The 2003 RAW STAFF, Siiri Sampson - RAW Coordinator Sonya Masinovsky - Student Art Coordinator MArgot Meyers - Program Writer Becky Weisman - Masquerade Ball Coordinator Rachel Wilsey - Design & Publicity Coordinator GEOFF finger - TECHNICAL DIRECTOR/stage manager Ariel Jacobs - Hospitality Coordinator PAIGE KRAUS- technical consultant WOULD LIKE TO PRESENT:

manufacture

2003 the Table of Contents. Letter from RAW Coordinator 2 Schedule of events 3 Patrick Nagatani & Leigh Anne Langwell 4 Sue Moir, Bev Toledo, Diane Ahrendt, & 5 William Ray Jr. Sonia Sanchez & Pete Beeman 6 Student Art Listing (part I) 7 Student Art Map 8-9 Student Art Listing (part II) 10 The World Trade Organization 11 Andrew Dickson & The Yes Men 12 The Typing Explosion 13 14 Masquerade Ball 15 Oslund + Co./Dance 16

...... Vollum Lounge Gallery Hours: Wed. 10:00am-7:00pm, Thurs. 10:00am-3:00pm, Fri.-Sun. 10:00am-10:00pm 1. 2003 manufacture ATTN: THE MASSES FROM: RAW COORDINATOR RE: ART

For the past 13 years, the Reed community has devoted a week to the creation, appreciation, and discovery of art in all its forms. Each year, students, professors, and professional artists inundate the campus with their work.[Our goal has been to take this year’s celebration a step further, not merely increasing the number of exhibits and performances as we’ve done, but to pick a theme which challenges both artists and viewers to reconsider their relationship with the creative process.

For the fourteenth annual Reed Arts Week, I present the theme: MANUFACTURE. What is the difference between creating and manu- facturing? Does the concept behind the production of art distin- guish the final product? How much does our idea of art depend on the notion of an organic creative process? Can a manufactured product still be art? The answers to these questions, if indeed they even have answers, depend on what it is that the artist struggles to communicate through his or her work. I hope that by encouraging this year’s RAW contributors to consider the idea of manufactured art, we will all look more closely at the "creative process", that journey from initial inspiration to a final prod- uct, and think about the basis of what it means to make art.

The most important part of RAW this year is the increasing vis- ibility & versatility of the student body art. All of the student artists, as well as all the student volunteers, are the essence of RAW; being a part of art for art’s sake. Thank you all for your dedication.

Siiri R. Sampson,

For their assistance and support, the RAW staff would like to thank Kristin Holmberg, Corey Landstrom, Donna Coyne, Ethan Jackson & the art RAW 2003 Coordinator , Crystal Williams, bill ray & the division of literature and department languages, Patricia Wong, Carla Mann & the dance department, the senate, silas cook, Ann Casey, Constance San Juan & the student body & events staff, Jim holmes & audio visual, craig lauder & the Conference print shop, Keith North & the Physical Plant staff,, max muller, nadine fiedler, KArl Nelson, The Jazz Collective, and the wonderful RAW volunteers. 2. wed events4:00 Student art walwalk. Student Union Porch. 7:30 Sonia SanchezSanchez, poetry reading. Kaul Auditorium.

thurs 3:00pm-3:00am Jonathon Clark, Leah Page, Tim Russell, manufacture 2003 “Mixed Paint”. GCC-C&D (performance will be held fri. & sat. at the same times.) 4:00 The WTOWTO,”Hunger in Third World Countries” lecture by Aldritch Heviside-Spillinger IIIIII. Vollum Lecture Hall. 5:00 Daniel LichtermanLichterman, Jello Mimesis. Quad. 7:00 The Yes MenMen,”We are the Yes Men” lecture. Chapel. 8:00 Andrew Dickson, film shorts & presentation. Psych. 105.

Fri 8:30am-4:00pm Carlos del Rio,Rio,“Cog”. Quad. 11:30am-2:00pm The Typing Explosion,Explosion,creating manufactured poetry while you wait. Commons. 4:00 Patrick Nagatani & Leigh Anne Langwell, Lectures. Vollum Lounge. 4:00 Kristina Wilson,Wilson,”An Afternoon of Mozart Opera”. Chapel. 6:00 Reception for Glassblowing Exhibit. Library Lobby. 9:00 The Coup with DJ Rundown, concert. Student Union. Open to Reed students only, Reed ID required.

