DOCSLIB.ORG

Extensions of Remarks

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Extensions of Remarks 7042 EXTENSIONS OF REMARKS April 18, 1989 EXTENSIONS OF REMARKS leaders not only from your community, but So let no one doubt the sincerity of the PRESIDENT BUSH VISITS in other parts of this state. American people and their government in HAMTRAMCK, MI I'm delighted to be here. Bread and salt our desire to see reform succeed inside the are both of the earth, an ancient symbol of Soviet Union. We welcome the changes that a life leavened by health and prosperity. have taken place and we will encourage­ HON. WM. S. BROOMFIELD And in this same spirit, I wish you all the continue to encourage greater recognition OF MICHIGAN same. And now, if I may, I want to address of human rights, market incentives, and IN THE HOUSE OF REPRESENTATIVES at this important gathering the health and free elections. [Applause.] prosperity of a whole nation-the proud East and West are now negotiating on a Tuesday, April 18, 1989 people of Poland. broad range of issues, from arms reductions Mr. BROOMFIELD. Mr. Speaker, yesterday I You know, we Americans are not mildly to the environment. But the Cold War accompanied President Bush to Hamtramck, sympathetic spectators of events in Poland. began in Eastern Europe, and if it is to end, We are bound to Poland by a very special it will end in this crucible of world conflict­ Ml, where he announced a new economic aid bond-a bond of blood, of culture, and program for Poland. In his speech on the cur­ and it must end. The American people want shared values. And so it is only natural that to see East and Central Europe free, pros­ rent situation in Poland and its neighboring as dramatic change comes to Poland we perous and at peace. With prudence, realism countries, President Bush put it well: "Liber­ share the aspirations and excitement of the and patience, we seek to promote the evolu­ ty," he said, "is an idea whose time has come Polish people. tion of freedom-the opportunities sparked in Eastern Europe." In my Inaugural Address, I spoke of the new breeze of freedom gaining strength by the Helsinki Accords and the deepening The citizens of Hamtramck, many of whom around the world. "In man's heart," I said, East-West contact. are Polish-Americans, have as sophisticated "if not in fact, the day of the dictator is In recent years, we have improved rela­ an understanding of East European politics as over. The totalitarian era is passing, its old tions with countries in the region, and in virtually anyone in America. Their enthusiastic ideas blown away like leaves from an an­ each case, we looked for progress in interna­ response to the President's speech, to his cient leafless tree." [Applause.] I spoke of tional posture and internal practices-in the spreading recognition that prosperity human rights, cultural openness, emigration proposals for economic aid, and to his insist­ issues, opposition to international terror. ence on economic and political reform are a can only come from a free market and the creative genius of individuals. And I spoke While we want relations to improve, there good indication that the administration has of the new potency of democratic ideals-of are certain acts we will not condone or come up with just the right strategy for dealing free speech, free elections, and the exercise accept-behavior that can shift relations in with the recent changes in Eastern Europe. I of free will. the wrong direction-human rights abuses, believe his proposals may convince other East And we should not be surprised that the technology theft and hostile intelligence or Bloc countries that their future lies with great­ ideas of democracy are returning with re­ foreign policy actions against us. newed force in Europe-the homeland of Some regions are now seeking to win pop­ er liberalization and closer ties with the West. ular legitimacy through reforms. In Hunga­ When President Bush arrived at Hamtramck philosophers of freedom whose ideals have been so fully realized in our great United ry, a new leadership is experimenting with City Hall, he was met by a number of Michi­ States of America. And Victor Hugo said, reforms that may permit a political plural­ gan's leading citizens, including: The Honora­ "An invasion of armies can be resisted, but ism that only a few years ago would have ble Robert Kozaren, mayor of Hamtramck; not an idea whose time has come." My been absolutely unthinkable. And in Poland, Cardinal Edmund Szoka, archbishop of De­ friends, liberty is an idea whose time has on April 5th, Solidarity leader Lech Walesa troit; The Honorable Walter Paruk, district come in Eastern Europe. And make no mis­ and Interior Minister Kiszczak signed agree­ court judge; Mr. Edward