Andrea Sorrentino with Rod Reis

Total Page:16

File Type:pdf, Size:1020Kb

Andrea Sorrentino with Rod Reis A Cosmic Cube transformed Steve Rogers, Captain America, into the ultimate Hydra sleeper agent--and after months of scheming and manipulation, the country is now under Hydra’s control. Inhumans are closely monitored, and mutants have been relocated to a homeland in New Tian. Earth’s most powerful heroes are stranded beyond Earth’s Planetary Defense Shield, at the mercy of a Chitauri Invasion--or trapped inside the Darkforce bubble that envelops New York City. The handful of heroes that remain are trying to oppose Captain America’s regime from a hidden base just outside Las Vegas. But after they rescued a young man carrying crucial intel stolen by Rick Jones, Captain America retaliated, sending Hydra warships to annihilate the city… and ordering Rick’s execution. Writer • Nick Spencer Artists • Andrea Sorrentino with Rod Reis Letterer • VC’s Travis Lanham Recap page Art • Andrea Sorrentino Cover • Mark Brooks Variant Covers • John Tyler Christopher; Dan Mora & Edgar Delgado; Andrea Sorrentino Production Design • Carlos Lao Assistant Editor • Alanna Smith Editor • Tom Brevoort Editor in Chief • Axel Alonso Chief Creative Officer • Joe Quesada President • Dan Buckley Executive Producer • Alan Fine SECRET EMPIRE No. 2, July 2017. Published Monthly except in May, June, July, and August by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES.© 2017 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. $4.99 per copy in the U.S. (GST #R127032852) in the direct market; Canadian Agreement #40668537.Printed in the USA. Subscription rate (U.S. dollars) for 12 issues: U.S. $26.99; Canada $42.99; Foreign $42.99. POSTMASTER: SEND ALL ADDRESS CHANGES TO SECRET EMPIRE, C/O MARVEL SUBSCRIPTIONS P.O. BOX 727 NEW HYDE PARK, NY 11040. TELEPHONE # (888) 511-5480. FAX # (347) 537-2649. [email protected]. DAN BUCKLEY, President, Marvel Entertainment; JOE QUESADA, Chief Creative Officer; TOM BREVOORT, SVP of Publishing; DAVID BOGART, SVP of Business Affairs & Operations, Publishing & Partnership; C.B. CEBULSKI, VP of Brand Management & Development, Asia; DAVID GABRIEL, SVP of Sales & Marketing, Publishing; JEFF YOUNGQUIST, VP of Production & Special Projects; DAN CARR, Executive Director of Publishing Technology; ALEX MORALES, Director of Publishing Operations; SUSAN CRESPI, Production Manager; STAN LEE, Chairman Emeritus. For information regarding advertising in Marvel Comics or on Marvel.com, please contact Vit DeBellis, Integrated Sales Manager, at [email protected]. For Marvel subscription inquiries, please call 888-511-5480. Manufactured between 04/21/2017 and 05/01/2017 by FRY COMMUNICATIONS, MECHANICSBURG, PA, USA. Hydra Command Deceased Captain America Baron Zemo Rick Jones Darkforce New York Defenders Luke Cage Jessica Jones Iron Fist Cloak Dagger Claire Temple Kingpin The Underground Black Widow Hawkeye Tony Stark (A.I.) Ant-Man Hulk (Amadeus Cho) Wasp Spider-Man Viv Vision Ironheart Falcon Hercules Quicksilver Mockingbird .
