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The Literary Development of Robert Louis Stevenson a Thesis Submitted to the Faculty of the College of Science, Literature and A
The Literary Development of Robert Louis Stevenson A thesis submitted to the Faculty of the College of Science, Literature and Arts of the University of innesota, in partial f'Ulfillment of the requirements ror the Degree of Master of Arts By Ethel N. McCauley 1911 6 0 Bibliography A. For criticism on Stevenson as an author and a stylist the following are important: R. Burton, Literary Likings H. B. Baldwin, Life study in Criticism J . Chapman, Emerson and Other Essays G. K. Chesterton, Varied Types J. Guiller couch, Adventures in Criticism J. J . Dawson, Characteristics of Fiction E. Gosse, Critical Kit Kats H . James, Partial Portraits A. Lang, Essays in Little B. Mathews, Aspects of Fiction • L. Phelps, Essays on Modern Novelists B. Torrey, Friends on the Shelf N. Raleigh, Robert Louis Stevenson L. Stephen, Studies Of a Biographer A. H. Japp, Robert Louis Stevenson I must acknowledge indebtedness to these able dissertations. B. For fU.rther criticism on Stevenson's literary development, see, especially: No. Am. 171, The Art of Stevenson Cent. ?.9, Stevenson and his Writing Sat R. 81, Catriona Fortn. 62, Critical study of Stevenson West. 139, some Aspects of the ork by Stevenson Sat. R. 81, Weir of Hermiston Liv. Age ?.21, Essayist, Novelist and Poet Acad. 58, His rank as a Writer Critic a, His Style and his Thot Nat . 14, Methods of Stevenson , - c. The following works of Robert Louis Stevenson were used for a study of his style: Weir of Hermiston, Edited c.scribner & Sons 1905 II II Treasure Island, 11 II II Travels with a Donkey, 11 II Prince Otto, » II II II New Arabian Nights, 11 II II Merry Men, 11 Memories and Portraits, 11 II II Memoir of Fleening Jenkin, 11 II 189-> The Master of Ballantrae, 11 II 1905 Letters, It II 1901 Kidnapped, II II 1905 II Island Nights Entertainments, 11 11 II An Inland Voyage, 11 11 II Familiar studies of Men and Books, 11 Tables, Edited 11 1906 Ebb Tide, 11 11 1905 David Balfour, II II II Silverado Squatters, II II II Across the Plains, II II II j D. -
Robert Louis Stevenson's Kidnapped
ASSOCIATION FOR SCOTTISH LITERARY STUDIES TEACHING NOTES: 2007 ASLS Robert Louis Stevenson’s Kidnapped Teaching Notes for National 5 English Martin Axford A. TEACHING APPROACHES Class Teaching: If it is intended that all members of a class should study Kidnapped, the novel may be introduced by a formal lecture: resources may include the presentation of a film or audio-recording and provision of a single large-scale map. A range of topics can be discussed in groups simultaneously, with conclusions presented to the rest of the class. Care will be needed to take account of the different speeds of reading within classes, and to avoid the risk that the lack of choice in the text does not prevent students from enjoying the book. Group Work: Kidnapped may be offered as one choice among other books, with the students who choose the text grouped together. Tasks can then be shared e.g. there will be no need for every student to draw a map, web searches can be made by individuals, and the results pooled. Topics can be studied by pairs or by the group as a whole. N.B. For economy of texts there may be a temptation to steer the students’ choice of books; care will need RANGE: to be taken to make sure that the choice is still a real • National 5 English one, and also that the work of groups is not limited by KEY TEXTS: assumptions made about ability or levels of difficulty. • Kidnapped: Stevenson, Robert Louis, Official Edition of the Edinburgh World City Personal Study: Although these notes are written for of Literature, Get a City Reading Campaign teachers, they can be edited and presented to students (Canongate 2006) who have chosen to read Kidnapped as a text for personal • or Kidnapped in Robert Louis Stevenson, The study. -
Kindle \\ Kidnapped and Treasure Island (Signet Classics) \\ Read
NCPGG8V7VV / Kidnapped and Treasure Island (Signet classics) \ eBook Kidnapped and Treasure Island (Signet classics) By Robert Louis Stevenson Signet Classics, 1981. Mass Market Paperback. Condition: New. READ ONLINE [ 7.75 MB ] Reviews Without doubt, this is actually the best operate by any article writer. Indeed, it can be perform, nonetheless an interesting and amazing literature. Its been written in an exceedingly straightforward way in fact it is only soon aer i finished reading through this book through which in fact changed me, modify the way in my opinion. -- Miss Elissa Kutch V Extensive manual! Its this kind of very good read through. I actually have read and that i am confident that i am going to planning to study once again once more in the future. I am easily could possibly get a delight of looking at a composed publication. -- Ryder Purdy LSBS8OI9JD / Kidnapped and Treasure Island (Signet classics) » PDF Related Books Oliver Twist (Signet Classics) Chamberlain Bros. PAPERBACK. Book Condition: New. 1596091738 12+ Year Old paperback book-Never Read-may have light shelf or handling wear-has a price sticker or price written inside front or back cover-publishers mark-Good Copy- I ship FAST with FREE tracking!!!! * I am a... What is Love A Kid Friendly Interpretation of 1 John 311, 16-18 1 Corinthians 131-8 13 Teaching Christ's Children Publishing. Paperback. Book Condition: New. Daan Yahya (illustrator). Paperback. 26 pages. Dimensions: 10.0in. x 8.0in. x 0.1in.What is Love is a Bible based picture book that is designed to help children understand what love is. -
