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The Heritage of India Series
THE HERITAGE OF INDIA SERIES T The Right Reverend V. S. AZARIAH, t [ of Dornakal. E-J-J j Bishop I J. N. FARQUHAR, M.A., D.Litt. (Oxon.). Already published. The Heart of Buddhism. K. J. SAUNDERS, M.A. Asoka. J. M. MACPHAIL, M.A., M.D. Indian Painting. PRINCIPAL PERCY BROWN, Calcutta. Kanarese Literature, 2nd ed. E. P. RICE, B.A. The Samkhya System. A. BERRIEDALE KEITH, D.C.L., D.Litt. Psalms of Maratha Saints. NICOL MACNICOL, M.A., D.Litt. A History of Hindi Literature. F. E. KEAY, M.A., D.Litt. The Karma-MImamsa. A. BERRIEDALE KEITH, D.C.L., D.Litt. Hymns of the Tamil Saivite Saints. F. KINGSBURY, B.A., and G. E. PHILLIPS, M.A. Rabindranath Tagore. E. J. THOMPSON, B.A., M.C. Hymns from the Rigveda. A. A. MACDONELL, M.A., Ph.D., Hon. LL.D. Gotama Buddha. K. J. SAUNDERS, M.A. Subjects proposed and volumes under Preparation. SANSKRIT AND PALI LITERATURE. Anthology of Mahayana Literature. Selections from the Upanishads. Scenes from the Ramayana. Selections from the Mahabharata. THE PHILOSOPHIES. An Introduction to Hindu Philosophy. J. N FARQUHAR and PRINCIPAL JOHN MCKENZIE, Bombay. The Philosophy of the Upanishads. Sankara's Vedanta. A. K. SHARMA, M.A., Patiala. Ramanuja's Vedanta. The Buddhist System. FINE ART AND MUSIC. Indian Architecture. R. L. EWING, B.A., Madras. Indian Sculpture. Insein, Burma. BIOGRAPHIES OF EMINENT INDIANS. Calcutta. V. SLACK, M.A., Tulsi Das. VERNACULAR LITERATURE. and K. T. PAUL, The Kurral. H. A. POPLBY, B.A., Madras, T> A Calcutta M. of the Alvars. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
National Museum, New Delhi
TREASURES The National Culture Fund (NCF) was The Treasures series brings to you objects of great aesthetic quality and National Museum This volume highlights the treasures of established by the Ministry of Culture in historic significance from collections of major Indian museums. Each the National Museum—New Delhi. 1996 and is a Trust under the Charitable book has an introduction to the particular museum, set in broad thematic NEW DELHI The museum has over 2,10,000 works Endowments Act of 1890. It is governed sections. Several significant treasures have been selected and presented of art representing 5,000 years of Indian by a Council with the Hon’ble Minister with an introduction by the Director and staff of the museum. art and craftsmanship. The collection for Culture as its chairperson and includes sculptures in stone, bronze, managed by an Executive Committee This Treasures series is an initiative of the Ministry of Culture, terracotta and wood, miniature paintings chaired by the Secretary, Ministry of Government of India, in collaboration with major Indian museums, and manuscripts, coins, arms and armour, Culture, Government of India. and the National Culture Fund (NCF) has been entrusted with the Museum National jewellery and anthropological objects. Antiquities from Central Asia and pre- The primary mandate of the NCF responsibility for its production. Columbian artefacts form the two non- is to nurture Public Private Partnerships Indian collections in the museum. The (PPP), to mobilise resources from The aim of the Treasures series is to create a lasting interest in Indian museum is the custodian of this treasure the public and private sector for the art and inspire more visitors to enjoy the wonders of India’s great trove of our multilayered history and restoration, conservation, protection cultural legacy. -
The Vakatakas