Recommended publications
  • Jun 18 Customer Order Form
    #369 | JUN19 PREVIEWS world.com Name: ORDERS DUE JUN 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM Jun19 Cover ROF and COF.indd 1 5/9/2019 3:08:57 PM June19 Humanoids Ad.indd 1 5/9/2019 3:15:02 PM SPAWN #300 MARVEL ACTION: IMAGE COMICS CAPTAIN MARVEL #1 IDW PUBLISHING BATMAN/SUPERMAN #1 DC COMICS COFFIN BOUND #1 GLOW VERSUS IMAGE COMICS THE STAR PRIMAS TP IDW PUBLISHING BATMAN VS. RA’S AL GHUL #1 DC COMICS BERSERKER UNBOUND #1 DARK HORSE COMICS THE DEATH-DEFYING DEVIL #1 DYNAMITE ENTERTAINMENT MARVEL COMICS #1000 MARVEL COMICS HELLBOY AND THE B.P.R.D.: SATURN RETURNS #1 ONCE & FUTURE #1 DARK HORSE COMICS BOOM! STUDIOS Jun19 Gem Page.indd 1 5/9/2019 3:24:56 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Bad Reception #1 l AFTERSHOCK COMICS The Flash: Crossover Crisis Book 1: Green Arrow’s Perfect Shot HC l AMULET BOOKS Archie: The Married Life 10 Years Later #1 l ARCHIE COMICS Warrior Nun: Dora #1 l AVATAR PRESS INC Star Wars: Rey and Pals HC l CHRONICLE BOOKS 1 Lady Death Masterpieces: The Art of Lady Death HC l COFFIN COMICS 1 Oswald the Lucky Rabbit: The Search for the Lost Disney Cartoons l DISNEY EDITIONS Moomin: The Lars Jansson Edition Deluxe Slipcase l DRAWN & QUARTERLY The Poe Clan Volume 1 HC l FANTAGRAPHICS BOOKS Cycle of the Werewolf SC l GALLERY 13 Ranx HC l HEAVY METAL MAGAZINE Superman and Wonder Woman With Collectibles HC l HERO COLLECTOR Omni #1 l HUMANOIDS The Black Mage GN l ONI PRESS The Rot Volume 1 TP l SOURCE POINT PRESS Snowpiercer Hc Vol 04 Extinction l TITAN COMICS Lenore #1 l TITAN COMICS Disney’s The Lion King: The Official Movie Special l TITAN COMICS The Art and Making of The Expance HC l TITAN BOOKS Doctor Mirage #1 l VALIANT ENTERTAINMENT The Mall #1 l VAULT COMICS MANGA 2 2 World’s End Harem: Fantasia Volume 1 GN l GHOST SHIP My Hero Academia Smash! Volume 1 GN l VIZ MEDIA Kingdom Hearts: Re:Coded SC l YEN ON Overlord a la Carte Volume 1 GN l YEN PRESS Arifureta: Commonplace to the World’s Strongest Zero Vol.
    [Show full text]
  • The Empowering Squirrel Girl Jayme Horne Submitted for History of Art 390 Feminism and History of Art Professor Ellen Shortell M
    The Empowering Squirrel Girl Jayme Horne Submitted for History of Art 390 Feminism and History of Art Professor Ellen Shortell Massachusetts College of Art and Design All the strength of a squirrel multiplied to the size of a girl? That must be the Unbeatable Squirrel Girl (fig. 1)! This paper will explore Marvel’s Squirrel Girl character, from her introduction as a joke character to her 2015 The Unbeatable Squirrel Girl ​ comic series which is being harold as being extremely empowering. This paper aims to understand why a hero like Squirrel Girl would be harold and celebrated by fans, while other female heroes with feminist qualities like Captain Marvel or the New Almighty Thor might be receiving not as much praise. Squirrel Girl was created by Will Murray and artist Steve Ditko. Despite both of them having both worked for Marvel and DC, and having written stories about fan favorites like Spider-Man, Wonder Woman, Iron Man, and others, they are most known for creating Squirrel Girl, also known as Doreen Green. Her powers include superhuman strength, a furry, prehensile tail (roughly 3-4 feet long), squirrel-like buck teeth, squirrel-like retractable knuckle claws, as well as being able to communicate with squirrels and summon a squirrel army. She was first introduced in 1991, where she ambushed Iron Man in attempt to impress him and convince him to make her an Avenger. That’s when they were attacked one of Marvel’s most infamous and deadly villains, Doctor Doom. After Doctor Doom has defeated Iron Man, Squirrel Girl jumps in with her squirrel army and saves Iron Man1 (fig.