Sins and Follies
Robert louis stevenson Sins and follies Robert louis stevenson ins S and Follies ASLS “A Lodging for the Night” was first published in Temple Bar 51, October 1877 “Markheim” was first published in Unwin’s Annual 1886 “The Body-Snatcher” was first published in the Pall Mall Gazette Christmas Extra, December 1884 This edition published 2016 by the Association for Scottish Literary Studies Preface © Alanna Knight 2016 Introduction © Barry Menikoff 2016 Notes © Duncan Milne 2016 Typeset in Minion and Recherche by ASLS This book has been created by Edinburgh Napier in association with Edinburgh UNESCO City of Literature Trust as part of the RLS Day 2016 campaign to celebrate the famous literary son of Edinburgh, Robert Louis Stevenson. We would like to thank everyone involved in the creation of this book and in particular Edinburgh Napier, ASLS, JUMP Marketing, City of Edinburgh Council and Creative Scotland. Our thanks to Duncan Milne, Linda Dryden, Duncan Jones, Esther Rutter and Mat Norbury. Contents Preface vii Introduction xiii A Lodging for the Night . 1 Markheim . 29 The Body-Snatcher . .53 Notes 79 Preface Alanna Knight MBE n 1877 “A Lodging for the Night”, the first of Stevenson’s Istories to be published, saw his fiction begin to supersede the essays with which his career began. The story, set in fifteenth-century Paris, concerns a dissolute evening’s drinking which ends with a murder; the poet (and rogue) Francis Villon flees the scene, finding shelter in the home of the Lord of Brisetout, who takes it upon himself to lecture Villon on his moral failings. -
Memories and Portraits by Robert Louis Stevenson
Memories and Portraits By Robert Louis Stevenson 1 TO MY MOTHER IN THE NAME OF PAST JOY AND PRESENT SORROW I DEDICATE THESE MEMORIES AND PORTRAITS S.S. “Ludgate Hill” within sight of Cape Race 2 NOTE This volume of papers, unconnected as they are, it will be better to read through from the beginning, rather than dip into at random. A certain thread of meaning binds them. Memories of childhood and youth, portraits of those who have gone before us in the battle—taken together, they build up a face that “I have loved long since and lost awhile,” the face of what was once myself. This has come by accident; I had no design at first to be autobiographical; I was but led away by the charm of beloved memories and by regret for the irrevocable dead; and when my own young face (which is a face of the dead also) began to appear in the well as by a kind of magic, I was the first to be surprised at the occurrence. My grandfather the pious child, my father the idle eager sentimental youth, I have thus unconsciously exposed. Of their descendant, the person of to-day, I wish to keep the secret: not because I love him better, but because, with him, I am still in a business partnership, and cannot divide interests. Of the papers which make up the volume, some have appeared already in The Cornhill, Longman’s, Scribner, The English Illustrated, The Magazine of Art, The Contemporary Review; three are here in print for the first time; and two others have enjoyed only what may he regarded as a private circulation. -
The Stevenson Circle
The Stevenson Circle Archer, William (1856-1924), journalist and critic. He was dramatic critic for Figaro, and later for the World and the Star. An admirer of Ibsen's work, he was instrumental in introduc- ing Ibsen's plays to the British public. Archer and RLS fre- quently corresponded, and Archer wrote a perceptive obituary, 'In Memoriam R.L.S.' (New Review, January 1895). Balfour, Dr Lewis (1777-1860), grandfather of RLS. RLS took his middle name of Lewis (later Louis) from his grandfather. As a boy RLS delighted in visiting Colin ton Manse, the home of his grandfather from 1823 to 1860. In his essay 'The Manse', included in MP, he gives an affectionate tribute to his recol- lections of the house and of his grandfather. Balfour, Sir Thomas Graham (1858-1929). One of RLS's many cousins, Balfour made his home at Vailima during the last two and a half years of RLS's life. His biography, published in 1901, is an extremely readable, competent and well-researched account. It suffers, however, from having been prepared so soon after Stevenson's death and is insufficiently detached from the protective influence of his widow. It remains an in- dispensable account of RLS and his circle, though inevitably some of Balfour's judgements have been superseded by later scholarship. Barrie, Sir James Matthew (1860-1937), novelist and playright. His first novel The Little Minister (1891), was much admired by RLS. Barrie was also the author of A Window in Thrums, Margaret Ogilvy, and Sentimental Tommy. His plays include The Admirable Crichton, Peter Pan and What Every Woman Knows. -
