The Uses and Meanings of Liminality
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The Golden Bough (Third Edition, Vol. 3 of 12) by James George Frazer
The Project Gutenberg EBook of The Golden Bough (Third Edition, Vol. 3 of 12) by James George Frazer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Golden Bough (Third Edition, Vol. 3 of 12) Author: James George Frazer Release Date: January 12, 2013 [Ebook 41832] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE GOLDEN BOUGH (THIRD EDITION, VOL. 3 OF 12)*** The Golden Bough A Study in Magic and Religion By James George Frazer, D.C.L., LL.D., Litt.D. Fellow of Trinity College, Cambridge Professor of Social Anthropology in the University of Liverpool Third Edition. Vol. III. Part II Taboo and the Perils of the Soul New York and London MacMillan and Co. 1911 Contents Preface. .2 Chapter I. The Burden Of Royalty. .6 § 1. Royal and Priestly Taboos. .6 § 2. Divorce of the Spiritual from the Temporal Power. 24 Chapter II. The Perils Of The Soul. 35 § 1. The Soul as a Mannikin. 35 § 2. Absence and Recall of the Soul. 39 § 3. The Soul as a Shadow and a Reflection. 93 Chapter III. Tabooed Acts. 122 § 1. Taboos on Intercourse with Strangers. 122 § 2. Taboos on Eating and Drinking. 138 § 3. Taboos on shewing the Face. 143 § 4. Taboos on quitting the House. 146 § 5. Taboos on leaving Food over. 150 Chapter IV. -
Immigrant Fiction, Religious Ritual, and the Politics of Liminality, 1899-1939
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2008 Rights of Passage: Immigrant Fiction, Religious Ritual, and the Politics of Liminality, 1899-1939 Laura Patton Samal University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the English Language and Literature Commons Recommended Citation Samal, Laura Patton, "Rights of Passage: Immigrant Fiction, Religious Ritual, and the Politics of Liminality, 1899-1939. " PhD diss., University of Tennessee, 2008. https://trace.tennessee.edu/utk_graddiss/343 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Laura Patton Samal entitled "Rights of Passage: Immigrant Fiction, Religious Ritual, and the Politics of Liminality, 1899-1939." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Mary E. Papke, Major Professor We have read this dissertation and recommend its acceptance: Thomas Haddox, Carolyn R. Hodges, Charles Maland Accepted for -
Sociolinguistics Study on Taboos
International Journal of Humanities Social Sciences and Education (IJHSSE) Volume 7, Issue 1, January 2020, PP 88-92 ISSN 2349-0373 (Print) & ISSN 2349-0381 (Online) http://dx.doi.org/10.20431/2349-0381.0701010 www.arcjournals.org Sociolinguistics Study on Taboos Fan Mengxun* Department of Foreign Language, Sichuan University of Science & Engineering, Zigong city, Sichuan Province, China. *Corresponding Author: Fan Mengxun, Department of Foreign Language, Sichuan University of Science & Engineering, Zigong city, Sichuan Province, China. Abstract: Language should be used to learn is one of the research scope of pragmatics, in terms with science, the pragmatic comparative study between different language is a kind of commonly used research techniques. Context is one of the core concepts of pragmatics. Interpersonal communication depends on specific context, context directly affects the people to the use of words and reason. The appropriateness of some specific speech ACTS must be judged according to the context in which they are used. People have social attributes, and their lives are restricted and regulated by the society. People in social activities, often will encounter many sensitive issues, or embarrassing situation of difficult, this is taboo. It is like a free form the yoke of bondage in people's language and behavior. In the process of language communication, taboo people say or write some words or words, is a taboo language; Words that are forbidden or taboo to say or write are taboo words. Taboos are a reflection of human society and culture. As an inseparable part of language, taboos can be studied by pragmatics, that is, by comparing the taboos between different languages and understanding and expressing them in specific contexts. -
Mary Douglas: Purity and Danger
Purity and Danger This remarkable book, which is written in a very graceful, lucid and polemical style, is a symbolic interpretation of the rules of purity and pollution. Mary Douglas shows that to examine what is considered as unclean in any culture is to take a looking-glass approach to the ordered patterning which that culture strives to establish. Such an approach affords a universal understanding of the rules of purity which applies equally to secular and religious life and equally to primitive and modern societies. MARY DOUGLAS Purity and Danger AN ANALYSIS OF THE CONCEPTS OF POLLUTION AND TABOO LONDON AND NEW YORK First published in 1966 ARK Edition 1984 ARK PAPERBACKS is an imprint of Routledge & Kegan Paul Ltd Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2001. © 1966 Mary Douglas 1966 All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication Data A catalogue record for this book is available from the Library of Congress ISBN 0-415-06608-5 (Print Edition) ISBN 0-203-12938-5 Master e-book ISBN ISBN 0-203-17578-6 (Glassbook Format) Contents Acknowledgements vii Introduction 1 1. -