    [Show full text]
  • Spencer Vicentini Sinclair
    64 LGY#865 SPENCER VICENTINI SINCLAIR RATED T $3.99 US 0 6 4 1 1 7 5 9 6 0 6 0 8 9 3 6 9 BONUS DIGITAL EDITION – DETAILS INSIDE! PETER PARKER was bitten by a radioactive spider and gained the proportional speed, strength, and agility of a SPIDER, adhesive fingertips and toes, and the unique precognitive awareness of danger called “SPIDER-SENSE”! After the tragic death of his Uncle Ben, Peter understood that with great power there must also come great responsibility. He became the crimefighting super hero called… KING’S RANSOM Part Two Peter is rocking a new high-tech suit courtesy of Threats & Menaces. The suit allows TNM subscribers to watch the world through Spidey’s eyes, sending subscriptions through the roof. Spidey has been dealing with a spike in super-villain activity thanks to NYC mayor Wilson Fisk, the Kingpin, who’s seeking the pieces of the powerful Lifeline Tablet. Peter and his roommate, “reformed villain” Fred Myers, A.K.A. Boomerang, have been trying to keep the pieces out of Kingpin’s hands. So Kingpin assembled a cabal of villains to distract Spidey and Boomerang while he schemes behind the scenes with Baron Mordo! Meanwhile, Peter’s other roommate, Randy Robertson, rekindled his relationship with criminal Janice Lincoln, A.K.A. the Beetle-- which outraged their fathers, archenemies Robbie Robertson and Lonnie Lincoln, A.K.A. Tombstone. Madame Masque and the Crime Master ambushed Randy and Janice at Peter’s apartment and were holding them hostage when Peter and Fred returned. A fight ensued, and the apartment was blown open! NICK SPENCER ALEX SINCLAIR | colorist VC’s JOE CARAMAGNA | letterer writer MARK BAGLEY, JOHN DELL, and EDGAR DELGADO | cover artists CARLOS PACHECO, RAFAEL FONTERIZ, and RACHELLE ROSENBERG FEDERICO VICENTINI variant cover artists ANTHONY GAMBINO | designer LINDSEY COHICK | assistant editor artist NICK LOWE | editor C.B.
    [Show full text]
  • "Captain America Must Die": How a Super Soldier Became a Patriot
    Author Biography Mackenna is a fourth-year history major, with minors in German and Asian studies. Her research interests include the history of popular culture and the Cold War. In her free time, she enjoys reading comic books and binge-watch- ing Survivor and The Amazing Race. After graduation, she hopes to work as an editor in the comic book industry. Johnson “Captain America Must Die”: How a Super Soldier Became a Patriot by Mackenna Johnson Abstract This paper analyzes the character of Captain America in the midst of the Cold War, and particularly asks how and to what extent the character reflects his con- temporary sociopolitical atmosphere. To achieve this end, I first establish the vital role of popular culture, especially comic books, in modern historical research. I then discuss the history of Captain America, the sociopolitical situation of the 1970s, and, finally, introduce the Secret Empire and Nomad storylines of the 1970s, which form the basis of my argument. The most valuable primary source in this paper is not the comic books themselves, but an interview that I recently conducted with the former author of Captain America, Steve Englehart. Ulti- mately, I argue that Englehart redefined Captain America’s version of patriotism and created a character that was more effectively able to reflect on and respond to social and political events. In bold letters: “The Death of a Hero,” next to the lifeless figure of Cap- tain America tied to a chimney, slumped and bleeding. Two figures stood behind the slain man with bowed heads, one African American with high- tech wings strapped to his back, the other blonde-haired and clad mostly in black.
