Keys Fine Art Auctioneers Palmers Lane Aylsham Pictures Sale Norfolk NR11 6EH United Kingdom Started 09 Aug 2013 10:00 BST
Lot Description
RICHARD WARDLE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT (5/90), “On Wenlock Edge”, 12” x 17”; 1 together with two further Signed Modern Coloured Prints (3)
W DENDY SADLER, A GROUP OF EIGHT SIGNED BLACK AND WHITE ENGRAVINGS, Various Figurative Subjects, the largest 21” x 2 15” (conditions vary) (8)
3 No lot
4 CAPTAIN D J SCOTT-MASSON, RD, RNR, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Britannia Rules”, 14” x 23”
AFTER G BARNARD, ENGRAVED BY THE SAME, REPRODUCTION COLOURED PRINT, “Rugby School”, 13” x 20”; together with 5 BOB NICOLSON, PAIR OF SIGNED LIMITED EDITION PRINTS, “… The Captain of the School 11 went in First ….” and “…. With a Fine Disregar ...[more]
AFTER W HAMILTON, ENGRAVED BY P W TOMKINS, PAIR OF ANTIQUE COLOURED STIPPLE ENGRAVINGS, Milkmaids by a 6 Creamery Doorway; and Shepherdess and other Figures with Sheep, 13” x 10 ½” (2)
DANIEL INUKPUK, INSCRIBED AND DATED 1974, LIMITED EDITION SINGLE TONE STONE PRINT (39/40), An Inuit in a Kayak 7 Hunting Seals, page size 15” x 21”
AFTER JAMES POLLARD, ENGRAVED BY G REEVES, ANTIQUE COLOURED AQUATINT DATED 1827, “The Mail Coach in a 8 Thunderstorm on Newmarket Heath”, 11” x 16”
AFTER A THORBURN, EARLY 20TH CENTURY CHROMOLITHOGRAPH, “Grebe”; AFTER WINIFRED AUSTEN, A LATE PRINTED 9 HAND COLOURED ETCHING, “Barn Owls”, 9” x 7”and A LATE VICTORIAN CHROMOLITHOGRAPH, Three Birds on Rocks, 15” x 13” (3)
AFTER G ZOCCHI (2), F ZUCCARELLI (1), A GROUP OF THREE 18TH CENTURY HAND COLOURED ENGRAVINGS, “Il Mezzo 10 Giorno”; “La Sera” and a similar accompanying piece, 15” x 21” (3)
PETER LELY, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT (251/500), “Whitlingham Conservatory, 11 Norwich”, 9” x 18”
12 EARLY 20TH CENTURY, JAPANESE SIGNED COLOURED PRINT, A Carp, 13 ½” x 6”
13 ANTHONY CLARK, SIGNED AND FURTHER INSCRIBED AND DATED 1966 VERSO, MIXED MEDIA, “To Be Accused”, 8” x 10”
14 AFTER OSTERLIND, EARLY 20TH CENTURY HAND COLOURED LITHOGRAPH, Three Fashionable Ladies Dancing, 19” x 15” (A/F) AFTER W SIMSON, ENGRAVED BY J HORSBURGH, ANTIQUE BLACK AND WHITE ENGRAVING, PUBLISHED 1833, “Prince 15 Charlie at Holyrood”, 15” x 12” (possibly trimmed and laid down) and AFTER DEVINE, EARLY 20TH CENTURY COLOURED SOFT GROUND ENGRAVING, River and Mountain Landscape, 11” x ...[more]
MARGARET CHAPMAN, SIGNED IN PENCIL TO MARGIN, COLOURED ARTIST’S PROOF, “The Otto Gas Man”, 18” x 21”; and E 16 STURGEON, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “Bridge Street, Chester”, 20” x 30” (2)
17 AFTER C VERNET, LATE 19TH CENTURY HAND COLOURED LITHOGRAPH, “Le Derviche”, 15” x 20”
WILLIAM LIONEL WYLLIE, RI, RE, DRYPOINT ETCHING, SIGNED IN PENCIL LOWER LEFT, THE LOWER POOL C1905, 11” x 18 18 ½”, Provenance: Leggatt Bros, 62 Cheapside E.C. and 30 St James’s Street, London, Note: Illustrated on Page 71, W L Wyllie by Roger Quarm and John Wyllie
AFTER W R BIGG, ENGRAVED BY J JONES, PAIR OF COLOURED MEZZOTINTS (ORIGINALLY PUBLISHED BY W R BIGG 1790), 19 “Black Monday” and “Dulce Domum”, 18” x 23” (2)
AFTER W P FRITH, ENGRAVED BY W HOLL, ANTIQUE BLACK AND WHITE ENGRAVING, “An English Merry-Making in the Olden 20 Time”, 20 ½” x 34”
21 AFTER J REYNOLDS, ENGRAVED BY R CORBUTT, 18TH CENTURY BLACK AND WHITE MEZZOTINT, “Miss Gravile”, 12” x 10”
22 J P ROLAND, SIGNED IN PENCIL TO MARGIN, HAND COLOURED ETCHING (319/500), “Bruxelles Grand Place”, 9 ½” x 15”
AFTER W HOGARTH, ENGRAVED BY T COOK, BLACK AND WHITE ENGRAVING (PUBLISHED 1798 BY G G AND J ROBINSON), 23 “A Midnight Modern Conversation”, 13” x 17 ½”
FRANCOIS LEDAN, SIGNED AND NUMBERED 97/200, COLOURED LITHOGRAPH, “La Baule”, 18” x 24”, Provenance: Christie’s 24 Contemporary Art, see certificate verso
25 G W RHEAD, SIGNED TO THE IMAGE, BLACK AND WHITE ETCHING, Drayman with Work Horses and Cart, 7” x 8”
26 20TH CENTURY ENGLISH SCHOOL, SET OF FOUR COLOURED PRINTS, Exotic Birds, 12” x 14” (4)
27 FRAMED GALLERY COLOURED PRINT, “Dinah of the Uplands, Charles W Furse, The Tate Gallery, London”, 29” x 18 ½”
AFTER WALE, ENGRAVED BY LODGE, BLACK AND WHITE ENGRAVING (PUBLISHED BY A HOGG), “The Seizing of Guy Fawkes 28 …”, 12” x 8”
INDISTINCTLY SIGNED TO MARGIN, BLACK AND WHITE ETCHING AND TWO AQUATINTS FROM A LIMITED EDITION OF 25 29 AND EACH DATED 1965, “Harlequins”; “Circo Domador” and “Circo”, various sizes (3)
AFTER CORREGIO, ENGRAVED BY F BARTOLOZZI, 19TH CENTURY ROUGE STIPPLE ENGRAVING, “Cupid Disarmed by Venus”, 30 14” x 10 ½”
EDWARD WOLFE, RA, SIX COLOURED LITHOGRAPHS ON SILVERED PAPER EACH SIGNED AND NUMBERED 101 AND 31 102/250, SIX IMAGES FROM “SONG OF SONGS”, 14 x 10 ½ins (faded) (6)
AFTER A FRASER, ENGRAVED BY R BELL, ANTIQUE HAND COLOURED ENGRAVING, Figures Outside the Tappit Hen Public 32 House, 15 ½” x 12 ½”; together with six further 19TH/20TH Century Framed Coloured and Black and White Engravings (7) 33 SIMON CLARKE, SIGNED AND INSCRIBED A/P, COLOURED ARTIST’S PROOF, “Self-Portrait”, 13” x 19”
34 ANNE ROOKE, SIGNED AND DATED ’55, COLOURED SCREEN PRINT, LAKE AND MOUNTAIN LANDSCAPE, 15” x 20”
35 BORIS O’KLEIN, SIGNED, HAND COLOURED ETCHING, A La Queue, (Comical Parisian Dogs), 6” x 18”
BETTY STRICKLAND, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT (222/350), “Ras Al Khaimah, 36 Tribesmen”, 14” x 19”
AFTER W R BIGG, ENGRAVED BY W NUTTER, PAIR OF ANTIQUE COLOURED STIPPLE ENGRAVINGS, “Saturday Evening, the 37 Husbandman’s Return from Labour” and “Sunday Morning, a Cottage Family Going to Church”, 17” x 21” (2)
38 GILL WITHERS, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED SCREEN PRINT (30/50), “Trawler”, 15” x 21”
39 IAN STANNARD, SIGNED AND DATED ’89 TO THE MOUNT, BLACK AND WHITE ARTIST’S PROOF, “Eveley’s Journeys”, 10” x 10”
PAIR OF LATE 19TH/EARLY 19TH CENTURY, COLOURED STIPPLE ENGRAVINGS, Waiting for the Return from Sea and War, 16” x 40 13” (2)
AFTER P WOUVERMANS, ENGRAVED BY VON HEIDECK, BLACK AND WHITE LITHOGRAPH, Horses Watering at a Stream, 41 Figures in Attendance, 12” x 14”
ALBANY HOWARTH, SIGNED IN PENCIL TO MARGIN, PAIR OF BLACK AND WHITE ETCHINGS, Continental Street Scenes with 42 Figures, 10” x 6 ½” (2)
AFTER A KAUFFMAN, ENGRAVED BY T CHEESEMAN, STIPPLE ENGRAVING (PUBLISHED BY P BORGNIS 1798), “The 43 Marchioness of Townshend”, 9 ½” x 8”
19TH CENTURY, BLACK AND WHITE MEZZOTINT, “Sir Joshua Reynolds”, 12 ½” x 10 ½”; together with one further Lithograph; 44 together with AFTER J RIGAUD, ENGRAVED BY P DU ROY, 19TH CENTURY, HAND-COLOURED ENGRAVING, “Autre Vue de la Maison Royalle de Clagni”, 8 ½” x ...[more]
AFTER WILLIAM HOGARTH, ENGRAVED BY W HOGARTH AND C GRIGNION, ANTIQUE BLACK AND WHITE ENGRAVING, 45 PUBLISHED 1746, “Mr Carrick in the Character of Richard 3rd”, 15” x 20”
AFTER SIR WILLIAM RUSSELL FLINT, LIMITED EDITION COLOURED PRINT (FROM AN EDITION OF 850), “The Judgement of 46 Paris”, 20” x 30”
AFTER E ISABEY, ENGRAVED BY C MOTTE, ANTIQUE BLACK AND WHITE LITHOGRAPH, “Souvenir de S:Valery Sur Somme”, 12” 47 x 9 ½”
GORDON KING, SIGNED AND NUMBERED 239/850 IN PENCIL TO MARGIN, PAIR OF COLOURED ARTIST’S PROOFS WITH 48 PUBLISHER’S BLIND STAMP, Young Ladies in Interiors, 15” x 10” (2)
49 AFTER J B LADBROOKE, GROUP OF THREE BLACK AND WHITE LITHOGRAPHS, Norfolk Churches, assorted sizes (3)
50 AFTER JOHN SELL COTMAN, BLACK AND WHITE ETCHING (PUBLISHED BY HENRY BOHN 1838), “South Rungton”, 11” x 8 ½” 51 DAVID YOUNG CAMERON, BLACK AND WHITE ETCHING, Amboise, 10” x 6”
52 SIDNEY TUSHINGHAM, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Young Child Seated, 11” x 8”
AFTER J VERNET, ENGRAVED BY J ALIAMET, HAND-COLOURED 19TH CENTURY ENGRAVING, “Dedie a Messire Jean Baptiste 53 le Reboura”, 11 ½” x 17”
AFTER W R BIGG, ENGRAVED BY J SCHMITZ, PAIR OF ANTIQUE COLOURED STIPPLE ENGRAVINGS, “A Shipwrecked Sailor 54 Boy Telling his Story at a Cottage Door” and “The Sailor Boy’s Return from a Prosperous Voyage”, 15” x 18” (2)
WILLIAM FREDERICK AUSTIN, ENGRAVED BY THE SAME, SIGNED TO THE IMAGE AND DATED 186?, BLACK AND WHITE 55 LITHOGRAPH, “Yarmouth Quay, Norfolk” (original maple frame), 11” x 20”
AFTER SIR EDWIN LANDSEER, RA, A PEARS COLOURED PRINT (PRESENTED WITH A PEARS ANNUAL 1907), “A Quiet Pipe”, 56 11 ½” x 13”
TOM KEATING, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT (474/850), PUBLISHED 1977 BY THE 57 FLINTON GALLERY LIMTED, “The Haywain in Reverse”, see attached information verso, 17” x 22”
58 AFTER DOUGLAS ADAMS, COLOURED PHOTOGRAVURE, PUBLISHED 1903, “A Tight Line, Connemara”, 15” x 24”
AFTER LOUIS WAIN, EARLY 20TH CENTURY CHROMOLITHOGRAPH, “The Odd One Out”, 16” x 38” and AFTER LOUIS WAIN, 59 CHROMOLITHOGRAPH, “What we are About to Receive”, 6” x 20”; together with AFTER FRED MORGAN, COLOURED PRINT, The Picnic, 20” x 30” (3)
60 AFTER GRAHAM SUTHERLAND, COLOURED LITHOGRAPH, PUBLISHED BY WALES GAS, “Picton Beach”, 14” x 12 ½”
61 AFTER SALVADOR DALÍ, COLOURED LITHOGRAPH, Two Female Forms, 20” x 13 ½”
62 T T BLAYLOCK, SIGNED IN PENCIL TO MARGIN, COLOURED WOODBLOCK PRINT, “Daffodils”, 10” x 12”
63 INDISTINCTLY SIGNED, COLOURED ARTIST’S PROOF, Nude Study, 14” x 21”
GEOFFREY S GARNIER, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT (2/100), “On The Telford River”, 64 11” x 13”
