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Editor's Notes
R&R Editor’s Notes editoR and PubliSheR: Jann S. Wenner Managing editoR: Will Dana executive editors: Eric Bates, Jason Fine dePuty Managing editors: Nathan Brackett John Dioso AssiStant Managing editoR: Jonathan Ringen The Future Is Unwritten SenioR wRiters: David Fricke, Peter Travers SenioR editors: Michael Endelman, Thomas Walsh Sean Woods esides barack obama himself, Associate editors: Brian Hiatt, Coco McPherson there probably aren’t many peo- AssiStant editors: Nicole Frehsée, Andy Greene Julia Holmes, Sarene Leeds, Eric Magnuson ple who have done more to put Kevin O’Donnell, Jamie Reynolds, Phoebe St. John B AssiStant to the editoR and PubliSheR: Ally Lewis our current president in the White House editoRial Staff: Alison Weinflash than artist-activist-provocateur Shepard ROLLINGSTONE.COM: Robert Mancini (Executive Ed.) Caryn Ganz (Deputy Ed.), Erica Futterman, John Gara Fairey. Fairey’s samizdat “Hope” poster, contRibuting editors: Mark Binelli, David Browne Rich Cohen, John Colapinto, Jonathan Cott plastered all over America on walls, Anthony DeCurtis, Tim Dickinson, Raoul Duke (Sports) T-shirts and computer screens, helped the Gavin Edwards, Jenny Eliscu, Mikal Gilmore, Jeff Goodell Vanessa Grigoriadis, Erik Hedegaard, Christian Hoard country connect to this man who prom- Claire Hoffman, Robert F. Kennedy Jr., Steve Knopper David Kushner, Guy Lawson, David Lipsky, Kurt Loder ised voters such an extraordinary change Greil Marcus, P.J. O’Rourke, Charles Perry, Janet Reitman from politics as usual. Austin Scaggs, Jeff Sharlet, Rob Sheffield, Paul Solotaroff Ralph Steadman (Gardening), Neil Strauss, Randall Sullivan Seven months into his presidency, in Matt Taibbi, Touré, David Wild, Peter Wilkinson, Evan Wright the midst of the debate over health care, Art diRectoR: Joseph Hutchinson Obama is facing the tests that will likely Art dePaRtMent: Steven Charny (Sr. -
Brevard Live Live March 2020
Brevard Live Live March 2020 - 1 2 - Brevard Live March 2020 Brevard Live Live March 2020 - 3 4 - Brevard Live March 2020 Brevard Live Live March 2020 - 5 6 - Brevard Live March 2020 Contents March 2020 FEATURES HOT PINK INDIAFEST Hot Pink has made a name for them- Columns Royal West India is the theme of this selves, not just as a good band but also Charles Van Riper year’s Indiafest held in Wickham Park. as great entertainers. One of the best It is a symbol of cultural enrichment in 22 Political Satire showmen in Brevard is vocalist James Dollar To Doghnuts Brevard and is celebrated with great en- Spiva who is also an actor. Matt Bretz thusiasm. got with Spiva for an in-depth interview. Page 11 Calendars Page 14 25 Live Entertainment, SOUND WAVES MUSIC FESTIVAL Concerts, Festivals This is the 4th annual Sound Waves Mu- GREG REINEL sic Festival held by 89.5 FM WFIT. The Reinel’s passion for art and music grew Brevard Love radio station features the winner of their as a young adult. The Screaming Igua- 30 by Matt Bretz garage band contest along with a nice nas of Love were one of the first Mel- Human Satire line-up of other bands. bourne based bands he was part of. But Page 12 it was his poster art that made him world Local Lowdown famous. 32 by Steve Keller BEERAPALOOZA Page 18 Beerapalooza is the first big event in CD Review 2020 held at Florida Beer Company in JAIMIE ENGLE 35 by Rob Pedrick Cape Canaveral. -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
MTO 11.4: Spicer, Review of the Beatles As Musicians
Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other. -
N Ic K E R S a N D N E Ig