J. Moskal, national take about it. [Applause.] ments that, if faithfully implemented, will be a watershed in the postwar history of president, Polish American Congress; Mr. Paul For almost half a century, the suppression of freedom in Eastern Europe, sustained by Eastern Europe. C. Ordrobina, Hamtramck City Council chair­ the military power of the Soviet Union, has Under the auspices of the Roundtable man; Father Stanley Milewski, chanceller of kept nation from nation, neighbor from Agreements, the free trade union Solidar­ Orchard Lake St. Mary's Seminary; Mr. Nick neighbor. And as East and West now seek to nosc was today-this very day, under those Frontczak, Hamtramck City Council member; reduce arms, it must not be forgotten that agreements-Solidarnosc was today formal­ Ms. Helen Justewicz, Hamtramck City Council arms are a symptom, not a source, of ten­ ly restored. [Applause.] And the agreements member; Mr. Edward Rojek, Hamtramck City sion. The true source of tension is the im­ also provide that a free opposition press will Council member; Mr. Sam laquinto, Ham­ posed and unnatural division of Europe. be legalized, independent political and other free associations will be permitted, and elec­ tramck City Council member; Mr. Bob Cwiert­ How can there be stability and security in Europe and the world as long as nations and tions for a new Polish Senate will be held. niewicz, aide to the mayor of Hamtramck; Mr. peoples are denied the right to determine These agreements testify to the realism of Joseph Grzecki, city treasurer; and Mrs. Ethel their own future-a right explicitly prom­ General Jaruzelski and his colleagues, and Fiddler, city clerk. ised by agreements among the victorious they are inspiring testimony to the spiritual Their warm hospitality was greatly appreci­ powers at the end of World War II? How guidance of the Catholic Church, the in­ ated by the President and all of us who ac­ can there be stability and security in Europe domitable spirit of the Polish people, and companied him on this important trip. as long as nations, which once stood proudly the strength and wisdom of Lech Walesa. I ask that the text of President Bush's at the front rank of industrial powers, are [Applause.] impoverished by a discredited ideology and Poland faces, and will continue to face for speech be included in the RECORD. stifling authoritarianism? The United some time, severe economic problems. A REMARKS BY THE PRESIDENT TO CITIZENS OF States-and let's be clear on this-has never modem French writer observed that com­ HAMTRAMCK, MI accepted the legitimacy of Europe's division. munism is not another form of economics. Thank you all very, very much. Cardinal We accept no spheres of influence that deny It is the death of economics. In Poland, an Szoka, Your Eminence. Bob, thank you for the sovereign rights of nations. [Applause.] economic system crippled by the inefficien­ the warm greeting to your wonderful com­ And yet the winds of change are shaping a cies of central planning almost proved the munity. Governor Blanchard-it's an honor new European destiny. Western Europe is death of initiative and enterprise. Almost. to have the Governor of the great state resurgent and Eastern Europe is awakening But economic reforms can still give free rein here. And I want to pay my respects to the to yearnings for democracy, independence to the enterprising impulse and creative members of the Michigan congressional del­ and prosperity. In the Soviet Union itself we spirit of the great Polish people. egation that came out here wit,h me-Sena­ are encouraged by the sound of voices long The Polish people understand the magni­ tor Riegle, and several distinguished mem­ silent and the sight of the rulers consulting tude of this challenge. Democratic forces in bers of the House of Representatives sitting the ruled. We see new thinking in some as­ Poland have asked for the moral, political over here-and also to Senator John Engler, pects of Soviet foreign policy. We are hope­ and economic support of the West. And the who is the Majority Leader of the Michigan ful that these stirrings presage meaningful, West will respond. My administration is State Senate, and to other leaders-elected lasting and far more-reaching change. completing now a thorough review of our e This "bullet" symbol identifies statements or insertions which are not spoken by a Member of the Senate on the floor. Matter set in this typeface indicates words inserted or appended, rather than spoken, by a Member of the House on the floor. April 18, 1989 EXTENSIONS OF REMARKS 7043 policies toward Poland and all of Eastern changes now taking place in Poland and to IF YOU BELIEVE THE MACHINE­ Europe. And I've carefully considered ways announce these important changes in U.S.
