orleans Jazz & Heritage Foundation Library at the University of Oklahoma ONE National Gay & Lesbian Archives Archive will digitally preserve and make School of Music — Norman, Okla. | at the University of Southern California access copies of the 10 reel-to-reel master Awarded: $20,000 Libraries — Los Angeles 2-inch tapes of the “Professor Longhair American Organ Institute Archive and Library | Awarded: $10,000 Fire Relief Benefit”, held April 22, 1974, to will preserve and provide access to an This implementation project will preserve, benefit Professor Longhair (Henry Roeland incredibly unique organ recording collection. digitize, and provide public online access to Byrd, 1918–1980). This work will result in the The collection’s emphasis is on the original one-of-a-kind, fragile, and historically significant creation of preservation and access digital and irreplaceable master organ player rolls audio recordings in the ONE Archives, the files, and the public will be welcomed to listen produced by Moller Pipe Organ Co. in the world’s largest LGBT historical collection. to the recordings in the archive. The original 1920s (16 tons total), as well as recordings of This project will make available 177 hours of master tapes will be permanently stored in Iron organ arrangements by notable performers on recorded lectures, interviews, and oral histories Mountain’s special audiovisual vault. organs lost to time. Many of the collection’s that preserve the voices of the pioneering www.jazzandheritage.org most treasured items are made of paper and activists, scholars, and artists who launched the are deteriorating rapidly. These will now be LGBT struggle for equality over the past six restored and shared with the public. decades. www.onearchives.org www.ou.edu/aoi grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org PRESERVATION AND ADVANCEMENT PROGRAMS AND IMPACT

Preservation Implementation Preservation Assistance Scientific Research (continued) Michael Feinstein Great American Northwestern University — Chicago Pacifica Foundation — North Hollywood, Songbook Initiative — Carmel, Ind. | Awarded: $19,895 Calif. | Awarded: $10,000 | Awarded: $5,000 This study will assess the biological effects of Pacifica Radio Archives will digitize, catalog, The Feinstein Initiative will determine necessary musical training on child brain development preserve, and promote 72 hours (93 tapes) of storage, rehousing, remediation, conservation, in collaboration with the Harmony Project, a fragile reel-to-reel analog audio tapes holding preservation, and digitization of audiovisual nonprofit organization providing free musical unique broadcasts from Pacifica Radio’s listener collections that include but are not limited to training to children in the gang reduction zones sponsored noncommercial radio station, New 16” transcription discs, lacquer discs, cassette of Los Angeles. Specifically, the study will 15 York City’s WBAI-FM. Two significant series tape, CD, analog reel-to-reel, 16mm film, and examine the effects of musical training on the are to be preserved: The Free Music Store slides that document the music of songbook neural processing of speech as well as on the featuring Phil Ochs, Arthur Miller and Bill legends such as Rudy Vallée, Meredith Willson development of critical language and learning Vanaver and the Mind’s Eye Theatre, which and the Andrews Sisters. The preservation skills. www.brainvolts.northwestern.edu produced radio plays created by premier artists assessment will allow the initiative to find and technicians. www.pacificaradioarchives.org funding for preservation so that these items John Devin McAuley — East Lansing, can be made accessible to researchers and the Mich. | Awarded: $19,500 public. www.feinsteininitiative.org Stuttering affects 3 million Americans. Children with chronic stuttering face lifelong struggles Freedom Archives — San Francisco that can impact academic achievement and lead | Awarded: $5,000 to negative psychosocial consequences. The Art Sato, a leading authority on contemporary project goal is to investigate a potential core jazz and new music, has hosted “In Your Ear,” a deficit in rhythm processing in developmental two-hour weekly radio series on KPFA-FM from stuttering, combining behavioral and 1981 to the present. The Freedom Archives neuroimaging studies in children with studies in will prepare for the digital preservation of songbirds, which under controlled conditions more than 80 in-depth, unique, extended, and can be induced to stutter. exclusive interviews over the last 30 years. The psychology.msu.edu/TAPlab/index.htm collection contains great artists and innovative practitioners of jazz and Latin music, including many who are now deceased. www.freedomarchives.org

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PRESERVATION GRANTEES BY CATEGORY 2012-2013