A Note on the Incest Taboo: the Case of the Matrilineal Khasis
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 5, Ver. I (May 2017) PP 41-46 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org A Note on the Incest Taboo: The Case of the Matrilineal Khasis Davina Diengdoh Ropmay (Research Scholar, Department of Sociology, North-Eastern Hill University, Shillong, Meghalaya, India) Abstract : Incest Taboo serves as one important aspect under kinship studies. Understanding the rules prohibiting intimate and sexual relations with certain kin throws light on how other facets of a social organisation operate such as marriage, clan organisation and kinship terminology. The existence of the Incest Taboo among the Khasi, a major matrilineal tribal group of Meghalaya, provides us a picture on how such facets are determined. Therefore, this article attempts to describe the bounds of the incest taboo among the Khasis and the serious implication it has towards the maintenance and perpetuation of the society as a whole Keywords: Incest, Exogamy, Incest Taboo, Marriage, Khasi. I. INTRODUCTION The study of Kinship has been a much researched area in sociological and social anthropological studies. It simply seeks to understand on one hand, in what way a person is related to another, and on the other hand, in what way do these people exhibit behaviour with each other as per their relationship. Radcliffe-Brown rightly puts it “A kinship system thus presents to us a complex set of norms, of usages, of patterns of behaviour between kindred” (Radcliffe-Brown 1950: 10). Behaviour patterns which stem out of the social relations between people, customs, norms and usages are important for the functioning of the social machinery. -
Victor Turner and Contemporary Cultural Performance, Graham St
Victor Turner and Contemporary Cultural Performance, Graham St. John, (ed) 2008 New York and Oxford: Berghahn Books. £47.50 hbk ix + 358 pages ISBN 978-1-84545-462-3 Victor Witter Turner (1920 – 1983), working with his wife Edith Turner, was an anthropologist deeply concerned with ritual both in tribal communities and in the contemporary developed world. His early fieldwork in African villages in the 1950s was typical of the career development of field anthropologists at that time. He developed a special interest in rituals, seeing these as social drama in addition to the religious expression of the sacred. He drew on the work of Arnold van Gennep (1960, originally 1908) on rites of passage (viz. birth, marriage, death and sometimes puberty initiation), translated into English in 1960: Turner focused on the concept of limen, ‘threshold’ and the term liminality. Van Gennep added pre-liminal separation or isolation from, and post-liminal reincorporation into, one’s community as a threefold schema. The context was tribal and religious, with gods and spirits demanding to be appeased. Turner applied this retrospectively to his own fieldwork, and far beyond van Gennep’s work, developed the concept to embrace all transitions and all rituals everywhere. He bracketed out academic scepticism about tribal religion and focused on how the people experienced the ritual. Ritual as social drama gives it a significant social function, to dispel conflict and schism and to mend quarrels. He then applied this concept to western developed society to explore how conflict is resolved and what replaces ritual in a secular context. -
Tuc Riti Ia I 111 Lb
TUC RITI IA I 111 LB. 11 1 1 %J i \ L» i""^ /^®% P H & ^^^^ ^^^r ^^^y v^—^g Structure and Anti-Structure VICTOR TURNER The Lew/s Hen/y Morgan Lectures | 7966 presented at The University of Rochester, Rochester, New York Cornell Paperbacks Cornell University Press ITHACA, NEW YORK lite.*..- SYMBOL, MYTH, AND RITUAL SERIES General Editor: Victor Turner Raymond Firth, Symbols: Public and Private* Eva Hunt, The Transformation of the Hummingbird: Cultural Roots of a Zinacanlecan Mythical Poem Bennetta Jules-Rosette, African Apostles: Ritual and Conversion in the Church of John Maranke* Sally Falk Moore and Barbara G. Myerhoff, eds., Symbol and Politics in Communal Ideology: Cases and Questions^ Barbara G. Myerhoff, Peyote Hunt: The Sacred Journey of the Huicho'l Indiansj Victor Turner, Dramas, Fields, and Metaphors: Symbolic Action in Human Socielyj Victor Turner, Revelation and Divination in Ndembu Ritual^ Victor Turner, The Ritual Process: Structure and Anti-Structurej Roy Wagner, Lethal Speech: Daribi Myth as Symbolic Obviation *Also available in a Cornell Paperbacks edition. tAvailable from Cornell University Press only in a Cornell Paperbacks edition. To the memory of Allan Holmberg this book is respectfully dedicated. Copyright © ig6g by Victor W. Turner Foreword to Cornell Paperbacks edition copyright © 1977 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information address Cornell University Press, 124 Roberts Place, Ithaca, New York 14850. First published ig6g by Aldine Publishing Company. First published, Cornell Paperbacks, 1977. -