Load more

Recommended publications
  • And Others Small Scale Marine Fisheries
    DOCUMENT RESUME ED 243 658 SE 044 389 AUTHOR Martinson, Steven; And OtherS TITLE Small Scale Marine Fisheries: An ExtensionTraining Manual. TR-30. INSTITUTION Peace Corps, Washington, DC., Office of Program Development. SPONS AGENCY 'Peace Corps, Washington, DC. InformationCollection and Exchange Div. PUB DATE Apr 83 NOTE 578p.; Prepared by Technos Corp., San Juan, Puerto RiCO. PUB TYPE Guides = Classroom Use - Guides (ForTeachers) (052) EDRS PRICE MF03/PC24 Plus Postage. DESCRIPTORS *Developing Nations; *Fisheries; *Learning Activities; Marine Biology; Postsecondary Education; Science Education; *Skill Development; Technology; *Training Methods; *Training Objectiyes IDENTIFIERS *Peace Corps ABSTRACT This manual is designed for use in_a preservice training program 'for prospective volunteers whose PeaceCorps service Will be spent working with small-scale artisanalfighing communities in developing nations. The program consists of8'weeks of intensive training_to develop competencies in marinefisheries technology and fisheries extension work and in the ability to transferknowledge and skills. The manual includes an overview of the program,lists of program goals, information onstarting the program, lists of references and materialt needed,_tips on conductingthe program, and the complete 111 training sessions.Provided for each session-are: (1) session goals; (2) one or more exercisesdirected toward meeting these goals; (3) total time required to complete thesession or exercise; (4) overview statement describing the purposeof the session or exercise; (5) procedures andactivities (sequenced in time steps that describe what trainer andparticipants are required to do at a particular point in theprogram); (6) list of materials and equipment needed; and, when applicable, (7) trainer notes.Although each session builds toward or from the -ones) preceding and following it, individual sessions can be usedindependently with minor modification.
    [Show full text]
  • BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to The
    BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to the CD-2 “No Direction Home”, Michael Bloomfield plays the guitar intro and a solo later and Dylan plays the opening solo (his one and only recorded electric solo?) 1. “Leopard-skin Pill-box Hat” (6.24) (take 1) slow 2. “Leopard-skin Pill-box Hat” (3.58) Bloomfield solo 3. “Leopard-skin Pill-box Hat” (3.58) Dylan & Bloomfield guitar solo 4. “Leopard-skin Pill-box Hat” (6.23) extra verse On track (2) there is very fine playing from MB and no guitar solo from Uncle Bob, but a harmonica solo. 1966 3 – LP-2 “BLONDE ON BLONDE” COLUMBIA 1966? 3 – EP “BOB DYLAN” CBS EP 6345 (Portugal) 1987? 3 – CD “BLONDE ON BLONDE” CBS CDCBS 66012 (UK) 546 1992? 3 – CD “BOB DYLAN’S GREATEST HITS 2” COLUMBIA 471243 2 (AUT) 109 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 - COLUMBIA C2K 93937 (US) 529 Alternate take 1 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 – COL 520358-2 (UK) 562 Alternate take 1 ***** Febr. 4.-11, 1966 – The Paul Butterfield Blues Band at Whiskey a Go Go, LA, CA Feb. 25, 1966 – Butterfield Blues Band -- Fillmore ***** THE CHICAGO LOOP 1966 Prod. Bob Crewe and Al Kasha 1,3,4 - Al Kasha 2 Judy Novy, vocals, percussion - Bob Slawson, vocals, rhythm guitar - Barry Goldberg, organ, piano - Carmine Riale, bass - John Siomos, drums - Michael Bloomfield, guitar 1 - John Savanno, guitar, 2-4 1. "(When She Wants Good Lovin') She Comes To Me" (2.49) 1a.
