The Kings of Midea and the Cemetery in Dendra the Acropolis of Midea
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TUBERCULOSIS in GREECE an Experiment in the Relief and Rehabilitation of a Country by J
TUBERCULOSIS IN GREECE An Experiment in the Relief and Rehabilitation of a Country By J. B. McDOUGALL, C.B.E., M.D., F.R.C.P. (Ed.), F.R.S.E.; Late Consultant in Tuberculosis, Greece, UNRRA INTRODUCTION In Greece, we follow the traditions of truly great men in all branches of science, and in none more than in the science of medicine. Charles Singer has rightly said - "Without Herophilus, we should have had no Harvey, and the rise of physiology might have been delayed for centuries. Had Galen's works not survived, Vesalius would have never reconstructed anatomy, and surgery too might have stayed behind with her laggard sister, Medicine. The Hippo- cratic collection was the necessary and acknowledged basis for the work of the greatest of modern clinical observers, Sydenham, and the teaching of Hippocrates and his school is still the substantial basis of instruction in the wards of a modern hospital." When we consider the paucity of the raw material with which the Father of Medicine had to work-the absence of the precise scientific method, a population no larger than that of a small town in England, the opposition of religious doctrines and dogma which concerned themselves largely with the healing art, and a natural tendency to speculate on theory rather than to face the practical problems involved-it is indeed remarkable that we have been left a heritage in clinical medicine which has never been excelled. Nearly 2,000 years elapsed before any really vital advances were made on the fundamentals as laid down by the Hippocratic School. -
The Cambridge Companion to Greek Mythology (2007)
P1: JzG 9780521845205pre CUFX147/Woodard 978 0521845205 Printer: cupusbw July 28, 2007 1:25 The Cambridge Companion to GREEK MYTHOLOGY S The Cambridge Companion to Greek Mythology presents a comprehensive and integrated treatment of ancient Greek mythic tradition. Divided into three sections, the work consists of sixteen original articles authored by an ensemble of some of the world’s most distinguished scholars of classical mythology. Part I provides readers with an examination of the forms and uses of myth in Greek oral and written literature from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. Part II looks at the relationship between myth, religion, art, and politics among the Greeks and at the Roman appropriation of Greek mythic tradition. The reception of Greek myth from the Middle Ages to modernity, in literature, feminist scholarship, and cinema, rounds out the work in Part III. The Cambridge Companion to Greek Mythology is a unique resource that will be of interest and value not only to undergraduate and graduate students and professional scholars, but also to anyone interested in the myths of the ancient Greeks and their impact on western tradition. Roger D. Woodard is the Andrew V.V.Raymond Professor of the Clas- sics and Professor of Linguistics at the University of Buffalo (The State University of New York).He has taught in the United States and Europe and is the author of a number of books on myth and ancient civiliza- tion, most recently Indo-European Sacred Space: Vedic and Roman Cult. Dr. -
Minoan Long-Distance Trade: a View from the Northern Aegean *
MINOAN LONG-DISTANCE TRADE: A VIEW FROM THE NORTHERN AEGEAN * For SincIair Hood Minoan scholars have occupied themselves with Minoan foreign relations since Sir Arthur Evans wrote The Palace of Minos. The long-standing question of the importance of the external trade has received a variety of answers and has provided a rich coIlection of ideas from rnaximality to minimality I. The renewed interest in Minoan "colonies" and in the concept of a Minoan "thalassocracy" has revived the debate about the movement of peoples and trade goods in the Aegean as well as about trade-notions like the incentivejincentives, and the organisationalloperational structure. A small set of new data from the excavations of the 19th Ephoreia of Prehistoric and Classical Antiquities at the tell-settlement site Miko Vouni 2 on the south-western shore of Sarnothrace, in the north- eastern Aegean, offers a new insight into the subject. During the excavation of a vertical sounding with an area of 28 m2 near the summit of the mound in order to establish the site's sequence, five Minoan clay mini documents were discovered, namely two roundels two noduli and a nodule, illustrating perhaps the best example of the pan-Aegean perspective required for the study of the prehistory of the Aegean islands 3. Apart from the unstratified nodulus (Pl. XXXIV), the remaining were contents of a layer of destruction 5 with a thickness of ca. 0.90 m in the deposits of the second, counting from the surface, * The following abbreviations are used in addition to the regular abbr. for periodicals: CHIC: 1.-P. -