Robert Louis Stevenson
Published on Great Writers Inspire (http://writersinspire.org) Home > Robert Louis Stevenson Robert Louis Stevenson Robert Louis Balfour Stevenson (1850-1894) was born in Edinburgh on the 13 November 1850. His father and grandfather were both successful engineers who built many of the lighthouses that dotted the Scottish coast, whilst his mother came from a family of lawyers and church ministers. A sickly boy whose mother was also often unwell, Stevenson spent much of his childhood with the family nurse, Alison Cunningham. She told him many ghost stories and supernatural tales which seem to resonate throughout Stevenson's later fiction, reappearing in several of his short-stories, such as 'The Body Snatchers', 'The Merry Men' [1], and 'Thrawn Janet'. In 1867, Stevenson enrolled at Edinburgh University to study engineering. The choice of subject was influenced by Stevenson's father, who wished his son to continue the prestigious family tradition. Stevenson however had other ambitions, and even at this early stage, expressed a desire to write. He shortly changed courses and began to study law, but soon gave this up to concentrate on writing professionally, much to the displeasure of his father. [2] By alberto (Ana Quiroga) [Public domain], via Wikimedia Commons Stevenson married Fanny Osborne in May 1880. The newly-married couple set off on honeymoon together, accompanied by Fanny's son, Lloyd Osborne, from her previous marriage. The three started their trip in San Francisco, traveling through the Napa Valley to eventually arrive at an abandoned gold mine on Mount St Helena. Stevenson would later write about this experience in his travel memoir The Silverado Squatters (1883). -
Robert Louis Stevenson, 1850-1894
Robert Louis Stevenson, 1850-1894 ARCHIVED ONLINE EXHIBIT Originally exhibited summer 1994-spring 1995 Thomas Cooper Library, University of South Carolina Text by Patrick Scott & Roger Mortimer, with assistance from Bruce Bowlin Archived October 13, 2013 TABLE OF CONTENTS Archived Online Exhibit ................................................................................................................................. 1 Introduction .................................................................................................................................................. 2 Early Life in Edinburgh .................................................................................................................................. 3 Travel Writing................................................................................................................................................ 8 The Fiction of Adventure ............................................................................................................................ 10 Stevenson as Poet and Essayist .................................................................................................................. 13 Stevenson and Henley ................................................................................................................................ 17 Sensation and Collaboration ....................................................................................................................... 19 In the South Seas ....................................................................................................................................... -
Kidnapped by Robert Louis Stevenson
Kidnapped By Robert Louis Stevenson 1 KIDNAPPED BEING MEMOIRS OF THE ADVENTURES OF DAVID BALFOUR IN THE YEAR 1751 HOW HE WAS KIDNAPPED AND CAST AWAY; HIS SUFFERINGS IN A DESERT ISLE; HIS JOURNEY IN THE WILD HIGHLANDS; HIS ACQUAINTANCE WITH ALAN BRECK STEWART AND OTHER NOTORIOUS HIGHLAND JACOBITES; WITH ALL THAT HE SUFFERED AT THE HANDS OF HIS UNCLE, EBENEZER BALFOUR OF SHAWS, FALSELY SO CALLED WRITTEN BY HIMSELF AND NOW SET FORTH BY ROBERT LOUIS STEVENSON WITH A PREFACE BY MRS. STEVENSON 2 3 PREFACE TO THE BIOGRAPHICAL EDITION While my husband and Mr. Henley were engaged in writing plays in Bournemouth they made a number of titles, hoping to use them in the future. Dramatic composition was not what my husband preferred, but the torrent of Mr. Henley's enthusiasm swept him off his feet. However, after several plays had been finished, and his health seriously impaired by his endeavours to keep up with Mr. Henley, play writing was abandoned forever, and my husband returned to his legitimate vocation. Having added one of the titles, The Hanging Judge, to the list of projected plays, now thrown aside, and emboldened by my husband's offer to give me any help needed, I concluded to try and write it myself. As I wanted a trial scene in the Old Bailey, I chose the period of 1700 for my purpose; but being shamefully ignorant of my subject, and my husband confessing to little more knowledge than I possessed, a London bookseller was commissioned to send us everything he could procure bearing on Old Bailey trials. -
A ROBERT LOUIS STEVENSON CHRONOLOGY This Page Intentionally Left Blank a Robert Louis Stevenson Chronology