Sat 9:00am-12pm Mary Oslund, dance master class. Gym II.** 12:30pm-3:30pm Glassblowing Workshop at Dragonfly Studio. ** 9:00 Masquerade BallBall, music and dancing. Student Union. Reed ID required. ** reserve space at the Student Activities Office.

Sun 3:00 Elliot SharronSharron, “Letters to Oprah”. GCC-A. 4:00 Ashley Edwards, Brannon Ingram,”Tetra” short film. Psych. 105. (film will be looped.) 8:00 Oslund + Co./DanceCo./Dance, Dance performance. Gym II. Free to Reedies, Reed ID required. 3. Vollum Lounge: Wednesday- Sunday ** co-sponsored by a. installation the Art Department ** Photography by: Patrick Nagatani “Nuclear Enchantment” -and- Leigh Anne Langwell “Photograms”

Patrick Nagatani’s Patrick Nagatani’sNagatani’s, “Nuclear Enchantment” is a commentary on America’s fascination with nuclear power. Nagatani uses ironic humor in his post-apocalyptic scenarios, emphasizing our inability to realistically grasp the tremendous threat of nuclear fallout. Each photograph is a collage, juxtaposing the recogn izable against the distorted horrors of nuclear destruction. Nagatani has conducted extensive research into governmental atomic activity, including nuclear dumpsites, test centers, and accidents. He balances the grave political and social implications underlying his work with an appreciation for persever- ance and regeneration, depicting otherworldly landscapes that seem enhanced by their nuclear distor- tions. An Associate Chair and Professor of Art at the University of New Mexico, and the recipient of many grants and awards, Nagatani has exhibited his photographs internationally.

Leigh Anne Langwell’ Leigh Anne Langwell’Langwell’s award winning “Photograms” reflect the New Mexico artist’s background in biological and medical imaging. Langwell creates her photograms in the

manufacture darkroom without a camera or negative, laying her own latex sculptures on photographic paper and exposing it to light pulses. The resulting shadowy images appear to offer a microscopic

2003 peek into the inner workings of the human body. Langwell envisions the interstitial spaces between cells as a conceptual landscape, where the abstract and literal meet. The organic quality and dark, oceanic spaces of Langwell’s photograms intermingle notions of artistic and scientific creativity. Langwell has worked as a college lecturer, graphic artist, and a technical writer, and has been exhibiting her photography nationally since 1993. She has been recognized with many awards, including the James D. Phelan Award, a Wilard Van Dyke Memorial Grant, and a Francis Elkins fellowship at the University of New Mexico.

e. lectureLecture by Patrick & Leigh Anne on nuclear mauf- acturing & photograms. Friday, February 21, 4.Exerpt from Untitled, 1999, Panels 3-4 4:00-6:00pm, Vollum Lounge 2003 manufacture a. installation Blown Glass by: Sue Moir, Bev Toledo, Diane Ahrendt, -and- William Ray Jr. On display in Hauser Library, Periodical Read- This collection of work demonstrates why the ing Room: Pacific Northwest is known as the glass Mecca of the West. Glass art Wednesday-Sunday encompasses a wide range of subjects, from the classic Venetian goblets to free form sculpture. Each handcrafted piece is a unique blend of imagination, technique, and chemistry. Diane Ahrendt, proprietor of dragonfly studios, finds “a strange delight in smashing a vase or bowl that didn’t turn out right, only to use it in the next piece with wonderful results.” Toledo, a painter and glass blower, has found the light and color properties in glassblowing to be similar to painting, although the reflective and refractive prop- erties in glass are real rather than implied. These pieces remind the viewer that the production of utilitarian objects can be an inspired, creative act. (Some works are for sale, price list available through Student Activities)

Reception for glass blowing exhibit. g. Friday, February 21, 6:00 pm, Interactive Hauser Library Lobby.Glass blowing Workshop at Dragonfly StudioStudio. Saturday, February 22, 12:30-3:30pm. Visit Diane Ahrendt’s studio to learn about the techniques and skills required to create one of a kind objets d’art, by watching artists work with pipes, jacks, tweezers, shears, color, hot glass and fire. ** Sign up in the Student Activities Office ** 5. e. lectureSonia Sanchez: Poetry Reading 7:30pm Kaul Auditorium, Wednesday February19, 2003

Sonia Sanchez Sonia Sanchez is the author of over 16 books including “Homecoming”, “We a BaddDDD People”, “Homegirls and Handgrenades”, “Wounded in the House of a Friend”, and most recent ly “Shake Loose My Skin”. Her honors in- clude a National Endowment for the Arts grant, an American Book Award, a Pew Fellowship, the Langston Hughes Poetry Award, and the 2001 Frost Medal for Distinguished Achievement from the Poetry Society of America.