CORPUS INSCRIPTIONUM INDICARUM VOL. V INSCRIPTIONS or THE VAKATAKAS ARCHAEOLOGICAL SURVEY OF INDIA CORPUS INSCRIPTIONUM INDICARUM VOL. V INSCRIPTIONS OF THE VAKATAKAS EDITED BY Vasudev Vishnu Mirashi, M.A., D.Litt* Hony Piofessor of Ancient Indian History & Culture University of Nagpur GOVERNMENT EPIGRAPHIST FOR INDIA OOTACAMUND 1963 Price: Rs. 40-00 ARCHAEOLOGICAL SURVEY OF INDIA PLATES PWNTED By THE MRECTOR; LETTERPRESS P WNTED AT THE JQB PREFACE after the of the publication Inscriptions of the Kalachun-Chedi Era (Corpus Inscrip- tionum Vol in I SOON Indicarum, IV) 1955, thought of preparing a corpus of the inscriptions of the Vakatakas for the Vakataka was the most in , dynasty glorious one the ancient history of where I the best Vidarbha, have spent part of my life, and I had already edited or re-edited more than half the its number of records I soon completed the work and was thinking of it getting published, when Shri A Ghosh, Director General of Archaeology, who then happened to be in Nagpur, came to know of it He offered to publish it as Volume V of the Corpus Inscriptionum Indicarum Series I was veiy glad to avail myself of the offer and submitted to the work the Archaeological Department in 1957 It was soon approved. The order for it was to the Press Ltd on the printing given Job (Private) , Kanpur, 7th 1958 to various July, Owing difficulties, the work of printing went on very slowly I am glad to find that it is now nearing completion the course of this I During work have received help from several persons, for which I have to record here my grateful thanks For the chapter on Architecture, Sculpture and I found Painting G Yazdam's Ajanta very useful I am grateful to the Department of of Archaeology, Government Andhra Pradesh, for permission to reproduce some plates from that work Dr B Ch Chhabra, Joint Director General of Archaeology, went through and my typescript made some important suggestions The Government Epigraphist for India rendered the necessary help in the preparation of the Skeleton Plates Shri V P. -
Vakataka Dynasty
Vakataka Dynasty The Satavahanas in peninsular India were succeeded by the Vakatakas (local power) who ruled the Deccan for more than two and a half centuries. The Vakatakas were the contemporaries of the Guptas in northern India. In the Puranas, the Vakatakas are referred to as the Vindhyakas. The Vakatakas belonged to the Vishnuvriddha gotra of the Brahmanas and performed numerous Vedic sacrifices. A large number of copperplate land grant charters issued by the Vakatakas to the Brahmans have helped in reconstructing their history. They were Brahmins and promoted Brahmanism, however, they also patronised Buddhism. Culturally, the Vakataka kingdom became a channel for transmitting Brahmanical ideas and social institutions to the south. The Vakatakas entered into matrimonial alliances with the Guptas, the Nagas of Padmavati, the Kadambas of Karnataka and the Vishnukundins of Andhra. The Vakatakas patronised art, culture and literature. Their legacy in terms of public works and monuments have made significant contributions to Indian culture. Under the patronage of the Vakataka king, Harisena, the rock-cut Buddhist Viharas and Chaityas of the Ajanta caves (World Heritage Site) were built. Ajanta cave numbers ⅩⅥ, ⅩⅦ, ⅩⅨ are the best examples of Vakataka excellence in the field of painting, in particular the painting titled Mahabhinishkramana. Vakataka kings, Pravarasena Ⅱ (author of the Setubandhakavya) and Sarvasena (author of Harivijaya) were exemplary poets in Prakrit. During their rule, Vaidharbhariti was a style developed in Sanskrit which was praised by poets of the likes of Kalidasa, Dandin and Banabhatta. Vakataka Origins • The Vakatakas were Brahmins. • Their origins are not clear with some claiming they are a northern family while others claim they originated in southern India. -
HT-101 History.Pdf
