Dissertation Summary “Defensive and Residential Buildings of Wenceslaus
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The Early Effects of Gunpowder on Fortress Design: a Lasting Impact
The Early Effects of Gunpowder on Fortress Design: A Lasting Impact MATTHEW BAILEY COLLEGE OF THE HOLY CROSS The introduction of gunpowder did not immediately transform the battlefields of Europe. Designers of fortifications only had to respond to the destructive threats of siege warfare, and witnessing the technical failures of early gunpowder weaponry would hardly have convinced a European magnate to bolster his defenses. This essay follows the advancement of gunpowder tactics in late medieval and early Renaissance Europe. In particular, it focuses on Edward III’s employment of primitive ordnance during the Hundred Years’ War, the role of artillery in the Ottoman conquest of Constantinople, and the organizational challenges of effectively implementing gunpowder as late as the end of the fifteenth century. This essay also seeks to illustrate the nature of the development of fortification in response to the emerging threat of gunpowder siege weaponry, including the architectural theories of the early Renaissance Italians, Henry VIII’s English artillery forts of the mid-sixteenth century, and the evolution of the angle bastion. The article concludes with a short discussion of the longevity and lasting relevance of the fortification technologies developed during the late medieval and early Renaissance eras. The castle was an inseparable component of medieval warfare. Since Duke William of Normandy’s 1066 conquest of Anglo-Saxon England, the construction of castles had become the earmark of medieval territorial expansion. These fortifications were not simply stone squares with round towers adorning the corners. Edward I’s massive castle building program in Wales, for example, resulted in fortifications so visually disparate that one might assume they were from different time periods.1 Medieval engineers had built upon castle technology for centuries by 1500, and the introduction of gunpowder weaponry to the battlefields of Europe foreshadowed a revision of the basics of fortress design. -
Gloucestershire Castles
Gloucestershire Archives Take One Castle Gloucestershire Castles The first castles in Gloucestershire were built soon after the Norman invasion of 1066. After the Battle of Hastings, the Normans had an urgent need to consolidate the land they had conquered and at the same time provide a secure political and military base to control the country. Castles were an ideal way to do this as not only did they secure newly won lands in military terms (acting as bases for troops and supply bases), they also served as a visible reminder to the local population of the ever-present power and threat of force of their new overlords. Early castles were usually one of three types; a ringwork, a motte or a motte & bailey; A Ringwork was a simple oval or circular earthwork formed of a ditch and bank. A motte was an artificially raised earthwork (made by piling up turf and soil) with a flat top on which was built a wooden tower or ‘keep’ and a protective palisade. A motte & bailey was a combination of a motte with a bailey or walled enclosure that usually but not always enclosed the motte. The keep was the strongest and securest part of a castle and was usually the main place of residence of the lord of the castle, although this changed over time. The name has a complex origin and stems from the Middle English term ‘kype’, meaning basket or cask, after the structure of the early keeps (which resembled tubes). The name ‘keep’ was only used from the 1500s onwards and the contemporary medieval term was ‘donjon’ (an apparent French corruption of the Latin dominarium) although turris, turris castri or magna turris (tower, castle tower and great tower respectively) were also used. -
CHAINING the HUDSON the Fight for the River in the American Revolution