GEOFFREY S GARNIER, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION SEPIA AQUATINT (5/100), PUBLISHED 1929, 65 “Charterhouse, The War Memorial Chapel”, 10” x 12”, mounted but unframed
MARGARET ROMANES (20TH CENTURY), SIGNED AND NUMBERED 4/20 IN PENCIL TO MARGIN, SCREEN PRINT, Inscribed 66 “Lapageria”, 6 ½” x 4”, mounted but unframed
R L HOWES, SIGNED IN PENCIL TO MARGIN, GROUP OF THREE COLOURED WOODBLOCK PRINTS INCLUDING ONE 67 INSCRIBED “TREES”, (LIMITED EDITION 16/100), various sizes (3)
A FRANK, SIGNED IN PEN TO MARGIN, LIMITED EDITION TWO-TONE WOODBLOCK PRINT (8/10), “A Meeting in Pondoland”, 12 68 ½” x 10” SET OF SIX EARLY 19TH CENTURY, HAND COLOURED ENGRAVINGS, PUBLISHED 1812 BY S & J FULLER, “Chairs to Mend!”, 69 “Fine Rabbits!”, “Fresh Strawberries!”, “Potatoes, Full Weight!”, “Milk’o!” and “All A Blowin’!”, 6̶ ...[more]
AFTER SIR J REYNOLDS, ENGRAVED BY F BARTOLOZZI, ANTIQUE COLOURED STIPPLE ENGRAVING, “Lady Smyth”, in carved 70 giltwood frame, 11 ½” x 9”
SET OF FOUR LATE IMPRESSION, HAND COLOURED COMICAL HUNTING ENGRAVINGS, “The Down Leap Done”, “Doing The 71 Down Leap”, “Doing it Furiously” and “Doing The Thing Well, Giving Dribblers the Gobye”, 7” x 9” (4)
JAMES PRIDDEY, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, “Worcester Cathedral”; together with four further various 72 Framed Prints (5)
AFTER “APE”, SET OF SIX EARLY 20TH CENTURY VANITY FAIR CHROMOLITHOGRAPHS, Politicians of the Age (un-named), 12” x 73 7”, remounted and reframed (6)
HENRY WINSLOW, AMERICAN), SIGNED AND NUMBERED 2/20 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed 74 “Pay Day” (Boston), 7” x 5”
75 AFTER GEORGE MORLAND, HAND COLOURED ENGRAVING, Fisherfolk by a Cottage Door, 9” x 11”
76 AFTER ERNEST GEORGE, BLACK AND WHITE PROOF ETCHING, “The Paul Pindar”, 8” x 5”
JOSIAH FLETCHER (PUBLISHER), ANTIQUE BLACK AND WHITE LITHOGRAPH, “Costessey Hall, Norfollk”, 8 ½” x 13”; S & N 77 BUCK, ANTIQUE LACK AND WHITE ENGRAVING, PUBLISHED 1738, “The South-East View of Norwich Castle”, 6” x 14”; AFTER C J R, ANTIQUE TINTED LI ...[more]
78 19TH CENTURY HAND-COLOURED MEZZOTINT, Young Boy in Landscape, 7” x 8 ½”
JO COOPER, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (13/150), “Rowan at Watendlath”, 79 3 ½” x 4 ½”; together with two small framed Topographical Engravings of London and Southampton, plus one other (4)
AFTER T STOTHARD, ENGRAVED BY I YOUNG, ANTIQUE COLOURED ENGRAVING, PUBLISHED 1798, “Joseph’s Brethren 80 Presenting his Bloody Coat to Jacob, their Father”, 16” x 21”
AFTER GUSTAV KLIMT, PACKET OF THREE COLOURED AND THREE BLACK AND WHITE ART PRINTS, each approximately 11” x 81 9” (6)
GROUP OF ELEVEN, GERMAN ANTIQUE COLOURED ENGRAVINGS, Animal, Bird and Insect Subjects; together with two 82 Watercolours, Botanical Subjects, various sizes (13)
83 E T, A FOLDER OF FIFTEEN MIXED MEDIA – HISTORICAL/COMICAL/EROTIC SUBJECTS, each approx 7” x 5”
AFTER L R SQUIRRELL, GROUP OF NINE BLACK AND WHITE PRINTS, Four of the Market Cross at Wymondham and Five of Castle 84 Acre Priory, Norfolk, 9” x 11”; together with A PACKET OF ASSORTED BLACK AND WHITE AND COLOURED ENGRAVINGS OF TURKISH AND ARAB INTEREST, Topographical Subjects (from Public ...[more]
FREDERICK A FARRELL, SIGNED TO IMAGE, BLACK AND WHITE ETCHING, Extensive Scottish Loch and Mountain Landscape 85 with Town in Distance, 10” x 19”, mounted but unframed AFTER F ROBINSON, MID-19TH CENTURY COLOURED LITHOGRAPH, Giraffe (From Varty’s Series of Domestic and Wild Animals), 86 9” x 12” (A/F)
MARTIN WAIN, SIGNED IN PENCIL TO MARGIN AND DATED ’75, LIMITED EDITION COLOURED LITHOGRAPH (26/75), “Frogs”, 87 15” x 12”
AFTER TOM BROWNE, GROUP OF FOUR LATE 19TH CENTURY CHROMOLITHOGRAPHS, “Loch Lomond”; “Edinburgh Castle”; 88 “Houses of Parliament from The River” and “Lakes of Killarney”, 9” x 14”, unframed (4)
AFTER JOHN FLAXMAN, FOLDER OF THIRTY+ BLACK AND WHITE ENGRAVINGS (FROM A PUBLICATION), Classical Subjects, 89 each plate approximately 7 ½” x 13”
AFTER T HEARNE, ENGRAVED BY W BYRNE AND S MIDDIMAN, PAIR OF ANTIQUE HAND COLOURED ENGRAVINGS, 90 PUBLISHED 1778/81, “The View of the Castle at Castle-Acre …” and “Castle Acre Priory …”, 7” x 10” (2)
ENA MORRIS, SIGNED TO BORDER, COLOURED ARTIST’S PROOF, “Contemplation”, 11” x 8” and MARION TRIM, SIGNED IN 91 PENCIL TO MARGIN, COLOURED WOODBLOCK PRINT, “Amaryllis”, 6” x 8”, unframed (2)
AFTER GUERCINO, ENGRAVED BY F BARTOLOZZI, HAND-COLOURED SOFT GROUND ENGRAVING, (ORIGINALLY 92 PUBLISHED 1772), “The Daughters of Guercino in the Dress of the Country Near Bologna”, 12” x 9”
93 19TH CENTURY HAND-COLOURED STIPPLE ENGRAVING, “Rasselas Prince of Abyssinia”, 11” diameter
PAIR OF 19TH CENTURY COLOURED ENGRAVINGS, “Prudence Rejecting Persephone with Disdain” and “Blind Man’s Buff”, 6 ½” 94 diameter (2)
95 EARLY 19TH CENTURY, PAIR OF HAND COLOURED ENGRAVINGS, Classical Figures, 6” diameter circular (2)
AFTER G MORLAND, ENGRAVED BY NUTTER & BOND, PAIR OF HAND-COLOURED 19TH CENTURY STIPPLE ENGRAVINGS, 96 “The Visit Returned in the Country” and “The Farmers First to His Married Daughter in Town”, 7” diameter (2)
SET OF THREE 19TH CENTURY, COLOURED STIPPLE ENGRAVINGS, including “The Rt Honble. The Marchioness of Townshend”, 97 11” x 9”, conditions vary (3)
98 19TH CENTURY, SEPIA ENGRAVING ON SILK, Cupid Tormenting Two Female Figures, 8 ½” diameter
99 J WARNER, SIGNED TO THE IMAGE, BLACK AND WHITE ETCHING, Cubist-type Study of an Archway, 9 ½” x 10”
AFTER ALKEN? ENGRAVED BY G MAILE, COLOURED ETCHING, PUBLISHED 1828, “The Elopement”, 8” x 15” and AFTER H 100 ALKIN AND J F HERRING, PAIR OF EARLY 20TH CENTURY COLOURED PRINTS, “At The Crossroads” and “Full Cry”, 9” x 14” (3)
IRIS FRANSIS, SET OF SIX LIMITED BLACK AND WHITE WOODBLOCK PRINTS (1/50), taken from Bosses in Norwich Cathedral, 101 each approximately 7” x 6”, mounted but unframed; together with YVONNE SKARGON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE WOODBLOCK PRINT (9/50), Butterflie ...[more]
102 AFTER FRANZ VON BAVROS, FRAMED BLACK AND WHITE EROTIC ENGRAVING, 5 ½” x 3 ½”
AFTER J BURFORD, ENGRAVED BY S SPARROW, HAND COLOURED ENGRAVING, Cambridge University Almanack 1814 – 103 “Catherine Hall”, 11” x 16 ½”; together with two further Prints relating to Catherine Hall/Cambridge (3) AFTER SIR G KNELLER, ENGRAVED BY J SMITH, ANTIQUE BLACK AND WHITE MEZZOTINT CIRCA 1700, “The Countess of 104 Salisbury” (see further details verso), 12” x 10”
105 OHARA KOSON, TWO COLOURED WOODBLOCKS, Starlings and Cherry Tree plus Geese Circling a Moon, 11” x 7” (2)
106 HENRY HOLZER, SIGNED AND DATED ’68 TO THE IMAGE, Inscribed “The Ship”, 13 ½” x 13 ½”
107 HENRY HOLZER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE MIXED MEDIA, “Under Trees”, 15” x 19”, unframed
OLWEN JONES, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED SILK SCREEN PRINT (32/100), “House Plants”, 108 12” x 17”
RACHEL ANN LE BAS, ARE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED ETCHING (12/75), “Flint Façade”, 15” 109 x 20”, mounted but unframed
110 AFTER JEAN AUSCHER, SET OF TEN TINTED PRINTS, Figurative Subjects including Casino Interiors, 11” x 8” (10)
ALBANY E HOWARTH, SIGNED IN PENCIL TO MARGIN, SET OF FOUR BLACK AND WHITE ETCHINGS, “Kings College 111 Aberdeen”; “The Dochart at Killin”; “Craigmiller Castle” and “Entrance to Shrine, Scottish National War Memorial”, each approximately 9” x 12” ...[more]
AFTER F BARLOW, ENGRAVED BY T DUDLEY, GROUP OF EIGHTEEN BLACK AND WHITE PLATES, PUBLISHED CIRCA 1687, 112 “Life of Aesop”, 8” x 6 ½”, unframed (18)
EARLY 20TH CENTURY ENGLISH SCHOOL, SET OF FOUR BLACK AND WHITE ETCHINGS, The Saracen’s Head, Southwell (2); 113 Bridlesmith Gate, Nottingham; White Lion, Oundle; together with a further Black and White Etching, possibly Chester, various sizes; plus A N BAYES, SIGNED TO IMAGE, SEPIA ETCHING, “ ...[more]
T STEAD, SIGNED IN PENCIL TO MARGIN, GROUP OF NINETEEN BLACK AND WHITE ETCHINGS, The Environs of Norwich, 114 various small sizes; plus one other, unframed (20)
DORIS M STACEY, SIGNED IN PENCIL TO MARGIN, GROUP OF THREE BLACK AND WHITE ETCHINGS, ONE DATED 1933, 115 “Mandoline”; “W S Julian Esq” and “Farmworkers in a Field”, various sizes (3)
116 MONOGRAMMED, BLACK AND WHITE ETCHING, Inscribed “L’abreuvoire”, 7” x 10”
AFTER J M W TURNER, SET OF FIVE HAND COLOURED MEZZOTINTS, “Dover”; “Ramsgate”; “Plymouth”; “Catwater” and 117 “Falmouth”, 6” x 9” (5)
JOHN SELL COTMAN, SIGNED TO THE IMAGE, BLACK AND WHITE ENGRAVING, PUBLISHED 1819, “Interior of the Chancel of 118 Walsoken Church, Norfolk”, 10” x 13”, mounted but unframed
AFTER J C DOLLMAN, PAIR OF HAND COLOURED PHOTOGRAVURES, PUBLISHED 1887, “Warranted Quiet to Ride or Drive” and 119 “The Owner has no further Use for Him”, 18” x 28”, unframed (2)
AFTER M A HAYES, ENGRAVED BY J HARRIS, SET OF SIX ANTIQUE HAND COLOURED AQUATINTS, PUBLISHED 1836, “Car- 120 Travelling in the South of Ireland in the Year 1836 – Bianconi’s Establishment” (Plates 1-6), 8” x 13”, unframed (6) 121 EARLY 20TH CENTURY ENGLISH SCHOOL, SET OF FOUR COLOURED PRINTS, Classical Figures in Interior, 11 ½” x 8 ½” (4)
122 LATE 18TH CENTURY, HAND COLOURED ENGRAVING, “David Praising God”, 6” x 8 ½”
AFTER NORMAN WILKINSON, EARLY 20TH CENTURY COLOURED LITHOGRAPH (TRAVEL AGENT’S POSTER), the frame 123 stamped to the top “Blue Star Line” and to the base “London to South America”, 18” x 22”