Mylestone Equine Rescue 6 0 0 Every horse we save makes a difference 2 G N I FINDING LIZZY ... R P S Katrina, one of our devoted vets, met me at a home that was look- S ing to get rid of an old pony. From the outside, garbage and debris were strewn all over; in the back was a barn in disrepair with a small corral that was overgrown. We didn’t see a pony, though the H elderly owner told us she was in the barn. Katrina and I proceed- ed to the barn, where a board hanging in part of the entranceway closed the doorway. There was manure all over the outside of the entrance. The barn was filthy and you could tell it had just been G cleaned out for our visit. The manure line along the walls was at I least a foot high.There tied to the wall was a small black pony with long curled up hooves. She pawed wildly at us, as if to say,“Get me the heck out of here.” She was covered in matted manure under- neath her left side and belly. She was thin but had been getting E some hay and grain they recently bought. Katrina and I agreed immediately we had to take her. My friend Maryanne arrived with her trailer and Lizzy dragged Katrina and I out of the barn and on to the trailer. Lizzy had been N alone and tied to the barn wall for at least 6 months. It is difficult to imagine day in and out being tied, barely able to turn around or lie down for all that time. -
Metallica to Perform Live on the Howard Stern Show on Stern's Exclusive Siriusxm Channel Howard 100
NEWS RELEASE Metallica to Perform Live on The Howard Stern Show on Stern's Exclusive SiriusXM Channel Howard 100 9/23/2016 - Metallica's exclusive SiriusXM channel Mandatory Metallica to return November 16 - Mandatory Metallica to feature "Town Hall" special NEW YORK, Sept. 23, 2016 /PRNewswire/ -- Howard Stern and SiriusXM announced today that Grammy® Award- winning, Rock and Roll Hall of Fame Inductees Metallica will perform live on The Howard Stern Show on Howard Stern's exclusive SiriusXM channel Howard 100 on Monday, September 26. The in studio performance will feature Metallica performing songs from their 30-plus year career, including music from their upcoming album Hardwired….to Self-Destruct, scheduled to be released on November 18 on the band's Blackened Recordings. Additionally, on Monday, September 26, the band will record a special edition of SiriusXM's "Town Hall" series— answering questions from a select group of SiriusXM listeners in the SiriusXM studios in New York City. The "Town Hall" special, hosted by music journalist and SiriusXM host David Fricke, will air on the band's limited-run SiriusXM channel Mandatory Metallica, launching Wednesday, November 16. Mandatory Metallica, which originally aired on SiriusXM in 2009 and again in 2013 when the band performed a private concert for SiriusXM at the Apollo Theater in New York City, will feature hits, rarities and concert recordings from throughout the band's iconic career. The channel will air beginning Wednesday, November 16 at 5:00 pm ET and will air through Wednesday, November 23, via satellite on channel 40 and through the SiriusXM app on smartphones and other connected devices, as well as online at siriusxm.com. -
Playbill Apr
2014–2015 SEASON PLAYBILL APR. 7–APR. 25 © The &oca&ola &ompany Ľ&okeľ and the &ontour Bottle are trademarks of The &oca&ola &ompany 2 /`ba 1S\bS` C;Oaa 4W\S ]T bVS ac^^]`bS` Wa O ^`]cR 1]QO1]ZO1 0`Od]0 / C ] a Wa A Notable Lifestyle Celebrating lifelong enjoyment of the arts Discover gracious, refined independent living in a social and dynamic environment. Meet passionate, enlightened residents–from academics to artists–that will inspire you. The Loomis Communities offer an unparalleled lifestyle with superior amenities and services—with the added peace of mind for the future that comes from access to LiveWell@Loomis. APPLEWOOD LOOMIS VILLAGE Amherst, MA South Hadley, MA 413-253-9833 413-532-5325 The Western Massachusetts www.loomiscommunities.org Pioneer in Senior Living 3 Insuring The Arts Play Onn Local Insurance Agency Local Insurance Agency InsuringYourWay.com 'MPSFODFt&BTUIBNQUPO Can Study Abroad! YOU Scholarships available Education Abroad Advising Center ,QWHUQDWLRQDO3URJUDPV2I¼FH 5P+LOOV6RXWK DFURVVIURP6WXGLR$UWV%XLOGLQJ www.ipo.umass.eduip d 2SHQ0®)AM–4 PM 4 5 Good thinking. NEW ENGLAND PUBLIC RADIO News. Classical. Jazz. Amherst / Springfield / Hartford .................................. WFCR 88.5 FM North Adams .................................................................................. 101.1 FM Great Barrington ............................................................................98.7 FM Lee ....................................................................................................98.3 FM Pittsfield / -