A founding member of the “Broadside Quartet,” Sanchez is also known for her involvement in the civil rights movement and later in the black arts movement. She has lectured and read her poetry widely, nationally and internationally. Sponsored by Reed’s Multicultural Enrichment Committee with support from Reed Arts Week (RAW), Reed’s division of literature and lan- guages, and the Reed visiting writers series.

Sculpture by: a. Installation Pete Beeman “Portrait of the Artist as a Schoolboy”

On displayd in Vollum Pete Beeman, a Portland based artist, applies Lounge: Wenesday- his engineering skills to the design of interactive ki- Sunday. netic sculptures. Based around ideas of motion, his sculptures come to life with a blend of clumsiness and grace. Beeman calls the functions of his objects “extravagant and useless, more often a play on utility than they are utile.” For Beeman, engaging art is a form of communication. His creations confront our society’s emphasis on efficiency, questioning the meaning of utility and functionality. Beeman holds a Master’s Degree from Stanford University in Art and Mechanical Engineering, and has exhibited his sculptures nationally. His most recent large-scale installation, “Pod”, can be seen (and touched) downtown at 10th Avenue and West Burnside Street. 6. 2003 manufacture Ariel Jacobs: c. “Images of Object’s Self”Self”. student art Photographs of discarded manufactured products gives new life to junk. Feldenheimer Gallery, Art Building. Happenings: where to go when you know. Andrew Korson: Sonya Masinovsky: ”Who’s Got Glass Balls?” Exhibit Student art walk and of seafloats, hollow blown glass spheres. Paradox Lost, and recognition. The who’s who and where’s what of assorted elsewheres. student art at RAW ’03 (a one hour tour) Departing Angie Wilson: from SU porch, wed. 4:00 pm. “Pixel Quilt”. Mixed-material quilt Jonathan Clark, Leah Page, Tim designed from pixilated digital images. Location TBA. Russell, and community: Athena Hollins: “Mixed “St. Kolbe, the Patron Saint Paint”Paint”. Interactive painting experience. Music, tools, of Caffeine”. Tile mosaic in the likeness of Saint and surfaces will be provided. Gray Center, rooms C&D, Maximillian Kolbe, patron saint of drug addiction and thurs-sun 3:00 pm until 3:00 am. political prisoners. Paradox. Daniel Lichterman: Bea Ogden: “Jello Mimesis”Mimesis”. gelatin “Manufacturing the Revolution”Revolution”. art demonstrates the liquidity of popular imagery. Quad, Mobile and book hand constructed from revolutionary art Thurs. 5:00 pm to 6:00 pm. and the artist’s photographs of protests and direct Carlos del Rio: action workshops. Feldenheimer Gallery, Art Building. “Cog””. Artist, tied to a Becky Weisman: post, masticates and deposits food as commentary on “Photos by Becky”Becky”. A collec- the production process. Quad, Fri. 8:30 am to 4:00 pm. tion of photographs and lightboxes displaying the Kristina Wilson: sublimely filthy suburban industrial wasteland. Paradox. “An Afternoon of Beth Reddy: Mozart Opera”... Mozart perfromance. Chapel, Fri 4:00 “Banner”Banner”. Brightly colored clothing

pm to 5:00 pm. sewn jigsaw style into a large banner. Eliot HAll stairwell. manufacture 2003 Elliot Sharron: Beverly Lau: ”Letters to Oprah”. People “R”“R”. Suspension of many small wire come, discuss Oprah’s untapped revolutionary potential, Reed “RR”s. Student Union. and then write her letters suggesting Oprah organize Cecily Swanson: the masses. GCC-a, Sun. 3:00 pm to 4:00 pm. “Portraits”. Realistically Ashley Edwards & Brannon rendered portra its and montage of school notes. Com- Ingram: mons. “Tetra”“Tetra”. Film presenting the internal Christopher Bowersox: narrative of Tetra, the first monkey to be cloned with “Abstract the “artificial twinning” process. Psychology Auditorium, Climbing Wall”. The rocks and movement involved in sun. 4:00 pm to 7:00 pm. (short film will be looped.) climbing, synthesized into an abstraction made of wood and steel. Quad. Clea Liquard: “Photographs of Industrializa- tion”. Black and white industrial photographs. Installations:Installations: allall rawraw allall thethe time.time. Feldenheimer Gallery, Art Building. Alea Adigweme: "Sin ropas, sin defensas". "Sin ropas, sin defensas". The Daniel Etra: “The Obstacle of the Concrete artist's work contains twenty four black and white self “The Obstacle of the Concrete Arch”. Too close for comfort? This arch of consumerism portraits. It is up to the viewer to decide if there is a challenges each viewer to make a choice. Rose garden, deeper meaning. Feldenheimer Gallery, Art Building. South east of Vollum.

