culture
Multiply
rise of
those
bronze
white
backpacks
the
neo-hippie
see
the
American
music,
attendance
make
and
only
white.
the
post-industrially-dominated
Memorial
this
rap,
Techno
buildings festival
so
music,
apartments,
familiar
refusing
kids
scene.
for
many
with
depiction hip-hop,
-
After
The
these
the
There
Detroit
Detroit
an
founders
rest
full
fest
Day
but
weekend
Fest
music
its
have
brothers
exciting
building
decades
that
with
samples
to
pan-continental
and
of
are a
a
weekends
and
from
synergistic
little is
of
partying
be
is
provisions
been
rim
could
enough an
the
hang
a
of
the
afraid
the
musical
runs
group
of
and
many
blocks
too
techno overwhelmingly
the
intense
and
their
home
mostly
be
new
out
“diverse”
in
on
sisters
the
plaza,
of
black
sounds
heard
The
of
spark
miles
downtown
near
event
parents’
for city
of the Hart
music,
R&B
risk
slaves
racial
of
DJs
members
our Techno
Detroiters
The
this
urban
here
the
and
a
from
in
away
Plaza.
of
and
by
for
were
for
monument
accustomed
the
divisions
contemporary
fleeing
attracting
DJs
annual
new
the
fearful
tens
in
the
African-American
comfort
audience,
three
clubs,
center, movement
—
Fest
their
It
the
use
“movement”
of
not
whites
electronic
is
of
to
toward
avoidance
the
one
main
the
genres
And
Electronic
and
thousands
give
just
between
home
on
to
but
too
to
is
archetypal
who
of
Detroit’s
the
skateboarding
the
The
the
the
stages
not
of
mostly refusing
many
aural
the
freedom
town.
that
whites
young
Woodstock.
promenade
Techno
have
that
suburbs
viewed
New
Detroit’s
of
seminal
Music
city,
of
of
and
heritage
were the
white
black
was
On
culturally
come
to Movement
whites
its
who
beats
to
yet
city,
a
Fest
the
as
leave,
Festival
but fans
taking
Canada,
dozen
marketed
events
city
cultural
in
audiences
a
for
are
to
dedicated
other
a
and
During “black”
—
the
— coming
from
the
from
new
as
antI
this
pouring setting
to
recognizable
place
booths
night
sounds
in
it
In
city,
hand,
in
create
Australia,
suburbs generation
event,
and
is
the
Detroit
now
dance
the
to
Detroit
plain
to
in
known
on
to on
for
up
‘hood
onto blacks,
—
the
at
musical
too
festival,
the
of
Woodward
and
called
the
the
transnational
residence
up
sight
once,
music
truly US as
R&B,
much
the Underground
-
to
beats, riverfront France,
-
remaining
crowd
of
the
it
and
which
doubtless,
this
across
“Movement’
intelligentsia.
plaza.
banging
transitions
thousands
suburban
appreciate of
funk,
edginess
hip-hop
Europe,
choice
phrases
point
in
is
Avenue.
Japan,
might
overwhelmingly
Others
downtown
the
was
dance in
off
the
in the
-
throughout
kids
river.
Railroad,
and
are
the
into
of not
Germany; make
and
the
the
the and
-
blacks
come
African-
mostly
Techno
genre.
glad
held
city.
are
cool
only
high-
irony
a
‘hood
riffs,
Only
pop
this
lofts
new,
not
to
to
to
in
a
on to
from
tight
the
plaza;
arrival
the
an
for
cause
sullen
wasn’t
phalanx they
final
voluminous
black
based
the
the
plants
developed
display
which
rearrange
audience
young
the
music
the
aural
ambient
showed
dark
day
and
to
defiance
is
visitors,
middle-class
clear
on
The
they
in
shirtless,
tighten
On
of
akin
suburbanites
a
was
The
the
is wall
—
which
circles.
bristling
prodigious
festival
the
in
of
them
but
what libraries
sample.
‘live
no
air noise
to
different
turntable
part
boys
that
though
of
last
jaw sign
is
crashing
crackles
Berry
bedraggled,
into
No
the this
inevitably
and
from
surrounds
of
day
had
from
Detroiters
lines
“young
of
of
rainbow-hued
video
unwanted,
new
would
jelled
doubtless,
worth
thinning.
than
knowledge
Gordy
of
vinyl
blown
technicians
the
the
with
and
a
the
configurations,
gigantic
relentless
games,
the
Black
into
unlike
‘hood.
record
risking
mean.
disarrayed
first
today’s
police
and
their
off
able
first.