Directorate of Distance Education UNIVERSITY OF JAMMU JAMMU SELF LEARNING MATERIAL B. A. SEMESTER - I SUBJECT : HISTORY Units I-IV COURSE No. : HT-101 Lesson No. 1-19 Stazin Shakya Course Co-ordinator http:/www.distanceeducation.in Printed and published on behalf of the Directorate of Distance Education, University of Jammu, Jammu by the Director, DDE, University of Jammu, Jammu ANCIENT INDIA COURSE No. : HT - 101 Course Contributors : Content Editing and Proof Reading : Dr. Hina S. Abrol Dr. Hina S. Abrol Prof. Neelu Gupta Mr. Kamal Kishore Ms. Jagmeet Kour c Directorate of Distance Education, University of Jammu, Jammu, 2019 • All rights reserved. No part of this work may be reproduced in any form, by mimeograph or any other means, without permission in writing from the DDE, University of Jammu. • The script writer shall be responsible for the lesson/script submitted to the DDE and any plagiarism shall be his/her entire responsibility. Printed at :- Pathania Printers /19/ SYLLABUS B.A. Semester - I Course No. : HT - 101 TITLE : ANCIENT INDIA Unit-I i. Survey of literature - Vedas to Upanishads. ii. Social Life in Early & Later Vedic Age. iii. Economic Life in Early & Later Vedic Age. iv. Religious Life in Early & Later Vedic Age. Unii-II i. Life and Teachings of Mahavira. ii. Development of Jainism after Mahavira. iii. Life and Teachings of Buddha. iv. Development of Buddhism : Four Buddhist Councils and Mahayana Sect. Unit-III i. Origin and Sources of Mauryas. ii. Administration of Mauryas. iii. Kalinga War and Policy of Dhamma Vijaya of Ashoka. iv. Causes of Downfall of the Mauryas. -
The Western Kshatrapa Dāmazāda 173
THE WESTERN KSHATRAPA DĀMAZĀDA 173 The Western Kshatrapa Dāmazāda PANKAJ TANDON1 IN THEIR comprehensive survey of the coinage of the Western Kshatrapas, Jha and Rajgor2 (hereinafter J&R) argue that Rudradāman I had three sons who followed him in ruling their kingdom: J&R name them Dāmajadasri, Dāmaghsada, and Rudrasimha. In this J&R went against the view of Rapson who, in his catalogue of Western Kshatrapa coins in the British Museum,3 had speculated that Dāmajadasri and Dāmaghsada were in fact the same person. Most authors seem to have accepted Jha and Rajgor’s view.4 In this paper, I present new information that strengthens the argument that these ‘two’ rulers were indeed one, and that his name was Dāmazāda. Part of the argument involves a radical new proposal: that we can distinguish different mints for the Western Kshatrapa coinage. This innovation also helps resolve another century-old problem. The crux of the issue revolves around the fact that the name ‘Dāmaghsada’ as it is inscribed on the coins contains an unusual Brāhmī compound letter that is transliterated by most numismatists as ghsa. This letter appears also in the name of Chastana’s father, normally written as Ghsamotika. In the fi rst part of the paper, I argue that these names should be presented differently, as Zamotika and Dāmazāda, to better represent the way they must have been pronounced. The argument has two parts: fi rst, that the compound letter is in fact not ghsa but ysa, and, second, that this compound letter (regardless of whether it was written as ysa or ghsa) was intended to represent the foreign sound za for which Brāhmī had no representation. -
Chapter On« the PR^,SFNT and ANCIF-NT BOUNUARIF.S OF
■n',- ‘ ♦ Chapter On« THE PR^,SFNT AND ANCIF-NT BOUNUARIF.S OF KADHYAPRADKSH The word ^^.adhyapr&desh Itself connotes that the region is in the midst of India. It is bounded by iJihar and Orissa on the east, Khandesh and a part of Central India on the west. Central India, on the north and the GodSvari and the PaingangS on the south. Originally the region was not called Madhyapradesh. It is a cluster of different states and was never ruled by one king. Kodern Madhyapradesh was shaped after the advent of the British regime. Today a considerable portion of the country, lying between the laardhff, T5pi and the PaingaAgS is called Vidarbha. ”The Madhyapradesh excluding the districts of Sagar and Jabalpur that is below the NarmadS was included in * Dakshinfipatha^. * Dakshii^Spatha* covered the coun> tries between the NariRadS and the K^fnS. This term was thus applied in the centuries preceding and infflediately following the Christian era." The Aitareya Brfifunaijia describes Bhima, the king of Vidarbha. The region is mentioned in the Jalminlya 3 4 Upanisad BrShmana. The Brhadlranvaka Upanlsad mentions. ^ Kane, P .V ., JASB XXIV, 621. 