Scientific Research (continued) Regents of the University of California, is enhanced for musical interactions involving University of California, San Diego — La pitch, harmony and melody. We expect a musical Jolla, Calif. | Awarded: $19,860 context to increase the difference between synchronized and asynchronous interactions, The SIMPHONY project is a unique collaboration illustrating music’s role as a vehicle for positive 11% Spoken Word Interviews designed to understand how music training interpersonal interaction. ilabs.washington.edu affects children’s brains and the development 11% Folk 16 of general cognitive skills like language and Pitzer College — Claremont, Calif. 23% Jazz attention. It is the first study of its kind and will | Awarded: $19,900 11% Blues/R&B/Other track 60 children annually starting at ages 5–10 as they engage in ensemble music training To what extent do music and language share 11% Latin Folk (versus nonmusic controls) using an extensive neural resources? We propose to evaluate music 22% Classical perception and cognition in a group of battery of neural and behavioral testing. 11% Traditional Pop www.chd.ucsd.edu/research/simphony-study.html 40 aphasic individuals whose language deficits and brain lesions are well characterized. Using University of Washington — Seattle voxel-based lesion-symptom mapping, we RESEARCH GRANTEES BY CATEGORY 2012-2013 | Awarded: $10,000 will identify the areas of the brain that are most essential to the perception of melody, Research shows that musical experience harmony, and rhythm, and compare these with can enhance and promote healthy child similar VLSM analyses of language in the same development. Synchronization between players participants. is a key aspect of playing music together. www.pitzer.edu/academics/faculty/justus/index.asp Synchrony can also strengthen bonds and affiliation between individuals. The dual aims of the proposed project are to: (a) determine whether children prefer synchronous as opposed to asynchronous rhythms and (b) examine whether children’s preference for synchrony 20% Neuroscience & Cognition and/or Emotion 40% Development 40% Neuroscience Prevention Intervention

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org PRESERVATION AND ADVANCEMENT PROGRAMS AND IMPACT

GRAMMY Foundation Legacy Concert The Music Preservation Project is produced each year during GRAMMY Week to heighten public awareness of our work in protecting our cultural legacy. In 2013 “Play It Forward: A Celebration Of Music’s Evolution And Influencers” — the 15th Annual GRAMMY Foundation Music Preservation Project — celebrated the legacy of renowned performers and the music that’s influenced both a nation and generations of performers. The presentation featured a photo montage of a family tree of influencers, live musical performances and key excerpts of footage from the GRAMMY Foundation’s 17 Living Histories archive and GRAMMY.com’s 5 Questions With series. Performers included GRAMMY winners Yolanda Adams, Rodney Crowell, Lupe Fiasco, Emmylou Harris, LeAnn Rimes, and Dionne Warwick; GRAMMY nominees Ed Sheeran; Michael Einziger of Incubus; and Kenny Wayne Shepherd; as well as Lianne La Havas, Guy Sebastian, Ann Marie Simpson, and George Thorogood & the Destroyers. “Play It Forward” was sponsored by Seagate.

The GRAMMY Living Histories Program Ed Sheeran performs at “Play It The GRAMMY Living Histories program preserves on visual Forward: A Celebration Of Music’s media the life stories of key recording industry professionals and Evolution And Influencers” — the visionaries who helped create the history of recorded sound. 15th Annual GRAMMY Foundation Music Preservation Project on Feb. 7, 2013, in Beverly Hills. Photo: This footage is utilized by the GRAMMY Foundation and Jesse Grant/WireImage.com its partner organizations to develop educational video programs. To date, the Foundation has completed more than 200 interviews with artists, producers, executives, and technology pioneers. In 2013 Living Histories interviews were captured with legendary blues musicians Buddy Guy and Eddy Clearwater, and country music artist Connie Smith.

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The Entertainment Law Initiative The Entertainment Law Initiative is comprised of three components: a legal seminar series, a national scholarship writing competition for law students, and a high–profile luncheon during GRAMMY Week that is attended by students, music attorneys, executives, and members of The Recording Academy. In 2013, a total of $11,000 in scholarships was awarded to five law students. Since its inception in 1999, the Entertainment Law Initiative has provided $165,000 in scholarships to aspiring law students.

