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The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema. -
8. Body-Space-Relation in Parkour: Street Practices and Visual Representations
8. Body-Space-Relation in Parkour : Street Practices and Visual Representations Ines Braune Abstract Parkour today is a global subcultural scene that combines street with media practices. Parkour consists of a local moment, fundamentally concerned with the materiality of the street, and simultaneously of a global digital discourse, which involves millions of parkour actors. While the spatial knowledge requires a very close knowledge and tactile contact of the surface’s nature of space, the media representations seem to reflect an opposite image, namely the detachedness of space. In this chapter, I will address the question of space-making and spatial practices in Morocco and the relation to parkour’s visual representations. Keywords: Morocco, parkour, body, street Today, parkour is a global cultural scene that combines the street with media practices. In that sense, parkour consists of a local moment, fundamentally concerned with the materiality of the street, and simultaneously of a global digital discourse involving millions of parkour actors, called traceurs, negotiat- ing and re-evaluating their navigation through both physical and digital space. The first and often only contact with parkour, from the point of view of non-practitioners, frequently comes through its visual representations. Spectacular images and videos depict the weightlessness of the body and its detachment from space. Scholars have also weighed in here, analysing the relationship between the body and public space – that is, the interaction and engagement between body and space – while also evaluating parkour as an online culture, assessing the relevance of (digital) media practices within parkour and other youth and sport cultures such as skateboarding (Borden 2001; Buckingham 2009) and surfing (Booth 1996; 2001). -
Parkour/Freerunning As a Pathway to Prosocial Change
CORE Metadata, citation and similar papers at core.ac.uk Provided by ResearchArchive at Victoria University of Wellington Parkour/Freerunning as a Pathway to Prosocial Change: A Theoretical Analysis By Johanna Herrmann Supervised by Prof Tony Ward A thesis submitted to the Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Science in Forensic Psychology Victoria University of Wellington 2016 ii iii Acknowledgements Special thanks to my supervisor Prof Tony Ward for his constant support and constructive feedback throughout the pleasures and struggles of this project. His readiness to offer an alternative perspective has provided me with many opportunities to grow as a critical thinker, researcher, and as a person. I am grateful to Prof Devon Polaschek, Dr Clare-Ann Fortune, and all members of their lab for encouraging me to pursue an innovative research project, as well as for providing inspiration, insights and connections to other specialist research areas in offender rehabilitation. The German Academic Exchange Service deserves special mention for the financial support that allowed me to take up my dream course of study in the country that is farthest away from my home. Finally, I would like to thank Damien Puddle and Martini Miller for lively discussions, valuable feedback, and sharing the passion regarding research, parkour/freerunning, as well as youth development. iv v Abstract Parkour/freerunning is a training method for overcoming physical and mental obstacles, and has been proposed as a unique tool to engage youth in healthy leisure activities (e.g., Gilchrist & Wheaton, 2011). Although practitioners have started to utilise parkour/freerunning in programmes for youth at risk of antisocial behaviour, this claim is insufficiently grounded in theory and research to date. -
Playing with Fear: Parkour and the Mobility of Emotion
Social & Cultural Geography, Vol. 9, No. 8, December 2008 Playing with fear: parkour and the mobility of emotion Stephen John Saville Institute of Geography and Earth Sciences, Aberystwyth University, Ceredigion SY23 3DB, UK, [email protected] This article engages debates on emotional geography and non-representational theory by considering fear as a distinctly mobile engagement with our environment. Parkour, or freerunning, has exploded into public consciousness through commercial media representations and films. It is depicted as a spectacular urban sport that either can or cannot be done. Through ethnographic research with groups of parkour practitioners I consider what has been excluded from these representations: the emotions involved in trying, experimenting, and gradually learning to be in places differently. In parkour places are ‘done’ or mobilised in tentative, unsure, ungainly and unfinished ways which can be characterised by a kind of play with