124 NORMAN WILKINSON, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, The Armada off a Coast, 13” x 13”
AFTER NORMAN WILKINSON, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, “His Majesty’s Yacht Britannia, 1932”, 13” x 125 21”
ATTRIBUTED TO NORMAN WILKINSON, PAIR OF PENCIL SKETCHES, One Inscribed “Advance on 21st August, Supplementary 126 Ships Under R A Christian, Shelling Turkish Lines at Ballernes”, the other depicting vignettes of War Ships and Naval Officers, 8” x 14” (2)
127 PAIR OF FRAMED COLOURED BOTANICAL PRINTS, 10” x 7 ½” (2)
CHARLES JOHNSON PAYNE “SNAFFLES”, SIGNED AND EMBOSSED LOWER LEFT, COLOURED PRINT, “The Biggest Walls in the 128 Country Was In It”, 11 ½” x 17 ½”
CHARLES JOHNSON PAYNE “SNAFFLES”, SIGNED LOWER LEFT, EMBOSSED LOWER RIGHT, COLOURED PRINT, “Once Upon 129 a Time”, 11 ½” x 17 ½”
AFTER PETER GRAHAM, COLOURED PHOTOGRAVURE, PUBLISHED 1896, “The Fowler”, 30” x 23”; and a further LATE 19TH 130 CENTURY, COLOURED ENGRAVING, Cormorants on Rocks, 24” x 32” (A/F) (2)
AFTER BLANCHE JENKINS, ENGRAVED BY T OLDHAM-BARLOW, HAND COLOURED ENGRAVING, PUBLISHED 1886, “The First 131 Kiss”, 24” x 17”
AFTER ERSKINE NICOL, ARE, ENGRAVED BY W H SIMMONS, ANTIQUE HAND COLOURED ENGRAVING, PUBLISHED 1874, 132 “Steady, Johnnie – Steady”, 24” x 19”
133 AFTER OWEN B CARTER, ENGRAVED BY E T DOLBY, ANTIQUE COLOURED LITHOGRAPH, “Norwich Cathedral”, 27” x 24”
134 AFTER N MAARIN, ANTIQUE HAND COLOURED ENGRAVING, “Julie”, 13” x 18”
AFTER W F WITHERINGTON, ENGRAVED BY JAMES POSSELWHITE, ANTIQUE BLACK AND WHITE ENGRAVING CIRCA 1842, 135 “The Youthful Queen of the Hop Garden”, 19” x 16”
136 AFTER SALVADOR DALÍ, COLOURED PRINT, Figures in a Square Before Church Buildings, 30” x 30”
FELIKS TOPOLSKI, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION ARTIST’S PROOF (10/25), PUBLISHED BY MIGHTWELL 137 FINE ARTS LIMITED, “The 200th Derby Stakes by Feliks Topolski”, 35” x 59”
FELIKS TOPOLSKI, SIGNED IN PENCIL TO MARGIN, COLOURED ARTIST’S PROOF, “The 200th Derby Stakes”; together with a 138 further section of the same Print, 35” x 12” and 34” x 34” (2) 139 UN-GILDED CARVED WOOD PICTURE FRAME, CURRENTLY IN FOUR SECTIONS, 46” x 36”
140 SMALL VICTORIAN STYLED PIERCED GILTWOOD PICTURE FRAME, 12” x 7 ½”
141 PAIR OF GOOD QUALITY 20TH CENTURY PAINTED GESSO PICTURE FRAMES, 10” x 8” (2)
142 TWO VICTORIAN STYLED GILT GESSO SWEPT PICTURE FRAMES, 15” x 13” and 17” x 15” (2)
143 GROUP OF EIGHT MODERN PICTURE FRAMES, ASSORTED SIZES (8)
144 SET OF THREE VICTORIAN GILT GESSO WATERCOLOUR FRAMES WITH LEAF DECORATION CORNERS, 10” x 13” (3)
145 19TH CENTURY CARVED GILTWOOD PICTURE FRAME, 21” x 18”
146 VICTORIAN GILT GESSO PICTURE FRAME, 18” x 26”
147 GOOD QUALITY MODERN PICTURE FRAME, 25” x 30”
148 EMPIRE STYLE GILT GESSO PICTURE FRAME, 21” x 36”
149 WATTS GILT GESSO PICTURE FRAME, 24” x 36”
150 GROUP OF SEVEN VICTORIAN AND LATER GILT GESSO PICTURE FRAMES, assorted sizes (7)
151 GROUP OF FIVE VICTORIAN AND LATER GILT GESSO PICTURE FRAMES, assorted sizes (5)
152 PAIR OF 20TH CENTURY CARVED AND FRETWORK PICTURE FRAMES, possibly Indian, 18” x 23 ½” (2)
153 GOOD QUALITY 20TH CENTURY GILT GESSO PICTURE FRAME, 20 ½” x 24 ½”
154 LARGE VICTORIAN MAPLE VENEERED FRAME, 27” x 49”
155 EARLY 19TH CENTURY FRENCH CARVED OAK PICTURE FRAME, 20” x 16”
156 VICTORIAN ROSEWOOD PICTURE FRAME, 23” x 16”
157 VICTORIAN GILT GESSO WATERCOLOUR FRAME, Glazed, 20” x 30”
158 TWO MODERN SWEPT PICTURE FRAMES, 20” x 30” and 23” x 35 ½” (2)
159 TWO MODERN MOULDED PICTURE FRAMES, 23” x 19” and 24” x 24” (2)
160 GROUP OF FOUR MODERN PICTURE FRAMES, assorted sizes (4) 161 GROUP OF ELEVEN VICTORIAN AND LATER GILT GESSO PICTURE FRAMES, assorted sizes (11)
162 GROUP OF EIGHT VICTORIAN AND LATER GILT GESSO PICTURE FRAMES, including one small Watts Frame, assorted sizes (8)
GROUP OF FOUR CARVED 20TH CENTURY PICTURE FRAMES, TOGETHER WITH ONE 20TH CENTURY SWEPT FRAME, 163 assorted sizes (5)
164 BOX: ASSORTED VICTORIAN AND LATER PICTURE FRAMES
165 MARY ASHTON, SIGNED AND DATED 1987, PASTEL, Inscribed “Kenyan Girl”, 18” x 12”
165A MONOGRAMMED PASTEL, Portrait of a Gent, 23 1/2" x 18 1/2"
166 ILLIO GIANNACINI, SIGNED, TWO OILS ON CANVAS, Wooded River Landscapes, 20” x 40” and 23” x 35” (2)
TUDAS, SIGNED, OIL ON CANVAS, Coastal Landscape, 19” x 27”; together with INDISTINCTLY SIGNED, OIL ON CANVAS, Wooded 167 Landscape, 20” x 27 ½” (2)
168 CHARLES DAVIDSON, RWS, SIGNED, WATERCOLOUR, Scottish Highland Scene, 14 ½” x 23”
169 J W GILES, SIGNED AND DATED 1850, WATERCOLOUR AND GOUACHE, The Bush Inn, 18” x 25”
FOSTER SMITH, OIL ON CANVAS, SIGNED LOWER RIGHT, Child in a Straw Hat – After Mary Cassatt, 21” x 15 ½”, Note: This is a 170 copy of the work held in the National Gallery of Arts, Washington
FOSTER SMITH, PASTEL, MONOGRAMMED LOWER RIGHT, Portrait of Nadezhda Repina – After Ilya Repin, 22” x 18”, Note: This is 171 a copy of the work held in the Tretyakov Gallery, Moscow, Russia
172 A A THOM, INITIALLED, WATERCOLOUR, Inscribed verso “Victoria Falls”, 17 ½” x 10”
173 EDWIN PHILLIPS, SIGNED AND DATED 1979, WATERCOLOUR, Fishermen and Fishing Vessels, 14” x 20”
PATRICIA PAKENHAM (20TH CENTURY), ONE SIGNED, GROUP OF FOUR OILS ON CANVAS, Turquoise and Silver Studies, 174 assorted sizes (4)
175 BILL SLY, UNSIGNED, OIL ON BOARD, Wooded Landscape, 17” x 23”
176 ERNEST E CLARKE, SIGNED, WATERCOLOUR, Mountain Landscape, 14” x 18”
177 AFTER SIR ALFRED J MUNNINGS, OIL ON CANVAS, The Horse Fair, 25” x 29”, unframed
178 UNSIGNED, OIL SKETCH ON CANVAS, Figure Group, 25” x 30”, unframed (A/F)
CECCARELLI ANTONIO, SIGNED AND DATED ’70, OIL ON CANVAS, Figures and Building, 16 ½” x 20”, unframed; together with one 179 further work by the same artist (2) 179A DAVID MORRISON HENRY, SIGNED, OIL ON CANVAS, Elephant in Sunset Landscape, 14” x 18”, unframed
180 FOLDER OF ASSORTED 19TH CENTURY ENGRAVINGS, assorted sizes
181 LARGE FOLDER OF ASSORTED OILS, mostly modern, some Abstract Studies, Landscapes etc
182 LARGE FOLDER OF ASSORTED PRINTS ETC
183 FOLDER OF ASSORTED WATERCOLOURS, mainly Landscape Studies by various artists
JAMES PATERSON, SIGNED AND DATED 1921, WATERCOLOUR, Still Life Study of Flowers in a Vase, Wine Glass, Apple etc, 18” x 184 12”, mounted but unframed
185 FOLDER OF ASSORTED WATERCOLOURS AND DRAWINGS ETC
GEORGE J FOLLOWS, SIGNED, OIL ON BOARD, “Stephen” (see Exhibition of Holiday Art and Travel label verso), 18” x 14”, 186 unframed; together with two further OIL PORTRAITS (3)
J M HOUSTON, SIGNED, PASTEL, Mevagissey Harbour, 10” x 14 ½”; together with L W SIMPSON, SIGNED, WATERCOLOUR, 187 Inscribed “Mosque of Omar”, 12” x 9” (2)
CHRISTOPHER T PAGE, SIGNED, WATERCOLOUR, Inscribed verso “Stiffkey Marshes”, 10 ½” x 30”, unframed; together with two 188 DRAWINGS by HANSLIP FELTCHER (3)
MARJORIE HOARE, SIGNED, PENCIL AND WATERCOLOUR, Inscribed verso “Swaffham Market Place”; together with two further 189 works by the same artist, all mounted but unframed (3)
190 LARGE PACKET CONTAINING QUANTITY OF OILS, WATERCOLOURS, PRINTS ETC
191 FOLDER OF ASSORTED 19TH CENTURY AND OTHER ENGRAVINGS, Italian and Naval interest
192 J B Y, INITIALLED, WATERCOLOUR, Figures in River Landscape with Cathedral, 11” x 16”, unframed
193 PACKET OF FIVE WATERCOLOURS BY EDWARD POCOCKE
JUREK NEMS, SIGNED, TWO PEN INK AND WATERCOLOURS, Views of Tower Bridge, 3” x 5” and 6” x 9 ½”, both mounted but 194 unframed (2)
FRANKLIN WHITE, SIGNED, MONOTONE WATERCOLOUR, 9 ½” x 12 ½”; together with one further Watercolour by a different artists 194A (2)
WILLIAM HUNT, CRAYON HEIGHTENED IN WHITE ON BLUE PAPER, London Scene – Old Hucksters Stall with Figures, 6 ½” x 8 ½”, 195 mounted but unframed
EDWARD POCOCKE, SIGNED, GROUP OF TEN PEN, INK AND WATERCOLOURS, Titled Norwich and other Views, assorted sizes 196 (10) MILES BALMFORD SHARP, SIGNED AND DATED 1932, WATERCOLOUR, “Village of Polesworth, Warwickshire”, 10 ½” x 14 ½”, 197 unframed
198 AINSLIE BEAN, SIGNED, WATERCOLOUR, Coastal View, 12” x 24”, unframed
199 PACKET OF ASSORTED WATERCOLOURS
WILLIAM EDWARD MAYES, SIGNED, GROUP OF FIVE UNFRAMED WATERCOLOURS, Towers of the Great Wall of Yarmouth, 200 assorted sizes (5)
ITALO GIORDANI, TWO OILS ON PANEL, SIGNED LOWER LEFT, Mountain And Coastal Landscapes, 16 ½” x 13” and 11” x 15” 201 unframed (2)
H R CARTER, MONOGRAMMED, TWO WATERCOLOUR ILLUSTRATIONS, Figures in Candlelit Interior and Figures in Kitchen 202 Interior, 7 ½” x 10 ½” and 10” x 8”, both mounted but unframed (2)
203 MID-20TH CENTURY CHINESE SCHOOL, WATERCOLOUR SCROLL, Figures in Mountain Landscape, 64” x 23”
ATTRIBUTED TO ANTONIO DE SIMONE, OIL ON BOARD, INSCRIBED RMS OPHIR, RMS Ophir Passing The Bay Of Naples, 14” x 204 22 ½”, unframed
205 M DE VITO, SIGNED, WATERCOLOUR, Inscribed “Ballalor Di Tarantella”, 8” x 6”; together with two further works by different artists (3)
HELEN MORLEY, ONE SIGNED, TWO WATERCOLOURS, Inscribed “Vatican Nobel Guard” and “Swiss Guard, Undress Uniform, 206 Vatican”, 19” x 12” (2)
207 NEAPOLITAN SCHOOL, PAIR OF GOUACHE, Bay of Naples and Vesuvius Erupting (Night-time Scenes), 8” x 13” (2) (1 A/F)
208 VOGI, SIGNED, GROUP OF THREE OILS ON PANEL, Italian Landscape etc, assorted sizes, all unframed (3)
209 SMALL PACKET OF ASSORTED WATERCOLOURS, Mixed Subjects