    [Show full text]
  • Marvel Comics Aug20 0605 Wolverine #6 Xos $3.99 Aug20
    MARVEL COMICS AUG20 0605 WOLVERINE #6 XOS $3.99 AUG20 0606 WOLVERINE #6 ALEX ROSS WOLVERINE TIMELESS VAR XOS $3.99 AUG20 0607 WOLVERINE #6 JOHNSON VAR XOS $3.99 AUG20 0608 X-FORCE #13 XOS $3.99 AUG20 0609 X-FORCE #13 ALEX ROSS BEAST TIMELESS VAR XOS $3.99 AUG20 0610 X-FORCE #13 COELLO VAR XOS $3.99 AUG20 0611 MARAUDERS #13 XOS $4.99 AUG20 0612 MARAUDERS #13 ARTIST VAR XOS $4.99 AUG20 0613 MARAUDERS #13 RANDOLPH HELLS STORM HORROR VAR XOS $4.99 AUG20 0614 MARAUDERS #13 ALEX ROSS ICEMAN TIMELESS VAR XOS $4.99 AUG20 0615 HELLIONS #5 XOS $3.99 AUG20 0616 HELLIONS #5 PICHELLI VAR XOS $3.99 AUG20 0617 HELLIONS #5 ALEX ROSS PHOENIX TIMELESS VAR XOS $3.99 AUG20 0618 NEW MUTANTS #13 XOS $3.99 AUG20 0619 NEW MUTANTS #13 GRANOV VAR XOS $3.99 AUG20 0620 NEW MUTANTS #13 ALEX ROSS COLOSSUS TIMELESS VAR XOS $3.99 AUG20 0621 CABLE #5 XOS $3.99 AUG20 0622 CABLE #5 ARTIST VAR XOS $3.99 AUG20 0623 EXCALIBUR #13 XOS $3.99 AUG20 0624 EXCALIBUR #13 GARBETT VAR XOS $3.99 AUG20 0625 EXCALIBUR #13 ALEX ROSS NIGHTCRAWLER TIMELESS VAR XOS $3.99 AUG20 0626 X-MEN #13 XOS $3.99 AUG20 0627 X-MEN #13 ARTIST VAR XOS $3.99 AUG20 0628 X-MEN #13 ALEX ROSS CYCLOPS TIMELESS VAR XOS $3.99 AUG20 0629 X-MEN #13 DAUTERMAN LEGION X-MONSTERS HORROR VAR XOS $3.99 AUG20 0630 X OF SWORDS STASIS #1 $4.99 AUG20 0632 X OF SWORDS STASIS #1 COAX VAR $4.99 AUG20 0633 X OF SWORDS STASIS #1 DEL MUNDO VAR $4.99 AUG20 0636 AMAZING SPIDER-MAN #50 $5.99 AUG20 0638 AMAZING SPIDER-MAN #50 ALEX ROSS SPIDER-MAN TIMELESS VAR $5.99 AUG20 0639 AMAZING SPIDER-MAN #50 KUDER SPIDER-MAN VAMPIRE HUNTER HORROR
    [Show full text]
  • THE AMAZING SPIDER-MAN CHARACTER CARDS Original Text
    THE AMAZING SPIDER-MAN CHARACTER CARDS Original Text ©2013 WizKids/NECA LLC. TM & © 2013 Marvel & Subs. PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Under Pages to Print>Pages input the pages you would like to print. (See Table of Contents) 3. Under Page Sizing & Handling>Size select Actual size. 4. Under Page Sizing & Handling>Multiple>Pages per sheet select Custom and enter 1 by 2. 5. Under Page Sizing & Handling>Multiple> Orientation select Landscape. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border (under Page Sizing & Handling>Multiple). 7. Click OK. ©2013 WizKids/NECA LLC. TM & © 2013 Marvel & Subs. TABLE OF CONTENTS Blade™, 10 Cloak™, 5 Dagger™, 6 Electro™, 8 Mysterio™, 9 Rhino™, 7 Scarlet Spider™, 12 Shocker™, 11 Spider-Girl™, 13 Spider-Man™, 4 ©2013 WizKids/NECA LLC. TM & © 2013 Marvel & Subs. Spider-Man™ 201 SPIDER-MAN™ Avengers, Marvel Knights, Reporter, Spider-Man Family NO ONE DIES! (Super Senses) BEING SPIDER-MAN IS HABIT FORMING Have No Fear, Spidey is Here! (Combat Reflexes) Morph: Identity Crisis Give Spider-Man a move action or ranged combat action. After actions resolve, you may replace him with any other character with this trait on the same click number. If an opposing character took damage during that action, you may instead deal Spider-Man 1 unavoidable damage and then replace him with a character with the Morph: Changing Frequencies trait on the same click number.
    [Show full text]
  • Mcwilliams Ku 0099D 16650
    ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers.