CHAINING THE HUDSON The fight for the river in the American Revolution COLN DI Chaining the Hudson Relic of the Great Chain, 1863. Look back into History & you 11 find the Newe improvers in the art of War has allways had the advantage of their Enemys. —Captain Daniel Joy to the Pennsylvania Committee of Safety, January 16, 1776 Preserve the Materials necessary to a particular and clear History of the American Revolution. They will yield uncommon Entertainment to the inquisitive and curious, and at the same time afford the most useful! and important Lessons not only to our own posterity, but to all succeeding Generations. Governor John Hancock to the Massachusetts House of Representatives, September 28, 1781. Chaining the Hudson The Fight for the River in the American Revolution LINCOLN DIAMANT Fordham University Press New York Copyright © 2004 Fordham University Press All rights reserved. No part of this publication may be reproduced, stored ii retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotation: printed reviews, without the prior permission of the publisher. ISBN 0-8232-2339-6 Library of Congress Cataloging-in-Publication Data Diamant, Lincoln. Chaining the Hudson : the fight for the river in the American Revolution / Lincoln Diamant.—Fordham University Press ed. p. cm. Originally published: New York : Carol Pub. Group, 1994. Includes bibliographical references and index. ISBN 0-8232-2339-6 (pbk.) 1. New York (State)—History—Revolution, 1775-1783—Campaigns. 2. United States—History—Revolution, 1775-1783—Campaigns. 3. Hudson River Valley (N.Y. -
Forbidden Lands Word Template
This supplement is a submission to the 2021 RPG Geek 24-hour RPG supplement contest. Some artwork © 2015 Dean Spencer, used with permission. All rights reserved. Some artwork used under license of Tortoise & Hare Creations. Art by Indi Martin © 2017. All rights reserved. Maps are used with permission of The Forge Studios. All rights reserved. This product was created under license. Forbidden Lands and its logo, are trademarks of Fria Ligan AB. This work contains material that is copyright Fria Ligan AB and/or other authors. Such material is used with permission under the Com- Samplemunity Content Agreement for Free League Workshop. file All other original material in this work is copyright 2021 by Simone Matzanke and published under the Community Content Agreement for Free League Workshop. 2 Black Rose Keep Like crooked fingers the old towers of the Fortress try to to read the girl's fortune. Unbeknownst to Fredrik and his grasp the sky, an imposing sight from afar. But on drawing wife, Medea was in truth the demon Gagmonor. closer it becomes clear that the hand no longer grasps for any- „Medea“ made a big show of things and ended the for- thing: Blackened and broken lie the once proud towers. But the tune telling with a sinister prophesy: On her eighteenth air does not smell of soot, but – roses? Come closer still and you birthday, Dimia would die in the flames of a fire. will find the old walls gripped in a thorny grasp and dark red roses are in full bloom even in thickest winter. -
Modular Building of the Philharmonic 01
ARCHITECTURAL COMPETITION FOR STUDENTS MODULAR BUILDING OF 2016 THE PHILHARMONIC ČESKÉ BUDĚJOVICE, Česká republika Modularch 2016: 8th year of architectural competition MODUL MODULARCH ARCH MODULAR BUILDING OF THE PHILHARMONIC 01 02 IDEOLOGICAL PROPOSAL OF A MULTI-PURPOSE BUILDING OF THE SOUTH CZECH PHILHARMONIC IN ČESKÉ BUDĚJOVICE 03 The purpose of the architectural competition is to bring attractive ideological solutions for the proposal of a new multi-purpose building of the philharmonic orchestra in České Budějovice. The topic of the competition is the design of a multi-purpose centre of the South Czech Philharmonic with a variable hall for an audience of up to 1,000 persons, combined with an open stage for open-air concerts with all the necessary amenities for the artists as well as for the visitors of the cultural installation of the South Czech Philharmonic. 04 MODUL ARCH LOCATION 05 06 ČESKÁ REPUBLIKA The Czech Republic is an inland country which consists of a majority of the historic Czech lands that have been, for most of the time, part of the Lands of the Bohemian Crown: Bohemia and Moravia (with the addition of a part of Lower Austria in 1920) and a part of Silesia. The country has an area of 78,866 square kilometers. The country neighbors with Germany, Poland, Slovakia and Austria in the west, north, east and south, respectively. In terms of public administration, the Czech Republic is formed by 8 geographic and 14 administrative regions. The capital city, and one of the regions, is Prague. The population of Czechia was approximately 10.5 million in 2015. -