210 PACKET OF THIRTEEN PEN AND INK DRAWINGS, Illustrations for a Children’s Book, assorted sizes (13)
211 JOHN NORGRAVES BAKER, FOLDER OF APPROX THIRTY-EIGHT ETCHINGS, Animal Studies
212 VERONICA BURLEIGH, SIGNED, WATERCOLOUR, Military Encampment, 14” x 20 ½”, mounted but unframed
213 VERONICA BURLEIGH, SIGNED, WATERCOLOUR, Mountain Landscape, 13 ½” x 20 ½”, mounted but unframed
214 EUGENE BOULET, SIGNED, OIL ON CANVAS, Cypriot Trees, 24” x 20”, unframed
215 FOLLOWER OF JOHN BRATBY, BEARS SIGNATURE, OIL ON CANVAS, Preparing for the Ballet, 28” x 24”, unframed
216 YVON VIDAL, SIGNED, GOUACHE, Art Deco Lady, 11” x 9” 217 C G ANDREWS, PAIR OF SEPIA WATERCOLOURS, Shipping Studies, 8” x 5 ½” (2)
218 M JORCE, SIGNED, GROUP OF FOUR OILS ON TIN, Street Scenes and Portrait, assorted sizes (4)
219 SIAN WILKINS, SIGNED, TWO WATERCOLOURS, “Cows in Winter” and “Three Geese”, 4” x 4” and 5” x 9 ½” (2)
220 19TH CENTURY ENGLISH SCHOOL, CHARCOAL DRAWING HEIGHTENED WITH WHITE, Portrait of Lord Byron, 11” x 9 ½”
INDISTINCTLY SIGNED, OIL ON BOARD, Still Life Study of Mixed Flowers in Blue and White Jug, 11” x 7”; together with UNSIGNED, 221 OIL ON PANEL, Still Life Study of Mixed Flowers in Blue Jug, 5” x 4” (2)
222 UNSIGNED, MODERN OIL ON BOARD, Still Life Study of Mixed Flowers in a Basket, 7” x 5”
223 HUBERT COOP, SIGNED AND DATED 1895, CHARCOAL DRAWING, Coastal Scene, 20” x 28”
224 INDISTINCTLY SIGNED, PAIR OF MODERN OIL MINIATURES, Italianate Landscapes, 3 ½” x 7”, oval (2)
225 20TH CENTURY CONTINENTAL SCHOOL, OIL MINIATURE, Madonna, 3” x 2 ½”
226 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Naïve Study of Young Girl with Doll, 6 ½” x 5”
19TH CENTURY ENGLISH SCHOOL, OIL ON PANEL, Naïve Study of Young Girl Wearing Bonnet, holding Basket of Fruit, with Cat on 227 a Chair, 5” x 4”
228 ATTRIBUTED TO FREDERICK TULLY LOTT, OIL ON BOARD, Travellers in Coastal Landscape, 5” x 6”
229 CHARLES MORRIS, SIGNED AND INDISTINCTLY DATED, OIL ON PANEL, Drover with Cattle in Rural Landscape, 4 ½” x 6”
CHARLES DUDLEY, SET OF THREE OILS ON BOARDS, ALL SIGNED AND INSCRIBED WITH TITLES VERSO, Expectation, 230 Anticipation and Realisation, 7 ½” x 9 ½”, unframed (3)
231 19TH CENTURY ENGLISH SCHOOL, PAIR OF WATERCOLOURS, Head and Shoulders Portraits of Lady and Gent, 4” x 3” (2)
232 19TH CENTURY ENGLISH SCHOOL, OIL ON TIN, Figures in Landscape with Cathedral and Town to Distance, 6” x 9”
233 19TH CENTURY ENGLISH SCHOOL, OIL ON PANEL, Figures and Dog by a Watermill, 5 ½” x 6 ½”
234 19TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Figures by a River with Building to Distance, 9 ½” x 7 ½”
235 FOLLOWER OF ELOISE HARRIET STANNARD, BEARS INITIALS, WATERCOLOUR, Roses in a Basket, 2 ½” x 2”
19TH CENTURY CONTINENTAL SCHOOL, GOUACHE, Divine; together with two further WATERCOLOURS by different hand, 236 assorted sizes (3)
238 19TH CENTURY ENGLISH SCHOOL, PENCIL AND CHARCOAL DRAWING, Head and Shoulders Portrait of a Lady, 4 ½” x 3 ½” 19TH/20TH CENTURY ENGLISH SCHOOL, REVERSE PAINTING ON GLASS, Figures and Dog in Stylised Arcadian Landscape, 16” x 239 12”
19TH/20TH CENTURY ENGLISH SCHOOL, REVERSE PAINTING ON GLASS, Figures Dancing in Stylised Arcadian Landscape, 13” x 240 17”
WILLIAM SAVAGE COOPER, OIL ON CANVAS, SIGNED AND DATED 1906 TOP RIGHT, Head and Shoulders Portrait of a Gent with 241 Moustache, 23 ½” x 19 ½”
241A ATTRIBUTED TO J WATTS, OIL ON CANVAS, Mountain River Landscape, 12” x 18”
242 FREDERICK WILLIAM DAVIS, WATERCOLOUR, SIGNED AND DATED 1897 LOWER LEFT, Monk with Pestle and Mortar, 43” x 26”
243 W F D, MONOGRAMMED AND DATED ’09 (AFTER T B HARDY), WATERCOLOUR, Inscribed “Off Scarbro”, 26” x 38”
UNSIGNED, CONTE DRAWING, Seated Monksl W MANN, SIGNED, OIL ON CANVAS, Street in Winter; together with two further 244 works by different artists, assorted sizes (4)
245 G S WALTERS, SIGNED AND DATED 1872, WATERCOLOUR, Rocky Waterfall, 18” x 27”
246 19TH CENTURY ENGLISH SCHOOL, OIL, Travellers in Woodlands, 27” x 35”
247 A TULLY, SIGNED AND DATED ’38, PAIR OF OILS ON PANEL, Country Landscapes, 7 ½” x 16” (2)
248 J C, BEARS MONOGRAM, OIL ON CANVAS, Lady Picking Flowers in Woodland, 12” x 8 ½”
249 AFTER BIRKET FOSTER, OIL ON CANVAS, The Midday Rest, 8” x 6”
250 INDISTINCTLY SIGNED, OIL ON BOARD, Inscribed verso “Norwegian ‘Christian Radich 676 Tons’ “, 11 ½” x 15”
251 W ERIC THORP, SIGNED, OIL ON BOARD, Inscribed verso “Silvertown”, 7 ½” x 9”
D H PARRY JNR, OIL ON BOARD, INITIALLED AND INSCRIBED WITH TITLE VERSO, “In Brittany”, 7 ½” x 5 ½”; together with one 252 further Oil of Cobhams Dragoons by the same artist (2)
253 ATTRIBUTED TO PETER DE WINT, WATERCOLOUR, Herder and Cattle by a Jetty, further Figure in Boat, 7” x 10”
254 IN THE MANNER OF OBADIAH SHORT, OIL ON BOARD, Rural Landscape, 6” x 7 ½”
255 UNSIGNED, PAIR OF OILS ON CANVAS, River Landscapes, 9” x 11”, unframed (2)
256 ROAUL MILLAIS, SIGNED, OIL ON CANVAS, Horses Grazing in a Landscape, 11” x 15”
257 ROAUL MILLAIS, SIGNED, PASTEL, Figures with Horse and Carriage, 7” x 10”
258 DONALD GREIG, SIGNED, OIL ON BOARD, “Fitting Out, Salcombe”, 9” x 11” 259 AFTER MURILLO, OIL ON METAL, The Fruit Eaters, 7 ½” x 6”
260 RONALD OSSARY DUNLOP, SIGNED, CRAYON DRAWING, Figures, 4 ½” x 5”
W M PRICE, INSCRIBED TO LABELS VERSO, PAIR OF PASTELS, “Evening, Clewydd Cathedral” and “Sunrise Ruddland Castle, St 261 Asaphs Bridge”, 5 ½” x 7” (2)
262 ATTRIBUTED TO JOSIAH W WHYMPER, WATERCOLOUR, Loading the Hay Barge, 6” x 9”
263 INDISTINCTLY SIGNED, PAIR OF OILS ON PANEL, North African Figures, 10” x 8” (2)
264 DAVID W HADDON, SIGNED, OIL ON BOARD, A Soldier in Armour, 8” x 5 ½”
265 19TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Huntsman and Hounds, 8” x 9 ½”
266 T HODGSON LIDDELL, SIGNED, OIL ON BOARD, River Landscape, 10” x 13”
267 CECIL ROSS BURNETT, SIGNED, WATERCOLOUR, Returning Home, 9” x 12”
268 UNSIGNED, OIL, Inscribed verso “The Deben, Woodbridge”, 9 ½” x 13”
269 Y GIANNI, SIGNED, GOUACHE, The Bay of Naples, 7 ½” x 16”
270 E PARRINI, SIGNED, PAIR OF WATERCOLOURS, Venetian Waterways, 6 ½” x 13” (2)
271 Y GIANNI, SIGNED, GOUACHE, Italian Flower-Sellers, 18” x 11”
272 JAMES ORROCK, SIGNED, WATERCOLOUR, Inscribed “Furness Abbey Sept 2nd 1853”, 14” x 10”
273 G S FRENCH, SIGNED AND DATED 1904, WATERCOLOUR, Whitby, 13” x 21”
MARIA EATON, SIGNED, WATERCOLOUR, Still Life Study of Mixed Flowers in Chamber Pot, Inkwell, other Flowers, Necklace etc, 15” 274 x 20”
275 WARREN WILLIAMS, ARCA, SIGNED, WATERCOLOUR, Inscribed verso “Conway River”, 13” x 19”
276 WILLIAM A RIXON, SIGNED, OIL ON CANVAS, Loggers Caravans, 19” x 23”
277 W E JUDGE, SIGNED, WATERCOLOUR, Inscribed verso “The Bridge in the Glen”, 11 ½” x 14”
278 JAMES LAWSON STEWART, SIGNED, WATERCOLOUR, Street Scene with Figures and Tudor Buildings, 18” x 13”
279 18TH C CONTINENTAL SCHOOL, OIL ON PANEL, St Anthony of Padua, 13” x 18 ½” 280 JACK PUTNEY, SIGNED LOWER RIGHT, OIL ON BOARD, Fishing Boats in an Estuary, 15” x 25”
281 HANS JACOB HANSEN, RSW, WATERCOLOUR, SIGNED LOWER RIGHT, Snake Charmer, 10 ½” x 20”
282 GEORGE OYSTON, SIGNED AND DATED ’93, WATERCOLOUR, Figures in a Punt on a River, 10” x 20”
283 ATTRIBUTED TO WILLIAM GAWIN HERDMAN, OIL ON CANVAS, Continental Coastal Town, 10 ½” diameter
284 L YHAP, SIGNED, OIL ON CANVAS, Still Life Study of Flowers in a Vase, 17 ½” x 13”
285 ROBERT J HEWITT, WATERCOLOUR, SIGNED LOWER LEFT, Gathering Wood Siene Valley, 10” x 14”
286 SYLVESTER STANNARD, SIGNED, WATERCOLOUR, Figure by Country Cottage, 9 ½” x 13 ½”
286A 19TH CENTURY ENGLISH SCHOOL, OIL ON PANEL, Coastal Scene with Fisherfolk, Horse and Cart, 8 ½” x 11”
287 INDISTINCTLY SIGNED, OIL ON BOARD, A Scotsman, 11 ½” x 8 ½”
288 EDWARD FRANCIS WELLS, SIGNED AND DATED 1905, WATERCOLOUR, Inscribed verso “Outside Norwich”, 14” x 20”
289 LUCIA SARTO, SIGNED, OIL ON CANVAS, Inscribed verso “Day In The Park”, 23” x 19”
290 DAVID COX JNR, SIGNED AND DATED 1851, WATERCOLOUR, Wooded River Landscape, 14” x 21”
291 GEORGE STRATON FERRIER, SIGNED, WATERCOLOUR, Stirling Castle, 14” x 21”
292 * JACK ORR, OIL ON BOARD, SIGNED, LOWER LEFT, “An Early Appointment”, 20” x 27 ½”
AFTER HARRY B NEILSON, WATERCOLOUR, “Mr Fox’s Hunt Breakfast on Xmas Day” (copied from Penny Illustrated Paper Xmas 293 Number 1897), 13” x 27”
294 IN THE MANNER OF HELEN ALLINGHAM, OIL ON CANVAS, Lady Before Country Cottage, 11” x 15”
295 ATTRIBUTED TO ARTHUR BRISCOE, BEARS INITIALS, WATERCOLOUR, “Still Water”, 9” x 11”
296 HENRY STARK, SIGNED AND DATED 1950, WATERCOLOUR, Figures in Lakeland, 10” x 14”
297 ATTRIBUTED TO JOHN PEDDER, WATERCOLOUR, “Snowdon”, 11” x 18”
298 INDISTINCTLY SIGNED, WATERCOLOUR, Italian Coastal View, 14 ½” x 7”
299 KEITH BURTONSHAW, BWS (BORN 1930), SIGNED, WATERCOLOUR, Lake District Scene, 10” x 14”
300 GEORGE GRAHAM, RI, RBA, WATERCOLOUR, Iona, 6” x 12”, Provenance: The Bourne Gallery, see label verso 301 ATTRIBUTED TO DAVID WOODLOCK, WATERCOLOUR, Lady by a Castle, 13 ½” x 10”
RACHAEL HAMILTON-RUSSELL, SIGNED AND DATED 1940, SIGNED, WATERCOLOUR, “Autumn Landscape” (see Chelsea Art 302 Stores label verso), 10” x 14”
303 UNSIGNED, WATERCOLOUR, Figures Before a Country House, and Young Boy with Hoop, 10” x 16”
303A EDMUND PERINI, SIGNED OIL ON BOARD, Street Scene, 13" x 17"
304 JOHN OSBOURNE, SIGNED, OIL ON BOARD, Landscape, 4 ½” x 9 ½”