    [Show full text]
  • X-Men Sourcebook
    CONTENTS Section 1: Background............................... 1 Gladiators............................................... 45 Section 2: Mutant Teams ........................... 4 Alliance of Evil ....................................... 47 X-Men...................................... 4 Mutant Force ......................................... 49 X-Factor .................................. 13 Section 3: Miscellaneous Mutants ........................ 51 New Mutants .......................... 17 Section 4: Very Important People (VIP) ................. 62 Hellfire Club ............................. 21 Villains .................................................. 62 Hellions ................................. 27 Supporting Characters ............................ 69 Brotherhood of Evil Mutants ... 30 Aliens..................................................... 72 Freedom Force ........................ 32 Section 5: The Mutant Menace ................................79 Fallen Angels ........................... 36 Section 6: Locations and Items................................83 Morlocks.................................. 39 Section 7: Dreamchild ...........................................88 Soviet Super-Soldiers ............ 43 Maps ......................................................96 Credits: Dinosaur, Diamond Lil, Electronic Mass Tarbaby, Tarot, Taskmaster, Tattletale, Designed by Colossal Kim Eastland Converter, Empath, Equilibrius, Erg, Willie Tessa, Thunderbird, Time Bomb. Edited by Scintilatin' Steve Winter Evans, Jr., Amahl Farouk, Fenris, Firestar,
    [Show full text]
  • A Closer Look at Superheroes
    AS AMERICA BECAME SUPER SO DID ITS HEROES: A CLOSER LOOK AT SUPERHEROES THROUGHOUT THE 20TH CENTURY IN AMERICA A THESIS Presented to The FAculty oF the DepArtment oF HIstory The Colorado College In PArtIAl FulFIllment oF the RequIrements For the Degree BAchelor oF Arts By Luc Gerdes May/2017 Superheroes have been a pArt oF everydAy lIFe In AmerIcA through the 20th century. SInce the populArIty oF DC’s superman In the 1930’s, their populArity soared to new heights during the decades Following WWII. During the 20th century severAl chArActers hAve come And gone wIth vAryIng FAme. Nonetheless, some hAve stood the test of time and are still populAr in today’s society. Two of those chArActers thAt hAve become ArguAbly the most populAr Are CAptAIn AmerIcA And Iron MAn. They both hAve unIque quAlItIes thAt hAve made them Able to maIntAIn A high level of populArity through the ever-chAngIng tImes In AmerIcA. CAptAIn AmerIcA. Few superhero nAmes, IF Any, come wIth such A sense oF IdentIty. The connectIon to AmerIcAn vAlues hAs been set wIthIn hIs chArActer From hIs debut on the comic scene In 1940. Blatantly stated, the maIn role for Captain AmerIcA Is to protect the UnIted StAtes From hArm, ForeIgn or domestIc. The wrIters For CAptAIn AmerIcA hAve been putting hIm through A rollercoAster oF morAl dIlemmas And chArActer chAnges since his earliest of days. These changes seem to come Almost sIde by sIde wIth chAngIng AmerIcAn vAlues or emotIons due to reAl world events. IF CAptAIn AmerIcA Is one oF the most IconIc nAmes, Iron MAn Is debAtAbly the most populAr In recent yeArs.
    [Show full text]
  • Barnes Orlando Beyruth Sandoval Nava Rosenberg Arciniega
    ARCINIEGA ROSENBERG NAVA SANDOVAL BEYRUTH ORLANDO BARNES RATED RATED 0 0 3 1 1 $3.99 US T+ 7 59606 20010 8 BONUS DIGITAL EDITION – DETAILS INSIDE! 3 KNULL, THE MALICIOUS GOD OF THE SYMBIOTES HAS LAUNCHED AN ALL-OUT ASSAULT ON EARTH, AND A FRACTURED CONTINGENT OF SUPER HEROES STANDS AS THE PLANET’S ONLY DEFENSE. IF THEY CAN’T STOP THE ADVANCE OF KNULL’S FORCES, EARTH WILL BECOME THE... TANDY BOWEN AND TYRONE JOHNSON MET AS TEENAGE THE SYMBIOTE SPAWN OF CARNAGE WAS ONCE BONDED RUNAWAYS IN NEW YORK CITY. TO NEW YORK CITY POLICE OFFICER PATRICK MULLIGAN; TOGETHER THEY FOLLOWED A HEROIC PATH INSPIRED BY PREYED UPON BY CHEMIST SIMON MARSHALL, THEY SPIDER-MAN. WERE FORCED INTO AN EXPERIMENTAL DRUG TRIAL AND GAVE THEM SUPER-POWERS. TANDY DEVELOPED THE AFTER PATRICK’S DEMISE, THE SYMBIOTE BONDED WITH ABILITY TO GENERATE AND MANIPULATE LIGHTFORCE VENOM HOST EDDIE BROCK FOR A BRIEF TIME BEFORE WHILE TYRONE’S BODY BECAME A CONDUIT FOR THE VANISHING. BUT IN THE CHAOS OF KNULL’S INVASION, THE DARKFORCE DIMENSION. THE TWO BANDED TOGETHER CREATURE HAS RESURFACED, BONDED TO A NEW HOST IN TO FIGHT CRIME AS… TEENAGER BREN WATERS. TOGETHER, THEY ARE… RODNEY BARNES WRITER STEVE ORLANDO WRITER DANILO S. BEYRUTH ARTIST GERARDO SANDOVAL WITH RACHELLE ROSENBERG VICTOR NAVA ARTISTS KING IN BLACK: COLORIST ERICK ARCINIEGA PLANET OF THE SYMBIOTES COLORIST No. 3, June 2021. Published Monthly by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 1290 Avenue of the Americas, New York, NY 10104. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING VC’s CORY PETIT LETTERER OFFICES.
