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Keys Fine Art Auctioneers Palmers Lane Aylsham Pictures Sale Norfolk NR11 6EH United Kingdom Started 09 Aug 2013 10:00 BST

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Keys Fine Art Auctioneers Palmers Lane Aylsham Pictures Sale Norfolk NR11 6EH United Kingdom Started 09 Aug 2013 10:00 BST Keys Fine Art Auctioneers Palmers Lane Aylsham Pictures Sale Norfolk NR11 6EH United Kingdom Started 09 Aug 2013 10:00 BST Lot Description RICHARD WARDLE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT (5/90), “On Wenlock Edge”, 12” x 17”; 1 together with two further Signed Modern Coloured Prints (3) W DENDY SADLER, A GROUP OF EIGHT SIGNED BLACK AND WHITE ENGRAVINGS, Various Figurative Subjects, the largest 21” x 2 15” (conditions vary) (8) 3 No lot 4 CAPTAIN D J SCOTT-MASSON, RD, RNR, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Britannia Rules”, 14” x 23” AFTER G BARNARD, ENGRAVED BY THE SAME, REPRODUCTION COLOURED PRINT, “Rugby School”, 13” x 20”; together with 5 BOB NICOLSON, PAIR OF SIGNED LIMITED EDITION PRINTS, “… The Captain of the School 11 went in First ….” and “…. With a Fine Disregar ...[more] AFTER W HAMILTON, ENGRAVED BY P W TOMKINS, PAIR OF ANTIQUE COLOURED STIPPLE ENGRAVINGS, Milkmaids by a 6 Creamery Doorway; and Shepherdess and other Figures with Sheep, 13” x 10 ½” (2) DANIEL INUKPUK, INSCRIBED AND DATED 1974, LIMITED EDITION SINGLE TONE STONE PRINT (39/40), An Inuit in a Kayak 7 Hunting Seals, page size 15” x 21” AFTER JAMES POLLARD, ENGRAVED BY G REEVES, ANTIQUE COLOURED AQUATINT DATED 1827, “The Mail Coach in a 8 Thunderstorm on Newmarket Heath”, 11” x 16” AFTER A THORBURN, EARLY 20TH CENTURY CHROMOLITHOGRAPH, “Grebe”; AFTER WINIFRED AUSTEN, A LATE PRINTED 9 HAND COLOURED ETCHING, “Barn Owls”, 9” x 7”and A LATE VICTORIAN CHROMOLITHOGRAPH, Three Birds on Rocks, 15” x 13” (3) AFTER G ZOCCHI (2), F ZUCCARELLI (1), A GROUP OF THREE 18TH CENTURY HAND COLOURED ENGRAVINGS, “Il Mezzo 10 Giorno”; “La Sera” and a similar accompanying piece, 15” x 21” (3) PETER LELY, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT (251/500), “Whitlingham Conservatory, 11 Norwich”, 9” x 18” 12 EARLY 20TH CENTURY, JAPANESE SIGNED COLOURED PRINT, A Carp, 13 ½” x 6” 13 ANTHONY CLARK, SIGNED AND FURTHER INSCRIBED AND DATED 1966 VERSO, MIXED MEDIA, “To Be Accused”, 8” x 10” 14 AFTER OSTERLIND, EARLY 20TH CENTURY HAND COLOURED LITHOGRAPH, Three Fashionable Ladies Dancing, 19” x 15” (A/F) AFTER W SIMSON, ENGRAVED BY J HORSBURGH, ANTIQUE BLACK AND WHITE ENGRAVING, PUBLISHED 1833, “Prince 15 Charlie at Holyrood”, 15” x 12” (possibly trimmed and laid down) and AFTER DEVINE, EARLY 20TH CENTURY COLOURED SOFT GROUND ENGRAVING, River and Mountain Landscape, 11” x ...[more] MARGARET CHAPMAN, SIGNED IN PENCIL TO MARGIN, COLOURED ARTIST’S PROOF, “The Otto Gas Man”, 18” x 21”; and E 16 STURGEON, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Bridge Street, Chester”, 20” x 30” (2) 17 AFTER C VERNET, LATE 19TH CENTURY HAND COLOURED LITHOGRAPH, “Le Derviche”, 15” x 20” WILLIAM LIONEL WYLLIE, RI, RE, DRYPOINT ETCHING, SIGNED IN PENCIL LOWER LEFT, THE LOWER POOL C1905, 11” x 18 18 ½”, Provenance: Leggatt Bros, 62 Cheapside E.C. and 30 St James’s Street, London, Note: Illustrated on Page 71, W L Wyllie by Roger Quarm and John Wyllie AFTER