7.

2003 manufacture

c. student art Leigh Sellers & Arini Esarey: more Installations: all raw all the time. “Untitled”“Untitled”. Painting by numbers. Gray Center porch, Dawn Teele: near Student Union. “Crime in the City”. Cityscapes overlaid with poetic verse. Feldenheimer Gallery, Art Lizzy Scheibel, Colleen Duffy, & Jessica Pikul: Building. “so.ill”. Deep Fried Objects. Eileen Hlavka: Commons. “Truth and Falsehood, History Malin Dawson: and Artifacts”Artifacts”. Paper mache Doyle owls await your “The Manufacture of Lies and discovery. We could tell you where, but we won’t. Death (La Maquiladora de Mentiras y Muertos)”... Elizabeth Cartozian: Paintings and photographs addressing the problems in  “Untitled”“Untitled”. Stickers Mexican factories, particularly the killings of 280 young and t-shirts of pointing finger Here, there, every- female factory workers since 1990. Commons. where. Confused? Try that way. Max Goldstein: Elly Blue & Skye Drenguis: “Searching for a Ghost”. “Yeah, I’ll Artist displays his photographs along with reprints of call you”you”. Mixed media installation of flirtation and decay. old negatives in a memorial dialogue with his father. library lobby. Feldenheimer Gallery, Art Building. Emilie Broughton: “Curtains” . Found object Nick Creamer & Kent Ureda: curtains. Gray Center windows. “Untitled”“Untitled”. Life-sized chessboard (not made of humans). Emily Terhune: front lawn. “Untitled”“Untitled”. Photography. Rachel Sprague: Feldenheimer Gallery, Art Building. ”Untitled””Untitled”. Paper mache Jonathan Murphy: masks, each associated with particular animals and “There Was an Old Woman”. emotions. Sallyport. Giant converse shoe. Quad. Rebecca Ferris: Katherine Boyer: “Posse”“Posse”. Color photography “Favorite Object”Object”. Portraits and collage. Feldenheimer Gallery, Art Building. of people and their most cherished belonging. Commons. Shulie Seidler-Feller: Kati Sweaney: “Untitled”. “This is Not”Not”. Continuing the Photographs from her summer in Ghana. Feldenheimer project she began as a child, the artist labels the Reed Gallery, Art Building. campus with notes inspired by painter Rene Magritte, Sonya Masinovsky: creator of “Ce n’est pas une pipe”. Here, there, everywhere "Internal Dialogue"Dialogue". (ici, la bas, surtout). painted portraits. Paradox. Katie Wagner & Japanese Culture Tara Anderson: Dorm: “Objectifying Experience”... ”Origami Mural”Mural”. Origami. Chemistry Building. images and diagrams of human emotion. Vollum lobby, Kelley Healey: main floor. “ untitled”. found object collage. commons. Teresa Keirns & Gemma Petrie: Kelly McCown: “Contraception Mobile”Mobile”. Mobile made of discarded “Polaroid Fashion”Fashion”. Polaroid birth control pill packaging. Biology breezeway. dress. Mailroom. Virginia Griffin: Krista Hanson & Jeff Neria: “Karl Marx”. Jelly bean “Flaming portrait. ETC lobby, above fireplace. Garden”Garden”. Metal flowers reflect natural colors by day and give off a warm fiery glow by night. West lawn. 10. e. lecture rganization The WWorld TTrade OO presents: ”Hunger in Third World Countries”