2 V II.34. 5 11.440. ^ Vedic Index. 11.297. a sage named Vldarbhl Kaundinya. This name is appa rently derived from the city of Kundina, the capital of Vidarbha. The Praanopanli^d ^ refers to a sage of Vidarbha named fihSrgava as a contemporary of A^valSyana. The Nasik cave inscription of VSsi^^hiputra Pulumfivi mentions Vidarbha. This is perhaps the earliest epi- graphical reference to Vidarbha. 6 The KahlbhSrata describes it, as an ancient and renowned kingdom in the Deccan with Kun^ina on the banks of the Varadfi as its capital. -
OIOP Nov 2018
Vol 22/04 Nov 2018 Patriotism Redefined Indian Archaeology, 2018 know india better The stunning ruins of Hampi The fascinating world of archaeology The startling story of Ajanta FACE TO FACE Excavating of Nagardhan Dr. Arvind P. Jamkhedkar Great Indians : Kavi Gopaldas ‘Neeraj’ | Annapurna Devi | Captain Sunil Kumar Chaudhary, KC, SM MORPARIA’S PAGE Contents November 2018 VOL. 22/04 THEME: Morparia’s Page 02 INDIAN The fascinating world of archaeology 04 ARCHAEOLOGY, 2018 Dr. Kaushik Gangopadhyay Managing Editor The startling story of Ajanta 07 Mrs. Sucharita R. Hegde Shubha Khandekar Excavating of Nagardhan 09 Abhiruchi Oke Editor The mute witnesses 11 Anuradha Dhareshwar Harshada Wirkud The footprints of the caveman 14 Satish Lalit Assistant Editor The Deccan discovery 16 E.Vijayalakshmi Rajan Varada Khaladkar Jaina basadis of North Karnataka 30 Abdul Aziz Rajput Design Resurgam Digital LLP Know India Better The stunning ruins of Hampi 17 Usha Hariprasad Subscription In-Charge Nagesh Bangera Face to Face Dr. Arvind P. Jamkhedkar 25 Raamesh Gowri Raghavan Advisory Board Sucharita Hegde General Justice S. Radhakrishnan Venkat R. Chary Killing a Tigress 32 Harshad Sambhamurthy Paper cups, not a choice 34 Usha Hariprasad Printed & Published by Mrs. Sucharita R. Hegde for One India One People Foundation, Mahalaxmi Chambers, 4th floor, Great Indians 36 22, Bhulabhai Desai Road, Mumbai - 400 026 Tel: 022-2353 4400 Fax: 022-2351 7544 e-mail: [email protected] [email protected] visit us at: KAVI GOPALDAS “NEERAJ” ANNAPURNA DEVI CAPTAIN SUNIL KUMAR www.oneindiaonepeople.com CHAUDHARY, KC, SM www.facebook.com/oneindiaonepeoplefoundation INDIAN ARCHAEOLOGY, 2018 The fascinating world of archaeology The field of archaeology in India still exhibits a colonial hangover. -
Abstracts of Medico-Historical Articles in Hindi Journals
ABSTRACTS OF MEDICO-HISTORICAL ARTICLES IN HINDI JOURNALS P. D. JOPAT* 1. Vaidik-sahitya Me Kankal Tantra (Skeleton-System in Vedic Literature) by Suresh Chandra Srivastava, Ayurvedavikas February - March 1979; 18,2& 3; pp. 19-30 & 12 - 19. This article in two parts deals with the anatomical information availa- ble in Vedic literature. The systematic description of various tissues, musc- les and bones of the body is found in a chapter of the Atharvaveda,which pertains to the treatment of Kilasa, Similar description about hair, skin, muscles and bones is available in Aitareya Br ahmana. In Brihadaranyaka Upanishad, an analogy bas been drawn between the human body and a tree wberein the bair, skin, blood, muscles, nerves and bones of human beings have been held analogous to tbe leaves, bark, fluid or latex, cortex. pericycJe and wood of the plants. The number of bones as mentioned ill Charakasa- mbita & Sushrutasamhit a has been compared with that given in Vedic literature. An elaborate chart comparing the part wise bones in the three different works together witb the modern counter parts is