The Entertainment Law Initiative’s Annual Scholarship Luncheon enjoyed significant success in 2013. The event sold out with more than 500 attend- ees and revenue topped the $200,000 mark. (top row, l-r) Ron Conway, Special Advisor to SV Angel; Neil Portnow, President/ 18 CEO of The Recording Academy and GRAMMY Foundation; Tom Brokaw, Special Correspondent NBC News; Kristen Madsen, Senior Vice President of the For the first time ELI presented a moderated keynote discussion in place GRAMMY Foundation; Rusty Reuff, Chair of the GRAMMY Foundation Board of of the customary keynote address. This unique panel included Special Directors; Andie Simon, Interactive Content Consultant. (bottom row, l-r) ELI essay Correspondent for NBC News Tom Brokaw, Interactive Content Consultant competition finalists Alex Krueger-Wyman; Katie Siuta O’Shea; Titilao Tinubu; Andie Simon, and Special Advisor to SV Angel Ron Conway. Chuck ELI writing competition winner Tyrone Scott; and Nicholas Krebs at the GRAMMY Ortner, National Legal Counsel to The Recording Academy and Partner at Foundation’s 15th Annual Entertainment Law Initiative Luncheon & Scholarship Proskauer Rose LLP, received the ELI Service Award. Presentation on Feb. 8, 2013, in Beverly Hills, Calif.

ELI also continued its writing competition workshops at law schools around the country. The workshops are designed to demystify the process of entering the competition, increase submissions and awareness and provide interaction with top entertainment attorneys.

The 1st Annual Breakfast with ELI in New York The Entertainment Law Initiative presented its inaugural East Coast event, “Breakfast With ELI” on Oct. 23, 2012, at City Winery in New York. More than 200 members of the entertainment business and legal communities attended and heard a keynote address from Scott Borchetta, CEO of Big Machine Label Group. This unique networking event promises to become (l-r) Daryl Friedman, Chief Advocacy & Industry Relations Officer, The Recording an annual activity for ELI. Academy; Scott Borchetta, CEO, Big Machine Label Group; Joe Levy, editor, Billboard magazine; Bob Donnelly, attorney, Lommen, Abdo, Cole, King & Stageberg, P.A.; Scott Goldman, Vice President, the GRAMMY Foundation

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I have to say it was such an honor and a privilege to meet you and be a part of “GRAMMY Camp 2013. The mass amount of knowledge and concepts I gained in the short period of time was invaluable. It definitely helped me become more in touch with the music business and how it works. GRAMMY Camp was such a great opportunity for me, and again, I thank you guys for that. I also cannot thank you enough for having such a great spirit and the willingness to help out when needed 19 [and] share all of your wisdom. I will be applying again next year. — 2013 GRAMMY Camp participant ”

Our principal Dan Harrison, Mike Finn, [my] songwriting teacher and myself, thank“ you for the beautiful presentation of our Signature Schools Enterprise Award last night at the Greek! Our students are so proud and grateful and of course so am I. The GRAMMY in the award case is beautiful and thank you for the nice surprise of the guitar! This honor will be remembered and treasured. — 2013 GRAMMY Signature Schools Enterprise Award Recipient”

grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org FUNDRAISING INITIATIVES

Sophomore animation GRAMMY Charity Online Auctions student Cameron Butler Throughout the year, the GRAMMY Foundation benefits from our meets DreamWorks CEO GRAMMY Charity Online Auctions, which feature exclusive VIP Jeffrey Katzenberg during experiences and memorabilia presented in partnership with Kompolt her Day at DreamWorks at www.ebay.com/grammy and CharityBuzz at www.charitybuzz.com. VIP experience

Highlights included the launch of the fourth annual Black Friday auction, which commenced the day after Thanksgiving and targeted the massive amounts of shoppers looking for deals on the biggest shopping day of the year. The GRAMMY Foundation also brought one-of-a-kind experiences such as a unique “Day at DreamWorks,” 20 that included a meeting with DreamWorks Animation CEO Jeffrey Katzenberg; VIP concerts and meet-and-greets with artists and Chris Chadwick receives a private guitar lesson with celebrities such as Justin Bieber, Lil Wayne, Maroon 5, the Band Perry, Phil Collen of Def Leppard and the coveted Tongue Pit passes to the highly anticipated Rolling after being the winning bidder Stones 50th Anniversary Tour. Our auctions also featured exclusive in a GRAMMY Foundation music memorabilia signed by artists including the Black Keys, Alicia Charity Online Auction Keys, Bruno Mars, Mumford & Sons, Katy Perry, Rihanna, Bruce Springsteen, and Carrie Underwood.