    [Show full text]
  • Guitar Magazine Master Spreadsheet
    Master 10 Years Through the Iris G1 09/06 10 years Wasteland GW 4/06 311 Love Song GW 7/04 AC/DC Back in Black + lesson GW 12/05 AC/DC Dirty Deeds Done Dirt Cheap G1 1/04 AC/DC For Those About to Rock GW 5/07 AC/DC Girls Got Rhythm G1 3/07 AC/DC Have a Drink On Me GW 12/05 ac/dc hell's bells G1 9/2004 AC/DC hell's Bells G 3/91 AC/DC Hells Bells GW 1/09 AC/DC Let There Be Rock GW 11/06 AC/DC money talks GW 5/91 ac/DC shoot to thrill GW 4/10 AC/DC T.N.T GW 12/07 AC/DC Thunderstruck 1/91 GS AC/DC Thunderstruck GW 7/09 AC/DC Who Made Who GW 1/09 AC/DC Whole Lotta Rosie G1 10/06 AC/DC You Shook Me All Night Long GW 9/07 Accept Balls to the Wall GW 11/07 Aerosmith Back in the Saddle GW 12/98 Aerosmith Dream On GW 3/92 Aerosmith Dream On G1 1/07 Aerosmith Love in an Elevator G 2/91 Aerosmith Train Kept a Rollin’ GW 11/08 AFI Miss Murder GW 9/06 AFI Silver and Cold GW 6/04 Al DiMeola Egyptian Danza G 6/96 Alice Cooper No More Mr. Nice Guy G 9/96 Alice Cooper School's Out G 2/90 alice cooper school’s out for summer GW hol 08 alice in chains Dam That River GW 11/06 Alice in Chains dam that river G1 4/03 Alice In Chains Man in the Box GW 12/09 alice in chains them bones GW 10/04 All That Remains Two Weeks GW 1/09 All-American Rejects Dirty Little Secret GW 6/06 Allman Bros Midnight Rider GW 12/06 Allman Bros Statesboro Blues GW 6/04 Allman Bros Trouble no More (live) GW 4/07 Allman Bros.
    [Show full text]
  • MTO 7.2: Cook, Between Process and Product
    Volume 7, Number 2, April 2001 Copyright © 2001 Society for Music Theory Nicholas Cook KEYWORDS: performance theory, work, text, script, analysis ABSTRACT: The text-based orientation of traditional musicology and theory hampers thinking about music as a performance art. Music can be understood as both process and product, but it is the relationship between the two that defines “performance” in the Western “art” tradition. Drawing on interdisciplinary performance theory (particularly theatre studies, poetry reading, and ethnomusicology), I set out issues and outline approaches for the study of music as performance; by thinking of scores as “scripts” rather than “texts,” I argue, we can understand performance as a generator of social meaning. Received 22 January 2001 The Idol Overturned [1] “The performer,” Schoenberg is supposed to have said, “for all his intolerable arrogance, is totally unnecessary except as his interpretations make the music understandable to an audience unfortunate enough not to be able to read it in print.”(1) It’s difficult to know quite how seriously to take such a statement, or Leonard Bernstein’s injunction (Bernstein, of all people!) that the conductor “be humble before the composer; that he never interpose himself between the music and the audience; that all his efforts, however strenuous or glamorous, be made in the service of the composer’s meaning.”(2) And it might be tempting to blame it all on Stravinsky, who somehow elevated a fashionable anti-Romantic stance of the 1920s into a permanent and apparently self-evident philosophy of music, according to which “The secret of perfection lies above all in [the performer’s] consciousness of the law imposed on him by the work he is performing,” so that music should be not interpreted but merely executed.(3) Or if not on Stravinsky, then on the rise of the recording industry, which has created a performance style designed for infinite iterability, resulting over the course of the twentieth century in a “general change of emphasis .