The Limits of Communication Between Mortals and Immortals in the Homeric Hymns
Body Language: The Limits of Communication between Mortals and Immortals in the Homeric Hymns. Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Bridget Susan Buchholz, M.A. Graduate Program in Greek and Latin The Ohio State University 2009 Dissertation Committee: Sarah Iles Johnston Fritz Graf Carolina López-Ruiz Copyright by Bridget Susan Buchholz 2009 Abstract This project explores issues of communication as represented in the Homeric Hymns. Drawing on a cognitive model, which provides certain parameters and expectations for the representations of the gods, in particular, for the physical representations their bodies, I examine the anthropomorphic representation of the gods. I show how the narratives of the Homeric Hymns represent communication as based upon false assumptions between the mortals and immortals about the body. I argue that two methods are used to create and maintain the commonality between mortal bodies and immortal bodies; the allocation of skills among many gods and the transference of displays of power to tools used by the gods. However, despite these techniques, the texts represent communication based upon assumptions about the body as unsuccessful. Next, I analyze the instances in which the assumed body of the god is recognized by mortals, within a narrative. This recognition is not based upon physical attributes, but upon the spoken self identification by the god. Finally, I demonstrate how successful communication occurs, within the text, after the god has been recognized. Successful communication is represented as occurring in the presence of ritual references. -
Redalyc.The Hydromythology and the Legend from Natural Events
Revista Iberoamericana de Ciencia, Tecnología y Sociedad - CTS ISSN: 1668-0030 [email protected] Centro de Estudios sobre Ciencia, Desarrollo y Educación Superior Argentina Martos García, Aitana; Bravo Gaviro, Ana The Hydromythology And The Legend From Natural Events Revista Iberoamericana de Ciencia, Tecnología y Sociedad - CTS, vol. 12, núm. 35, junio, 2017, pp. 183-199 Centro de Estudios sobre Ciencia, Desarrollo y Educación Superior Buenos Aires, Argentina Available in: http://www.redalyc.org/articulo.oa?id=92452928009 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative The Hydromythology And The Legend From Natural Events Hidromitología y leyendas naturalistas Hidromitologia e Lendas Naturalistas Aitana Martos García and Ana Bravo Gaviro * 183 We analyse the role of mythical narratives in relation to phenomena typical of the geology and hydrology, reviewing the scientific status of hydrology, its methods and scientific paradigms that would contribute to its definition. We delve into the role of myths as explanatory devices in application to hydrogeographic realities. In that sense, we compare some relevant cases involving caves and other karst landscapes, as well as oracles and various mythological characters and episodes related to water. The need for a holistic approach is advocated from a broad consideration of the nature of myth, applying perspectives such as Euhemerism and other hermeneutical currents. Key words: geomythology, hydromythology, naturalist legends, myths, hermeneutics * Aitana Martos García: Department of Education, University of Almería, Spain. -
Greek Mythology
Greek Mythology The Creation Myth “First Chaos came into being, next wide bosomed Gaea(Earth), Tartarus and Eros (Love). From Chaos came forth Erebus and black Night. Of Night were born Aether and Day (whom she brought forth after intercourse with Erebus), and Doom, Fate, Death, sleep, Dreams; also, though she lay with none, the Hesperides and Blame and Woe and the Fates, and Nemesis to afflict mortal men, and Deceit, Friendship, Age and Strife, which also had gloomy offspring.”[11] “And Earth first bore starry Heaven (Uranus), equal to herself to cover her on every side and to be an ever-sure abiding place for the blessed gods. And earth brought forth, without intercourse of love, the Hills, haunts of the Nymphs and the fruitless sea with his raging swell.”[11] Heaven “gazing down fondly at her (Earth) from the mountains he showered fertile rain upon her secret clefts, and she bore grass flowers, and trees, with the beasts and birds proper to each. This same rain made the rivers flow and filled the hollow places with the water, so that lakes and seas came into being.”[12] The Titans and the Giants “Her (Earth) first children (with heaven) of Semi-human form were the hundred-handed giants Briareus, Gyges, and Cottus. Next appeared the three wild, one-eyed Cyclopes, builders of gigantic walls and master-smiths…..Their names were Brontes, Steropes, and Arges.”[12] Next came the “Titans: Oceanus, Hypenon, Iapetus, Themis, Memory (Mnemosyne), Phoebe also Tethys, and Cronus the wily—youngest and most terrible of her children.”[11] “Cronus hated his lusty sire Heaven (Uranus). -
Greece in the Late Roman Period
