2019 CV.Qxp New CV 6/03
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Festival Credits for GDIF 2020
We’re extremely grateful to all our freelance staff without whom GDIF would not be possible. We have credited as many possible here in recognition of the huge amount of behind-the-scenes work which takes place every year. This list will continue to be updated as we gather more information. GDIF 2020 Team Credits GDIF Freelance Team Head of Production - Joey Valiunas Production Assistant - Laura Walker Volunteer Coordinator - Georgia Clark Volunteer Assistant - Ella Baker Artist Liaison Assistant - Fae Fichtner Box Office Manager - Zoe Moody Box Office Assistant Manager - Amy Garner Buchannan Box Office Assistant - Stephanie Payne Box Office Assistant - Claire Peers Box Office Assistant - Jacob Jackson Box Office Assistant - Daisy Winstanley Box Office Assistant - Lindsey Fraser Box Office Assistant - Alice Cox Box Office Assistant - Scott Campbell Marketing Assistant - Max Campbell GDIF 2020 Access Team Access Managers Francesca Osimani Hayley Hill Becky Barry Beth Robertson BSL Interpreters St Alfege and Why? at Dancing City - Caroline Richardson Why? at St Alfege - Sue McLaine In Memoriam, OYD Woolwich, 846 LIVE - Jacqui Beckford In Memoriam, Black Victorians - Ali Gordon 846 Live - Audrey Simmons Audio Description Audio Tour Technician for VocalEyes - Wayne Harris Audio Describer for Digital Access and Audio Tour - Tony McBride Audio Describer for Why? - Willie Elliott GDIF 2020 Production Team GDIF Production Managers In Memoriam: Laura Walker Weavers of Woolwich, Gaia, OYD: Woolwich Arsenal, Weaving Together installations: Ben Bodsworth -
Deptford X London's Foremost
DEPTFORD X LONDON’S FOREMOST CONTEMPORARY VISUAL ARTS FESTIVAL WWW.DEPTFORDX.ORG 24 SEPTEMBER– 03 OCTOBER 2010 Photo by Liam Helm: www.flickr.com/photos/myxi/ 1 Deptford X 2010 24 September – 03 October 2010 Deptford X Deptford X exists to promote the best Creative Crypt contemporary visual art and celebrate that art St. John’s Church with the widest possible audience. 73 Waterloo Road SE1 8UD It is an arts event born of Deptford’s creative 020 7928 1000 community and based on a belief in the [email protected] limitless potential of the area. deptfordx.org For full listings please visit the Deptford X deptfordx.org Credits Please read Lead Artist: Mark Titchner Copy was correct at time Project Director: Matthew Couper of going to press. Project Assistant: Aroé Ortega Education Programme: Lewisham Education Arts Network Press Officer: Sandra Ross Event Manager: Lis Ssenjovu Heath and Safety: Tim Byrne Banner installation: Concorde Graphics Evaluation: Terry Adams Design: Studio Raw Deptford X Board Key Julia Alvarez Jane Hendrie Numbers listed refer to Natalie Brett Paul Marks the venue: # John Cierach Liz May Mark Davy (Chair) Simon Parris Bea Denton David Sullivan Amanda Francis Reuben Thurnhill Helen Goodier Alma Tischler Wood 2 Lead Artist Mark Titchner 27 31 34 flushed by the rain. It doesn’t matter what ‘it’ happens to be, The Old Police Station, Lewisham but ‘it’ is experienced and ‘it’ Arthouse and Seager Distillery is lived. Deptford X has invited Daily discoveries uncovered by internationally renowned, local chance encounters on busy streets. artist Mark Titchner (nominated for the Turner Prize, 2006) as the Not art but everyday life. -
Annual Report 2017 (PDF)
RAW London’s Newest Cultural Hub Bow Arts Annual Report 2017 RAW Edition RAW - the Royal Albert Wharf is quickly becoming the newest landing spot for London’s world class creative community. Bow Arts in partnership with Notting Hill Housing have created some of the best purpose built affordable artist studio space in London. see it now... Working with artists to Bow Arts 183 Bow Road make better London E3 2SJ communities t: 020 8980 7774 Photography: Ollie Harrop, Agnese Sanvito, Michael Cubey Design: John Garland www.bowarts.org Sadiq Khan Mayor of London talking to artists and officially launching ‘Dek’ 10,000 sqft of new Welcome from the creative workspace in Lewisham. Chief Executive Our mission is to support community renewal in east London by delivering arts and creative services through a financially sustainable model The importance of affordable conversion of over 100,000 gross people we work with. Therefore, we creative workspace within the sqft of new artist workspace in thank all our artists and partners, city