Core Collection Adult Non Fiction 2017 Final
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
Review 2009/2010
Review 2009/2010 Review 2009/10 Contents 3 Introduction from the Director 4 Extending and Broadening Audiences 8 Developing the Collection 12 Increasing Understanding of Portraiture and the Collection 16 Maximising Financial Resources 20 Improving Services 21 Developing Staff 22 Acquisitions 30 Financial Review 32 Supporters 35 Exhibitions and Displays Inside front cover Gallery Main Entrance Inside back cover Francis Alÿs: Fabiola display ‘The growing engagement with our programmes – whether new commissioned portraits or exhibitions, national and digital developments, or research and learning – gives me great confidence in the Gallery’s future development.’ Professor Sir David Cannadine, Chairman, Trustees of the National Portrait Gallery 3 Introduction Board of Trustees 1 April 2009 to 31 March 2010 from the Director Professor Sir David Cannadine, FBA, FRSL Chairman The Rt Hon. Baroness Whatever the continuing difficulties for the economy and Royall of Blaisdon (ex-officio) Lord President of the Council the country during the past year, the Gallery attracted a (until June 2009) growing audience, with record numbers to the BP Portrait Zeinab Badawi Award and over 250,000 visitors seeing the Taylor Wessing Professor Dame Carol Black Photographic Prize . All the year’s exhibitions – from Gay Icons (from March 2010) to Beatles to Bowie , The Indian Portrait , The Singh Twins Sir Nicholas Blake and Steve McQueen’s Queen and Country – successfully Dr Rosalind Blakesley demonstrated the connections between portraits and (from March 2010) individuals with fascinating and inspiring stories. Dr Augustus Casely-Hayford The Marchioness of Douro The launch of the National Portrait Gallery/BT Road to 2012 Dame Amelia Chilcott Fawcett, DBE was indicative of the Gallery’s determination to create new Deputy Chairman and Chair of the work and widen engagement with communities as part of Development Board the Cultural Olympiad. -
William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-2005 William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe Andrea Yount Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the European History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Yount, Andrea, "William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe" (2005). Dissertations. 1079. https://scholarworks.wmich.edu/dissertations/1079 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. WILLIAM MORRIS AND THE SOCIETY FOR THE PROTECTION OF ANCIENT BUILDINGS: NINETEENTH AND TWENTIETH CENTURY IDSTORIC PRESERVATION IN EUROPE by Andrea Yount A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of History Dale P6rter, Adviser Western Michigan University Kalamazoo, Michigan June 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3183594 Copyright 2005 by Yount, Andrea Elizabeth All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
The Journal of William Morris Studies
The Journal of William Morris Studies volume xix number 4 summer 2012 Editorial Patrick O’Sullivan 3 Obituary: Peter Preston Peter Faulkner 4 A William Morris Letter Peter Faulkner 7 Morris and Devon Great Consols Florence S. Boos & Patrick O’Sullivan 11 Morris and Pre-Raphaelitism Peter Faulkner 40 ‘And my deeds shall be remembered, and my name that once was nought’: Regin’s Role in Sigurd the Volsung and the Fall of the Niblungs Kathleen Ullal 63 Morris’s Late Style and the Irreconcilabilities of Desire Ingrid Hanson 74 Reviews. Edited by Peter Faulkner 85 William Morris, The Wood Beyond the World, edited by Robert Boenig (Phillippa Bennett) 85 Joseph Phelan, The Music of Verse. Metrical Experiment in Nineteenth-Century Poetry (Peter Faulkner) 89 the journal of william morris studies .summer 2012 Martin Crick, The History of the William Morris Society (Martin Stott) 92 Fiona MacCarthy, The Last Pre-Raphaelite. Edward Burne-Jones and the Victo- rian Imagination (Peter Faulkner) 96 Susie Harries, Nikolaus Pevsner: The Life (John Purkis) 100 Paul Ward, Red Flag and Union Jack: Englishness, Patriotism and the British Left, 1881–1924 (Gabriel Schenk) 103 James C. Whorton, The Arsenic Century (Mike Foulkes & Patrick O’Sullivan) 105 Guidelines for Contributors 109 Notes on Contributors 111 ISSN: 1756-1353 Editor: Patrick O’Sullivan ([email protected]) Reviews Editor: Peter Faulkner ([email protected]) Designed by David Gorman ([email protected]) Printed by the Short Run Press, Exeter, UK (http://www.shortrunpress.co.uk/) All material printed (except where otherwise stated) copyright the William Mor- ris Society. -