architecture. I argue that this play is contingent upon an array of fears, which, rather than being entirely negative, are an important way in which practitioners engage with place. Here fears can manifest differently, not only restricting mobility, but in some cases encouraging imaginative and playful forms of movement. Key words: fear, parkour, freerunning, emotional geography, mobility, place, play. On Wednesday 17 May 2006, David Belle, a He was pleased and excited. After the man heralded as a founder of parkour, and ‘fakeness’ of Californian media-appeasing now international celebrity, runs towards a performances, the Frenchman said he felt solid wall that cordons off an underpass. His more ‘real’. movement is purposeful and practised. All This scene, watched and discussed world- eyes are turned towards him. -
Parkour, Architecture, and the Interstices of the 'Knowable'
Liminalities: A Journal of Performance Studies Vol. 10, No. 2 (2014) Self and the City: Parkour, Architecture, and the Interstices of the ‘Knowable’ City Matthew D. Lamb Architecture’s presence in the city acts as a mediator through which the always already historical and social contexts are articulated. Architecture can influence our ability to give a comprehensive account of ourselves in the city. Our knowledge of self, our subjectification, is intertwined in the social conditions of our emergence. In effect, we make choices about which practices, or social actions, to enact based on their commensurability with regulatory norms. In many ways our everyday performances are explicitly tied to the presence of architecture. The purpose of this paper is to explore architecture’s participation in the maintenance of hegemonic discourses circumscribing appropriate uses of city space. To understand the effects of architecture on lived experiences I utilize the art of parkour as both a unit of analysis and as a method of investigation. Parkour’s engagement with architecture opens up a new understanding of the city. The data for this study came from several months of my regular participation in the parkour community in the downtown area of Indianapolis, Indiana. Therefore, I was embedded as much as possible in my field site interacting with other traceurs, conducting interviews, and being an active observing participant. To interpret and analyze the potential of parkour I take the position of the critical ethnographer. The purpose is to investigate how traceurs uncover new ways of understanding themselves, not only in relation to, but also in conjunction with, the architecture of the city. -
A Mother's Journey Into Parkour
Être et Durer A Mother’s Journey into Parkour by Serena Mignani Italy, 2017 – 73' and 52' min. Passion makes you thrill, prudence keeps you alive. Ten years of mother and hyperkinetic-son relationship, in their growth through physical turmoil of youth and adolescence, with Parkour as catalyst. web site - instagram - facebook SYNOPSIS A Mother and her hyperkinetic-son bump into Parkour- a new extreme urban discipline - and get trapped in its joyous physical routine till the day death occurs on school rooftop. Sudden mourning tears them apart: mother departs to research the discipline’s roots and its impact on different cultures, asking traceurs, scientists and women to guide her journey from Italy to UK, HK, Palestine, Shanghai in search of answers to risk and survival. While she travels the world to unveil a philosophical side of Parkour, her son continues to challenge the extreme, in search of consolation and challenge. Everyone pursues his obsessions up to the common goal, where each one gets what's seeking for: she'll learn how to let him go and accept destiny and he, surviving himself, achieves autonomy. Watch the clips Maxine & Danny Ilabaca: https://vimeo.com/218437106 Gaza Parkour Team : https://vimeo.com/218438501 Parkour - Freerunning or Art Du Déplacement ? The world "Parkour" is a modification of the French phrase "parcours du combattant" roughly translated as "military obstacle course." At first glance it looks like an extreme sport, and it certainly has many of the same qualities, however it's considered by practitioners - known as traceurs - as more of an art and a discipline. -
Re-Enchantment, Play, and Spirituality in Parkour