is high on Mayor of London London at affordable and whose commitment and energy is Sadiq Khan’s priority list. We sustainable levels. In addition, we at the heart of everything we do. were delighted therefore to have successfully negotiated over Our annual survey records the support him by hosting two visits £18.5m worth of rental subsidy to professional contribution of our to our studios this year. His first support the sector. artists, including the extent and visit was to our newly opened quality of their exhibitions, media studios in Barking at IceHouse But we think there is a bigger story coverage and participation in Court, where he met and talked than this - and that is in the power exhibitions, networking events and with some of the artists, of partnerships and an ever peer critiques. -
Gary Drostle: Artist Profile
drostleGary curriculum vitae : profile Internationalby mosaic Award, makers voted from ‘best around mosaic’ the world 2002 40 Strand House, Merbury Close, London, SE28 0LU, United Kingdom. – TEL: +44(0) 771 952 9520 – email: [email protected] drostleGary curriculum vitae : profile fine hand crafted mural in paint or mosaic can A transform a blank wall or floor into a landmark. Whether you are looking to add stylish individuality to your building or put back a sense of local history and character to your environment, together we can create a work of art that is unique, beautiful and durable. Our history is has been marked by great works of art, these have demonstrated to the world the values and beliefs of their creators and patrons, and handed down to us all a sense of their time and our history. Art embedded in the very fabric of their environment, from the great cave murals of Lascaux, the leaping dolphins of Knossos and the fantastic mosaic floors of Roman Europe to the frescoes of the Renaissance masters and on to the organic mosaic walls of Gaudi and the powerful murals of the Mexican Revolution. Commissioning your own mural or mosaic will allow you to put your own individual stamp on your surroundings, enhance your environment and bring out character, individuality and a sense of quality. art for landscape & architecture My work combines the craftsmanship of the ancient techniques of mosaic making and fresco painting with modern materials technology to produce work which can withstand the rigor of modern life. All work is carried out to the highest standards with an attention to detail and quality not just in the fabrication of the work but throughout the commissioning process. -
Mosaics Offer Us the Chance to Inject Individ- Ual Character, Project Style and Commitment to Quality, and Bring Our Spaces to Life
mosaic... morethanthe sum of it’s parts fine hand crafted bespoke mosaic art... drostleGary art for landscape & architecture 40 Strand House Merbury Close London SE28 0LU United Kingdom TEL: +44 (0)20 8316 7734 E-MAIL: [email protected] MOB: +44 771 952 952 0 the ancient art The ancient art of mosaic dates back to the earliest civilisations in Mesopotamia some 5000 years ago and reached great heights during the Roman Empire and then again in the Byzantine era. Today there is a new resur- gence in the art fuelled by our desire to create new and exciting environments and the demand for high quality and high performance finishes. Modern mosaics offer us the chance to inject individ- ual character, project style and commitment to quality, and bring our spaces to life. The range of applications for cre- ative mosaics is huge. As well as creating beautiful floors for interior and exterior sites, mosaic can be used on walls, ceil- ings and three dimensional sculptures. The organic nature of hand cut mosaic means it can take up any shape and to any scale. Mosaic brings year round colour that will not fade, it is tough, frost proof, abrasion and chemical resistant. about the artist Gary Drostle is at the forefront of this new wave in mosaic art winning international recognition for his work. Born in Woolwich, in South East London Gary studied fine art at Camberwell, St Martin's and Middlesex (Hornsey) colleges of art. SInce 1987 Gary has been working profes- sionally as a mural and mosaic artist and has undertaken many major public commissions in the UK and abroad. -
Deptford Creekside Conservation Area
