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The Cinema Media Guide 2017
Second Edition THE CINEMA MEDIA GUIDE 2017 1 WELCOME TO OUR WORLD CONTENTS. Our vision 1 ABC1 Adults 41 Foreword 2 War for the Planet of the Apes 43 Fast facts 3 Dunkirk 44 The cinema audience 5 American Made 45 The WOW factor 6 Victoria and Abdul 46 Cinema’s role in the media mix 7 Goodbye Christopher Robin 47 Building Box Office Brands 8 Blade Runner 2049 48 The return on investment 9 The Snowman 49 How to buy 11 Murder on the Orient Express 50 Buying routes 12 Suburbicon 51 Optimise your campaign 16 16-34 Men 53 Sponsorship opportunities 17 Spider-Man: Homecoming 55 The production process 19 Atomic Blonde 56 Our cinemas 21 The Dark Tower 57 Our cinema gallery 22 Kingsman: The Golden Circle 58 Cineworld 23 Thor: Ragnarok 59 ODEON 24 Justice League 60 Vue 25 16-34 Women 61 Curzon Cinemas 26 The Beguiled 63 Everyman Cinemas 27 It 64 Picturehouse Cinemas 28 Flatliners 65 Independents 29 A Bad Mom’s Christmas 66 2017 films by audience Mother! 67 Coming soon to a cinema near you 31 Pitch Perfect 3 68 Adults 33 Main Shoppers with Children 69 Valerian and the City of Cars 3 71 a Thousand Planets 35 Captain Underpants: The First Epic Movie 72 Battle of the Sexes 36 The LEGO Ninjago Movie 73 Paddington 2 37 My Little Pony: The Movie 74 Daddy’s Home 2 38 Ferdinand 75 Star Wars: The Last Jedi 39 Coming in 2018 77 Jumanji: Welcome to the Jungle 40 OUR VISION. FOREWORD. -
Executive Board Minutes
EXECUTIVE BOARD MINUTES Tuesday, 29 September 2020 1:30 pm - 2:30 pm Eastern DRAFT Via Conference Call Board Member Participants: Other Participants: Chairman Ellis Jacob Mike Bowers Vice Chairman Rolando Rodriguez Steve Zuehlke Treasurer Joe Masher Secretary Jeff Logan Staff Participants: Adam Aron Esther Baruh Robert Bagby Jackie Brenneman, General Counsel Bo Chambliss Kathy Conroy Eddy Duquenne Patrick Corcoran Don Fox John Fithian Mooky Greidinger Mitch Neuhauser Dan Harkins Matt Pollock Chris Johnson J.D. Loeks Ron Krueger Joe Paletta John Vincent David Wright Mark Zoradi Chairman Ellis called the meeting to order to discuss the film release slate, opening/closing of theater markets, current state of federal programs and legislation, public messaging, the short and long term outlook, and the annual meetings of NATO. Ms. Brenneman provided a brief overview of the antitrust statement. Chairman Ellis and Mr. Fithian welcomed Don Fox on his election to the NATO Executive Board. Public Messaging: The Board agreed to reduce the CinemaSafe national campaign remaining $1.2 Million to $500,000 concentrating on the New York and Los Angeles markets instead. The remaining $700,000 will be used in late November as needed. Chairman Ellis noted there was no new business and the next meeting will be via Zoom on Wednesday, 7 October 2020 at 1:30 pm Eastern. It was moved and seconded to adjourn the meeting. A vote was taken and the meeting was adjourned. Page 1 EXECUTIVE BOARD MINUTES Tuesday, 22 September 2020 DRAFT 1:30 pm - 2:30 pm Eastern Via Conference Call Board Member Participants: Other Participants: Chairman Ellis Jacob Mike Bowers Vice Chairman Rolando Rodriguez Steve Zuehlke Treasurer Joe Masher Secretary Jeff Logan Staff Participants: Adam Aron Esther Baruh Robert Bagby Jackie Brenneman, General Counsel Bo Chambliss Kathy Conroy Eddy Duquenne Patrick Corcoran Mooky Greidinger John Fithian Dan Harkins Mitch Neuhauser Chris Johnson Matt Pollock J.D. -