GRAMMY In The Schools Live! For the fourth year, the GRAMMY Foundation presented GRAMMY In The Schools Live! — A Celebration Of Music & Education. Held during GRAMMY Week, this event raised funds and awareness to support the education efforts of the GRAMMY Foundation. In 2013 GRAMMY In The Schools Live! featured performances by members of GRAMMY Camp — Jazz Session, GRAMMY Camp alumni and special guest artist and GRAMMY winner Juanes.

GRAMMY Camp — Jazz Session performs with GRAMMY winner Juanes during GRAMMY In The Schools Live!

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The GRAMMY Foundation continues to receive remarkable support for its GRAMMY in the Schools and archiving and preservation initiatives from a number of corporate partners:

Converse Converse continued its support of the GRAMMY Foundation both financially and materially. Significant financial support was provided for GRAMMY Camp New York, and funded financial assistance for participating students. Converse also donated its Rubber Tracks Studio as the home of GRAMMY Camp New York.

Ford Motor Company Fund The Ford Motor Company Fund continued their longstanding support for GRAMMY Camp — Basic Training 21 programs and GRAMMY Signature School awards in three select markets in 2013. Additionally, they supported GRAMMY In The Schools Live! and provided funding for the Music Educator Award campaign.

Hot Topic Foundation The Hot Topic Foundation provided the support necessary to make 50 GRAMMY Signature School Community Award grants during the 2012–13 school year.

Journeys Journeys joined the GRAMMY Foundation in support of the Music Educator Award campaign. Journeys also demonstrated its commitment to music education by providing additional support for the GRAMMY Signature Schools Community Award Grants program.

Seagate Seagate continued it sponsorship of the annual GRAMMY Foundation Music Preservation Project event held during GRAMMY Week 2013.

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2013 2013 FUNCTIONAL EXPENSES 2013 GRAMMYASSETS GRAMMY 2013 2013 Foundation 2013 Foundation2012 GRAMMYCURRENT ASSETS: GRAMMY Revenue Cash and Cash Equivalents $1,707,496 $1,510,135Functional FoundationAccounts Receivable 153,605 FoundationExpenses 197,152 Revenue Prepaids and Deposits ______190,078 ______Functional 126,429 TOTAL CURRENT ASSETS 2,051,179 1,833,716 ______Expenses NON CURRENT ASSETS: Property and Equipment, 41% Net Contribution/Sponsorship 329 1,385 71% Program Services STATEMENT OF Board-Designated 34% Investments The Recording Academy 4,436,666 3,938,716 14% Management and General FINANCIAL Deferred Compensation 2% Asset Grants 59,324 39,864 15% Fundraising 41% Contribution/Sponsorship ______71% Program Services 13% Project Income 22 POSITION TOTAL NONCURRENT 34% ASSETS The Recording Academy 4,496,319 3,979,965 14% Management and General ______2012 & 2013 12%0% GrantsInvestment Income 15% Fundraising TOTAL ASSETS $6,547,498 $5,813,681 13% Project Income ______10% Investment Income LIABILITIES AND NET ASSETS FUNCTIONAL EXPENSES 2012 CURRENT LIABILITIES: 2012 2012 Accounts Payables and Accrued Liabilities $333,659 $256,244 GRAMMY Deferred Revenue 626,206 GRAMMY 426,743 Payable to Affiliate 780,455 2012 828,021 2012Foundation ______Foundation TOTAL CURRENT LIABILITIES ______1,740,320 ______1,511,008GRAMMY GRAMMYRevenue Functional DEFERRED COMPENSATION LIABILITY 59,324 Foundation 39,864 Foundation ______Expenses RevenueTOTAL LIABILITIES ______1,799,644 ______1,550,872Functional Expenses NET ASSETS: Board Designated 4,436,666 3,938,716 Other Unrestricted 42% Net Assets Contribution/Sponsorship (207,183) 117,870 71% Program Services 39% The Recording Academy 14% Management and General Investment Income reflects Temporarily Restricted ______518,371 ______206,223 15% Fundraising market losses $127K in 2012 42%1% Contribution/SponsorshipGrants 71% Program Services TOTAL NET ASSETS ______4,747,854 ______4,262,809 and market gains of $409K in 2011. 39%18% TheProject Recording Income Academy 14% Management and General TOTAL LIABILITIES AND NET ASSETS ______$6,547,498 ______$5,813,681 1%0% GrantsInvestment Income ______15% Fundraising 18% Project Income grammyfoundation.org • grammyfoundation.org 0% Investment • grammyfoundation.org Income • grammyfoundation.org • grammyfoundation.org FINANCES AND SUPPORTERS