Planning Service – Conservation and Urban Design Deptford Creekside Conservation Area Character Appraisal – Part II Draft for Adoption May 2012 Proposed Deptford Creekside Conservation Area – Character Areas Deptford Creekside Conservation Area Appraisal – Draft for Adoption – Part II Page 37 Deptford Creekside Conservation Area Townscape Appraisal Map Deptford Creekside Conservation Area Appraisal – Draft for Adoption – Part II Page 38 Additions to townscape appraisal map added at Desk Top Publishing stage : Listed Buildings : The London-Greenwich Railway viaduct (1936) Landmark Buildings : The Birds Nest Public House The APT studios, 6 Harold Wharf The railway lifting bridge The London-Greenwich Railway viaduct (1936) The Mumford’s Mill grain silo The Deptford Pumping St. Paul’s Church Important Views: View from DLR into the conservation area View from Ha’Penny Bridge towards the north and South View from Church Street on to the Birds Nest Pub View from the footbridge along the Mechanic’s Path to the Creekside Education Centre and Crossfield Estate View down Creekside towards the Mumford’s Mill View from Creekside on to the north gables of Building C View from Creekside on to the APT building View from Ferranti Park to St. Paul’s Church Positive Open Space: Amenity spaces to Crossfield Estate Green space to Creekside Education Centre Sue Godfrey Nature Reserve and Ferranti Park Deptford Creekside Conservation Area Appraisal – Draft for Adoption – Part II Page 39 5 Character areas and buildings of interest The conservation area can be separated into two character areas that reflect the different uses, spaces and building forms: the first comprises the industrial premises and historic wharves along Creekside, the second is the Crossfield Estate, which was implanted into the area in the 1930s as part of the slum clearance programme by the London County Council. -
Agenda Mayor and Cabinet
Public Document Pack AGENDA MAYOR AND CABINET Date: WEDNESDAY, 9 MAY 2012 at 6.00 pm Committee Rooms 1 & 2 Civic Suite Lewisham Town Hall London SE6 4RU Enquiries to: Kevin Flaherty 0208 3149327 Telephone: 0208 314 9327 (direct line) Email: [email protected] MEMBERS Mayor Sir Steve Bullock (L) Councillor Chris Best (L) Councillor Janet Daby (L) Councillor Damien Egan (L) Councillor Helen Klier (L) Councillor Paul Maslin (L) Councillor Joan Millbank (L) Councillor Crada Onuegbu (L) Councillor Alan Smith (L) Councillor Susan Wise (L) Members are summoned to attend this meeting Barry Quirk Chief Executive Lewisham Town Hall Catford London SE6 4RU Date: Monday April 30 2012 The public are welcome to attend our committee meetings, however occasionally committees may have to consider some business in private. Copies of reports can be made available in additional formats on request. ORDER OF BUSINESS – PART 1 AGENDA Item Page No No.s 1. Declarations of Interests 1 - 3 2. Minutes 4 - 14 3. Matters Raised by the Overview & Scrutiny Business Panel 15 - 16 4. Outstanding Scrutiny Matters 17 - 18 5. Permanent Primary Places Adamsrill 19 - 59 6. Deptford Creekside Conservation Area 60 - 187 The public are welcome to attend our Committee meetings, however, occasionally, committees may have to consider some business in private. Copies of reports can be made available in additional formats on request. Agenda Item 1 MAYOR AND CABINET Report Title Declarations of Interests Key Decision Item No. 1 Ward Contributors Chief Executive Class Part 1 Date: May 9 2012 Declaration of interests Members are asked to declare any personal interest they have in any item on the agenda. -
London Borough of Lewisham Public Art Strategy October 2009 Contents
London Borough of Lewisham Public Art Strategy October 2009 Contents 1. Executive Summary 4 4.6 Open space, routes and links 4.7 Transport and communications 2. Context and Background 6 4.8 Summary and recommendations 2.1 Why the need for a public art strategy? 