Read Ebook {PDF EPUB} up by R.E.M. up by R.E.M
Read Ebook {PDF EPUB} Up by R.E.M. Up by R.E.M. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 660c7973f8a24e2c • Your IP : 116.202.236.252 • Performance & security by Cloudflare. The Real Reason R.E.M. Broke Up. Regardless of what your opinion about R.E.M. is, there's no denying that they shaped the face of alternative rock for years. Heck, they've basically been every kind of alternative rock band themselves. They spent their formative years as cult favorite college rockers. Then, they started attracting more and more attention until they were making music with genuine mainstream appeal. Between 1991 and 1992 alone, they released the folk- inspired Out of Time and the baroque Automatic For The People, making them easily the most successful band to attack the audiences of the early grunge era with both mandolins ("Losing My Religion") and string arrangements (A good chunk of Automatic ). -
Krist Novoselic, Dave Grohl, and Kurt Cobain
f Krist Novoselic, Dave Grohl, and Kurt Cobain (from top) N irvana By David Fricke The Seattle band led and defined the early-nineties alternative-rock uprising, unleashing a generation s pent-up energy and changing the sound and future of rock. THIS IS WHAT NIRVANA SINGER-GUITARIST KURT Cobain thought of institutional honors in rock & roll: When his band was photographed for the cover of Rolling Stone for the first time, in early 1992, he arrived wearing a white T-shirt on which he’d written, c o r p o r a t e m a g a z i n e s s t i l l s u c k in black marker. The slogan was his twist on one coined by the punk-rock label SST: “Corporate Rock Still Sucks.” The hastily arranged photo session, held by the side of a road during a manic tour of Australia, was later recalled by photogra pher Mark Seliger: “I said to Kurt, T think that’s a great shirt... but let’s shoot a couple with and without it.’ Kurt said, ‘No, I’m not going to take my shirt off.’” Rolling Stone ran his Fuck You un-retouched. ^ Cobain was also mocking his own success. At that moment, Nirvana - Cobain, bassist Krist Novoselic, and drummer Dave Grohl - was rock’s biggest new rock band, propelled out of a long-simmering postpunk scene in Seattle by its incendiary second album, N everm ind, and an improbable Top Ten single, “Smells Like Teen Spirit.” Right after New Year’s Day 1992, Nevermind - Nirvana’s first major-label release and a perfect monster of feral-punk challenge and classic-rock magne tism, issued to underground ecstacy just months before - had shoved Michael Jackson’s D angerous out of the Number One spot in B illboard. -
Folk Forum Winter Spring 2014
folk forum Winter/ Spring 2014 May the long time sun shine upon you, all love Somehow we got over the myths that the earth was flat, and that surround you, and the pure light within you…guide Earth was the center of the universe. Perhaps it’s time we get over the idea that all the oil under us was once plants and dinosaurs on your way home. top and that we can just take it all out, burn it, and then rescue our from the Incredible String Band’s album climate by planting more trees to capture the carbon again. It is not ‘The Hangman’s Beautiful Daughter’. plausible that all that carbon, all those hydrocarbons once existed as life on the surface and by some extraordinary shift of tectonic plates