305 FRANK HOLME, SIGNED, PAIR OF GOUACHE, Coastal Views, Possibly Turkish, 17” x 11” (2)
306 CHARLES BEATTY, ONE SIGNED, PAIR OF OILS ON BOARD, Pulls Ferry and companion, 13 ½” x 24” (2)
307 ATTRIBUTED TO WILLIAM HAMILTON, PEN, INK AND WASH, Figure in Stormy Landscape, 9” x 7 ½”
308 ATTRIBUTED TO WILLIAM HAMILTON, PEN, INK AND WASH, Figures Sheltering from a Storm, 10” x 13”
309 ADRIAN BURY, SIGNED, TWO WATERCOLOURS, “Trees – Richmond Park” and one similar, 10” x 14” and 12” x 17” (2)
310 IN THE MANNER OF R O LENKIEWICZ, BEARS SIGNATURE, OIL ON CANVAS, Head and Shoulders Portrait of a Lady, 17” x 13”
ABRAHAM HULK JUNIOR, SIGNED, WATERCOLOUR, Dartmoor Landscape, 7” x 17”; together with one further WATERCOLOUR, 311 AFTER ABRAHAM HULK (2)
312 JOHN TRICKETT, SIGNED, OIL ON CANVAS, Angler in Mountain River Landscape, 29” x 23”
313 ATTRIBUTED TO EDWARD CONWAY, WATERCOLOUR, Inscribed verso “Palma Harbour, Majorca”, 13 ½” x 9 ½”
314 NAN LIVINGSTONE, SIGNED, OIL ON CANVAS, St Ives Harbour, 19” x 23”
315 * JACQUI JONES, SIGNED AND DATED ’77, PASTEL, Inscribed “Jo Tobin”, 19” x 25”
316 INDISTINCTLY SIGNED LOWER LEFT, WATERCOLOUR, Mother, Child and Dog before Buildings, 9” x 13”
317 JULIA WILSON, SIGNED, OIL ON BOARD, Inscribed verso “Kintyre Seascape”, 21” x 31”
318 JOHN SIDNEY STEEL, SIGNED AND INDISTINCTLY DATED, OIL ON CANVAS, After the Days Shoot, 18” x 29”
ATTRIBUTED TO W B STAPLEY, CIRCA 1838, PAIR OF WATERCOLOURS, “Were You Ever Thrown out of a Gig” and “Stand and 319 Deliver”, 4” x 6 ½” (2)
320 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Huntsman on Horseback with Hounds, 3” x 4” 321 ATTRIBUTED TO CLAUDE MUNCASTER, WATERCOLOUR, Inscribed verso “Distant Chanctonbury”, 8” x 11”
322 JAMES AUMONIER, SIGNED, OIL ON BOARD, Shepard Resting in Landscape, 8” x 10”
P VON EMMANIS, SIGNED AND INDISTINCTLY DATED, PAIR OF OILS ON BOARD, South African Landscapes, 9” x 12” and 10” x 323 14” (2)
324 TERRY BESTWICK, OIL ON BOARD, Inscribed with title verso “Hand in Hand”, 6” x 10”
325 ATTRIBUTED TO AARON PENLEY, PENCIL AND WASH DRAWING, Welsh Scene with Elms and Castle, 3” x 4”
326 UNSIGNED, WATERCOLOUR, Naïve Study of Figures, 4” x 4”
327 W STEWART, SIGNED, PAIR OF WATERCOLOURS, Shipping Scenes, 5” x 9 ½” (2)
328 GEORGE GOODWIN KILBURNE, SIGNED, WATERCOLOUR, Huntsman, Horses, Hounds and other Figures by a Stable, 7” x 10”
329 JENNY WEISS, SIGNED AND INSCRIBED “KARLSBAD 1909, CHARCOAL DRAWING, Portrait of a Lady, 10” x 7”
330 WILLIAM MINSCHALL BIRCHALL, SIGNED AND DATED 1928, WATERCOLOUR, Inscribed “Beating Up Channel”, 9 ½” x 13”
331 WILLIAM COOK OF PLYMOUTH, MONOGRAMMED AND DATED ’74, WATERCOLOUR, Inscribed verso “Curl Mount”, 10” x 15”
332 STANLEY CLARK, SIGNED, OIL ON CANVAS, Figure before a Cottage, 12” x 15”
333 DE FULVIS, SIGNED, WATERCOLOUR, Italian Street Market, 12” x 5”
334 E NISBET, SIGNED AND DATED 1911, WATERCOLOUR, Cottage and Gorse in Landscape, 9” x 13”
335 INDISTINCTLY SIGNED, OIL ON CANVAS, Venice by Sunset, 9” x 13”
336 THOMAS IVESTER LLOYD, SIGNED, OIL ON PANEL, Shooting with Pointers, 10 ½” x 16”
337 MODERN BRITISH SCHOOL, OIL ON PAPER, Street Scene, 13 ½” x 9 ½”
338 INDISTINCTLY SIGNED AND DATED ’28, WATERCOLOUR, French River Scene, 10” x 13 ½”
LUCETTE DE LA FOUGERE, RBA, ROI, WATERCOLOUR, SIGNED LOWER RIGHT, Putney Common, 9” x 14”, Provenance: The 339 Society of Graphic Artists, The Royal Institute Galleries, 195 Piccadilly, London, see labels verso
340 JAMES M DUNLOP, SIGNED, OIL ON PANEL, Inscribed verso “Portrait Study”, 15” x 10”
341 UNSIGNED, OIL, Still Life Study of Mixed Flowers in an Urn, 35” x 24”
342 UNSIGNED, PAIR OF OILS ON BOARD, Head and Shoulders Portraits of Lady and Gent, 18” diameter (2) 343 17TH/18TH CENTURY CONTINENTAL SCHOOL, OIL ON CANVAS IN CARVED GILTWOOD FRAME, The Holy Family, 34” x 25” oval
344 E MORETON, SIGNED, OIL ON CANVAS, Gypsy Encampment, 8 ½” x 18”
345 H CLEMENTS, SIGNED AND DATED ’80, OIL ON CANVAS, Mountain River Landscape with Derelict Mill, 15” x 23”
346 ATTRIBUTED TO BERNARD BENEDICT HEMY, BEARING SIGNATURES, PAIR OF WATERCOLOURS, Seascapes, 7 ½” x 10 ½” (2)
347 JESSIE TURNER, MONOGRAMMED, WATERCOLOUR, Inscribed verso “The Inner Harbour, Polperro, Cornwall”, 17” x 12 ½”
348 A GREEN, SIGNED, OIL ON PANEL, The Fish Seller, 11 ½” x 8”
MID-19TH CENTURY ENGLISH SCHOOL, PAIR OF PASTELS, Head and Shoulders Portraits of Lady and Gent, 14” x 10”, in birds-eye 349 maple frames (2)
350 H A LINTON, SIGNED, PAIR OF WATERCOLOURS, Inscribed “Arabian Ruins” and “Baalber Ruins, Egypt”, 7 ½” x 17” (2)
351 C BASSETT, SIGNED, OIL ON CANVAS, River Landscape with Figures in a Punt, Cattle Watering, 15” x 25”
352 VINCENT CLARE, OIL ON CANVAS, SIGNED LOWER RIGHT, Still Life Study of Mixed Fruit on a Mossy Bank, 7” x 8”
353 A CLARK, SIGNED, OIL ON BOARD, Horse in Stable, 7” x 8 ½”
354 INDISTINCTLY SIGNED LOWER LEFT, OIL ON CANVAS, Mother and Child in Arched Doorway, 23” x 18”
355 ALFRED WOOLNOTH, SIGNED, WATERCOLOUR, Inscribed verso “Christ Church, Cambridge”, 9” x 10”
356 WINIFRED TURNER, SIGNED AND DATED ’67, OIL ON CANVAS, Inscribed verso “Oast Houses at Bearsted, Kent”, 19” x 29”
357 **** LASZLO, SIGNED AND DATED 1946, OIL ON CANVAS, River Landscape with Geese, 19” x 29”
358 MR HOUSEGO, SIGNED VERSO, OIL ON PANEL, Figures Resting in Woodland, 10” x 11”
359 EARLY 20TH CENTURY ENGLISH SCHOOL, BEARS MONOGRAM, OIL ON CANVAS, Still Life Study of Roses in a Vase, 11” x 15”
360 A HODGE, SIGNED, PAIR OF WATERCOLOURS, Mother and Daughter with Fairies, 11” diameter (2)
361 EDWARD HARGITT, RI, SIGNED, WATERCOLOUR, Herder, Dog and Cattle on Hillside, 7” x 9 ½”
362 A G KING, SIGNED AND DATED ’29, WATERCOLOUR, Town and River, 8” x 13”
363 A SAYER, SIGNED AND DATED 1930, OIL ON CANVAS, “Stick Bridge, Longwater Lane, Costessey”, 10” x 14”
364 STANTON FORBES (19TH/20TH CENTURY), SIGNED, WATERCOLOUR, The Flower Pickers, 11” x 14” 365 WALTER HORSNELL, SIGNED, OIL ON BOARD, “The Wharfe, Loup Scar, Burnsall”, 19” x 23”
INDISTINCTLY SIGNED LOWER RIGHT, 19TH CENTURY, OIL ON PANEL, Continental Landscape with Herder, Goat and Cattle 366 Watering, 18” x 24”
367 ATTRIBUTED TO PAUL SANDBY, WATERCOLOUR, Inscribed “Aber Conway”, 8” x 12”
368 ARTHUR BECKINGHAM, SIGNED, OIL ON CANVAS, Lady Seated by a Punt on a River, 17” x 23”
369 JEFFREY, SIGNED, OIL, A Woodland, 11 ½” x 29”
370 VAN GILL, SIGNED, WATERCOLOUR, Brixham Harbour, 12” x 17”
371 UNSIGNED, OVAL OIL ON CANVAS LAID TO BOARD, Figures Promenading by a Lakeside with Swans, 19” x 23”
372 UNSIGNED, OIL ON BOARD, Primitive Study of Tonbridge High Street during a Flood, (see label verso), 16” x 29”
373 VIOLA BORRADAILE, TEMPERA ON CANVAS, Religious Figures, 27” x 19”
374 JOHN DENAHY, OIL ON BOARD, “Beach, East Coast”, 15” x 19”, Provenance: The Mall Galleries, see label verso
375 JOHN DENAHY, OIL ON BOARD, “The Red Sail”, 22” x 23”, Provenance: The Mall Galleries, see label verso
BERTRAND BOUVERIE, SIGNED AND DATED 9/11/61, PEN, INK AND WATERCOLOUR, Inscribed “Newmarket Exit Gate from the 376 Paddock”, 5 ½” x 8”
H WEBSTER NASH , SIGNED, WATERCOLOUR, Inscribed “Mt. Ruapehu, NZ” (Mount Ruapehu is an active volcano in New Zealand), 377 10” x 14”; together with EARLY 19TH CENTURY, ENGLISH SCHOOL, WATERCOLOUR, Coastal Scene with Castle Ruins, 6 ½” x 9” (2)
378 J E, MONOGRAMMED AND DATED 1917, OIL ON CANVAS, Seascape, 6 ½” x 9”
379 T HOWELLS, ONE SIGNED, GROUP OF THREE OILS ON PANEL, Landscapes, assorted sizes (3)
380 ATTRIBUTED TO FRANCES NESBITT, WATERCOLOUR, A Russian Fishing Fleet, 6 ½” x 9 ½”
381 E H R, INITIALLED OIL ON BOARD, STILL LIFE STUDY OF FLOWERS IN A VASE, 7” x 9”
382 CIRCLE OF THOMAS SIDNEY COOPER, OIL ON CANVAS, Cows and Sheep in a Pasture, 24” x 29”
383 CIRCLE OF HENRY PERLEE PARKER, OIL ON CANVAS, Fisherman Having a Smoke, 23” x 19”
384 JOHN SUTTON, SIGNED, WATERCOLOUR, Moored Barges, 13” x 17”
385 ROBIN C HARRISON, SIGNED, WATERCOLOUR, Botanical Study, 14” x 12” ROBIN C HARRISON, PASTEL AND WATERCOLOUR, SIGNED LOWER RIGHT, Extensive Lake Scene with Wildflowers and 386 Butterflies, 21” x 29”
387 UNSIGNED, WATERCOLOUR, Interior of Ranworth Church 1929, 13 ½” x 9”
JAMES J ALLEN, SIGNED, OIL, Inscribed verso “After The Storm Wroxham”, 11 ½” x 19”; together with one further Oil by the same 388 artist (2)
L L HOWES, SIGNED AND DATED 1911, WATERCOLOUR, View of Part Rear of High Altar from The Jesus Chapel, 22” x 10”; 389 together with two further works by the same artist (3)
W J COMAN, SIGNED, WATERCOLOUR, Inscribed verso “Spring (on the Yare)”; together with four further works by the same artists, 390 assorted sizes (5)
JOHN SUTTON, SIGNED AND DATED 1969, WATERCOLOUR, Inscribed “Wherry and Mill – Runham Swim”, 13” x 17”; together with 391 RAY CANHAM, SIGNED ACRYLIC, Norfolk Church, 19” x 23” (2)
392 WILLIAM FREDERICK AUSTIN, SIGNED, WATERCOLOUR, Figures and Dog by Riverside, 12” x 19”
393 JOHN MACE, MONOGRAMMED, OIL ON BOARD, Coastal Scene with Figures and Fishing Boats, 19” x 27”
394 E W PIPKIN, SIGNED, OIL ON BOARD, “Stiffkey Valley”, 19” x 34 ½”
395 R J SCOTT, SIGNED, OIL ON BOARD, Ducks in Flight over an Estuary, 16” x 27”
396 MARTIN WALTON, SIGNED AND DATED ’64, OIL ON CANVAS, Wooded River Landscape, 17 ½” x 23 ½”
JOHN MACE, MONOGRAMMED, TWO OILS ON BOARD, Cattle in River Landscape; and Chickens in a Lane; together with a 20th 397 Century Oil Miniature, assorted sizes (3)