2.2 Definition of public art 5. Public Art Commissioning – Good Practice 21 2.3 Benefits of public art 5.1 Process overview 2.4 Lewisham’s history of public art commissioning 5.2 Briefing and selection of artists 2.5 How the strategy will be used 5.3 Contracting and commission stages 2.6 Summary and recommendations 5.4 Management 5.5 Evaluation 3. Policy and Strategic Aims 10 5.6 Summary and recommendations 3.1 Vision for public art in Lewisham 3.2 National policy 6. Implementation 25 3.3 Changes in Planning Legislation 6.1 Key areas of delivery 3.4 London policy 6.2 Delivery through planning system 3.5 Lewisham Council policy 6.3 Developers – private sector 3.6 Local Development Framework 6.4 Health and Education 3.7 Commemorative and issue-based commissioning References and Links 27 3.8 Summary and recommendations Appendices 30 4. Opportunities 16 Consultation 4.1 General Approach Typical project costs – 4.2 Major developments and regeneration plans commissioning budget headings 4.3 Other important centres – Forest Hill, Downham etc. Model contract 4.4 Art and Health Exemplars 4.5 Schools Useful contacts and web links Published by Creative Process Old Laban Centre, Laurie Grove New Cross, London SE14 6NH 020 8691 6729 [email protected] www.creativeprocess.org.uk Front page image: ‘Waterline’ by Oliver Barratt 2 London Borough of Lewisham Public Art Strategy The making of ‘Waterline’ 3 London Borough of Lewisham Public Art Strategy 1. -
Shaping Places Through Art Mural Art As a Strategy for Place-Making in Deptford
Shaping Places Through Art Mural Art as a Strategy for Place-making in Deptford What is the impact of public art in developing neighbourhoods and how have artistic mediums effected communities during the pandemic? By Asli Aktu Contents Chapter 1 | The meaning of the street in 2020 1 Chapter 2 | An introduction to Deptford, London 5 Chapter 3 | Art and the street 8 Chapter 4 | Empathy by the Bucket 12 Chapter 5 | Murals and existing architecture 16 Bibliography 20 Image List 22 Appendix 24 The meaning of the street in 2020 1 March the 23rd 2020 marked the beginning of the first UK lockdown following a rise in Covid-19 cases as part of the pandemic. This was an anticipated moment as we witnessed countries across the globe implementing their own restrictions, changing our day- to- day routines. Being told to remain at home and to only leave for essentials, with restrictions in place determining how much time and what activities could take place outdoors has had a massive impact on the population at large and the way we interact with our surroundings and with each other. The pandemic has globally shifted relationships with fig 1. Banner hung from a window in Venice with the slogan Anrda Tutto Bene and the rainbow icon. neighbours, communities, and with the street. (Photograph by Luisella Romeo, 2020) Our homes have shifted from places to live, to multi- Andrà tutto bene,5 a message of hope that everything functional offices, gyms, studios, and more. Activities will be alright spread across Italy as it became the which usually take place outside of our homes have earliest country in Europe with a severe outbreak collapsed into one singular location. -
Deptford Creekside Conservation Area Appraisal
Planning Service – Conservation and Urban Design Deptford Creekside Conservation Area Appraisal May 2012 Deptford Creekside Conservation Area Appraisal 2 Contents Summary of special interest 1 Introduction The proposed conservation area – location, boundaries and setting Heritage significance Planning policy Public consultation and designation 2 The conservation area today Population Economy & uses 3 History of the area Archaeology Development history 4 Spatial character of the area Topography and geology The Creek Street pattern and townscape Railway viaducts Open spaces and trees Views and local landmarks The natural environment – nature conservation 5 Character areas and buildings of interest Character Area 1: The Creek, Creekside road and adjoining wharves Character Area 2: The Crossfield Estate 6 Materials and Details Building materials Roofscape Boundaries Historic paving River related structures and furniture 7 Condition and opportunities for enhancement 8 Sources and References 9 Useful Contacts Deptford Creekside Conservation Area Appraisal 3 Appendix Heritage significance and values - definition Deptford Creekside Conservation Area Appraisal 4 Deptford Creekside Conservation Area Deptford Creekside Conservation Area Appraisal 5 Summary of special interest Deptford is one of the oldest settlements in Lewisham. The town is well known as the location of the historic Royal Dockyard, whose establishment brought fame and prosperity to Deptford for many centuries. Known to a lesser extent is the significance of the Creek to the development of the area. Here, on the banks of the Creek, as well as on the Thames foreshore, lie the beginnings of settlement, industry and urban growth of the borough. Deptford Bridge has been a historic crossing point and place of continued occupation since Roman times.