The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
2017 Pioneer of the Year C H E R Y L B O O N E I S a A
1947 ADOLPH ZUKOR n 1948 GUS EYSSEL n 1949 CECIL B. DEMILLE n 1950 SPYROS P. SKOURAS n 1951 JACK, HARRY & ALBERT WARNER n 1952 NATE BLUMBERG n 1953 BARNEY BALABAN n 1954 SIMON FABIAN n 1955 HERMAN ROBBINS n 1956 ROBERT O’DONNELL n 1957 JOSEPH VOGEL n 1958 ROBERT BENJAMIN & ARTHUR B. KRIM n 1959 STEVE BROIDY n 1960 JOSEPH E. LEVINE n 1961 ABE MONTAGUE n 1962 MILTON RACKMIL n 1963 DARRYL F. ZANUCK n 1964 HAROLD J. MIRISCH n 1965 ROBERT O’BRIEN n 1966 WILLIAM R. FORMAN n 1967 LEONARD GOLDENSON n 1968 LAURENCE A. TISCH n 1969 HARRY BRANDT n 1970 IRVING H. LEVIN n 1971 SAMUEL Z. ARKOFF & JAMES H . NICHOLSON n 1972 LEO JAFFE n 1973 TED ASHLEY n 1974 HENRY MARTIN n 1975 E. CARDON WALKER n 1976 CARL PATRICK n 1977 SHERRILL C. CORWIN n 1978 DR. JULES STEIN n 1979 HENRY PLITT 2017 PIONEER OF THE YEAR CHERYL BOONE ISAACS n 1980 BOB HOPE n 1981 SALAH HASSANEIN n 1982 FRANK PRICE n 1983 BERNARD MYERSON n 1984 SIDNEY SHEINBERG n 1985 JOHN ROWLEY n 1986 MICHAEL FORMAN n 1987 FRANK G. MANCUSO n 1988 JACK VALENTI n 1989 ALLEN PINSKER n 1990 TERRY SEMEL n 1991 SUMNER REDSTONE n 1992 MIKE MEDAVOY n 1993 STANLEY DUR- WOOD n 1994 WALTER DUNN n 1995 ROBERT SHAYE n 1996 SHERRY LANSING n 1997 BRUCE CORWIN n 1998 BUD STONE n 1999 KURT C. HALL n 2000 ROBERT DOWLING n 2001 ROBERT REHME n 2002 JONA- THAN DOLGEN n 2003 MICHAEL EISNER n 2004 ALAN HORN n 2005– 2006 TRAVIS REID n 2007 JEFF BLAKE n 2008 MIKE CAMPBELL n 2009 MARC SHMUGER & DAVID LINDE n 2010 ROB MOORE n 2011 DICK COOK n 2012 JEFFREY KATZENBERG n 2013 KATHLEEN KENNEDY n 2014 TOM SHERAK n 2015 JIM GIANOPULOS n DONNA LANGLEY 2017 PIONEER OF THE YEAR CHERYL BOONE ISAACS 2017 PIONEER OF THE YEAR Welcome On behalf of the Board of Directors of the Will Rogers Motion Picture Pioneers Foundation, thank you for attending the 2017 Pioneer of the Year Dinner. -
Charity and Compassion in Luc Besson's Space Operas The
religions Article Love Thy Extra-Terrestrial Neighbour: Charity and Compassion in Luc Besson’s Space Operas The Fifth Element (1997) and Valerian and the City of a Thousand Planets (2017) Sylvie Magerstädt School of Humanities, University of Hertfordshire, Hatfield, Herts AL10 9EU, UK; [email protected] Received: 13 August 2018; Accepted: 20 September 2018; Published: 27 September 2018 Abstract: The role of romantic love in cinema–and its redeeming aspects–has been extensively explored in film studies and beyond. However, non-romantic aspects of love, especially love for the neighbour, have not yet received as much attention. This is particularly true when looking at mainstream science fiction cinema. This is surprising as the interstellar outlook of many of these films and consequently the interaction with a whole range of new ‘neighbours’ raises an entirely new set of challenges. In this article, the author explores these issues with regard to Luc Besson’s science fiction spectacles The Fifth Element (1997) and Valerian and the City of a Thousand Planets (2017). Both films have divided fans and critics and it is indeed easy to dismiss them as mere spectacle with little depth or message, as many reviewers have done. Yet, as this article demonstrates, beneath their shiny, colourful surface, both films make a distinct contribution to the theme of neighbourly love. What is more, Besson’s films often seem to develop a close link between more common notions of romantic love and agapic forms of love and thus offer a perspective of exploring our relationship to the alien as our neighbour. -