398 JOHN BERNEY CROME, PENCIL SKETCH, Inscribed “July 18 1829 – Caistor”, 5” X 8 ½”
399 ATTRIBUTED TO WILLIAM PHILIP BARNES FREEMAN, WATERCOLOUR, Cottage in River Landscape, 7” x 17”
400 KEN TIDD, SIGNED, WATERCOLOUR, Sunset at Morston, 9” x 13”
401 JOHN ROWBOTTOM, SIGNED, GOUACHE, “Dinghies on the Carnser, Blakeney”, 14” x 21”
402 WILLIAM LESLIE RACKHAM, MONOGRAMMED, PAIR OF WATERCOLOURS, Broadland Views, 4” x 6” (2)
403 GERALDINE GREEN, SIGNED, PEN, INK AND WATERCOLOUR, “Blakeney Old Quay”, 10” x 14”
404 LESLIE L HARDY MOORE, RI, SIGNED, PEN, INK AND WATERCOLOUR, Inscribed verso “Norfolk Marsh”, 15” x 21”
* LESLIE L HARDY MOORE, RI, (1907-1996), SIGNED, WATERCOLOUR, “Blakeney”, 14” x 21”, Provenance: The Mall Galleries (see 405 exhibition label verso) 406 EDWARD ROBERT SMYTHE, SIGNED LOWER RIGHT, OIL ON CANVAS, Figures before a Cottage, 12” x 16”
407 COLIN W BURNS, SIGNED, OIL ON BOARD, Pheasant, 16” x 19”
408 COLIN W BURNS, SIGNED, OIL ON CANVAS, Pheasant in Winter Landscape, 11 ½” x 15 ½”
409 ARTHUR EDWARD DAVIES, RBA, RCA, SIGNED, WATERCOLOUR, River Landscape and Bridge, 11” x 16”
410 MISS GURNEY, PEN AND INK DRAWING, CIRCA 1850, Beached Ship at Cromer, 4” x 6 ½”
411 CHARLES HARMONY HARRISON, SIGNED, WATERCOLOUR, Yarmouth Tower, 5” x 3”
412 * PHILIP GARDNER, SIGNED, WATERCOLOUR, “Worms Galore 1983”, 14” x 20”, Provenance: Ringstead Gallery, Ringstead, Norfolk
413 KEITH JOHNSON, SIGNED AND DATED ’92, OIL ON BOARD, Inscribed verso “Upton”, 10” x 15”
414 JACK COX, SIGNED, PAIR OF WATERCOLOURS, Fishermen at Sunrise; and Bait Diggers, 4 ½” x 6 ½” (2)
415 JACK COX, SIGNED, PAIR OF OILS, “Geese Over Bob Hall’s Sand” and “ Summer Sail”, 4 ½” x 6 ½” (2)
416 JACK COX, OIL ON BOARD, Landing a Fishing Boat, 8” x 10”
417 JACK COX, SIGNED, WATERCOLOUR, “Seal Boat Setting Off”, 7 ½” x 10 ½”
418 JACK COX, SIGNED, WATERCOLOUR, Inscribed verso “Near East Hill, Wells”, 9” x 12”, mounted but unframed
419 JACK COX, SIGNED, WATERCOLOUR, Horses Grazing at Sunset, 10” x 14”
420 JACK COX, SIGNED, OIL ON BOARD, Wells Lifeboat at Sea, 14” x 20 ½”
421 JACK COX, SIGNED, WATERCOLOUR, Bait Diggers, 8 ½” x 11”
422 JACK COX, SIGNED, WATERCOLOUR, Fishing Boats in North Norfolk Estuary, 9” x 11 ½”
423 JACK COX, SIGNED, WATERCOLOUR, Fishing Boats in a North Norfolk Estuary, 12” x 15”
424 VICTORIAN SCHOOL, OIL, A View of Cromer, 19” x 29”
425 JOHN SUTTON, SIGNED AND DATED 1972, WATERCOLOUR, Inscribed “Wherry on the Bure”, 14” x 21”
426 JOHN SUTTON, SIGNED AND DATED 1972, WATERCOLOUR, Inscribed “Stack and Waggon”, 14” x 25”
427 CATHERINE MAUD NICHOLS, RE, SIGNED, PENCIL DRAWING, Inscribed “Acle Bridge”, 4 ½” x 6” 428 PAMELA NOYES, SIGNED, PAIR OF OILS ON BOARD, “Wells” and “Fishing Boats”, 9” x 11” (2)
429 NICK LYONS, SIGNED, PAIR OF WATERCOLOURS, “Weavers Way” and “Old Banningham Road, Aylsham”, 5” x 14” (2)
430 ROY HAYDON, SIGNED, WATERCOLOURS, Inscribed “St Giles Church, Norwich”, 9 ½” x 13”
431 ROBERT MALLETT, INITIALLED WATERCOLOUR, Wherry Passing Cottage on The Broads, 7 ½” x 11”
432 MICK BENSLEY, SIGNED AND DATED ’86, WATERCOLOUR, Inscribe verso “Burnham Overy Staithe”, 7 ½” x 11”
433 WILLIAM REDGRAVE, SIGNED, WATERCOLOUR/POEM, “Come Away”, 8” x 4 ½”
434 CHARLES F RUMP, SIGNED, WATERCOLOURS, Broads View, 8” x 7 ½”
435 DAVID FEATHER, SIGNED WITH DEVICE, WATERCOLOUR, Two Chicks, 3” x 5”
436 AVONDALE, SIGNED, WATERCOLOUR, Broads View, 4” x 6 ½”
437 KEITH JOHNSON, SIGNED, WATERCOLOUR, Winter Landscape, 10” x13”
438 OWEN WATERS, SIGNED, CHARCOAL AND WASH, Inscribed verso “Waxham Church from the Dunes”, 4 ½” x 7”
439 GEOFFREY MACE, OIL ON BOARD, Horses Grazing in Landscape, 11” x 15”
440 PETER SOLLY, SIGNED, WATERCOLOUR, Inscribed verso “Towards Weybourne”, 6” x 8 ½”
441 C B NURSE, SIGNED, PAIR OF WATERCOLOURS, Inscribed “Wroxham” and “Reedham”, 8” x 14” (2)
442 ARTHUR A PANK, SIGNED, OIL ON BOARD, North Norfolk Landscape, 8” x 22”
443 ATTRIBUTED TO STEPHEN JOHN BATCHELDER, WATERCOLOUR, Cattle Grazing on the Broads, 7” x 10”
JAMES J ALLEN, SIGNED, OIL ON BOARD, Inscribed verso “Winter at Clippesby Mill”, 3 ½” x 5 ½”; together with two further works by 444 different artists (3)
445 JOHN CYRIL HARRISON, WATERCOLOUR, ENDORSED VERSO BY THE ARTIST’S SON ROBIN, Falls in South Africa, 8 ½” x 5”
446 CHARLES HANNAFORD JNR, SIGNED, WATERCOLOUR, Inscribed “Boats at Barton Turf”, 10” x 14”
447 ANN ROFF WILLIAMS, SIGNED, WATERCOLOUR, Inscribed verso “Blooms in Summer”, 9 ½” x 14”
448 PETER GUNNELL, SIGNED, OIL ON CANVAS, Yacht on Slipway, 9 ½” x 13 ½”
449 CHARLES BEATY, SIGNED, OIL ON BOARD, Inscribed verso “Stalham Dyke, Norfolk”, 7 ½” x 14” FRANK WILLIAM LESLIE DAVENPORT, ARCA, SIGNED AND DATED SEPT ’65, PASTEL, “Longwood, Beech Road, Wroxham”, 21” x 450 29”
FRANK WILLIAM LESLIE DAVENPORT, ARCA, SIGNED AND DATED AUG ‘69, PASTEL, “Fishing Boat at Hut, Winterton on Sea”, 18” 451 x 29”
FRANK WILLIAM LESLIE DAVENPORT, ARCA, SIGNED AND DATED ’60, WATERCOLOUR AND PASTEL, “Old Coastguard Station, 452 Winterton”, (This view at Winterton shows the crater caused by a bomb), 14 ½” x 20”
453 SHIRLEY CARNT, SIGNED, OIL ON BOARD, Inscribed verso “A Windy Day on the Broads”, 19” x 23”
454 RONALD CRAMPTON, SIGNED, WATERCOLOUR, Bamburgh Castle, 13” x 20”
455 ROY HODDS, SIGNED, OIL ON BOARD, Figures by Hunstanton Pier, 17” x 23”
456 ROY HODDS, SIGNED, OIL ON BOARD, Two Wherries at Anchor, 19” x 23”
457 ROY HODDS, SIGNED, OIL ON BOARD, A View at Breydon Water, 19” x 23”
458 ROY HODDS, SIGNED, OIL ON BOARD, Inscribed verso “Lake Lothing”, 13” x 16 ½”
A H THIRTLE, SIGNED, TWO OILS ON BOARD, Pathway to the Salt Marshes at Blakeney; and The Mill on the Marshes at Cley, 10” x 459 13” and 17” x 23” (2)
460 FERGUS GRAHAM, WATERCOLOUR, Fantasy Landscape, 20” x 29”
461 LESLIE L HARDY MOORE, SIGNED AND DATED ’48, WATERCOLOUR, Inscribed “Near Acle”, 13” x 16 ½”
462 EAST ANGLIAN SCHOOL, CHARCOAL DRAWING, The Ford, Old Lakenham, 6” x 9”
463 MICK BENSLEY, SIGNED, OIL ON BOARD, Clipper Ship at Sea, 15” x 19”
464 * JACK COX, OIL ON BOARD, SIGNED LOWER LEFT, Shelduck in Estuary, 23” x 29”
465 WILLIAM FREDERICK AUSTIN, WATERCOLOUR, Cow Tower, 10” x 17”
466 WILLIAM FREDERICK AUSTIN, SIGNED, PEN, INK AND WATERCOLOUR, “Bracondale Tower, Norwich (Carrow Hill)”, 10” x 16”
467 DAVID GREEN, NS, AROI, SIGNED, WATERCOLOUR, Inscribed “Swavesey, Cambs”, 13” x 20”
* DAVID GREEN, ROI, OIL ON BOARD, SIGNED LOWER RIGHT, Harvest Landscape, North Bedfordshire, 9 ½” x 13 ½”; together with 468 seven Watercolours by the same artist (8)
469 * HUGH BRANDON-COX, SIGNED, WATERCOLOUR, Inscribed “Looking to Scolt Head, North Norfolk”, 9” x 10”
470 * HUGH BRANDON-COX, SIGNED, WATERCOLOUR, Inscribed “Brent Geese after Storm”, 14” x 18” 471 * HUGH BRANDON-COX, SIGNED, WATERCOLOUR, Inscribed “Brent Geese Coming In at Dusk, 14” x 18”
472 EDWARD H PAY, INITIALLED, WATERCOLOUR, Inscribed “The Wool Hall, Lavenham”, 9 ½” x 7 ½”
473 MICHAEL NORMAN, SIGNED AND DATED ’88, PEN, INK AND WATERCOLOUR, Inscribed “East Bergholt”, 8” x 9 ½”
474 KENNETH GRANT, SIGNED, PAIR OF PENCIL DRAWINGS, “Sinking of Oronsay” and “Sinking of Orcades”, 9 ½” x 14 ½” (2)
475 KENNETH GRANT, SIGNED, PENCIL DRAWING, Inscribed “Rescue of All Hands”, 11” x 14 ½”
476 IAN HOUSTON, WATERCOLOUR, SIGNED LOWER RIGHT, Winter Evening on the South Bank – London, 11” x 16”
477 * RUFUS DE PINTO, OIL ON BOARD, SIGNED VERSO, Piccadilly, 25” x 34 ½”
478 M GOODMAN, SIGNED, OIL ON CANVAS, Rural Landscape with Figures by a Cottage, 19” x 29”
479 19TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Horse in Landscape, 23” x 35”
480 OCTAVIUS T CLARK, SIGNED, ON CANVAS, Extensive River Landscape with Figure in a Lane, 3” x 41”
481 PIERRE FAVIER (20TH CENTURY, FRENCH), SIGNED AND DATED 1926, OIL ON CANVAS, The Watermelon Seller, 18” x 25”
482 NORMAN HOAD, SIGNED, OIL ON CANVAS, “Formula 1 Air Racing”, 17” x 23” EXHIBITED AT GUILD OF AVIATION ARTISTS
483 ASH, SIGNED, OIL ON CANVAS, Nude in Bathroom Interior, 29” x 34”
484 ASH, SIGNED, OIL ON CANVAS, Lady Reading with Cat Seated by a Window, 33” x 29”
485 AFTER MUNNINGS, OIL ON CANVAS, Inscribed verso “To Market”, 9 ½” x 13”
486 J B B, INITIALLED, PENCIL DRAWING HEIGHTENED WITH WHITE, Figure Group and Toy Boat, 5” x 3 ½”
487 KIT LAWS, SIGNED, GROUP OF FOUR OILS/PASTELS, Floral Studies, assorted sizes (4)
488 KIT LAWS, SIGNED, GROUP OF THREE OILS/PASTELS, Floral Studies, assorted sizes (3)
489 DOROTHY SPINK, SIGNED, GROUP OF FOUR PASTELS, Floral Studies, assorted sizes (4)
490 DOROTHY SPINK, SIGNED, GROUP OF THREE PASTELS, Figurative Studies, Landscape etc, assorted sizes (3)
491 DOROTHY SPINK, SIGNED, TWO PASTELS AND ONE OIL, Portrait Studies, assorted sizes (3)
492 DOROTHY SPINK, SIGNED, TWO OILS AND ONE PASTEL, Garden Studies, assorted sizes (3) 493 DOROTHY SPINK, SIGNED, GROUP OF FOUR PASTELS/OILS, Landscape Studies, assorted sizes (4)
494 MARJORIE LEWIS, SIGNED, OIL ON BOARD, Gardener in an Orchard, 17” x 19”; together with one further work by the same artist (2)
495 DOROTHY SPINK, SIGNED, GROUP OF FOUR OILS/PASTELS, Floral Studies and other Still Life, assorted sizes (4)
496 DOROTHY SPINK, SIGNED, GROUP OF SIX OILS, Figurative Studies, assorted sizes (6)
497 DOROTHY SPINK, SIGNED, GROUP OF FOUR PASTELS, Landscape Studies and other, assorted sizes (4)