The Histories of Raphael Samuel a Portrait of a People’S Historian
THE HISTORIES OF RAPHAEL SAMUEL A PORTRAIT OF A PEOPLE’S HISTORIAN THE HISTORIES OF RAPHAEL SAMUEL A PORTRAIT OF A PEOPLE’S HISTORIAN SOPHIE SCOTT-BROWN Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Creator: Scott-Brown, Sophie, author. Title: The histories of Raphael Samuel : a portrait of a people’s historian / Sophie Scott-Brown. ISBN: 9781760460365 (paperback) 9781760460372 (ebook) Series: ANU lives series in biography. Subjects: Samuel, Raphael. Historians--Great Britain--Biography. Marxian historiography. Historical materialism. Social history. Dewey Number: 907.202 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. The ANU.Lives Series in Biography is an initiative of the National Centre of Biography at The Australian National University, ncb.anu.edu.au. Cover design and layout by ANU Press. Portrait of Raphael Samuel by Lucinda Douglas- Menzies. This edition © 2017 ANU Press Contents Acknowledgements . vii Abbreviations . ix Introduction . 1 1 . The Ingrained Activist: Communism as a Way of Life, the Communist Party Historians’ Group and Oxford Student Politics . 17 2 . Reinventing the Organiser: Anti‑authoritarianism, Activist Politics and the First New Left . 55 3 . The Workshop Historian: Ruskin College and the Early Years of the History Workshop . 95 4 . The Secret Life of Headington Quarry: People’s History in the Field . -
The Romantic Poetry Handbook
The Romantic Poetry Handbook This comprehensive survey of British Romantic poetry explores the work of six poets whose names are most closely associated with the Romantic era – Wordsworth, Coleridge, Blake, Keats, Byron, and Shelley – as well as works by other significant but less widely studied poets such as Leigh Hunt, Charlotte Smith, Felicia Hemans, and Letitia Elizabeth Landon. Along with its exceptional coverage, the volume is alert to relevant contexts, and opens up ways of understanding Romantic poetry. The Romantic Poetry Handbook encompasses the entire breadth of the Romantic Movement, from Anna Laetitia Barbauld to Thomas Lovell Beddoes and John Clare. In its central section ‘Readings’ it explores tensions, change, and continuity within the Romantic Movement, and examines a wide range of individual poems and poets through sensitive, attentive, and accessible analyses. In addition, the authors provide a full introduction, a detailed historical and cultural timeline, biographies of the poets whose works are featured, and a helpful guide to further reading. The Romantic Poetry Handbook is an ideal text for undergraduate and postgraduate students of British Romantic poetry. It will also appeal to those with a general interest in poetry and Romantic literature. Michael O’Neill, is Professor of English at Durham University, UK. He has published widely on many aspects of Romantic literature, especially the work of Percy Bysshe Shelley, Victorian poetry, and an array of British, Irish, and American twentieth- and twenty-first-century poets. His most recent book is, as editor, John Keats in Context (2017). He has also published three volumes of poetry. Madeleine Callaghan, is Lecturer in Romantic Literature at the University of Sheffield, UK. -
1 Articles the Destruction of the Public Sphere Ross Mckibbin