Greece in the Late Roman Period Maria Louise van Kleef 26th April 2010 Contents 1 Introduction 1 1.1 Late Antiquity . 1 1.2 Greece . 2 1.3 This thesis . 3 I Late Antiquity 5 2 Historical background 7 2.1 Diocletian . 7 2.2 Constantine I . 8 2.2.1 the end of the Tetrarchy . 8 2.2.2 Constantine as sole emperor . 8 2.3 The dichotomy of the Roman Empire . 9 2.3.1 Theodosius the Great and his sons . 10 2.3.2 The Western Empire . 10 2.3.3 The Eastern Empire . 11 2.4 Justinian and the end of the Late Roman period . 12 2.4.1 Justinian . 12 2.4.2 the emperors of the Late Roman Empire . 13 3 sources 15 3.1 Literature . 15 3.1.1 Language . 15 3.1.2 The influence of Christianity . 16 3.1.3 Historiography . 17 3.1.4 Church Histories and Chronicals . 19 3.1.5 Other literary genres . 20 3.2 Other written sources . 21 4 Governmental Organization 25 4.1 The Emperor and the Empire . 25 4.2 Aristocracy . 26 4.3 Legislation . 28 4.4 Greece and the Balkans . 29 II Case Studies 33 5 The city in Late Antiquity 35 5.1 4 urban centers in Greece . 35 5.1.1 Argos . 35 5.1.2 Athens . 37 5.1.3 Thessaloniki . 40 5.1.4 Corinthia . 44 iii iv Contents 5.2 Conclusion . 53 5.2.1 2nd and 3rd century . 53 5.2.2 4th and 5th century . -
Dodona, Olympos, and Samothrace. a Narrative Op Personal Explorations
A QUIET CORNER OF THE ALPS. 253 There are, besides, scarcely any sources of public instruction, and the only books found in the hands of the people are religious works. The official language is French, which is pretty familiar to the inhabitants of the valley, but the popular dialect is a patois differing con- siderably from the French. It is an Alpine patois, of which there are two varieties, both very different from the patois spoken on the plains and those spoken in the Jura. It is distinguished by the frequent use of liquid consonants, as also by the pronunciation of the letters s and z, which have the sound of th in the words teeth and leather respectively. The other peculiarity of pronunciation is the use of the sound w, as, for instance, in the word iwi, water, in which it is pronounced like w in weapon. A great many words of this patois are only corrupted from the French. Many more interesting particulars might be given of the people of the Vieze valley, their popular sayings and folklore, their numerous superstitions, their omens and auguries, their ancient usages in selling and buying, their simple municipal administration, and so on, but these have no very direct connection with geography. I shall now conclude with the wish that many British tourists who come yearly to Switzerland would cast a glance at the calm and beautiful valley that extends along the foot of the Dent du Midi. DODONA, OLYMPOS, AND SAMOTHRACE. A NARRATIVE OP PERSONAL EXPLORATIONS. By J. S. STUART-GLENNIE, M.A. -
Registration and Promotion of Monumental Olive Trees in Greece. Advances in Social Sciences Research Journal, 7(4) 107-121
Advances in Social Sciences Research Journal – Vol.7, No.4 Publication Date: Apr. 25, 2020 DOI:10.14738/assrj.74.7977. Koniditsiotis, S. (2020). Registration and Promotion of Monumental Olive Trees in Greece. Advances in Social Sciences Research Journal, 7(4) 107-121. Registration and Promotion of Monumental Olive Trees in Greece. Koniditsiotis Stavros Msc of Cultural Policy and Development, Open University of Cyprus, Cyprus ABSTRACT The history oF the olive tree, its cultivation and its products is known For centuries. Some olive tree have survived over millennia and their history dates back to antiquity. In many cases, it is related to mythology and religion. The olive tree is associated with Folk tradition, people's everyday liFe, and customs. In Greece, monumental olive trees are found in the Peloponnese, Crete, Euboea, Chios, Pelion and Attica. This paper explores and describes the particular morphological Features such as shape, size, wood, cavities and age, as well as the cultural characteristics such as historical or religious events, myths and traditions that deFine an olive tree and characterize it as monumental. The main aim oF our research is to examine the key position that monumental olive trees and their materialistic and symbolic maniFestations consist a natural and cultural heritage as well. In this framework the study focuses on various key issues related to monumental olives trees and their natural, historical, social and cultural value. Keywords: Monumental Olive Trees, Nature conservation monuments, Natural sites, Greek monumental Olive Trees, Cultural heritage of olive Trees. 1. INTRODUCTION The present study is a part of a wider research on the value of the natural heritage and specially on ancient olives trees as natural monuments and cultural heritage of all Mediterranean regions. -
Perseus, the Maiden Medusa, and the Imagery of Abduction