2013 REVENUES 2013 2013 2013GRAMMY 2013GRAMMY GRAMMYFoundation GRAMMYFoundation REVENUES Revenue FoundationFunctional 2013 Foundation2012 Revenue FunctionalExpenses Contributions/Sponsorships 2,263,291 1,814,721 Support from The Recording Academy 1,889,272 1,652,117 Expenses Grants 90,500 23,077 Project Income 590,868 720,916 Investment Income 523,656 (5,323) 41% Contribution/Sponsorship 71% Program Services STATEMENT In-Kind Donations ______116,641 ______59,269 34% The Recording Academy 14% Management and General 41% Contribution/Sponsorship 71% Program Services 15% Fundraising OF ACTIVITIES TOTAL REVENUES $5,474,228 $4,264,777 2% Grants ______34% The Recording Academy 14% Management and General 13% Project Income 23 2012 & 2013 2% Grants 15% Fundraising 10% Investment Income 13% Project Income 10% Investment Income EXPENSES

Program Services $3,388,383 $2,980,252 REVENUES 2012 Management and General 640,796 618,337 Fundraising and Special Events 843,363 2012 680,853 2012 In Kind Expenses 116,641 59,269 GRAMMY ______2012GRAMMY 2012 Foundation TOTAL EXPENSES ______4,989,183 ______4,338,711GRAMMYFoundation GRAMMY Functional NET INCOME (LOSS) ______$485,045 ______FoundationRevenue $(73,934) Foundation ______Expenses Financial information is excerpted from The GRAMMY Foundation audited reports. Revenue Functional Functional Expenses information is as reported on the IRS 990 filings. Expenses

42% Contribution/Sponsorship 71% Program Services 39% The Recording Academy 14% Management and General 42% Contribution/Sponsorship 71% Program Services 1% Grants 15% Fundraising 39% The Recording Academy 14% Management and General 18% Project Income 1% Grants 15% Fundraising 0% Investment Income 18% Project Income 0% Investment Income grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org FINANCES AND SUPPORTERS