Fantasy 2009
FANTASY WEBSITES Dempsey Middle School LMC Have patience!! These take awhile to load! The Graveyard Book – Neil Gaiman http://www.mousecircus.com/videotour.aspx Terry Pratchett http://www.terrypratchettbooks.com/discworld/freefall.html http://www.terrypratchettbooks.com/discworld/boffo.html Edmyion Spring - Matthew Skelton www.randomhouse.com/teens/endymion/ Abarat by Clive Barker http://www.thebooksofabarat.com/content4/xbarat99.html Eragon by Christopher Paolini http://www.alagaesia.com/ Use SAFARI as the browser. The Gatekeepers – Anthony Horowitz http://www.scholastic.com/gatekeepers/index.htm Skulduggery Pleasant - Stephanie Edgley http://www.skulduggerypleasant.com/us/ Chronicles of Ancient Darkness: The Soul Eater and Wolf Brother - Michelle Paver http://www.torak.info/ Fly By Night by Frances Hardinge http://www.harpercollinschildrens.com/harperchildrens/kids/GamesAndContests/features/flybynight/default.asp x http://www.franceshardinge.com/ Nightmare Academy - Dean Lorey http://www.harpercollinschildrens.com/harperchildrens/harperchildrensimages/game/nightmareacademysudoku. swf Septimus Heap – Magyk by Angie Sage http://www.septimusheap.com/data/games/sleuth/content.html http://www.septimusheap.com/data/games/shieldbug/content.html Flyte http://www.septimusheap.com/data/games/bones/content.html http://www.septimusheap.com/data/games/spiritseer/content.html The Last Apprentice by Joseph Delaney http://www.harpercollinschildrens.com/harperchildrens/kids/gamesandcontests/features/lastapprentice/ The Chronicles of Narnia – The Lion, the Witch and the Wardrobe by C.S. Lewis http://www.harperchildrens.com/catalog/narnia_books_game.asp# Warriors by Erin Hunter http://www.warriorcats.com/quest/content.html www.warriorcats.com/ Artemis Fowl series - Eoin Colfer www.artemisfowl.com Dragonology Chronicles - Dugald A. Steer http://www.dragonology.com/chronicles.html Harry Potter by J.K. -
Download the Timeline and Follow Along
THE GREAT STEAMPUNK TIMELINE (to be printed A3 portrait size) LITERATURE FILM & TV GAMES PARALLEL TRACKS 1818 - Frankenstein: or The Modern Prometheus (Mary Shelley) 1864 - A Journey to the Centre of the Earth (Jules Verne) K N 1865 - From the Earth to the Moon (Jules Verne) U P 1869 - Twenty Thousand Leagues Under the Sea (Jules Verne) - O 1895 - The Time Machine (HG Wells) T O 1896 - The Island of Doctor Moreau (HG Wells) R P 1897 - Dracula (Bram Stoker) 1898 - The War of the Worlds (HG Wells) 1901 - The First Men in the Moon (HG Wells) 1954 - 20,000 Leagues Under the Sea (Disney) 1965 - The Wolves of Willoughby Chase (Joan Aiken) The Wild Wild West (CBS) 1969 - Captain Nemo and the Underwater City (MGM) 1971 - Warlord of the Air (Michael Moorcock) 1973 - A Transatlantic Tunnel, Hurrah! (Harry Harrison) K E N G 1975 - The Land That Time Forgot (Amicus Productions) U A 1976 - At the Earth's Core (Amicus Productions) P S S 1977 - The People That Time Forgot (Amicus Productions) A R 1978 - Warlords of Atlantis (EMI Films) B Y 1979 - Morlock Night (K. W. Jeter) L R 1982 - Burning Chrome, Omni (William Gibson) A E 1983 - The Anubis Gates (Tim Powers) 1983 - Warhammer Fantasy tabletop game > Bruce Bethke coins 'Cyberpunk' (Amazing) 1984 - Neuromancer (William Gibson) 1986 - Homunculus (James Blaylock) 1986 - Laputa Castle in the Sky (Studio Ghibli) 1987 - > K. W. Jeter coins term 'steampunk' in a letter to Locus magazine -