A ROBERT LOUIS STEVENSON CHRONOLOGY This page intentionally left blank A Robert Louis Stevenson Chronology J. R. HAMMOND Research Fc llOlI', Nottinghnm Trellt Ulliversity First published in Great Britain 1997 by MACMILLAN PRESS LTD Houndmills, Basingstoke. Hampshire RG21 6XS and London Companies and representatives throughout the world A catalogue record for this book is available from tht' British Library. ISBN 978-1-349-39502-6 ISBN 978-0-230-38998-4 (eBook) DOI 10.1057/9780230389984 First published in the United States of America 1997 hy ST. MARTIN'S PRESS, INC., Scholarly and Reference Division. 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-16267-2 Library of Congress Cataloging-in-Publication Dala Hammond, J. R. (John R.). 1933- A Robert Louis Stevenson chronology 1 J. R. Hammond. p. cm. Includes bibliographical references (p. ) and index. ISBN 978-0-312-16267-2 I. Stevenson. Robert Louis. 1850-1 894--Chronology . 2. Authors. Scottish-19th century-Biography. 3. Authorship-Chronology. I. Title. PR5493.H28 1996 828' .809-dc20 96-209:l5 [B] CII' © J. R. Hammond 1997 All rights reserved. No reproduction, copy or transmission of this puhlication IlIa), be "'dde without written permission. No paragraph of this publication may be reproduced. copied or transmitted save with written permission or in accordance with the provisions of the Copyright. Designs and Patents Act 1988. or under the terms of any licence permitting limited copying issued hy the Copyright Licensing Agency, 90 Tottenham Court Road. London W I I' 9HE. Any person who does any unauthorised act in relation to this publicatIon may he liahle to criminal prosecution and civil claims for damages. -
Katherine Mansfield's Representation of Maori People
Encountering the Other: Katherine Mansfield’s Representation of Maori People Erika Otani Introduction Katherine Mansfield, who was born in Wellington, New Zealand, is now generally regarded as one of the greatest modernist writers. Her mature works such as “The Garden-Party” and “At the Bay” set in Wellington have been highly praised for their innovative literary style. It is often said that the time of her apprenticeship was over when she completed “Prelude.” Her works prior to “Prelude” have often been viewed just as the immature works of her apprenticeship or a marginal part of her oeuvre. However, some of the works of her apprenticeship were also located in colonial New Zealand, and her early colonial stories such as “The Woman at the Store,” “Millie,” “Ole Underwood” and “How Pearl Button Was Kidnapped” have recently begun to receive more critical attention and be examined from new perspectives (e.g. feminism and colonialism/post-colonialism). Even though Mansfield’s mature stories did not feature the Maori as the theme, the Maori sometimes appeared in her early stories. One of these stories is her 1910 short story, “How Pearl Button Was Kidnapped,” which appeared in Rhythm in 1912. In “How Pearl Button Was Kidnapped,” the protagonist, Pearl Button, encounters the cultural and ethnic Other – the Maori – and is emancipated by them. However, at the end of the story, the arrival of “little men in blue coats” suggests that they carry her back to her home (523) and her freedom and happiness will be confined again. It is clear that Maori people are portrayed in a positive light, and Mansfield criticizes Pakeha (i.e., white) settler society’s values and lives in this story. -
Kidnapped.Lwp
Supplement January 2009 Largely because Stevenson based his novels Kidnapped The Tartans and Catriona on it, the incident known as the Appin Murder is one of the most famous in Scottish history. In the of aftermath of the ’45 Rebellion, lands which had belonged to Jacobite clans were taken over by the government and “Kidnapped” parcelled out to supporters of the victorious House of Hanover. One of these was Colin Roy Campbell of Glenure. Colin Roy (who came to be known as the “Red Fox”) had served in the Earl of Loudoun’s regiment during the Rebellion. He STA Member and colleague was subsequently made factor over certain lands of Appin, of the late Jamie Scarlett, Willie which had belonged for centuries to the Stewarts. Scobie likes nothing better than Glenure’s mother had been a Cameron of Locheil. These researching various tartan projects. Here he combines that love Camerons having been staunch Jacobites, Colin Roy was with a long-held fascination for the works of Robert Louis Stevenson - and especially Stevenson's classic 'Kidnapped' suspected by some of having divided loyalties. It appears which fused fact and fiction to produce a perennial favourite. that he was on reasonably good terms with some of the _____________________________________________ Appin Stewarts, but he had to be careful not to seem to favour them. Accordingly, when ordered to evict certain Stewart families he had little choice but to enforce the The much-loved novel, Kidnapped, by Robert Louis instruction. Stevenson, is based on actual historical events, and several Tolerated, respected, or even liked by some of the Appin of the main characters portrayed were real people.