For
a
its wearing
the
Techno
his
concentrated
males”.
of Over
—
computers,
presence.
to
transform
These
collections
private
the
founders
lines,
costumery
the
the
The environment.
hook
rhythms
contemporaries the
afford
first
the
school
possibility
sounds
police
the Fest,
both.
vocabulary
The
new and
—
party;
three
time
it
are Yet
-
mask
electronic
of
mostly
a that
cell
they
Masters
was
arrivals
or
It
of
and
mass
had
new
of
the
gratified
all
instead
is
days
urban
nevertheless,
hustle
All
phones;
the
were
electrified.
of
of
understood weekend,
are
Hackey
abandoned
mechanized
element
of
of
toiled. of
white
suburban fear
rock
of
crowd
excitement
of
as
this
the
poverty.
sounds
of modern
up
the
that,
the
creative
that
technology
tleeing
and
original
Sack electronic
crowd
on
Today’s
festival,
changed
pouring
Dance
the
The
finally,
they
that
they bag
-
roll
and
clash
into
They
the
cultural
looks plaza
—
and
black
as
had
checks tools
generation.
this
as
are
police
come.
youth
word
music,
turntables,
the
into the
the
and
with
sound
feel awe.
may
for
in
gradually
unwelcome,
festival
youth
of
music
character
original
the
clang
sounds.
excited
has
out
They
and
these hostility. grew
its
have
the
and
engendered
main
hums,
spread
the
crowd
DJs
let
Techno
that
of
is
flow many,
happened
up
electronic
new
become
makers
agitation,
assembly
not
crowds,
the
Detroit’s
craft.
entrance
of
with
they
They
that
bells,
into
Movement,
the
through
for
arrivals
crowds
with
music
a
created
different
their
plaza,
them,
of
know
the
“Blacker”
musicality
bleeps
spot
a
equipment
lines
some
was
Motown
the
their
decade
evolved
howl
pour
Detroit presence
-
locations,
but
huddle
that
music
a
they
of
so
will
and
with
growing
sampling,
sounds
the
that
in,
of
rather
ago
and
their
that
have
sound
that
blips,
are
from
the
and
the
auto from
and
in its
—
is
it is
generous
are
one
college
life
entertained
learning
rhythmic
in
and
muscle
Breakin’, is
displayed
rake
mime.
things.
machines,
days
was
step
weapons,
size
Masters
real
familiar sure
-
another
the
the
them
known into
-
up
entrance
After
but
life,
at
Thirty
The
of
rippling
dances
exposure
as
The
divide
adversaries;
of
Moon
the
conflicting
these
their
but
of
to
now
and
are
the
well.
to
Dance
white
they
as
power,
school” music
whorls
ever
years
of
crowds
profoundly
it
that
dance
dominance, Walking,
to
doesn’t
exams.
moves
pop
strength,
The
had
is
to
generations
and
kids
more
is
black
not
ago
motor
of
of angles
-
black
suburban
been
bumpin’
decades
and
they
they
all
brown
to
dance
Emboldened
who exist
romantic,
black
Runnin’
physical
the
kids
weekend
grace
they
embedded
skills,
integrated
music
work
suffering have
—
could in
world.
that
all
limbs
mastered
dance
bass
ago
of
the
all
boys
and
these
come
and
Man,
their
Black
at
effort.
have
and
know
“Lock”
but same
-
through
and
mental
by
exponentially “Poppin’
but
no
who
broke
muscular
in
regarding
dances
Robot barely
then
to
limbs
formed
dancers,
attention
fool
almost
The
muscles
the
Dance
it.
now way
take
and
prove
out
acuity.
Many
to
again,
dance
gladly
suburbanites
and
as
&
they
sexual.
into
grew
their
Break
the
in
control.