498 DOROTHY SPINK, SIGNED, GROUP OF FOUR OILS/PASTELS, Landscape and other subjects, assorted sizes (4)
499 DOROTHY SPINK, SIGNED, OIL, Geese in an Orchard, 17” x 23”
500 DOROTHY SPINK, SIGNED, OIL, LT103 at Sea, 19” x 29”
501 DOROTHY SPINK, SIGNED, PASTEL, Gardeners at Work, 14” x 18 ½”
502 DOROTHY SPINK, SIGNED, OIL, Flowers in a Vase, 16” x 11 ½”; together with one further Pastel by the same artist (2)
503 DOROTHY SPINK, SIGNED, PASTEL, “Under Water”, 21” x 14”
504 DOROTHY SPINK, SIGNED, GROUP OF FOUR PASTELS, Landscapes and Figure Studies, assorted sizes (4)
505 DOROTHY SPINK, SIGNED, GROUP OF FOUR PASTELS/OILS, Mainly Still Life and Floral Studies, assorted sizes (4)
506 DOROTHY SPINK, SIGNED, GROUP OF FOUR WATERCOLOURS, Still Life Studies, assorted sizes (4)
507 DOROTHY SPINK, SIGNED, GROUP OF FOUR OILS/PASTELS, Still Life Studies, Cottages etc, assorted sizes (4)
508 RICHARD ALLMAN, SIGNED AND DATED ’75, PEN, INK AND WATERCOLOUR, Norwich Market, 19” x 14”
HELEN WINWOOD, INITIALLED PASTEL, Inscribed verso “Plocton, Argyllshire”; together with a further signed Watercolour by the 509 same artist and a Pencil Drawing of Windsor Castle, assorted sizes (3)
LUIGI, SIGNED, OIL ON BOARD, Italianate Balcony, 12” x 14”; together with J H STEWARD, SIGNED AND DATED ’35, 510 WATERCOLOUR, Inscribed verso “The Rifleman, Calvert Street, Norwich”, 7” x 5” and an Oil by a different artist (3)
511 H SMITH, SIGNED, PAIR OF OILS ON CANVAS, Still Life Studies, 8” x 9” (2)
512 AUDREY R VAULKHARD, SIGNED AND DATED 1976, PASTEL, “The Old Farm, Little Snoring”, 9” x 12”
R REYNOLDS, SIGNED, THREE OILS ON BOARD, Australian Landscapes; together with two further OILS signed Black, assorted 513 sizes (5) 514 DAVID BALDER, SIGNED, GOUACHE, Inscribed verso “Old Buoys Network”, 10” x 14”
F E ARDEN, PAIR OF WATERCOLOURS, Inscribed verso “Felbrigg Park – Lady Buckingham” and “Gresham Church, Norfolk”, 5 ½” x 515 7” (2)
516 CIRCLE OF JOHN CONSTABLE, BEARS INSCRIPTION, DOUBLE-SIDED PENCIL DRAWING, Inscribed “Sandgate, Kent”, 5” x 7 ½”
517 TERRY BESTWICK, SIGNED, WATERCOLOUR, “See Through Trees”, 7 ½” x 9 ½”; together with one further work by WR (2)
JESSIE G HARRISON, SIGNED, OIL ON CANVAS, Cats, 8” x 10”; together with an Oil of Horses, Signed Hilda Margaret London 1911 518 (2)
D LIGHTFOOT, SIGNED, GROUP OF THREE WATERCOLOURS, “The Farm By Langham Church”, “Dedham from Water Meadows” 519 and “Over the Churchyard Wall – Dedham”, assorted sizes (3)
520 UNSIGNED, PAIR OF WATERCOLOURS (ONE UNFRAMED), Still Life Studies, 7” x 10” (2)
M K DICKER, SIGNED, OIL ON BOARD, Norfolk Landscape; and N FILBEE, SIGNED, OIL ON BOARD, inscribed verso “Buttercups in 521 the Marsh near Acle Bridge”; together with two further Watercolours of the Broads, assorted sizes (4)
522 UNSIGNED, PAIR OF WATERCOLOURS, “On The Way to La Quinta Feb/23” and a companion, 7” x11” (2)
523 K SEKI, SIGNED, PAIR OF GOUACHE, Japanese Landscapes with Watermills, 12” x 19” (2)
INDISTINCTLY SIGNED AND DATED 1834, WATERCOLOUR, Figures in River Landscape, 11” x 16”; together with FOLLOWER OF 524 THOMAS LOUND, BEARS MONOGRAM, WATERCOLOUR, View Near Lakenham, Norwich, 9” x 13” (2)
525 E P SEAPBY, SIGNED AND DATED 1921, WATERCOLOUR, Shipping off a Harbour, 6” x 9”
R WITCHARD, SIGNED, WATERCOLOUR, Boats in an Estuary, 9” x 14”; together with M E HALL, SIGNED AND DATED 1910, PAIR 526 OF WATERCOLOURS, Dutch Landscapes with Windmill, 9” x 12” (3)
527 ROSSI, SIGNED AND INSCRIBED “ROME”, WATERCOLOUR, Seated Soldier, 9” x 8”
528 INDISTINCTLY SIGNED AND DATED, MONOTONE WATERCOLOUR, Moonlit River Landscape, 6” x 10”
529 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Figures in River Landscape, 4 ½” x 7”
530 INDISTINCTLY SIGNED, TWO OILS ON BOARD, Continental Street Scenes, 12 ½” x 8” and 15” x 9” (2)
W L ORMONDROYD, SIGNED AND DATED ’71, OIL ON CANVAS, Gorleston Harbour, 15” x 11”; together with one further work by a 532 different artist (2)
533 HORACE LESLIE, SIGNED, WATERCOLOUR, Shepherd and his Wife Driving Sheep through a Gate, 12” x 17”
534 VAN JACOB, SIGNED, OIL ON CANVAS, Still Life Study of Mixed Flowers in an Urn, 23” x 19” 535 SLADE SCHOOL, PAIR OF PENCIL DRAWINGS, Figurative Studies, 13” x 6” (2)
536 C MONNOT, SIGNED, OIL ON BOARD, The Actor, 17” x 14”
537 UNSIGNED, OIL ON CANVAS, Still Life Study of Bowl of Fruit, Vase, Porcelain Figure etc on a Table, 19” x 23”
538 UNSIGNED, OIL, Still Life Study of Apples and Vase of Flowers, 11” x 15”
539 FIONA FRENCH, SIGNED, TWO GOUACHE, Abstract Compositions, 15” x 18” and 17 ½” x 13 ½” (2)
MARGARET E TURNBULL, OIL ON CANVAS, “African Head” (see artist’s label verso), 17” x 14”; together with one further 540 Monogrammed Oil by the same artist (2)
541 B TWENLOW, SIGNED AND INDISTINCTLY DATED, WATERCOLOUR, Head and Shoulders Portrait of a Lady, 18 ½” x 12 ½”
542 T SYKES, SIGNED, OIL ON BOARD, Still Life Study of Mixed Flowers in a Jug, 10 ½” x 14”
543 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Botanical Study, 17” x 13”
544 R WALPOLE, SIGNED, OIL ON CANVAS, Inscribed verso “Digging for Gold, Frinton”, 15” x 19”
545 L CUESTA, SIGNED, WATERCOLOUR, Spanish Street Scene, 19” x 13”
546 MARY GRIFFITHS, OIL ON PAPER, “Cavalry”, 11” x 21”
547 J BARCLAY, SIGNED, WATERCOLOUR, Young Girl with Calf by Riverside, 17” x 11”
548 UNSIGNED, PAIR OF WATERCOLOURS, Shipping in the Thames, 10” x 12” (2)
A A BLYTH, SIGNED, WATERCOLOUR, Inscribed verso “St Peter Mancroft and the Town Hall, Norwich” (see L R Nightingale label 549 verso), 13” x 19”
550 ARTHUR JOHN BLACK, RSA, RA, RI, SIGNED, WATERCOLOUR, Inscribed “Salerno 9-12-26”, 10” x 14”
551 L LEWIS, SIGNED, WATERCOLOUR, Lakeland Scene, 9” x 21”
552 CIRCLE A G STANNARD, WATERCOLOUR, Fisherfolk at Riverside Town, 7” x 17”
553 UNSIGNED, WATERCOLOUR, Coastal Scene with Fisherfolk and Vessels, 10” x 13”
554 T WALLIS, SIGNED, WATERCOLOUR, Inscribed “Fareham”, 8” x 12 ½”
555 INDISTINCTLY SIGNED, OIL, Shipping at Sea, 13” x 23”
556 FOLLOWER OF J J COTMAN, WATERCOLOUR, Shipping off a Harbour, 11” x 17” 557 ATTRIBUTED TO FRANK DEAN, OIL ON BOARD, INSCRIBED IN PENCIL VERSO, Open Landscape, 19” x 20 ½”
EVE LAMBERT, SIGNED, GOUACHE, Still Life Study of Mixed Flowers in a Vase, Pot etc, 15” x 19”; together with a Coloured Print by 558 a different artist (2)
SEPTIMUS PARRY, SIGNED AND DATED 1884, WATERCOLOUR, Farm Labourers in Harvest Field, 9” x 15”; together with GEORGE 559 OYSTON, SIGNED, GROUP OF THREE WATERCOLOURS, River Landscapes, assorted sizes (4)
RICHARD ALLMAN, SIGNED, WATERCOLOUR, Inscribed “UEA”, 8 ½” x 12 ½”; together with MARJORIE HAYES, ARCA, PENCIL 560 DRAWING, Study of a Young Boy, 7” x 3”; plus INDISTINCTLY SIGNED, PASTEL, Inscribed “Avignon”, 17” x 19” and GLADYS VASEY, SIGNED ...[more]
EDWARD BARTON, SIGNED AND DATED 1880, WATERCOLOUR, Rural Landscape with Figure and Horses, Sheep Grazing by a 561 River, 9 ½” x 13; together with CIRCLE OF JOHN VARLEY, WATERCOLOUR, Figure on Horseback in Mountain Landscape, 8” x 12” (2)
562 CHINESE SCHOOL, FRAMED MANDARIN SLEEVE; together with two further Framed Pictures of Oriental interest, assorted sizes (3)
CHARLES HARMONY HARRISON, SIGNED, TWO WATERCOLOURS, Norfolk River Views, 9 ½” x 14” and 13 ½” x 21”, one mounted 563 but unframed; together with CHARLES FREDERICK RUMP, SIGNED AND DATED 1904, WATERCOLOUR, Norfolk Scene, 13” x 20” (3)
INDISTINCTLY SIGNED, OIL ON CANVAS, Still Life Study of Mixed Flowers in a Vase; together with three further Oils by different 564 hands, assorted sizes (4)
THOMAS SIDNEY, SIGNED, WATERCOLOUR, Inscribed “Yarmouth I.O.W”, 9 ½” x 13”; together with three further Watercolours, one 565 attributed to Rev John Swete (4)
566 J H COOPER, SIGNED AND DATED 1981, OIL ON CANVAS, Ducks Alighting, 14 ½” x 20”
567 PATRICIA KIRK, SIGNED, WATERCOLOUR, “Foxgloves”, 9” x 6”; together with one further Watercolour by a different artist (2)
568 E KNOWLES, SIGNED, TWO WATERCOLOURS, Shipping Becalmed, 6 ½” x 9” and 10” x 10” (2)
W J COMAN, SIGNED, WATERCOLOUR, Sailing Boats on the Norfolk Broads; together with four further Watercolours by different 569 artists, assorted sizes (5)
570 J W EBSWORTH, SIGNED AND DATED 1855, PAIR OF WATERCOLOURS, Half-Length Portraits of Lady and Gent, 9” x 6 ½” (2)
571 INDISTINCTLY SIGNED, GROUP OF FOUR WATERCOLOURS, Landscapes, Harbour and possibly Greek View, assorted sizes (4)
572 HOWARD, SIGNED, MIXED MEDIA, Estuary with Wading Birds, 15” x 23”
573 UNSIGNED, OIL, Figures in Italianate Landscape, 12 ½” x 21”
574 MARION L BARNES, ONE SIGNED, TWO WATERCOLOURS, Church Interiors, 12” x 9” and 9” x 13” (2) E WEBB, SIGNED, WATERCOLOUR, Figures by Steps and Monument, 10” x 9”; together with one further work by Thelma Batchelor 575 (2)
576 AFTER CONSTABLE, OIL ON CANVAS, “Valley Farm”, 11” x 9”; together with one further Oil by a different artist (2)
577 HUBERT SHIPP, MONOGRAMMED, TWO OILS, Landscapes with Windmills, 9 ½” x 11” and 11” x 15” (2)
578 W PHILLIPS, SIGNED AND DATED 1909, PAIR OF WATERCOLOURS, Views of Scarborough, 8 ½” x 13” (2)
579 OLDHAM HART, SIGNED, PAIR OF OILS ON CANVAS, River Landscapes, 9” x 13” (2)
580 E HEQAZI, SIGNED, PAIR OF GOUACHE, Middle Eastern Landscapes with Figures and Camels, 10” x 4” (2)