Some Considerations Concerning Rites of Passage and Modernity VIBRANT - Vibrant Virtual Brazilian Anthropology, Vol
VIBRANT - Vibrant Virtual Brazilian Anthropology E-ISSN: 1809-4341 [email protected] Associação Brasileira de Antropologia Brasil DaMatta, Roberto Individuality and liminarity: some considerations concerning rites of passage and modernity VIBRANT - Vibrant Virtual Brazilian Anthropology, vol. 14, núm. 1, 2017, pp. 149-163 Associação Brasileira de Antropologia Brasília, Brasil Available in: http://www.redalyc.org/articulo.oa?id=406952169009 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Déjà Lu Individuality and liminarity: some considerations concerning rites of passage and modernity Roberto DaMatta Departamento de Ciências Sociais, Pontifícia Universidade Católica do Rio de Janeiro - PUC-RJ, Rio de Janeiro/RJ, Brazil Abstract This article explores a critical link between two concepts which are central to the social sciences: the idea of liminarity, engendered by the anthropological tradition of self-centred and self-referred monographic studies; and the idea of individuality, a key concept within the classical tradition of the socio-historical studies of great civilizations (as well as being the crucial and familiar category of our civil and political universe). The author seeks to show how a bridge can be established between these two concepts, which may at first appear distant, by focusing on certain under-discussed aspects of rites of passage. He argues that the ‘liminal’ phase of rites of passage is tied to the ambiguity brought about through the isolation and individualization of the initiate. -
Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance
BETWEEN LIMINALITY AND TRANSGRESSION: EXPERIMENTAL VOICE IN AVANT-GARDE PERFORMANCE _________________________________________________________________ A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Theatre and Film Studies in the University of Canterbury by Emma Johnston ______________________ University of Canterbury 2014 ii Abstract This thesis explores the notion of ‘experimental voice’ in avant-garde performance, in the way it transgresses conventional forms of vocal expression as a means of both extending and enhancing the expressive capabilities of the voice, and reframing the social and political contexts in which these voices are heard. I examine these avant-garde voices in relation to three different liminal contexts in which the voice plays a central role: in ritual vocal expressions, such as Greek lament and Māori karanga, where the voice forms a bridge between the living and the dead; in electroacoustic music and film, where the voice is dissociated from its source body and can be heard to resound somewhere between human and machine; and from a psychoanalytic perspective, where the voice may bring to consciousness the repressed fears and desires of the unconscious. The liminal phase of ritual performance is a time of inherent possibility, where the usual social structures are inverted or subverted, but the liminal is ultimately temporary and conservative. Victor Turner suggests the concept of the ‘liminoid’ as a more transgressive alternative to the liminal, allowing for permanent and lasting social change. It may be in the liminoid realm of avant-garde performance that voices can be reimagined inside the frame of performance, as a means of exploring new forms of expression in life. -
Chapter 5: Performing Culture—— 117
05-Bell-45471.qxd 1/11/2008 3:56 PM Page 115 CHAPTER 5 Performing Culture Theory in Perspective: How Do Cultures Perform? nthropology, sociology, and even psychology in the mid-nineteenth cen- tury took “the study of man” as their central concern. The guiding A method for these new academic areas was positivism, the belief that cov- ering laws of human organization could be discovered through direct observation. This perspective maintains that the universe is orderly, and the job of scientific inquiry is to discover this order and classify it in systematic ways. Charles Darwin’s work on evolution was an important model for researchers in the social sciences who searched for origins in the “evolution” of culture. Theories of the evolution of culture are interwoven with