40
of
Wars
Lockin”
generations
mastered
aspects
their
and
and
the
of Tickin’
partnered
years
bone
stand
this
The
lexicon cudgels
higher
to
from
rightful
these
they
ocean
Dance One
recognition,
step
on
mettle
crowds
is
Their
marrow.
the
ago.
back of the
—
hip
not
marvels
study levels
suburban
even
of
are
into
the
or
music of
positions.
abrupt,
had
past.
confines
hop’s the
Plaza
bodies
and
the
people.
in
mesmerized
stand
bizarrely
part
the
by
these
humility
than
Black
dominated
These
movement
The
go
the
and
small
at
ring
beginnings.
like
mechanized,
boys
replicate
still
toe
just
into
black
white previous
moves
The
elements
community
with
new
the
elegant
children
to
in
and
rarely
what
robotic
battle
by
Red
toe
dancers
kids,
Zen
the
them
dances
of
with
the
awe.
this
With
generations,
courtship
with
kinds
Sea
get
quivering
festival’s
of
has
stylized
concentration.
most
movement
in
as
unprepared, motions
urban
for
The
dance
as
a defy
music
the
from
the
much
begun.
chance
of
years,
these
as
blacks
‘hood.
bodies
brotha’s
any
drama.
imitation segregated
- the
—
dance
of
videos,
concentration
of
as
even
It
new
the
of
Michael
every
concept
to
city
machinery
in
is
have
Body
computerized
but
They
see
can
great a
The
the
circles
participants
if
are
challenge
MTV,
war,
of
they
joint
they come
-
do
waving,
Motown
Jackson
as
blacks
in
of
robots,
given
are
racial
these not
ever
real
are
what
and
BET
and
are
and
as
to
the of
night.
stood
would
ceaseless,
than
There
brown
play
Chaplinesque
tandem,
machinations,
bodies
Senegal
these
is
in
suburban
their
bodies
attitude.
color
not
out
respect
primordial;
excited
in
life;
or again.
in
are
be
brown,
dark
alone
dancers
this
could
At roil
makes
the
via All
—
transferring
Added
unthinkable;
massive,
no
They
ecstatic
incredulity
boys.
smug,
the
display
mentors
Dancers
midst weekend
the
they
guns
differentiates
urban
parodies not
the
they
edge
established
them
too
East
to
serious
lice
shot, stare
suburban
movement
of
bronze
of
the
collapse
are
of
strip
females.
in
Side
a
fascinating
the
skill
to
from
waves
Hart
much
scene
for
layers
stars
no
the
straight
watch
nods
white
from
of
violence
and
the
figures
them
victories
Detroit
Plaza
in ‘hood,
girls
Detroit.
in
has
on
that
of
There
of
childish
of
crowds.
wonder.
the
the
this
girls’
consciousness,
the
from
rhythm approval, bridges
—
ahead
changed
the
years
fleeing
waist
princesses
but arrival —
—
game
in is
plaza.
dance
these
moves
Their
huge,
their
giggles
Watching
nothing
recognition
cocky
The
ago
in
up,
between
to
of
of
from
within
wild
are
alone
I
rhythmic
the
(lark
darker
battles
approximated
every
bravado
was the
stood one
in in
-
the
just
coy
the high-fives
dead
physicality
their
“ghetto
their
figures
this
is
only
my
another,
visible
white
the
and
of
the neighbors,
intensified
young
about
ancestors
undulating
lifetime, populist
and
their
hometown
seriousness
dance
a
two
measure
reflected
fabulous”
dream
of
boys
muscle
skill
their
pass
girls
Brittney
the
staging
mastery
and
worlds
mastery
This art
from
they
of
all
and
Underground
to
having moves;
—
race,
of
is
moving
schools
that
some
kids
over
unfold,
one
home-girls,
will
of
intense
their statue
—
Spears’
mock
are the
—
there
humble
they
another
trance.
during
and
fun.
of
the
and
this
‘hood,
indistinguishable
of
combination
like
and
all
there
vignettes,
of
these
plaza
The
are
urban
hip-hop
and
negotiator
are
is
colors
slaves
rhythmic
Railroad
malls
my
enough
The
After
lighter
the
as
the
boys
is whites
incredible
and
very
each
a
own
skills
hard
allure Shaolin
—
deep,
(lancing
lite,
on
from
minutes
black,
are
sexual
facsimiles
of
to
young
of
dances
sculpture
youth
whose
pythons
the
core
but
in
the
agog
of
accede
adult
urban-ness
in
the
to
warriors
comparison
verge
these
white,
they
in
speech,
social
simulations
“booty
behold.
such people
‘hood
of
into
forebears
at
Detroit’s
intelligence
under
of
the
stood
leadership
stepped
these
new
of
yellow
the
blacks;
contract.
an
danced
of
freedom
shake”
finesse
dress
in
As
in
the
edifice
arrivals
ring
dance.
larger
pelvic
their to
clark
would
white
their
back
and
and
skin.
skin
and
the and
at
in
of
of to