$1,000,000 and above The Gross Family Patrick and Nichole Baker Robert Aubry Davis Jumamosi Tour LP Charitable Fund The National Academy Paxton Baker Kim Deffebach Chris Kasso of Recording Arts & Gucci America Erin Baldwin Marnie Dowd King, Holmes, Paterno & Sciences, Inc. Betty Hung Berger Family Fund Dozoretz Private Berliner LLP Keith Urban Foundation Black Entertainment Foundation LaPolt Law, P.C. Live Nation Television, Inc. Michael Dunn and Latter Day Tour LP $100,000 to $999,999 Mission Fish Black Women In Laura O’Donell Lawrence F. Levy Bendheim Enterprises, Inc. Mitchell Silberberg & Entertainment Law James Dykes Debra L. Lee Best Buy Co., Inc. Foundation Knupp LLP Ralph Everett The Les Paul Foundation Converse Jonathan Blaufarb Matthew Morrison Fox Rothschild LLP Loeb & Loeb Ford Motor Company Fund BMI Nate Paul Mark and Heidi Friedman Lommen Abdo Cole King Hot Topic Foundation PayPal Giving Fund BMI Foundation Daryl P. Friedman & Stageberg Audra Liemandt Proskauer Rose, LLP Book of Mormon Gang, Tyre, Ramer & Stephen Luczo 24 Broadway, LLC Seagate Technology Patti and Rusty Rueff Brown Charity Fund The M&T Charitable Brian Sheth Borman Entertainment- Grant Geissman Foundation Mrs. Davey Silverman Tennessee Universal Music Group George Lucas Gary Macvicar Joanne S. Botka and Family Foundation $50,000 to $99,999 Warner Music Group Andrew Botka Kristen Madsen Goldman, Sachs & Co. Best Buy Children’s Foundation Services Antoinette Bush Donald Malter Bancroft Gordon Lucky Brand Jeans The Cain Foundation Manatt, Phelps & Phillips on behalf of Wofford Jamie Gorelick Martin Taylor $1,000 to $9,999 Marc Martin Denius, Pc Eric Greenspan Anonymous (2) Vonya McCann Charlottesville Area Brian and Joanne Grigsby $10,000 to $49,999 The 1997 Solomon Community Foundation Jeanne Meyer Family Trust John Hamm and Michael Dorf Presents David and Emily Breach The Coca-Cola Company Joanna Rees Gina Adams Jerry Moison Tim Bucher The Community Monte Harris Cannon Family Foundation Willard Ahdritz Foundation of Middle Elizabeth Moody Tennesse on behalf of Julian Haywood Dreamer Media, LLC Alliance Of Auotmobile Gabriella Morris Manufactures Taylor Swift Denise and Jason The Ella Fitzgerald Charitable Anthony and Diane Henderson William and Barbara Rocco Ancona Mosley Foundation Cordova Hertz & Lichtenstein, LLP Faegre Baker Daniels LLP Anthony E. Meyer Munger, Tolles & Olson Family Foundation Alex Cose Hilton HHonors Giving General Mills, Inc. Back Program Jimmie Paschall ASCAP Irving Caesar Bruce Cozadd Genesco Foundation Benjamin Cunningham Peter A. Hunt Mike D. Pegler Greenberg Traurig, LLP George L. Jones Martin Babler Cheryl Daniels (continued on next page)

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Beverly Perry Reed Smith Maxine Amato Hillary Bunsow John Dallam Phoenix Restorations Inc Scott Smyers Shawn E. Amos John Burk Ivory Daniel Albert and Laurie Pimentel SONY Music Entertainment Christopher Anokute P. John Burke Douglas S. Davis Stanley Porter Arne Sorenson Cynthia Arato Jeremy Cain Lisa E. Davis Neil R. Portnow SoundExchange Peter Asher Christine Calip Kendra Da The Recording Academy Earl Stafford Aileen Atkins Caplan & Ross LLP Francis E. Delaney/Blinky Chicago Chapter Daniel and Katie Stevens Christine Ballenger Yolanda Caraway Nashville Records The Recording Academy Tickets for Charity, LLC. Jennifer E. Baltimore Ruby Cariaso Ted and Leslie Demos Florida Chapter Richard P. Triolo Joseph Baribeau Robert Case Klaus Derendorf The Recording Academy Scott Dettmer Los Angeles Chapter Michael Truesdell James Bates Corinne Cater Waleed Diab The Recording Academy Ame Van Dyke Elizabeth Baylog Angelin Chang Nashville Chapter Joseph J. Dimona Jennifer Vernon Tamera Bennett Loren Chodosh 25 The Recording Academy David Webster Elizabeth Bergamo Gary Choen Joyce Dollinger Washington D.C. Chapter Whole Foods Market Karen J. Bernstein Ronnie Christopher Bob Donnelly Nicol Richards Elm Shawn Widick Cheri Bessellieu City National Bank Stephen Downing Roger Richmond Ron Wilcox Joshua Binder Mike Clink David M. Ehrlich Dr. Rania Rifai-Loewenberg James Winston Christie Bishop Jane Cohen Eric Einisman Adam Ritholz Alan Yates Lawrence Blake Katina Cokinos Bob Emmer Maxine Roach Mary Blalock Alija Coleman Leilah Escalera Robins, Kaplan, Miller & Evolution Film & Tape Inc. Ciresi L.L.P. Charitable Up to $999 Stephen Block Maurita Coley Elissa Felman Foundation Anonymous Sherri Blount Wallace Collins Patricia and Victor Ferreira Edward Ryan Mindi Abair Evan Bogart Concert Support Services Inc. Adeline Ferretti Sunil Sabharwal Shari and Mike Jason Boyarski Peter Seghesio Abercrombie Luca Bozzo Qiana Conley Corey Field Serling, Rooks & Mohsin Adam Martha Braithwaite Shayla Cooper Aaron Fischer Ferrara, LLP Victoria L. Adams Joyce Brayboy Victoria Cordova Arlene Fishbach Todd Sheffield Stephanie Adwar Ilana Broad Lorraine Coyle Kathleen Flannigan Sidley Austin Brown & Alan Michael USA Corp Roger Cramer Micah Fox Wood LLP Bronze Music Christee Albino Wendy Credle Coleen Freeman Silicon Valley Community Shelley Brown Foundation Tiffany R. Almy Joan P. Brown Khanh Criswell Tyne Freeman Eric Simone David Altschul Brumberger Foundation Jimmie K. Crowder Inc. William Cunliffe (continued on next page) grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org FINANCES AND SUPPORTERS