Hello again fellow Travelers, Hobbits, and Elves slid under the oceans and rock where heat and compression According to the Julian calendar we’re into the 6,727th year since transformed this anaerobic compost pile into huge underground seas they started that calendar. I imagine the early calendars were not of oil, (from which we have pumped billions of barrels/day and the something you hung on a wall…probably written on the wall of a “habit” is increasing). It is more likely that those hydrocarbons were cave in Africa or France. At any rate, the first one, and the last created, in the fusion process that takes place in every star in the Mayan calendar would be real collector’s items by now. With “The universe, just as every other element on our planet was created. -
Eric Clapton
Eric Clapton http://www.gibson.com/Products/Electric-Guitars/Les-Paul/Gibson- Custom/Eric-Clapton-1960-Les-Paul.aspx Group 2 Lauren Hartmann, Sarah Youssef, Benjamin Markham, and Suyog Dahal Overview ❖ Artist Biography ❖ Musical Influences ❖ Musical Style ❖ Other Music at the Time ❖ Musical Analysis ❖ Clapton’s Influence ❖ Legacy http://www.ericclapton.com/eric-clapton-biography?page=0%2C2 ❖ Conclusion ❖ References Why We Chose Eric Clapton ❖ We chose Eric Clapton because he is considered one of the most important and influential guitarist of times. ❖ We were interested to learn about how his personal life and choices influenced his musical style. http://thubakabra.deviantart.com/art/Eric- Clapton-333962401 Eric Clapton’s Early Life ❖ Born Eric Patrick Clapton on March 30, 1945 ❖ The son of an unmarried couple, Patricia Molly Clapton and and Edward Walter Fryer. ❖ Edward Walter Fryer was a Canadian soldier stationed in England during WWII. Before Eric was born he returned to his wife back in Canada. ❖ It was difficult on Patricia to raise Eric on her own. Her parents, Rose and Jack Clapp were the primary caregiver of Eric, and raised him http://www.seymourduncan.com/forum/ as their own. showthread.php?127804-quot-So-and-so-played- THIS-guitar-quot (Eric Clapton and WBR, n.d.). Eric Clapton’s Early Life ❖ He was brought up in a musical household ➢ His grandmother played the piano ➢ His mother and uncle always had big bands playing throughout the house ❖ At the age of 9 he found out the truth about his parents ➢ Was affected tremendously by this truth and began to be moody and distant. -
Rolling Stone
Fab Faux Meet the Beatles New York combo is the greatest Beatles cover band – without the wigs Not your average cover band Photo by: Josh Rothstein One day in early 1998, Jimmy Vivino, guitarist and arranger for the Max Weinberg 7, the house band on Late Night With Conan O'Brien, ran into his neighbor Will Lee, bassist for Paul Shaffer's CBS Orchestra on Late Show With David Letterman, in the elevator of their Manhattan apartment building. "We were going to our shows," Vivino says, "and Will goes, 'Hey, I'm starting a Beatles cover band.' The first thing I said was 'Why? There are plenty of Beatles tribute bands out there.'" "Then I realized he was serious," Vivino recalls. "He said, 'I'm not talking about that. I'm talking about the way classical musicians start a chamber orchestra to play Mozart. I'm talking about playing the Beatles' songs and records live, as perfectly as we can.' I said, 'Without the wigs?'" Lee's reply was quick: "Sure." Seven years later, the Fab Faux -- Lee, Vivino, guitarist Frank Agnello, drummer Rich Pagano and multi-instrumentalist Jack Petruzzelli, all of whom sing lead and harmony vocals -- are the most accomplished band in the Beatles-cover business. Since debuting at New York's China Club in May 1998, the Fab Faux have mastered and played more than 160 of the 211 songs in the official canon -- according to Agnello, the Faux's resident Beatles statistician -- and most are complex hits and post-'65 LP tracks the Beatles never performed in concert.