given. The diff- erent technical terminologies occurring in Vedic literature with anatomical significance have been defined in the proper perspective. The different parts and their component individual bones which are discussed at length in this paper are cervical vertebrae, mandible, frontal, parietal occipital, temporal, nasal, molar, auditory ossicles, spbeniodal sacrum, coccyx, thoracic, lumbar ribs, sternum, clavicle, phalanges, metatarsals, tarsus, tibia, t rbula, femur etc. 2. Kakachandishwar KaJpa Tantrokta Aushadhiyan (Medicines described in Kakachandishvara Kalpa Tantra) by V.P.Tiwari. D.N.Tiwari 0.: Praja- pati Joshi, Ayurvedavikas, April-May, 1979, 18,4 & 5, pp.9-15 and 9-19. -
Aspects of Ancient Indian Art and Architecture
ASPECTS OF ANCIENT INDIAN ART AND ARCHITECTURE M.A. History Semester - I MAHIS - 101 SHRI VENKATESHWARA UNIVERSITY UTTAR PRADESH-244236 BOARD OF STUDIES Prof (Dr.) P.K.Bharti Vice Chancellor Dr. Rajesh Singh Director Directorate of Distance Education SUBJECT EXPERT Dr. S.K.Bhogal, Professor Dr. Yogeshwar Prasad Sharma, Professor Dr. Uma Mishra, Asst. Professor COURSE CO-ORDINATOR Mr. Shakeel Kausar Dy. Registrar Author: Dr. Vedbrat Tiwari, Assistant Professor, Department of History, College of Vocational Studies, University of Delhi Copyright © Author, 2019 All rights reserved. No part of this publication which is material protected by this copyright notice may be reproduced or transmitted or utilized or stored in any form or by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the Publisher. Information contained in this book has been published by VIKAS® Publishing House Pvt. Ltd. and has been obtained by its Authors from sources believed to be reliable and are correct to the best of their knowledge. However, the Publisher and its Authors shall in no event be liable for any errors, omissions or damages arising out of use of this information and specifically disclaim any implied warranties or merchantability or fitness for any particular use. Vikas® is the registered trademark of Vikas® Publishing House Pvt. Ltd. VIKAS® PUBLISHING HOUSE PVT LTD E-28, Sector-8, Noida - 201301 -
Language and Legend in Early Kushan Coinage: Progression and Transformation Razieh Taasob Princeton University
2018, No. 5 © Samuel Jordan Center for Persian Studies and Culture, University of California, Irvine ISSN: 2470 - 4040 Language and Legend in Early Kushan Coinage: Progression and Transformation Razieh Taasob Princeton University 71 Introdu' ion: arly Kushan coinage displays its aff iliation and syncretism with former coin pra9 ices not only in the Erepresentation of royal and religious imagery, but also in the language, legends and the execution of inscriptions. The Kushans continued the traditional Greek pra9 ices that had already been adopted by the Greco-Ba9 rians, specifically the use of the Greek language on their coinage as seen frequently in Ba9 ria. In conformity with other former traditions, the Kushans also maintained the Indo-Greek prac- tices employed south of the Hindu Kush by using bilingual inscriptions on their coinage. The languages used south of the Hindu Kush were predominantly Greek for the obverse type and PrakritH (wriJ en in Brahmi and Kharoshthi script) for the reverse. The Indo-Greeks introduced the use of the Kharoshthi script for coinage, and it was subsequently applied by the Indo-Scythians and Indo-Parthians in their respe9 ive regions. This script was used in the area of the Indus, Swat, and Kabul valleys and in a wide area of northern India and the surrounding regions. Evidence of this can be seen on the coinage of the H- “The language of Indic inscription”. The Prakrit or middle Indo-Aryan (MIA) language was the only inscriptional language from the third to firQ century BC, which endured as a common language for coinage for more than two centuries.