religions Article Tracing the Landscape: Re-Enchantment, Play, and Spirituality in Parkour Brett David Potter Faculty of Humanities and Social Sciences, Sheridan College, Oakville, ON L6H 2L1, Canada; [email protected] Received: 2 August 2019; Accepted: 26 August 2019; Published: 28 August 2019 Abstract: Parkour, along with “free-running”, is a relatively new but increasingly ubiquitous sport with possibilities for new configurations of ecology and spirituality in global urban contexts. Parkour differs significantly from traditional sports in its use of existing urban topography including walls, fences, and rooftops as an obstacle course/playground to be creatively navigated. Both parkour and “free-running”, in their haptic, intuitive exploration of the environment retrieve an enchanted notion of place with analogues in the religious language of pilgrimage. The parkour practitioner or traceur/traceuse exemplifies what Michael Atkinson terms “human reclamation”—a reclaiming of the body in space, and of the urban environment itself—which can be seen as a form of playful, creative spirituality based on “aligning the mind, body, and spirit within the environmental spaces at hand”. This study will subsequently examine parkour at the intersection of spirituality, phenomenology, and ecology in three ways: (1) As a returning of sport to a more “enchanted” ecological consciousness through poeisis and touch; (2) a recovery of the lost “play-element” in sport (Huizinga); and (3) a recovery of the human body attuned to our evolutionary past. Keywords: parkour; free-running; religion; pilgrimage; poiesis; ecology; urban 1. Introduction Over the past two decades, the sport known as parkour has become a global phenomenon, with groups of practitioners or traceurs emerging from Paris to Singapore. -
Parkour, the Affective Appropriation of Urban Space, and the Realvirtual
Parkour, The Affective Appropriation of Urban Space, and the Real/Virtual Dialectic Jeffrey L. Kidder∗ Northern Illinois University Parkour is a new sport based on athletically and artistically overcoming urban obsta- cles. In this paper, I argue that the real world practices of parkour are dialectically intertwined with the virtual worlds made possible by information and communi- cation technologies. My analysis of parkour underscores how globalized ideas and images available through the Internet and other media can be put into practice within specific locales. Practitioners of parkour, therefore, engage their immediate, physical world at the same time that they draw upon an imagination enabled by their on-screen lives. As such, urban researchers need to consider the ways that vir- tual worlds can change and enhance how individuals understand and utilize the material spaces of the city. EMPLACEMENT IN A VIRTUAL WORLD With the increasing integration of information and communication technologies (ICTs) into our lives, more and more of our daily interactions take place “on screen” (Turkle 1995). Castells (1996) refers to this as a culture of real virtuality. In this process, the ex- periences of our physically situated, corporeal selves are becoming intertwined with the virtual presentation of our selves online (cf. Gottschalk 2010; Ito et al. 2010; Turkle 2011; Williams 2006). It is tempting, perhaps, to dichotomize on-screen and off-screen life. One is “real”—connected to the obdurate reality of time and space and hemmed in by biolog- ical limits and social inequalities (e.g., Robins 1995). The other is “virtual”—free-floating and filled with nearly limitless potential (e.g., Rheingold 1993). -
Media Approved
Film and Video Labelling Body Media Approved Video Titles Title Rating Source Time Date Format Applicant Point of Sales Approved Director Cuts $olal Presents the Moonshine Sessions PG FVLB 31.00 03/03/2009 DVD Shock Entertainment Not Stated No cut noted Slick Yes 03/03/2009 10 Dead Men R18 Torture & Sadistic Violence OFLC 90.35 26/03/2009 DVD VM Distribution Ross Boyask No cut noted Slick Yes 26/03/2009 100 Hits Kids Sing-a-Long Party (4 CD/DVD) G FVLB 67.00 03/03/2009 DVD The Warehouse Not Stated No cut noted Slick Yes 03/03/2009 10cc-Godley and Creme Greatest Hits and More PG FVLB 60.00 27/03/2009 DVD Acme Clearance Co Ltd Not Stated No cut noted Slick Yes 27/03/2009 12 Greatest Ever Grand Nationals G FVLB 140.00 13/03/2009 DVD The Warehouse Not Stated No cut noted Slick Yes 13/03/2009 13:Game Of Death R16 Contains horror scenes. Contains violence OFLC 109.00 10/03/2009 DVD Madman Entertainment Chukiat Sakveerakul No cut noted 2 Fast 2 Furious M Contains medium level violence FVLB 108.00 11/03/2009 Blu-ray Universal Pictures Video John Singleton No cut noted 2 Fast 2 Furious Supercharged Edition M Contains medium level violence FVLB 103.00 05/03/2009 DVD Universal Pictures Video John Singleton No cut noted 2 oder 3 Dinge, die ich von ihm Weise M FVLB 84.00 19/03/2009 DVD Victoria University Library Malte Ludin No cut noted Slick Yes 19/03/2009 200 Cadillacs-Elvis PG FVLB 63.00 20/03/2009 DVD Netlink Distribution Co Dan Griffin No cut noted Slick Yes 20/03/2009 2012 Doomsday PG FVLB 82.00 11/03/2009 DVD Family Home Entertainment Nick -
About Parkour As a Tool in a Humanitarian Life Skills Intervention