HESPERIA 76 (2007) PERSEUS, THE MAIDEN Pages 73-ios MEDUSA, AND THE IMAGERY OF ABDUCTION ABSTRACT on Classical the author that the of Focusing red-figure vases, argues appearance the beautiful Medusa, which has been explained previously as an evolutionary development from the monstrous Archaic type, is determined by discursive context rather than by chronology. Painters used the beautiful Gorgon to certain about Perseus's it is not clear convey messages victory, though always whether she ismeant to evoke humor or pathos. The author further shows that Medusa's death was figured as a perversion of the erotic abductions common s to many Greek myths, and points out the beautiful Gorgon affinities with as abducted maidens such Persephone, Thetis, and Helen. on Among the events depicted the Pseudo-Hesiodic shield of Herakles is scene the flight of Perseus from Medusas sisters.1 The poet renders the in unforgettably vivid terms: Tai ?? uet' ccutov Topyovec ccttatito? xe koci on (paxal eppcoovio ??peva? uocTc?eiv. etc! ?? %?copou ??auocvxo? on 1. For useful suggestions drafts ?awouaecov ??%eoK? gcxko? juey?Acoopuuay?q) of this article, I thank Hedreen, Guy Kai em ?? Laurialan Reitzammer, Albert Hen ?c^?a ?ay?co?/ ?covpoi ?pcxKovxe ?OIG) richs, and the two anonymous Hes ?7Ul?)p?UVT' ?7UK\)pTG)OVT? Kapnva. reviewers. I am also to xco peria grateful Atxjia?ov ?' apa y?* p?v?i ?' ?x?paaaov o?ovxa? and to Melissa Haynes audiences ?ypia ?Epicopivco. ?nl ?? ?Eivo?ai Kapf|voi? at and Harvard Rutgers University Topy??oi? ??ov??TO p?ya? Oo?oc. University for their advice and sug and to the of gestions, Department And after him rushed the Gorgons, unapproachable and unspeakable, at Classics Harvard University, which as longing to seize him: they trod upon the pale adamant, the shield covered the cost of the illustrations. -
Artisans in the Service of the Royalty at Dendra and Their Role in the Formation of Fashion Trends
Artisans in the Service of the Royalty at Dendra and their Role in the Formation of Fashion Trends Eleni Konstantinidi-Syvridi1 Abstract: Through its remarkable finds the necropolis at Dendra, covering the periods LH IIB–IIIB, offers an eloquent picture of the luxury possessed by the aristocracy up to the final phase of the early Mycenaean period. It is a time when art and crafts shift away from the hitherto Minoan influences to create forms and symbols that are purely Mycenaean, in search of a new identity. Metalwork of an advanced workmanship, testifying to the presence of highly skilled craftsmen, furnished the distinguished deceased in the necropolis. Craftsmen in the service of the elite seem to have circulated between various areas of the Aegean and Cyprus, forming through their creations common codes between its members. Being one of the few unplundered tholoi of the period, the Dendra tomb gathers most of those features that became fashionable in art and crafts among the early Mycenaean elite. A re-evaluation of the grave goods can therefore provide the impetus for a discussion on the production, manufacture and trade of luxurious items, especially metalwork, at the threshold of the Mycenaean Palatial period. Keywords: Dendra, warrior burials, metalwork, metal vessels, tholos tombs Within the fragile socio-political landscape of the early Mycenaean period, the elite families fought for the establishment of their political and economic power over the region,2 and at the same time shared a network of common values and symbols of -
Traces of Ritual in Middle Helladic Funeral Contexts Including an Assessment of Geographical Location
Traces of ritual in Middle Helladic funeral contexts including an assessment of geographical location Maria Hielte-Stavropoulou Introduction RESEARCH IN SOCIAL ANTHROPOLOGY has helped to understand the structure of ritual as a rigidly performed sequence of activities involving gestures, words, and objects. Rituals and their performance may in many cases seem enigmatic, but studies on the theory of symbolism helps (Turner 1985:32). 1 By exploring the rit uals of the African Ndembu, Victor Turner could map a rich structure of symbol ism. An actual ritual procedure involves not only one symbolic object, but a series of them in a sequence. 2 Like a piece of music or a sequence of words, it must have a syntax. The combination and arrangement of the symbols form the message. Collectively enacted dramas have private and unconscious meaning (Keesing and Strathen 1998). A religious system may be seen as a 'cluster of sacred symbols' (Geertz 1957:424). Rituals are often sophisticated exercises in the meaning of words and sentences and display a subtle mechanism of elusive symbols ( Gerholm 1988). The obvious aspects of rituals are formal actions (Rappaport 1979), with a compulsory air to them and a definite correct way of performance. To explain the practical reasons for the existence of rituals, I tend to Horton's straightforward definition (1982) as a means of acting on the world, bringing about and control ling things. How then can we study ancient rituals of the Bronze Age? Of the hierarchy of sources, suggested by Ian Morris,3 only points 3 and 4 are possible options.