    [Show full text]
  • REALMS of MAGIC Book 3: CODEX of CHARACTERS and CREATURES by Kim Eastland PD F Version 1.0 TABLE of CONTENTS INTRODUCTION
    REALMS OF MAGIC Book 3: CODEX OF CHARACTERS AND CREATURES by Kim Eastland PD F Version 1.0 TABLE OF CONTENTS INTRODUCTION .............................................................1 D’SPAYRE .......................................................................8 BARON MORDO.............................................................2 MAGIK.............................................................................8 BROTHER VOODOO ......................................................2 MORGAN LE FEY ...........................................................9 CLEA ..............................................................................3 NIGHTMARE...................................................................9 DIABLO ..........................................................................4 SHAMAN AND TALISMAN................................10 and 11 DOCTOR DOOM.............................................................5 SILVER DAGGER ..........................................................12 DOCTOR DRUID.............................................................4 UMAR............................................................................12 DOCTOR STRANGE .......................................................6 MAGICAL CREATURES..............................13 through 16 DORMAMMU..................................................................7 IN T R O D U C T I O N Hail, persistent seeker of the arcane arts , powers or Book 2 for Dimensional decades in Marvel adventures, the char- and welcome to the third
    [Show full text]
  • TSR6907.MHR2.Webs-Th
    WEBS: The SPIDER-MAN Dossier The GRANDMASTER Log by Scott Davis Table of Contents Introduction ……………………………………………………………………………………………….. 2 GRANDMASTER Log Entries …………………………………………………………………………... 3 SPIDER-MAN ……………………………………………………………………………………………… 3 SPIDER-MAN Supporting Cast ……………………………………………………………………………. 7 SPIDER-MAN Allies ……………………………………………………………………………………… 10 SPIDER-MAN Foes ……………………………………………………………………………………….. 18 An Adventurous Week …………………………………………………………………………………… 56 Set-up ………………………………………………………………………………………………………. 56 Timelines …………………………………………………………………………………………………… 58 Future Storyline Tips ……………………………………………………………………………………….. 64 Credits: Design: Scott Davis Art Coordination: Peggy Cooper Editing: Dale A. Donovan Typography: Tracey Zamagne Cover Art: Mark Bagley & John Romita Cartography: Steven Sullivan Interior & Foldup Art: The Marvel Bullpen Design & Production: Paul Hanchette This book is protected under the copyright law of the United States of America. Any reproduction or unauthorized use of the material or artwork herein is prohibited without the express written consent of TSR, Inc. and Marvel Entertainment Group, Inc. The names of the characters used herein are fictitious and do not refer to any persons living or dead. Any descriptions including similarities to persons living or dead are merely coincidental. Random House and its affiliate companies have worldwide distribution rights in the book trade for English language products of TSR, Inc. Distributed to the book and hobby trade in the United Kingdom by TSR Ltd. Distributed to the toy and hobby trade by regional distributors. MARVEL SUPER HEROES and MARVEL UNIVERSE are trademarks of Marvel Entertainment Group, Inc. All Marvel characters, character names, and the distinctive likenesses thereof are trademarks of Marvel Entertainment Group, Inc. 1992 Marvel Entertainment Group, Inc. All Rights Reserved. The TSR logo is a trademark owned by TSR, Inc. 1992 TSR, Inc. All Rights Reserved. Printed in the U.S.A. TSR, Inc.
    [Show full text]