F.L. Freeman Shumetric S. Halford Leslie Ann Jones Leonard Business Maya Mathews Christine Freire Oliver Hammett Tamika Jones MGMT., Inc. Amanda Matossian Kenneth Freundlich Candice S. Hanson Terrany Jonhson Christine Lepera Diane Matthews David Friedlander Duane Harley David Jordan Evan Levane Alicia Matusheski Paul J. Friedman Malcolm Harper Daniel Kamalani Jeff Levy Susan Mazo Ira M. Friedman Gerald T Hathaway Mike Kappus Vivien Lewit MBA Tax Consultants Inc. Donald Friedman Daryl Head Robert Kaus Paul Licalsi MC Lyte Morton H. Fry Marvin Heiman David Kazel Jeff Liebenson William T. McCrady Stephanie Furgang Adwar David A. Helfant John P. Kellogg Cathy Lipetz Donald McDaniel Monique Gallien Robert Herrmann Amy Keys Dennis Lord Cori McGinn Richard A. Garza Howard and Wendy Hertz Parveen Khanuja Miren Loveland Ain McKendrick John T. Ludwig Steve Gawley Barry Heyman Michael King James McMillan Pc 26 Dara Gelbtuch David Hirshland Jeffrey L. Klein Jeffrey Ma Edwin F. McPherson Kendra Gemma Robert S. Hodas Larry Kohorn Thaderine Macfarlane Susan A. Meisel Michael and Tracy Gifford Felicity Holland David B. Kokakis Kerry S. MacIntosh Ellen Meltzer-Zahn Donna Giles Bradley Holmes David S. Koz Loren Madden Mary Jo Mennella Richard Glasser Jonathan F. Horn Stacy Kray Fran Mady Rick Meuser Michael Glynn Leon Huff Angela Krempel Sonam Majmundar David Miller Lisa M. Goich Andreadis Gwen Hughes Sandra and Mark Kretsch Brian Malouf Bethanne Moore Scott Goldman Nordia Hunt Heath Kudler Carl Mancuso Lana Moorer Amy Goldson Hurewitz, Boschan Michael Kushner Leslie Mann Michael Mordecai Henry Golis/Park Lane & Co LLP Eleanor Lackman Nancy Marcus Kris Munoz Drive Records Julie Ingram Laurie Lamar Valerie Marcus Loretta Munoz Melissa Goodman Becky Jake The Latin Academy Lisa Margolis Elizabeth Naccarato Gordon Goodwin Thomas Jensen of Recording Arts & Mark S. Frey Zulaihat L. Nauzo Sciences, Inc. Attorney At Law Robert Grandstaff Marc Joaquin Deborah Newman Eric Lassberg Ellen R. Marshall Jeffrey B. Greenberg Joe D’Ambrosio Melinda Newman Management Inc. Doretha Lea Jean Martin Linda Greene Dino Nicolosi Khelia Johnson William Leibowitz Harvey Mason Jr. Leslie Greene Liana M. Nobile Camille Johnson Christopher Lennertz Cheryl Masri Joseph L. Grier Danielle K. Nolan Claire Gros Angelica Jones Jonathan Leonard Barry M. Massarsky Alex Gruzen Ayron Jones Steven Masur (continued on next page) grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org FINANCES AND SUPPORTERS