W R BIGG, ENGRAVED BY J JONES, PAIR OF COLOURED MEZZOTINTS (ORIGINALLY PUBLISHED BY W R BIGG 1790), 19 “Black Monday” and “Dulce Domum”, 18” x 23” (2) AFTER W P FRITH, ENGRAVED BY W HOLL, ANTIQUE BLACK AND WHITE ENGRAVING, “An English Merry-Making in the Olden 20 Time”, 20 ½” x 34” 21 AFTER J REYNOLDS, ENGRAVED BY R CORBUTT, 18TH CENTURY BLACK AND WHITE MEZZOTINT, “Miss Gravile”, 12” x 10” 22 J P ROLAND, SIGNED IN PENCIL TO MARGIN, HAND COLOURED ETCHING (319/500), “Bruxelles Grand Place”, 9 ½” x 15” AFTER W HOGARTH, ENGRAVED BY T COOK, BLACK AND WHITE ENGRAVING (PUBLISHED 1798 BY G G AND J ROBINSON), 23 “A Midnight Modern Conversation”, 13” x 17 ½” FRANCOIS LEDAN, SIGNED AND NUMBERED 97/200, COLOURED LITHOGRAPH, “La Baule”, 18” x 24”, Provenance: Christie’s 24 Contemporary Art, see certificate verso 25 G W RHEAD, SIGNED TO THE IMAGE, BLACK AND WHITE ETCHING, Drayman with Work Horses and Cart, 7” x 8” 26 20TH CENTURY ENGLISH SCHOOL, SET OF FOUR COLOURED PRINTS, Exotic Birds, 12” x 14” (4) 27 FRAMED GALLERY COLOURED PRINT, “Dinah of the Uplands, Charles W Furse, The Tate Gallery, London”, 29” x 18 ½” AFTER WALE, ENGRAVED BY LODGE, BLACK AND WHITE ENGRAVING (PUBLISHED BY A HOGG), “The Seizing of Guy Fawkes 28 …”, 12” x 8” INDISTINCTLY SIGNED TO MARGIN, BLACK AND WHITE ETCHING AND TWO AQUATINTS FROM A LIMITED EDITION OF 25 29 AND EACH DATED 1965, “Harlequins”; “Circo Domador” and “Circo”, various sizes (3) AFTER CORREGIO, ENGRAVED BY F BARTOLOZZI, 19TH CENTURY ROUGE STIPPLE ENGRAVING, “Cupid Disarmed by Venus”, 30 14” x 10 ½” EDWARD WOLFE, RA, SIX COLOURED LITHOGRAPHS ON SILVERED PAPER EACH SIGNED AND NUMBERED 101 AND 31 102/250, SIX IMAGES FROM “SONG OF SONGS”, 14 x 10 ½ins (faded) (6) AFTER A FRASER, ENGRAVED BY R BELL, ANTIQUE HAND COLOURED ENGRAVING, Figures Outside the Tappit Hen Public 32 House, 15 ½” x 12 ½”; together with six further 19TH/20TH Century Framed Coloured and Black and White Engravings (7) 33 SIMON CLARKE, SIGNED AND INSCRIBED A/P, COLOURED ARTIST’S PROOF, “Self-Portrait”, 13” x 19” 34 ANNE ROOKE, SIGNED AND DATED ’55, COLOURED SCREEN PRINT, LAKE AND MOUNTAIN LANDSCAPE, 15” x 20” 35 BORIS O’KLEIN, SIGNED, HAND COLOURED ETCHING, A La Queue, (Comical Parisian Dogs), 6” x 18” BETTY STRICKLAND, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT (222/350), “Ras Al Khaimah, 36 Tribesmen”, 14” x 19” AFTER W R BIGG, ENGRAVED BY W NUTTER, PAIR OF ANTIQUE COLOURED STIPPLE ENGRAVINGS, “Saturday Evening, the 37 Husbandman’s Return from Labour” and “Sunday Morning, a Cottage Family Going to Church”, 17” x 21” (2) 38 GILL WITHERS, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED SCREEN PRINT (30/50), “Trawler”, 15” x 21” 39 IAN STANNARD, SIGNED AND DATED ’89 TO THE MOUNT, BLACK AND WHITE ARTIST’S PROOF, “Eveley’s Journeys”, 10” x 10” PAIR OF LATE 19TH/EARLY 19TH CENTURY, COLOURED STIPPLE ENGRAVINGS, Waiting for the Return from Sea and War, 16” x 40 13” (2) AFTER P WOUVERMANS, ENGRAVED BY VON HEIDECK, BLACK AND WHITE LITHOGRAPH, Horses Watering at a Stream, 41 Figures in Attendance, 12” x 14” ALBANY HOWARTH, SIGNED IN PENCIL TO MARGIN, PAIR OF BLACK AND WHITE ETCHINGS, Continental Street Scenes with 42 Figures, 10” x 6 ½” (2) AFTER A KAUFFMAN, ENGRAVED BY T CHEESEMAN, STIPPLE ENGRAVING (PUBLISHED BY P BORGNIS 1798), “The 43 Marchioness of Townshend”, 9 ½” x 8” 19TH CENTURY, BLACK AND WHITE MEZZOTINT, “Sir Joshua Reynolds”, 12 ½” x 10 ½”; together with one further Lithograph; 44 together with AFTER J RIGAUD, ENGRAVED BY P DU ROY, 19TH CENTURY, HAND-COLOURED ENGRAVING, “Autre Vue de la Maison Royalle de Clagni”, 8 ½” x ...