WEST EUROPEAN SEAL MATRICES from COLLECTION of NICOLAY LIKHACHEV the Article Discusses the Corpus of West European Seal Matrices Kept at the Scientific Archives of St
Вестник СПбГУ. История. 2017. Т. 62. Вып. 2 E. I. Nosova WEST EUROPEAN SEAL MATRICES FROM COLLECTION OF NICOLAY LIKHACHEV The article discusses the corpus of West European seal matrices kept at the Scientific Archives of St. Petersburg Institute of History of the Russian Academy of Sciences. Previously, they were part of a collection of academician N. P. Likhachev (1862–1936). In the course of attribution we have found three matrices which seem to be absolutely identical to those from the museum collection in the town of Bassano del Grappa, Italy, which previously belonged to the Count Antonio Maria Luigi Calzamatta (1827–1905). This enabled a clarification of the earlier history of the two collections, which proved a genealogical connection with the collection of Count Giovanni Lazzara (1621–1690). This collec- tion was so well known that Christina, Queen of Sweden, wanted to buy it. Evidently after the death of Giovanni Lazzara collection was sold to the Cabinet of Louis XIV (The Cabinet of medals of the French National Library). However, this theory is not justified. In another version the collection was bought by Nicolas-Joseph Foucault (1643–1721), politician and honorary member of the Academy of Inscriptions and Belles-Lettres. After changing several owners, Foucault’s collection came in 1727 in the cabinet of medals, except the seals. At the same time, some of the matrices from Lazzara’s collec- tion are kept nowadays in the Bottacin Museum in Padua. Most likely, the seals did not leave Italy, and N. P. Lihachev acquired his matrices there, but not in France. -
Überblick Über Die Forschungsgeschichte Der Burgen Lettlands
Ieva Ose 15 Mastio (it.) kann im Deutschen nur eher ti/Hybsch/Vincenti (wie Anm. 16), S. I, 1950, p. 53 segg; P. Guerrini, Bedizolle, ungenau mit Bergfried übersetzt werden. 191–192; Padenghe sul Garda-Seregno, Brescia 1951. Bei diesem Beispiel von Moniga handelt La Lombardia paese per paese 6, Firenze 28 Brena Farisè (wie Anm. 1), S. 251–274; es sich aber funktionell klar um einen 1986. Favole (wie Anm. 16), S. 89; Conti/ massiven Torturm. 20 Vgl. Brena Farisè (wie Anm. 1), S. 251– Hybsch/Vincenti (wie Anm. 16), S. 198. 16 Zu den historischen Angaben in diesem 274; Favole (wie Anm. 16), S. 94; Conti/ 29 Brena Farisè (wie Anm. 1), S. 251–274; Beitrag siehe generell: Brena Farisè (wie Hybsch/Vincenti (wie Anm. 16), S. 214. Favole (wie Anm. 16), S. 91; Conti/ Anm. 1); Paolo Favole, Citta’ murate di 21 Vgl. Andrea Crescini/Antonio M. Arrigo- Hybsch/Vincenti (wie Anm. 16), S. 204. Lombardia, Como 1992, S. 82; Flavio ni/Daniele Comini, Soiano del Lago, perla 30 Brena Farisè (wie Anm. 1), S. 251–274; Conti/Vincenzo Hybsch/Antonello Vin- della Valtenesi, guida storica e turistica, Favole (wie Anm. 16), S. 94; Conti/ centi, I castelli della Lombardia, Province 2008. Hybsch/Vincenti (wie Anm. 16), S. 183. di Bergamo e Brescia, Novarra 1993, S. 22 Brena Farisè (wie Anm. 1), S. 251–274. 31 Brena Farisè (wie Anm. 1), S. 251–274; 184. 23 Conti/Hybsch/Vincenti (wie Anm. 16), S. Favole (wie Anm. 16), S. 93; Conti/ 17 Mitteilung der lokalen Touristikbehörde, 156. Hybsch/Vincenti (wie Anm. -
Castles Along the Rhine; the Middle Rhine