Run Forrest run! About Parkour as a tool in a humanitarian life skills intervention Image 1 Syrian youth practicing Parkour on a tank in Inkhil, Syria (Reuters, 2017b). This thesis is submitted for obtaining the Master’s Degree in International Humanitarian Action. By submitting the thesis, the author certifies that the text is from his/her hand, does not include the work of someone else unless clearly indicated, and that the thesis has been produced in accordance with proper academic practices. NOHA Master Thesis Master program in By Lukas Wilhelm Antti Rosendahl International Humanitarian Action Supervisor: Dr. Jesper Bjarnesen May 2018 Uppsala University 30 ECTS 0 Abstract Aim: Parkour is a relatively new action sport, which is not only popular in non- conflict regions but also in regions where armed conflict is taking place. When being featured in the media, youth from conflict regions frequently report that Parkour has helped them to deal with the consequences of armed conflict. Although Parkour is being used in psychosocial and life skills interventions in European countries, and despite the fact that action sports are used in humanitarian assistance, there is no research on the potential of Parkour as a tool in humanitarian interventions. The aim of this thesis is to analyse how Parkour can be used in humanitarian aid interventions, particularly focusing on its potential for life skills interventions. In order to do so, a mapping of Parkour teams in conflict regions is conducted. What is more, example cases highlight the importance Parkour has for youth in conflict regions. Lastly, a qualitative thematic analysis, will review the cases and academic literature, in order to discuss to what extent these characteristics coincide with the ten life skills as they were outlined by the World Health Organization (WHO). -
Youth Perceptions of the Olympic Games: Attitudes Towards Action Sports at the YOG and Olympic Games
Youth Perceptions of the Olympic Games: Attitudes Towards Action Sports at the YOG and Olympic Games Associate Professors Belinda Wheaton and Holly Thorpe University of Waikato, New Zealand Final report for The IOC Olympic Studies Centre Advanced Olympic Research Grant Programme 2015/2016 Award June 2016 ABSTRACT The IOC faces a significant challenge, that is, how to stay relevant to contemporary youth amid changing sport participation and consumption patterns and growing competition from mega-events such as the X Games. This project critically examined youth perceptions of the relevance and significance of the Olympic Games, and the Youth Olympic Games. It focused particularly on the attitudes of participants in newer, action sports (i.e., skateboarding, surfing, BMX, snowboarding, parkour, kite-surfing), as well as the cultural processes leading up to and following the short-listing of surfing, skateboarding and sport climbing for the Tokyo 2020 Olympic Games. Online surveys, media analysis and interviews provide rich and nuanced insights into the experiences, attitudes, opinions, debates and politics that influence youths’ current and future participation in, and consumption of, the Olympic Games. Ultimately, this project reveals generational differences in attitudes towards action sports inclusion in the Olympic Games, as well as changing perceptions among those working most closely with the IOC to prepare their sports for possible Olympic inclusion. Furthermore, this report highlights the power and potential of action sports inclusion into the Olympic Games and Youth Olympic Games, as well as some of the ongoing and new challenges for such significant changes to both the infrastructure of action sports cultures and industries, and to the transforming landscape of Olympic sport. -
A Sociological Approach
NON-VIOLENT PROBLEM SOLVING IN PIERRE MOREL’S B13: A SOCIOLOGICAL APPROACH RESEARCH PAPER Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Department by: DEWAN PRIDITYO A 320 050 018 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2010 CHAPTER I INTRODUCTION A. Background of the Study B13 film is one of the action films that tell about Paris, 2010, the government has walled in the ghettos of the city to contain crime. But things heat up when a super cop must go in and team up with a lone vigilante to fend off drug dealers and diffuse a bomb that threatens to kill millions. This had been made in 2002 directed by Pierre Morel, a man who has more talent of this work and was collaborate with two famous writers they are Luc Besson and Bibi Nacery. Both of them were good writers who have made many works. This film has 84 minutes of duration full action and adventure there. The big crime was cover there. In the middle of city, this film was setting in Paris building, on top of building, and in the police office also in the prison. The first time released on 10 November 2004 in French. An action crime film was created by the great hands and completed by two mean actors: David Belle (Leito) and Cyril Rafaely (Damien) with them acrobatic act (Parkour). Released on 2004 and on 2006 won one award from golden trailer for category of best foreign action trailer in New York.