581 WILSON, SIGNED, MODERN OIL, Shipping off a Coast, 7 ½” x 15”; together with one further Modern Oil Still Life (2)
E COUSENS, SIGNED AND DATED 1896, WATERCOLOUR, Collie Dog, 5” x 6”; together with three further Watercolours by different 582 artists (4)
AFTER SAMUEL PROUT, WATERCOLOUR, Continental Street Scene, 5” x 3 ½”; together with one further Watercolour by a different 583 hand (2)
R J HALCROW, SIGNED AND INSCRIBED “BRENTFORD 1934”, WATERCOLOUR, Figures before a Mosque, 10 ½” x 14”; together 584 with three further works by different artists (4)
585 INDISTINCTLY SIGNED, OIL ON BOARD, Woodland, 9 ½” x 7”; together with one further Oil by different artist (2)
K DEWALL (AFTER BARTOLOZZI), WATERCOLOUR, Classical Figures, 10” x 12”, oval; together with two further 19th Century 586 Watercolours by different artist (3)
587 MODERN BRITISH SCHOOL, GROUP OF THREE OILS ON BOARD, Still Life Studies of Fruit, assorted sizes (3)
JASON PARTNER, SIGNED AND DATED ‘64, OIL ON BOARD, Inscribed verso “High Tide a June Morning, Blakeney”, 11” x 16 ½”; 588 together with one further Oil Painting by D A Gallington (2)
589 JOSEPH WEST, SIGNED, WATERCOLOUR, Landscape with Distant Cathedral, 9” x 12”
590 H M, INITIALLED, CHARCOAL DRAWING, A Reclining Nude, 10” x 7 ½”
UNSIGNED, OIL ON WHITE GLASS, Still Life Study of Flowers, 7” x 7”; together with C W MARSHALL, SIGNED, OIL ON BOARD, A 591 Farmstead, 15” x 20” (2)
19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Inscribed verso “ …. from Capel Cadiz”; together with J R PINTO, SIGNED, 592 GOUACHE, Coastal Scene with Figures and Boats; JAMES EATOCK, SIGNED, WATERCOLOUR, Steyning High Street and two further English School Watercolours (5)
593 AFTER DAVID ROBERTS, BEARS SIGNATURE AND DATED 1859, OIL ON BOARD, Church Interior with Figures, 23” x 17” 594 INDISTINCTLY SIGNED, CONTINENTAL SCHOOL, OIL, Coastal Scene by Moonlight, 19” x 31”
595 C A EGGAR-BANKS, PASTEL, The Norfolk Broads, 17” x 29”
596 20TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Young Boy with Gun, 24” x 17”
597 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Shipping off a Coast, 18” x 27”
N F, INITIALLED, OIL ON CANVAS, Still Life Study of Mixed Flowers in a Vase, 23” x 15”, Provenance: The Parker Gallery, 2 Albemarle 598 Street, London (see label verso)
LINDSAY KEMP, MIXED MEDIA, Dancer from Salome 1970, 15” x 11”, Provenance: Phoenix 369 Gallery, 3 Dundas Street, Edinburgh 599 (see attached invoice)
600 BILL SLY, OIL ON BOARD, Half-Length Portrait of a Seated Lady, 30” x 22”
601 S HOLT, SIGNED, OIL ON CANVAS, Rural Landscape with Cottages, 23” x 19”
602 DOREEN IDLE, SIGNED, OIL ON CANVAS, Inscribed verso “Abandoned Moorings at Thornham”, 30” x 40”
603 VICTOR HULME MOODY, OIL ON CANVAS, Reclining Nude, 27” x 35”
604 ANNE DE QUETTEVILLE ROBIN, OIL ON BOARD, SIGNED AND INSCRIBED WITH TITLE TO LABEL VERSO, Bus Shelter, 27” x 24”
605 INDISTINCTLY SIGNED, MODERN OIL, Still Life Study of Flowers in a Vase, 23” x 35”
606 DION PEARS, SIGNED, OIL ON CANVAS, USA Frigate in Ice Flow, 27” x 35”
607 CARLO, SIGNED, OIL ON CANVAS, Abstract Composition, 40” x 59”
ELIAS DIVA, SIGNED, MIXED MEDIA, Dancers, 17” x 11”; together with INDISTINCTLY SIGNED, OIL ON PAPER, Matador, 18” x 12” 608 (2)
609 WINIFRED P BIDDLE, SIGNED, WATERCOLOUR, Inscribed “The Terrace, Fittleworth, Sussex”, 12” x 8”
610 CLARK, SIGNED, OIL ON CANVAS, Racehorse by Track, 19” x 23” (A/F)
611 JOHN WILSON, SIGNED, OIL ON CANVAS, Still Life Study of Mixed Flowers in a Vase, 22” x 26”
612 AFTER MORLAND, OIL ON BOARD, Figure with Pigs in Sty, 13” x 16”; together with one further Oil by a different artist (2)
613 INDISTINCTLY SIGNED, OIL ON PANEL, Woodland, 19” x 9”
614 G QUITT, SIGNED, OIL ON BOARD, Rural Landscape with Figures and Cottages, 7” x 11” 615 FOLLOWER OF THOMAS CHURCHYARD, OIL ON BOARD, Blakeney, 10” x 13”
C W HEADON, SIGNED AND DATED 1903/06, TWO OILS ON CANVAS, Anglers in Mountain Landscape; and Rural Landscape with 616 Horse and Cart, Cows etc, 23” x 17” and 23” x 39” (2)
617 JUDI LAMIE, SIGNED, TWO PEN, INK AND WATERCOLOURS, Norfolk Landscapes, 15” x 12” and 15” x 21” (2)
618 19TH CENTURY CONTINENTAL SCHOOL, OIL, Shepherd and Sheep in River Landscape, 21” x 35”
619 GILLIAN BEACH, MONOGRAMMED AND DATED ’61, GOUACHE, “Winkle” (Dog Study), 8” x 12”
NORMAN SAUNDERS, SIGNED, OIL ON BOARD, Inscribed verso “Wingecarribee River Scene, Southern Highlands, N.S.W.”, 7 ½” x 9 620 ½”
621 S G S, INITIALLED AND DATED 1924, WATERCOLOUR, Still Life Study of Baskets etc, 5” x 8 ½”
622 R HASLINGER, SIGNED, OIL, Alpine Landscape, 8” x 10”
INDISTINCTLY SIGNED AND DATED 1994, PEN, INK AND WATERCOLOUR, Inscribed “Giving the Lads of the West Norfolk a Lead”, 623 17” x 12”
624 INDISTINCTLY SIGNED, CHARCOAL DRAWING, Sheep Grazing Before a River, 10” x 15”
625 J H B, INITIALLED AND DATED 1895, OIL ON BOARD, A Pug Dog, 11” x 9”
626 VICTORIAN SCHOOL, OIL ON BOARD, Still Life Study of Grapes, Primroses, Birds Nest on a Mossy Bank, 11” x 17”
627 B G BAYLISS, SIGNED, OIL ON BOARD, Inscribed verso “Mill on Horsey Gap”, 13” x 16”
628 UNSIGNED, PASTEL DRAWING, Portrait of Two Young Girls, 11” x 9”
629 B L ADAMS, SIGNED, PENCIL DRAWING, Inscribed “Salcombe Yards 16th Jan 96”, 9 ½” x 14”
KEITH THICKETT, SIGNED AND DATED ’98, PENCIL AND WATERCOLOUR, Inscribed “37-43 Bracondale – Norwich”, 11” x 15”; 630 together with SIDNEY JOHN MANN, OIL ON BOARD, Figures Before Dragons Hall, 15” x 20” (2)
630A G E EBBAGE, SIGNED, WATERCOLOUR `Down stream from St Benets` 13 1/2" x 20"
631 P DERWIN, SIGNED, WATERCOLOUR, River Landscape, 9 ½” x 14”
632 UNSIGNED, OIL, Canal Scene with Barge, 13” x 18”
633 BERNARD DUFOUR, SIGNED, ACRYLIC ON CANVAS, Seated Female Before a Building, 17” x 14”
634 BERNARD DUFOUR, SIGNED, ACRYLIC ON CANVAS, Continental Town with Moored Boats, 17” x 11 ½” 635 LOUIS BURLEIGH BRUHL, SIGNED, WATERCOLOUR, “Here She Comes”, 10” x 14”
MERIEL CAMPBELL, SIGNED, OIL ON BOARD, “Rue Du Coignet, Dinan”, 19” x 15”, Provenance: Open Exibition – Art Federation 636 Galleries (see various labels verso)
637 MARGARET RUDD, SIGNED AND DATED 1953, WATERCOLOUR, Mallard Alighting over Extensive Lakeland, 18” x 50”
A HARDCASTLE, SIGNED AND DATED 1905, OIL, Country Landscape with Horse and Cart Crossing a Stream, Drover and Cattle in 638 Lane, 24” x 40”
RICHARD BOURDON SMITH, INITIALLED, PAIR OF OILS ON BOARD, Inscribed verso “The Thames in Flood” and “The Thames at 639 Crickdale”, 5” x 10” (2)
640 ATTRIBUTED TO JOSEPH MURRAY INCE, WATERCOLOUR, “Drying the Nets”, 6” x 9”
J A THELWALL, SIGNED, WATERCOLOUR, A Woodland Pool, 14” x 10”; together with two further WATERCOLOURS by different 641 hand (3)
642 INDISTINCTLY SIGNED LOWER LEFT, OIL ON BOARD, Primitive Seascape, 7 ½” x 9 ½”
643 IN THE MANNER OF THE NORWICH SCHOOL, OIL ON CANVAS, Rural Landscape with Figures, 12” x 16”
644 D H PARRY JNR, PASTEL, “Cobhams Dragoons, Evening Winter Patrol” (see label verso), 17” x 15”
MICHAEL O’SULLIVAN, SIGNED, OIL ON BOARD, “Sunset” (see Radlett & Aldernham Art Exhibition label verso), 17 ½” x 13 ½”; 645 together with one further Oil Painting (2)
R K WYLLIE, SIGNED, PAIR OF WATERCOLOURS, Inscribed “Old Windmill, Beale, Suffolk” and “Old Watermill, Minnigall”, 14” x 21” 646 (2)
647 J M DUCKER, SIGNED, OIL ON BOARD, Rural Landscape, 15” x 23 ½”
648 J MCINTYRE, SIGNED, PAIR OF OILS ON CANVAS, Inscribed verso to both “Brent Brook”, 11” x 23” (2)
649 UNSIGNED, OIL ON BOARD, Head Study of a Donkey, 17” x 13”
650 J POOLE, SIGNED, PAIR OF OILS ON CANVAS, Rural Landscapes, 11” x 17” (2)
651 J M TUCKER, SIGNED AND INDISTINCTLY DATED, OIL ON CANVAS, Scottish Landscape, 15” x 23”
652 R JAMMES, SIGNED, OIL ON CANVAS, French Street Scene, 12” x 15”
653 B S LOMBARD, SIGNED AND DATED APRIL 1936, WATERCOLOUR, A Manor House, 10” x 12”
654 PAUL H ELLIS, WATERCOLOUR, Cattle in Landscape, 8 ½” x 11” WILLIAM ELLIS, TWO UNSIGNED, WATERCOLOURS, Figures in Windswept Landscape; and Rhuddlan Castle from W. Rhyle, 6 ½” x 655 10 ½” and 8 ½” x 12” (2)
656 WILLIAM ELLIS, WATERCOLOUR, Figures in Mountain Landscape, 10” x 14 ½”
657 WILLIAM ELLIS, GROUP OF THREE WATERCOLOURS, Landscapes, assorted sizes (3)
658 WILLIAM ELLIS, PAIR OF WATERCOLOURS, Fisherfolk, 10 ½” x 7”, one unframed
659 G W TURPITT, SIGNED, WATERCOLOUR, Irish Landscape, 9 ½” x 14”
INDISTINCTLY SIGNED LOWER LEFT, WATERCOLOUR, Rural Landscape with Figure, River, Cottage and Boat, 10” x 14” (in Watts 660 Frame)
661 T WESTCOTT, SIGNED, OIL ON PANEL, Shipping at Sea, 13” x 16”
662 T WESTCOTT, SIGNED, PAIR OF OILS ON BOARD, Shipping at Sea, 19 ½” x 13 ½” (2)
663 T WESTCOTT, SIGNED, PAIR OF OILS ON BOARD, Shipping at Sea, 13” x 11 ½” (2)
664 T WESTCOTT, SIGNED, PAIR OF OILS ON BOARD, Shipping at Sea, 10” x 14” (2)
665 ATTRIBUTED TO W COOKE, BEARS MONOGRAM AND DATE ’72, WATERCOLOUR, “Shipping off the Devon Coast”, 8” x 12 ½”
666 UNSIGNED, OIL ON BOARD, Inscribed verso “Summertime at Scotts Mill”, 8” x 11”
667 19TH CENTURY CONTINENTAL SCHOOL, OIL ON METAL, Lady with Lute, 7” x 5 ½”
668 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Figures by a Mill, 6” x 4 ½”
669 ROBERT MALLETT, SIGNED, OIL ON BOARD, East Anglian Landscape, 8 ½” x 11”
670 BENTO, SIGNED, PENCIL DRAWING, South American Chapel, 15” x 21”
671 UNSIGNED, GROUP OF EIGHT WATERCOLOURS, Landscape Studies, assorted sizes (8)