CASTLES ALONG THE RHINE; THE MIDDLE RHINE The Middle Rhine is between Mainz and Cologne (or Köln) but the section of maximum interest for river cruisers is between Koblenz and Rűdesheim. This section is where they keep some of Germany’s best kept medieval keeps - 20 of them, some ruins, some preserved, all surrounded by vineyards and with quaint medieval towns. Around every bend another stone edifice stands watch over the endless parade of freight barges and cruise boats. Each castle has its own spot in Germany’s medieval past. Your river cruise will spend at least an afternoon cruising this section with everyone on deck with a cup of bullion, tea, coffee or a beverage depending on the weather and the cruise director providing commentary on each castle/town you pass. The Rhine gorge castles are bracketed by Germanic / Prussian monuments. At the south end is Rűdesheim with the Niederwalddenkmal monument, commemorating the foundation of the German “Empire” after the Franco- Prussian War. The first stone was laid in 1871, by Wilhelm I. The 38m (123 ft) monument represents the union of all Germans. The central figure is a 10.5 m (34 ft) Germania holding the crown of the emperor in the right hand and in the left the imperial sword. Beneath Germania is a large relief that shows emperor Wilhelm I riding a horse with nobility, the army commanders and soldiers. On the left side of the monument is the peace statue and on the right is the war statue. At the north end in Koblenz is Deutsches Eck (German Corner) where the Mosel and Rhine Rivers meet. -
Acta Historiae Artis Slovenica 25|2• 2020
XXXXXXXXXXXXXXXXXX Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU France Stele Institute of Art History ZRC SAZU ACTA HISTORIAE ARTIS SLOVENICA 25|2• 2020 Likovna umetnost v habsburških deželah med cenzuro in propagando Visual Arts in the Habsburg Lands between Censorship and Propaganda LJUBLJANA 2020 XXXXXXX XXXXXXXXXX Acta historiae artis Slovenica, 25/2, 2020 Likovna umetnost v habsburških deželah med cenzuro in propagando Visual Arts in the Habsburg Lands between Censorship and Propaganda Znanstvena revija za umetnostno zgodovino / Scholarly Journal for Art History ISSN 1408-0419 (tiskana izdaja / print edition) ISSN 2536-4200 (spletna izdaja / web edition) ISBN: 978-961-05-0495-5 Izdajatelj / Issued by ZRC SAZU, Umetnostnozgodovinski inštitut Franceta Steleta / ZRC SAZU, France Stele Institute of Art History Založnik / Publisher Založba ZRC Glavna urednica / Editor-in-chief Tina Košak Urednika številke / Edited by Franci Lazarini, Tina Košak Uredniški odbor / Editorial board Renata Komić Marn, Tina Košak, Katarina Mohar, Mija Oter Gorenčič, Blaž Resman, Helena Seražin Mednarodni svetovalni odbor / International advisory board Günter Brucher (Salzburg), Ana María Fernández García (Oviedo), Hellmut Lorenz (Wien), Milan Pelc (Zagreb), Sergio Tavano (Gorizia-Trieste), Barbara Wisch (New York) Lektoriranje / Language editing Maria Bentz, Kirsten Hempkin, Amy Anne Kennedy, Andrea Leskovec, Tjaša Plut Prevodi / Translations Andrea Leskovec, Borut Praper, Nika Vaupotič Celosten strokovni in jezikovni pregled / Expert and language -
UT180 Citadels of Power Bklt.Qxp
Citadels of Power: The Castle in History and Archaeology Professor Thomas J. Finan Saint Louis University Recorded Books™ is a trademark of Recorded Books, LLC. All rights reserved. Citadels of Power: The Castle in History and Archaeology Professor Thomas J. Finan Executive Editor Donna F. Carnahan RECORDING Producer - David Markowitz Director - Ian McCulloch COURSE GUIDE Editor - James Gallagher Design - Edward White Lecture content ©2011 by Thomas J. Finan Course guide ©2011 by Recorded Books, LLC 72010 by Recorded Books, LLC Cover image: Doonagore Castle near Doolin in County Clare, Ireland © Shutterstock.com #UT180 ISBN: 978-1-4498-4969-6 All beliefs and opinions expressed in this audio/video program and accompanying course guide are those of the author and not of Recorded Books, LLC, or its employees. Course Syllabus Citadels of Power: The Castle in History and Archaeology About Your Professor.......................................................................................4 Introduction....................................................................................................5 Lecture 1 What Is a Castle? Why Study a Castle? ........................................6 Lecture 2 Earthen and Timber Castles ......................................................10 Lecture 3 Building a Castle.......................................................................13 Lecture 4 The Norman Stone Keep...........................................................17 Lecture 5 The Concentric Castle ..............................................................21 -