London Review of Books Phê bình sách London 2006- 28: 1 2006- 28: 1 Articles Các bài viết The Destruction of the Public Sphere Sự phá hoại lĩnh vực công cộng Ross McKibbin: Brown v. Cameron Ross McKibbin: Brown v. Cameron What I heard about Iraq in 2005 Những gì tôi nghe được về Iraq năm 2005 Eliot Weinberger Eliot Weinberger His Shoes Giày của ông ta Michael Wood on Joan Didion Michael Wood về Joan Didion The Year of Magical Thinking Năm suy nghĩ kỳ lạ Joan Didion Joan Didion Two Poems Hai bài thơ Landis Everson Landis Everson Blackening Bôi nhọ Frank Kermode on Doubting Thomas Frank Kermode về Doubting Thomas Doubting Thomas Doubting Thomas Glenn Most Glenn Most Cradles in the Portego Những ngọn nến ở Portego Nicholas Penny on Renaissance Venice Nicholas Penny về Venice Phục hưng The New Palaces of Medieval Venice Những cung điện mới của Venice Trung Cổ Juergen Schulz Juergen Schulz Private Lives in Renaissance Venice Những đời tư ở Venice Phực hưng Patricia Fortini Brown Patricia Fortini Brown Short Cuts Những đường cắt Thomas Jones: ‘Extraordinary Thomas Jones: ‘diễn xuất tuyệt vời’ Rendition’ Special Frocks Những chiếc áo choàng đặc biệt Jenny Turner on Justine Picardie Jenny Turner về Justine Picardie My Mother’s Wedding Dress: The Bộ đồ cưới của mẹ tôi: Vải của cuộc sống Fabric of Our Lives chúng ta Justine Picardie Justine Picardie At Tate Modern Tại Tate Modern Peter Campbell on Henri Rousseau Peter Campbell về Henri Rousseau Her Proper Duties Những bổn phận thích hợp của cô ta Tessa Hadley on Helen Simpson Tessa Hadley về Helen -
Read Keith Thomas' the Wolfson History Prize 1972-2012
THE WOLFSON HISTORY PRIZE 1972-2012 An Informal History Keith Thomas THE WOLFSON HISTORY PRIZE 1972-2012 An Informal History Keith Thomas The Wolfson Foundation, 2012 Published by The Wolfson Foundation 8 Queen Anne Street London W1G 9LD www.wolfson.org.uk Copyright © The Wolfson Foundation, 2012 All rights reserved The Wolfson Foundation is grateful to the National Portrait Gallery for allowing the use of the images from their collection Excerpts from letters of Sir Isaiah Berlin are quoted with the permission of the trustees of the Isaiah Berlin Literary Trust, who own the copyright Printed in Great Britain by The Bartham Group ISBN 978-0-9572348-0-2 This account draws upon the History Prize archives of the Wolfson Foundation, to which I have been given unrestricted access. I have also made use of my own papers and recollections. I am grateful to Paul Ramsbottom and Sarah Newsom for much assistance. The Foundation bears no responsibility for the opinions expressed, which are mine alone. K.T. Lord Wolfson of Marylebone Trustee of the Wolfson Foundation from 1955 and Chairman 1972-2010 © The Wolfson Foundation FOREWORD The year 1972 was a pivotal one for the Wolfson Foundation: my father, Lord Wolfson of Marylebone, became Chairman and the Wolfson History Prize was established. No coincidence there. History was my father’s passion and primary source of intellectual stimulation. History books were his daily companions. Of all the Foundation’s many activities, none gave him greater pleasure than the History Prize. It is an immense sadness that he is not with us to celebrate the fortieth anniversary. -
The Journal of William Morris Studies
The Journal of William Morris Studies volume xxi, number 2, summer 2015 Editorial: Why Morris? Patrick O’Sullivan 3 Versions of the Past, Problems of the Present, Hopes for the Future: Morris and others rewrite the Peasants’ Revolt, Julia Courtney 10 Revisiting Morris’s socialist internationalism: reXections on translation and colonialism (with an annotated bibliography of translations of News from Nowhere, 1890–1915), Owen Holland 26 Philip Webb’s visit to Oxford, November 1886, Stephen Williams 53 The Dixton Paintings: vision or dream of News from Nowhere? Patrick O’Sullivan 67 Reviews. Edited by Peter Faulkner 76 William Morris: The Odes of Horace (Facsimile edition), Peter Faulkner 76 Fiona MacCarthy, Anarchy and Beauty: William Morris and his Legacy 1860 – 1960, John Purkis 78 Elizabeth Wilhide, William Morris: Décor & Design, Fiona Rose 81 Wendy Parkins, Jane Morris: the Burden of History, Frank Sharp 84 Mark Frost, The Lost Companions and John Ruskin’s Guild of St George: A Revisionary History, Clive Wilmer 87 Mercia McDermott, Lone Red Poppy, Helena Nielsen 91 the journal of william morris studies . summer 2015 Graham Peel, Alec Miller: Carver, Guildsman, Sculptor, Diana Andrews 94 Joanne Parker & Corinna Wagner, Art & Soul: Victorians and The Gothic, Gabriel Schenk 97 Michael Hall, George Frederick Bodley and the Late Gothic Revival in Britain and America, Peter Faulkner 1o0 Cal Winslow, ed, E.P. Thompson and the Making of the New Left: Essays and Polemics, Martin Crick 105 Alex Prichard, Ruth Kinna, Saku Pinta & David Berry, -
Newsletter No.5 Easter 2016