2003 manufacture Lecture by Aldritch Heviside-Spillinger III

Vollum Lecture Hall. 4:00pm Thursday, Feb- ruary 20, 2003

In developing nations, the concept of “manufactured” art is not an abstraction, but a very real part of the economy. Traditional crafts in the form of textiles, carvings, and other decorative objects may offer these countries a much-needed source of revenue with which to fuel expansion into modern production methods and technologies. Free trade is integral to the elimina- tion of hunger in third world countries. As WTO Director-General Mike Moore has said, “At the moment, Least Developed Countries have less than 1 percent of world exports. I believe an effective way to prevent the further marginalization of Least Developed Countries from the world economy is through the launch of a new round of multilateral trade negotiations. A round offers the poorest and most disenfranchised among us the leverage to obtain wider access for their products, more funds for technical assistance and more flexibility in implementing their commitments under exist- ing WTO rules.”

Note from the RAW ’03 staff: The WTO’s positions on intellectual property, their support of the arts as witnessed by their sponsorship of an architectural design contest for their new European headquarters, and particularly their awareness of the artisan’s role in third world economies, demonstrates that the WTO’s presence on the roster of RAW events is the beginning of an important dialogue about the role of art as a commodity in the international market place.

11. 8:00pm, Psychology Au- ditorium 105, Thursday, F. film February 20, 2003 An Evening With Andrew Dickson Lecture and Presentation of Short Films

Andrew Dickson, Andrew Dickson, a Portland based filmmaker, actor, and writer, will be screening a series of short films including “Autographhss.com”, a primer for dot.com startup failure; “Hunter Dawson”, a mock application video for reality TV shows; and a segment from the fantasy role- playing game adventure “Good Grief”. His films, most of which are two parts comedy to one part social commentary, have screened locally as well as at film festivals, independent theaters, and punk house basements across the country. Dickson and fellow artist Bradlee Simmons, a Bay Area “d ot-gone” refugee, will introduce the films and speak about the creative process, making films outside Hollywood, and Dickson’s attempts to use the “do it yourself” music model to exhibit and distribute his feature film “Good Grief”. (www.goodgriefmovie.com)

7:00pm, Chapel, Thursday, Febru- e. lecture ary 20, 2003 The Yes Men: “We are The Yes Men” Political activists Political activists and corporate gadflies, The Yes Men use consumer culture as their base material, parodying status quo ideologies by twist- ing them into the troupe’s own brand of perfor- mance art. They describe themselves as “a genderless, loose-knit association of some three hundred impos- tors worldwide... In other words, the Yes Men are team players... but they play for the opposing team”. The activist artists are constantly struggling against “the manufacture ** Co-spon- of consent” with their theatrical protests, which “throw monkey sored by Departmentthe Art ** wrenches into the cogs of the big social machine that keeps capi- tal in power.” 12. 2003 manufacture 11:30am-2:00pm, Gray Center Commons, b. performance Art Friday, February 21, 2003 g. The interactiveTyping Explosion

Part spectacle, part poetry, Part spectacle, part poetry, The Typing Explosion, , is a trio of Seattle per- formers who crank out assembly line poetry while you wait. The typists, each carefully coiffed and

dressed in 1950s style secretarial attire, communicate through bells and whistles, and the occasional manufacture 2003 “De a r Diane” memo. Each poet contributes a line or two to the custom crafted verse before passing it to the next woman, pausing only for designated Local 898 union breaks. Lighthearted and sponta- neous, the trio hopes to take some of the dour rigidity out of poetry, while paying tribute to hard working, well-educated women secretaries, like their mothers, whose career options were limited be- cause of the era in which they lived. The Typing Explosion has become a national phenomenon with a loyal Seattle fan base, which helped make The Typing Explosion’s first theatre piece “Dear Diane” a success.

“Towards the Destruction of Helsinki” will you bend down and let me touch your hair in the night? Even when I have hurt you during the day? Will you move you eye lids around and pretend not to Notice thatI am bending down xxxxxx kiss you serpent snake salamander to hold in my hand in Helsinki rabid I am with unearthed notions of love beyond the grave, morbid passions for dead women’s limbs. Oh, Helsinki why is the light so dim?

-Sarah Paul Ocampo, Rachel LaRue Kessler, and Sierra K. Nelson (a.k.a. The Typing Explosion)

13. d. music Live in concert:The

9:00pm, Student Union, Coup Friday, February 21, 2003. 2003 manufacture Open to Reed Students only, Reed ID Required.