Erica Novich Michael Pickrum Adina Schecter Michael Steinberg H. Steven S. White Deanna Oberdan Maurice Pilosof Monica Schillan Rachel Stilwell Ericka Whitson Michael O’Brien Marisa Pizarro Stanley H. Schneider Structured Asset David Wiener Deidre O’Hara Alex Ploegsma Scott Schreiber Sales, LLC Phillip Wild Dayle Ohlau Louann Pope Sarah Schubert Ronald Stubblefield Michael J. Wilhelm David B. Oshinsky Eliot Popkin Emily Schulman SVB Foundation Jo-Na Williams Michelle Ozog Friederika Poulos Frank Scibilia Valerie Syme Tres Williams Pace Law P.C. Prager and Fenton LLP Seiden & Schein, P.C. Mori Taheripour Carman Y. Wimsatt Thomas Page William Price Michael Seltzer Elizabeth Tattersall Susan Witzenhausen Marilyn Palowitch Productions on John Seminerio Brian Tauber Dennis Wolfe L. Peter Parcher Seaspeed LLC Erica Senat Andrew Tavel Kim Youngberg Harriet E. Raghnal Christopher N. Taylor Ray Parker Peter Shapiro Stephanie Yu 27 Ronald Parker The Recording Academy Karen Shatzkin Temple of the Arts Wayne Zahner Texas Chapter Ivan J. Parron, Esq. Shenfeld Law, A Peter Thall Donald Zakarin Martha Redo Maria Pavlick-Larsen Professional Christopher Tin Howard Zeprun Wendy Rees Corporation Cheryl Pawelski Judy Tint Adam Zia Octavius (Ted) Reid, III Jay Shoemaker Brendettae J. Payne Katie A. Trotta Eupremio F. Zizza Elliot Resnik Shukat Arrow Hafer Michael Pemesiglio Ellen Bligh Truley Daniel B. Zucker Jaimison Roberts Weber & Herbsman, Randy Penn L.L.P. Adam Tully Motisola Zulu Robinson & Cole Christine Pepe Lori Silfen Thomas Valentino Sara Y. Zumstein Daniel Rocco Peppermill Hotel & Stuart Silfen Tatiana Vargas Zupe Stuart Rosen Casino John Simson Wanda P. Vint Shmuel Rosenberg Ryanne E. Perio Carmen Skaggs Chris Walden Neil Ross Maruiel Perkins-Chavis Andrea Skehan Darrell Walker Brenda Ross Joseph Perry Jay Sloan Jeff Walker Paul Rothenberg Keisha Perry Renee Spearman Shaunise Washington Uwe Mark Ruttke Melissa Peters Karen St. Claire Sheryn Waterman Donna Sabin Sylvia Peters Tirsa L. St. Fort Erin A. Watkins Sue Sadik Michael Petersen Erika Stallings Elizabeth and James Joseph P. Salvo Wemmer Joseph A. Petro Joseph Stallone Andrew Sandoval Angela R. White Phillips, Erlewine & Lewis Stark Given LLP Brian Schall Debra White Statua Properties grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org • grammyfoundation.org YOUR SUPPORT

As our industry responds to current technological and economic shifts, the need to broaden and sustain our mission increases. Your help is more important now than ever. When considering a charity for your personal contribution or corporate affiliation, please remember that you can make a real difference in the lives of the people we serve through support of the GRAMMY Foundation.

To make a donation, please visit our website at www.grammyfoundation.org. 28

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The GRAMMY Foundation Community Services Report is published by: The GRAMMY Foundation © 2013 GRAMMY Foundation Contents may not be reprinted without express written permission. The GRAMMY Foundation®, GRAMMY® and The Recording Academy® and their respective logos are registered trademarks and service marks.

Unless otherwise noted, photos courtesy of The Recording Academy, photographed by WireImage.com.

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