[more] AFTER WILLIAM HOGARTH, ENGRAVED BY W HOGARTH AND C GRIGNION, ANTIQUE BLACK AND WHITE ENGRAVING, 45 PUBLISHED 1746, “Mr Carrick in the Character of Richard 3rd”, 15” x 20” AFTER SIR WILLIAM RUSSELL FLINT, LIMITED EDITION COLOURED PRINT (FROM AN EDITION OF 850), “The Judgement of 46 Paris”, 20” x 30” AFTER E ISABEY, ENGRAVED BY C MOTTE, ANTIQUE BLACK AND WHITE LITHOGRAPH, “Souvenir de S:Valery Sur Somme”, 12” 47 x 9 ½” GORDON KING, SIGNED AND NUMBERED 239/850 IN PENCIL TO MARGIN, PAIR OF COLOURED ARTIST’S PROOFS WITH 48 PUBLISHER’S BLIND STAMP, Young Ladies in Interiors, 15” x 10” (2) 49 AFTER J B LADBROOKE, GROUP OF THREE BLACK AND WHITE LITHOGRAPHS, Norfolk Churches, assorted sizes (3) 50 AFTER JOHN SELL COTMAN, BLACK AND WHITE ETCHING (PUBLISHED BY HENRY BOHN 1838), “South Rungton”, 11” x 8 ½” 51 DAVID YOUNG CAMERON, BLACK AND WHITE ETCHING, Amboise, 10” x 6” 52 SIDNEY TUSHINGHAM, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Young Child Seated, 11” x 8” AFTER J VERNET, ENGRAVED BY J ALIAMET, HAND-COLOURED 19TH CENTURY ENGRAVING, “Dedie a Messire Jean Baptiste 53 le Reboura”, 11 ½” x 17” AFTER W R BIGG, ENGRAVED BY J SCHMITZ, PAIR OF ANTIQUE COLOURED STIPPLE ENGRAVINGS, “A Shipwrecked Sailor 54 Boy Telling his Story at a Cottage Door” and “The Sailor Boy’s Return from a Prosperous Voyage”, 15” x 18” (2) WILLIAM FREDERICK AUSTIN, ENGRAVED BY THE SAME, SIGNED TO THE IMAGE AND DATED 186?, BLACK AND WHITE 55 LITHOGRAPH, “Yarmouth Quay, Norfolk” (original maple frame), 11” x 20” AFTER SIR EDWIN LANDSEER, RA, A PEARS COLOURED PRINT (PRESENTED WITH A PEARS ANNUAL 1907), “A Quiet Pipe”, 56 11 ½” x 13” TOM KEATING, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT (474/850), PUBLISHED 1977 BY THE 57 FLINTON GALLERY LIMTED, “The Haywain in Reverse”, see attached information verso, 17” x 22” 58 AFTER DOUGLAS ADAMS, COLOURED PHOTOGRAVURE, PUBLISHED 1903, “A Tight Line, Connemara”, 15” x 24” AFTER LOUIS WAIN, EARLY 20TH CENTURY CHROMOLITHOGRAPH, “The Odd One Out”, 16” x 38” and AFTER LOUIS WAIN, 59 CHROMOLITHOGRAPH, “What we are About to Receive”, 6” x 20”; together with AFTER FRED MORGAN, COLOURED PRINT, The Picnic, 20” x 30” (3) 60 AFTER GRAHAM SUTHERLAND, COLOURED LITHOGRAPH, PUBLISHED BY WALES GAS, “Picton Beach”, 14” x 12 ½” 61 AFTER SALVADOR DALÍ, COLOURED LITHOGRAPH, Two Female Forms, 20” x 13 ½” 62 T T BLAYLOCK, SIGNED IN PENCIL TO MARGIN, COLOURED WOODBLOCK PRINT, “Daffodils”, 10” x 12” 63 INDISTINCTLY SIGNED, COLOURED ARTIST’S PROOF, Nude Study, 14” x 21” GEOFFREY S GARNIER, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT (2/100), “On The Telford River”, 64 11” x 13” GEOFFREY S GARNIER, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION SEPIA AQUATINT (5/100), PUBLISHED 1929, 65 “Charterhouse, The War Memorial Chapel”, 10” x 12”, mounted but unframed MARGARET ROMANES (20TH CENTURY), SIGNED AND NUMBERED 4/20 IN PENCIL TO MARGIN, SCREEN PRINT, Inscribed 66 “Lapageria”, 6 ½” x 4”, mounted but unframed R L HOWES, SIGNED IN PENCIL TO MARGIN, GROUP
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