Participating Retailers 8/5/2021
Participating Retailers 8/5/2021 Store Name Card Type Rebate Store Name Card Type Rebate Store Name Card Type Rebate 1-800-Baskets ($50, E) 12% Bahama Breeze ($25, $100, R, E) 8% Bub City ($25, $100, E) 12% 1-800-Flowers ($50, E) 12% Baja Fresh ($25) 10% Bubba Gump Shrimp Co. ($25, $100, R, E) 9% 76 Gas ($25, $100, R) 1.5% Banana Republic ($25, $100, R, E) 14% Buca di Beppo ($25, E) 8% 99 Restaurants ($25, E) 13% Bar Ramone ($25, $100, E) 12% Buckle ($25, E) 8% Aba ($25, $100, E) 12% Barnes & Noble ($10, $25, $100, 8% Buffalo Wild Wings® ($10, $25, R, E) 8% R, E) Abercrombie & Fitch (E) 5% Build-A-Bear Workshop® ($25, E) 8% Barnes & Noble College ($10, $25, $100, 8% Bookstores R, E) AC Hotels by Marriott ($100, E) 6% Buona Beef ($10) 8% Baskin-Robbins (E) 2% Academy Sports + Outdoors ($25) 4% Burger King ($10, R*, E) 4% Bass Pro Shops ($25, $100, E) 10% Ace Hardware ($25, $100, E) 4% Burlington ($25, E) 8% Bath & Body Works ($10, $25, R, E) 12% Acme ($25, $50, $100, 4% Burlington Shoes ($25) 8% R) Bay Pointe Waterfront (E) 12% Restaurant (MA) Burlington Shoes Encore ($25) 8% adidas ($25, E) 13% Beatrix ($25, $100, E) 12% buybuyBABY ($25, $100, E) 7% Advance Auto Parts ($25, $100) 7% Beatrix Market ($25, $100, E) 12% Cabela's ($25, $100, E) 10% aerie ($25, E) 10% Bed Bath & Beyond ($25, $100, E) 7% Cadillac Bar ($25, $100, R, E) 9% Aeropostale ($25, R*, E) 10% Bel-Air ($25, $100) 4% Cafe Ba-Ba-Reeba! ($25, $100, E) 12% Airbnb (E) 5% Belk ($25, $100, E) 8% California Pizza Kitchen ($25, E) 8% Alamo Drafthouse Cinema (E) 8% Berkot's Super Foods ($25, $100) 4% Canopy by Hilton ($100, $500) 2% Albertsons ($25, $50, $100, 4% R) Best Buy ($25, $100, 4% $250, E) Caribou Coffee ($10) 6% Allsup's ($50) 5% Best Cuts ($25) 8% Caribou Coffee eGift Card (E) 6% Aloft Hotels ($100, E) 6% Best Western International ($25, $100) 12% Carl's Jr. -
Cinephilist 12 18828.Pdf
It started as a way to take my video store background, and create a SHAREABLE list of those go-to films that I recommend/would be happy to watch again (and again). now it’s well over one hundred. And I just thought of another a minute ago. They cover pretty much all genres. And hopefully vintages. Though it takes a while for something to become a classic. The categorizing symbols are something that I ‘borrowed’ from Neil French, and his: ‘cut! 100 greatest movie scenes’. But was granted permission. Thanks Neil. Though the icons are just rough guides. My opinions really. as Some of these films are too hard to pigeonhole. But they’re definitely worth watching. More than once. Enjoy. The SYMBOLS Emotion, Romance Humor, comedy SPORTS Shock, horror, ACTION, oddities Tension, suspense Music, choreography dialogue Great Acting/actors Great direction/director Great cinematography A beautiful Mind 2001 DIRECTOR: RON HOWARD NOTES: Fascinating story. Well-played. TRAILER A FEW GOOD MEN 1992 DIRECTOR: ROB Reiner NOTES: Courtroom scenes. Nicholson monologue. Cruise is actually not annoying. TRAILER A fish called wanda 1988 DIRECTOR: Charles Crichton, John cleese NOTES: Great cast. Classic Kevin Kline. TRAILER ALIEN 1979 DIRECTOR: RIDLEY SCOTT NOTES: ‘In space, no one can hear you scream.’ TRAILER ALIENS 1986 DIRECTOR: JAMES CAMERON NOTES: Could be better than the original. Paxton at his best. TRAILER AMéLIE 2001 DIRECTOR: JEAN-PAUl jeunet NOTES: Sweet story with a twist. One of the best soundtracks in the history of film. TRAILER American beauty 1999 DIRECTOR: SAM Mendes NOTES: Mesmerizing and ethereal. -
May-June 2019
GRAND MAGAZINE THE OFFICIAL MAGAZINE OF GRAND CINEMAS FREE MAY/JUN 2019 MAY/JUNE 2019 GRAND E PLUS YOUR M S O P CHANCE I H D E M TO WIN A R O -M R A R F HOUSE & N: FA CAR! T 3 H K LYING AND STEALING AND STEALING LYING E C I Q W U N E H E THE JO N ’ S CORGI • THE HOT STARS OF SUMMER SUMMER OF STARS HOT THE HOT G L N I Y K STARS OF I N N O I G E L TH SUMMER A N Your guide to the movies D S T setting hearts ablaze E this season AL ING • THE QUEEN’S CORGI QUEEN’S THE G OD ZIL AW LA: SH MONSTERS THE OF KING & HOBBS T T HE O LONG SH GOGRAND #alwaysentertaining SOCIALISE TALK MOVIES, WIN PRIZES @GCLEBANON CL BOOK NEVER MISS A MOVIE WITH E/TICKET, E/KIOSK AND THE GC MOBILE APP. EXPERIENCE FIRSTWORD ISSUE 123 FEAT. DOLBY ATMOS Your mission: enjoy the ride We never get tired of telling our patrons how special they are, and LOCATIONS this season we took it to a whole new level with the Go Grand & Go Home prize draw of a house and car, and our G-Points loyalty program LEBANON KUWAIT keeping the rewards coming. Get all the details in GC DIARY, where we GRAND CINEMAS GRAND AL HAMRA ABC VERDUN LUXURY CENTER also bring you coverage from the Se3a w Noss w 5amseh premiere, 01 795 697 965 222 70 334 and follow our new buddy Missing Link on his trip around Lebanon. -
Mitología Futura
MITOLOGÍA FUTURA PRESENCIA Y PEDAGOGÍA DEL PENSAMIENTO MÍTICO 2019 Xan Eguía Eléxpuru PROGRAMA DE DOCTORADO EN FILOSOFÍA Rama: Artes y Humanidades Línea de investigación: Estética y Teoría de las Artes Director Jordi Claramonte Arrufat 1 Neminem laede; immo omnes, quantum potes, iuva. No dañes. Es más, ayuda a todos cuanto puedas. Schopenhauer La luna se veía grande y plateada sobre los pinos negros y hacía brillar misteriosamente las viejas piedras de las ruinas. Momo y Gigi estaban sentados en silencio el uno al lado del otro y se miraron largamente en ella: sintieron con toda claridad que, durante ese instante, ambos eran inmortales. Momo, Michael Ende 2 ÍNDICE INTRODUCCIÓN; 9 1.EL MITO, 15 1.1.GEORGES DUMÉZIL. MITOLOGÍA COMPARADA Y TEOLOGÍA TRIFUNCIONAL, 19 1.2.PROSA MÍTICA. LOS PRIMEROS TEÓLOGOS GRIEGOS, 22 1.3.¿CREÍAN LOS GRIEGOS EN SUS MITOS?, 26 1.3.1.¿Y QUÉ PENSABAN LOS VIKINGOS?, 31 1.4.CREENCIAS, LO SAGRADO Y LO PROFANO, 34 1.5.TRAGEDIA. DEUS EX MACHINA, 37 1.5.1.INFINITY WAR, 39 1.6.LOS MUCHOS MATICES DEL MITO, 43 1.7.SEMIOCLASTIA, 46 1.8.EL PODER DEL MITO, 47 1.9.LOS MITOS EVOLUCIONAN, 50 1.10.MITODOLOGÍA, 53 1.11.MITOCRÍTICA Y MITOANÁLISIS, 56 2.PSIQUE TAMBIÉN ERA UN PERSONAJE MITOLÓGICO, 59 2.1.LOS SUEÑOS Y SU NATURALEZA MÍTICA, Y VICEVERSA, 60 2.2.ARQUETIPO E INCONSCIENTE COLECTIVO, 63 2.3.ANIMAL SYMBOLICUM, 68 2.4.EL SUPERYÓ Y SU KRIPTONITA, 69 2.5.DE OTTO RANK A LA PROGRAMACIÓN NEURO LINGÜÍSTICA, 73 2.5.1.EL MITO DEL NACIMIENTO DEL HÉROE, 74 3 2.5.2.EL MONOMITO, 76 2.5.3.LA PNL, 80 2.6.EL APEGO, 81 2.7.ALBERT BANDURA