Since forming in 1990, The Coup’s sound has grown from the basic sample-and-loop aesthetics of “Kill My Landlord” (1993) and “Genocide & Juice” (1994) to increasingly complex arrangements, “incorporating live instruments, multi-layered background vocals, interludes and skits, turntable scratching, and, as always, slumpin’ beats capable of rattling in the trunk and in your noggin at the same time”. As the group’s primary producer, ar- ranger and songwriter, , has been responsible for the evolution of the Coup’s sound. DJ Pam the Funkstress, a member of the group since 1997, collaborated on 1998’s “Steal This ”, and The Coup’s most recent album, the uptempo, even danceable, “”.

With their commitment to anti-corporate activism, The Coup is a rap group both your booty and your brain can feel. “Political music, to be viable, has to have a movement to go along with it” says Boots, otherwise, “if you’re wearing the clothes and memorizing the lyrics, but you go home and you don’t have anything in the refrigerator, you’re gonna say, ‘This music doesn’t have anything to do with the material world.’ So people will latch on to other ideas that actually do affect them in the real world. That’s why the movement that I would like to align myself with is a movement that is about bettering your standard of living and getting paid, but also about a better way of getting paid, about getting paid together, and about enacting real, lasting change.”

DJ Rundown opens: DJ Rundown, a member of OPUS X DJ crew, is one of the few remaining hip hop DJ's who produce, battle, and still find time to read all the latest lowrider bicycle magazines. 14. 2003 manufacture g. interactive Masquerade

9:00pm, Student Union. Saturday, Febru- ary 22, 2003. Ball Reed ID required.

So you’ve seen the exhibits, been to the lectures, and know all too well how your every thought, movement, and feeling are automated mechanisms, dictated by the industrial complex of 21st century life. Are you a cog? Just another gear in the machine? we say no!

Let the sights and sounds of the Masquerade Ball bring you back to your senses. Come spend the night celebrating RAW’s climax. Give over to the organic beats, as lights and images pulse overhead. In the midst of a manufactured industrial wasteland, your groovin’ body will remind you that you can live in a world of your own creation. Feel awed, feel inspired, feel human. Ain’t life grand?

DJ Fidgit 9:00pm - Reed’s favorite party DJ spins atmospheric rhythms of soul, funk, and hip hop, manufacturing a sound designed to get you moving.

10:00pm - Triclops This Portland trio, John Sanders, Joe Sanders, and Scott Pemberton, will get you dancing with the smooth sound of their “slow-boil” funk jams. Triclops uses guitar, big bottomed bass, and heavy doses of electric 70’s organ to create the space age originals and unlikely covers which pack the houses at Goodfoot every Thursday night.

15. b. Performance Art 8:00pm, Gym II. Sunday, February 23, 2003 **Co-sponsored by the Dance Department** Oslund + Co./Dance Present:”Fold”, “The Eleanor Trios”, “Kinder Weather”, “Fifty Infants” & new works in progress.

Open to the public. $15 general admission, $10 students & working artists. Tickets sold at the door.(Free to Reed Community)

Mary Oslund, Artistic Director of Oslund + Company/ Dance, strives to create work that engages others in insightful, passionate and sophisticated exchange. Her choreography is marked by rigorous and expressive physicality, movement invention, intricate group work, and unusual partnering. Oslund’s artistic vision is singular and idiosyncratic, technically complex and emotionally layered, urban and contemporary. The Company has received funding from the National Dance Project/New England Foundation for the Arts, Meyer Trust, The Allen Foundation, Oregon Community Foundation, Mentor Graphics, Templeton Foundation, National Endowment for the Arts, the Oregon Arts Commission, the Metropolitan Arts Commission, the Regional Arts and Culture Council, and the Lane Arts Council. Oslund has served on the faculty of The University of Oregon, Lewis and Clark College, Portland State

University, and Reed College; and is the recipient of individual awards for her choreography including a manufacture 2003 National Endowment for the Arts Choreography Fellowship, an Oregon Arts Commission Individual Artist Fellowship in Dance, a RACC Individual Artist Award, and a Foundation for Contemporary Performance Arts (NYC) award in dance. Among others, Oslund + Company has been presented regionally by Portland Institute for Contemporary Art (PICA) and White Bird (2003-04 season).

g. Master Class 9:00am - 12:00pm. Gym II. Mary Oslund and dancers will be leading a master class for interactive intermediate/advanced level dancers. Free to the Reed Community, open to the public $10. Reserve space at Student Activities. 16.