Welcome to “The Friends” Newsletter No.5 Easter 2016 EVENTS SPONSORED BY THE FRIENDS OF ST MARTINS Throughout the summer Free Guided One Hour Tours of the Church take place at 10.30 am every Tuesday Morning. They commence on Tuesday 3rd May and the final tour of the year will be on Tuesday 27th September. Private tours can be arranged for groups at a convenient time to all for a donation to The Friends. To arrange this please contact Mike on 07554 070 205. Last minute cancellations. Should we have to cancel a tour due to unforeseen circumstances then notification will be published on this page of the website. 7pm Good Friday 25th March Stainer’s Crucifixion performed by choir drawn from all the local churches and beyond. 3pm Holy Saturday 26th March Easter Event A short talk on how Easter is revealed through pre-Raphaelite art and stained glass in St. Martin's Church, followed by wine and Simnel cake. Entrance £3 on the door, free to Friends. 9th July Dedication Service Day: 11.15 - 11.45 Talk about the opening of the church in 1863 by Mike Bortoft 12.00 Dedication Mass followed at 1.00 (approx) Lunch with a glass of wine or fruit juice. All invited Organ Recital dates: Each one will take place on a Friday evening at 7-00pm. Friday 6th May Edward Hewes Royal Academy of Music, London. Friday 3rd June Geoffrey Coffin Principal Pipe Organs York. Friday 1st July Colin Walsh Organist Laureate Lincoln Cathedral. Friday 15th July David Pipe. York Minster and Leeds Cathedral. -
Once a Caian 9-20 FINAL.Pdf
ISSUE 20 MICHAELMAS 2020 GONVILLE & CAIUS COLLEGE CAMBRIDGE Pandemics past and present Affordable ventilators for Africa The Caian behind Private Eye ’s Nooks and Corners Fellows win Wolfson History Prize and the Copley Medal A g n e t From the Director of Development t a L a z a r u s I was excited and delighted to join Caius in January this year, and immediately set about meeting Caians. Many of the 2 019/20 events and reunions had been cancelled because of the kitchen refurbishment, so I particularly looked forward to our US visit, the May Week Party and the September Annual Gathering. All those occasions would have given me chances to meet and thank you, our loyal supporters. Your generosity has been vital for the College and will continue to be so in the challenging years that lie ahead. As I write this, 6 months into the pandemic, I feel sad that the computer screen has been my closest friend for too long now. Like you, I am itching to see life return to normal, to plan for the future and celebrate all that is so special about you Caians and this College. The new kitchens should be ready for action by early 20 21 and in a feat of optimism we are publishing the events calendar on the back cover. It is correct as we go to press but may change, so please check the website. You will notice a few changes in the team when you get in touch and when you next visit Caius. -
History, Landscape and National Identity : a Comparative Study of Contemporary English and Icelandic Literature for Children Pálsdóttir, A.H
History, landscape and national identity : a comparative study of contemporary English and Icelandic literature for children Pálsdóttir, A.H. Submitted version deposited in CURVE June 2012 Original citation: Pálsdóttir, A.H. (2002) History, landscape and national identity : a comparative study of contemporary English and Icelandic literature for children. Unpublished PhD Thesis. Coventry: University College Worcester In collaboration with Coventry University. Copyright © and Moral Rights are retained by the author. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. Some materials have been removed from this thesis due to third party copyright. Pages where material has been removed are clearly marked in the electronic version. The unabridged version of the thesis can be viewed at the Lanchester Library, Coventry University. CURVE is the Institutional Repository for Coventry University http://curve.coventry.ac.uk/open HISTORY, LANDSCAPE AND NATIONAL IDENTITY: A COMPARATIVE STUDY OF CONTEMPORARY ENGLISH AND ICELANDIC LITERATURE FOR CHILDREN ANNA HEIDA PALSDOTTIR A thesis submitted in fulfilment of the requirements of the University of Coventry for the Degree of Doctor of Philosophy APRIL 2002 University College