the study of religion. Three schools of theory emerged in the nineteenth century—myth and ritual, soci- ological, and psychological—all asking the question, Did religion originate in myth or ritual? Mircea Eliade was interested in the phenomenology of religious experi- ence and how myths and rituals are expressions of both the sacred and the profane in culture that provide unity for people. The sociological school, led by Emile Durkheim, maintained that religion is a social creation whose function is to pre- serve the welfare of a society. Sigmund Freud anchored the psychological approach: taboos of incest and patricide necessitate rituals that appease repressed desires. Across these approaches, performance was studied for its window into larger cultural structures, like religion, politics, economics, language, and identity (Beeman 1993). When specific performance genres were studied (like rites, rituals, games, contests, dance, and music), performance was often seen as a fixed, static product, evidence of cross-cultural similarities, and indicative of universal needs and expressions. -
Newly Betwixt and Between: Revising Liminality in the Context of a Teacher Preparation Program Alison Cook-Sather Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Education Program Faculty Research and Education Program Scholarship 2006 Newly Betwixt and Between: Revising Liminality in the Context of a Teacher Preparation Program Alison Cook-Sather Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/edu_pubs Part of the Education Commons Custom Citation Cook-Sather, Alison, “Newly Betwixt and Between: Revising Liminality in the Context of a Teacher Preparation Program,” Anthropology and Education Quarterly 37 (2006): 110-127. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/edu_pubs/9 For more information, please contact [email protected]. Newly Betwixt and Between: Revising Liminality in Learning to Teach. Anthropology and Education Quarterly 37, 2 (June 2006), 110-127. Alison Cook-Sather Bryn Mawr College, [email protected] Abstract Through an analysis of a contemporary rite of passage—the final stage of teacher preparation— the author develops a new theory of liminality that both builds on and extends Victor Turner’s enduring insights. The analysis focuses on how pre-service teachers in an undergraduate education program engage in a process of identity formation within an asynchronous, non- dimensional liminal space made possible and shaped by email and with the support of experienced mentor teachers. Key Words: liminal, transition, teacher preparation, identity formation, self “Betwixt and between” is a phrase Victor Turner used to capture the essence of his theory of “liminality,” a central feature of the framework he developed in the late 1960s to analyze rites of passage within tribal, sociocultural systems. -
Symbolic Anthropology Symbolic Anthropology Victor Turner (1920
Symbolic Anthropology • Examines symbols & processes by which humans assign meaning. • Addresses fundamental Symbolic anthropology questions about human social life, especially through myth & ritual. ANTH 348/Ideas of Culture • Culture does not exist apart from individuals. • It is found in interpretations of events & things around them. Symbolic Anthropology Victor Turner (1920-1983) • Studied with Max Gluckman @ Manchester University. • Culture is a system of meaning deciphered by • Taught at: interpreting key symbols & rituals. • Stanford University • Anthropology is an interpretive not scientific • Cornell University • University of Chicago endeavor . • University of Virginia. • 2 dominant trends in symbolic anthropology • Publications include: • Schism & Continuity in an African Society (1957) represented by work of British anthropologist • The Forest of Symbols: Aspects of Ndembu Ritual (1967) Victor Turner & American anthropologist • The Drums of Affliction: A Study of Religious Processes Among the Ndembu of Zambia Clifford Geertz. (1968) • The Ritual Process: Structure & Anti-Structure (1969). • Dramas, Fields, & Metaphors (1974) • Revelation & Divination in Ndembu Ritual (1975) Social Drama Social drama • • Early work on village-level social processes among the For Turner, social dramas have four main phases: Ndembu people of Zambia 1. Breach –rupture in social relations. examination of demographics & economics. 2. Crisis – cannot be handled by normal strategies. • Later shift to analysis of ritual & symbolism. 3. Redressive action – seeks to remedy the initial problem, • Turner introduced idea of social drama redress and re-establish • "public episodes of tensional irruption*” 4. Reintegration or schism – return to status quo or an • “units of aharmonic or disharmonic process, arising in conflict situations.” alteration in social arrangements. • They represent windows into social organization & values .