1/04 Mittelalter
Zeitschrift des Schweizerischen Burgenvereins 2.9. Jahrgang 1997/22004/1 Zeitschrift des Schweizerischen Burgenvereins Revue de l’Association Suisse des Châteaux forts Rivista dell’Associazione Svizzera dei Castelli Revista da l’Associaziun Svizra da Chastels 9. Jahrgang 2004/1 INHALT Hansjörg Brem, Felicitas Meile, Christoph Schenkel, Matthias Schnyder: Die Sanierung der Ruine Neuburg bei Mammern in den Jahren 2001–2003 ............................................................. 1 KURZMITTEILUNGEN..................................................................... 28 VERANSTALTUNGEN ..................................................................... 31 PUBLIKATIONEN............................................................................. 33 VEREINSMITTEILUNGEN............................................................... 36 Redaktionskommission: Urs Clavadetscher, lic. phil., Kantonsarchäologie Graubünden, Schloss Haldenstein, 7023 Haldenstein Dr. Elisabeth Crettaz, Le Forum, 3961 Zinal Dr. Hans Rutishauser, Denkmalpflege Graubünden, Loestr. 14, 7001 Chur Redaktion und Geschäftsstelle: Schweizerischer Burgenverein Thomas Bitterli, Blochmonterstr. 22, 4054 Basel Telefon 061 361 24 44; Fax 061 363 94 05 E-Mail [email protected] Postkonto 40-23087-6 http://www.burgenverein.ch Publiziert mit Unterstützung der Schweizerischen Akademie der Geistes- und Sozialwissenschaften SAGW Erscheint vierteljährlich Druck: Schwabe AG, Basel, Verlag und Druckerei Umschlagbild: Neuburg von Westen. Aufnahme Amt für Archäologie des Kt. Thurgau, -
Causeway Coastal Route Und Wild Atlantic
Vor VORAB- DRUCK druck!!!DRUCK Vorabdruck aus der kommenden Buchreihe über Irlands spektakuläre Küstenstraßen. Die Causeway Coastal Route und der Wild Atlantic Way Band 1: VVVon Belfast über den Giant’s Causeway bis zur Donegal Bay... Weitere Bände folgen… (Infos auf Seite 3 + 130 in diesem (gelben) Teil und an vielen Stellen in diesem Jahrbuch.) Der Wild Atlantik Way – — 1 — 3 ij115-CCR-WAW _S 001-130 _rs-korrigiert.pmd1 13.04.2015, 22:14 • 1 Fáilte Ireland, Tourism Ireland und das Northern Ireland Tourist Board. EDITORIAL Alle diese Einträge zusammen wurden hier übernommen, manchmal aktuali- siert. Liebe Irlandfreundinnen, • 1 Eine neue, englischsprachige (ausschließlich die Republik Irland umfas- sende) Broschürenversion aus dem Herbst 2014, wohl in Kleinstauflage ge- liebe Irlandfreunde! druckt und durchweg unbekannt in Irland). • 1 Eine deutschsprachige Webseite, auf die uns niemand aufmerksam mach- te, weder in Irland noch hier – wir sind fast nur zufällig darüber gestolpert: www.ireland.com/de-de/wild-atlantic-way. Schade, denn fast alle Unter- Eine schöne Bescherung! seiten sind nur in Englisch – und führen zu erstaunlich nichtssagenden, ande- In beider Wortsinn. 150 „Secrets“ des Wild Atlantic Way wurden uns im Jahr ren Webseiten, Werbeeinträgen und dergleichen. 2013 in Irland präsentiert, verteilt auf die komplette Westküste der Republik. Wir haben sie in unserer ersten (vergriffenen) Küstenstraßen-Broschüre so • 2 Informationen und Beiträge aus dem Magazin irland journal (www.irland- gut wie unverändert vorgestellt, aber gleich, politisch korrekt(er) kombiniert journal.de) mit der Causeway Coastal Route. Und plötzlich, im weiteren Verlauf von 2014, • 3 aus: Harald Raykowski, Hermann Rasche: Literarischer Führer Irland (insel tauchen wieder rund 150 Secrets auf, jetzt taschenbuch) Taschenbuch – 2010, Restexemplare im www.irish-shop.de.