    [Show full text]
  • Caldonia”—Louis Jordan (1945) Added to the National Registry: 2013 Essay by Stephen Koch (Guest Post)*
    “Caldonia”—Louis Jordan (1945) Added to the National Registry: 2013 Essay by Stephen Koch (guest post)* Louis Jordan Original label “Caldonia” film poster, 1945 “Caldonia” (originally titled “Caldonia Boogie”) became one of Louis Jordan and his Tympany Five’s most enduring hits. The song, with its lyrical catchphrase “Caldon-YAH! Caldon-YAH! What makes your big head so hard!?” set America on its ear and spawned endless cover versions, two of which competed directly with Jordan’s version in 1945. The song had been in Jordan’s repertoire since at least the summer of 1944, when he recorded it for use on a December airing of “Jubilee!,” an Armed Forces Radio Service show for African- American servicemen. In January, 1945 he recorded it for Decca, but the label first released a pairing of Jordan’s “Mop! Mop!” and “You Can’t Get That No More” that became a major hit that winter, and perhaps delayed the release of “Caldonia.” In February, Jordan filmed a performance of it for a short film of the same name, which hit theaters in March. In late Feburary, white bandleader Woody Herman recorded a modern jazz-tinged arrangement by Ralph Burns, who’d heard Jordan perform it live. Herman’s version hit the stores at about the time that African-American bandleader Erskine Hawkins recorded a version for RCA-Victor at the end of March. Decca, perhaps feeling the pressure, released Jordan’s definitive small group version at almost the same time that Hawkins’ disc came out in mid-April. Surprisingly, all three versions of the tunes were hits.
    [Show full text]
  • Discord and Factionalism in New Caledonia
    CULTURAL POLITICS: DISCORD AND FACTIONALISM IN NEW CALEDONIA, 1991 TO 1993 Margaret Alison Taylor A thesis submitted for the degree of Doctor of Philosophy of the University of London 1997 LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE 1 UMI Number: U109404 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U109404 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 I w£S£S> F 74^7 ABSTRACT This thesis focusses on the activities of a group of young French people staying in a hostel in Noumea from 1991 to 1993. It draws on my fieldwork in Noumea and Mare in the Loyalty Islands of New Caledonia. The main part of the thesis looks at the interactions of this group of young people with other ethnic and social groups living in New Caledonia. These include the Kanaks, the “Caldoches” (native-born Caledonians of French origin), the “Metros” (immigrants from metropolitan France), Pacific islanders, Vietnamese and Indonesians. The thesis also includes a short section describing Mare itself and my fieldwork there. Particular attention is paid to the Kanaks and to the Caldoches, whose rural and urban lifestyles are compared and contrasted to those of the young people being studied.
    [Show full text]
  • Five Guys Names Moe Song List
    Five Guys Names Moe Song List A Chicken Ain't Nothin' But A Bird B flat After The Lovin A Kiss To Build A Dream On Ain't That A Kick In The Head! Ain't Misbehavin' Ain't Nobody Here But Us Chickens All Of Me All My Tomorrows All Shook Up All The Way Always Angel Eyes Angelina (From The Pizzaria) Anniversary Waltz (Oh how we danced) Anything Goes Are You Lonesome Tonight? As Time Goes By At Last Azure Te' (Paris Blues) Automobile (She Loves My) Baby Won't You Please Come Home? Basin Street Blues/ 5 Ft. 2 Big Ten Inch Beyond The Sea Buona Serra Buzz Me Baby Bye Bye Blackbird Bye Bye Love Black Cadilac/Kansas City Black Magic Woman Blue Light Boogie Blue Moon Blue Spanish Eyes Blue Suede Shoes Brother Beware Brown Eyed Girl Bowlegged Woman Caldonia... Chicago (a toddlin' town) Choo Choo Ch-Boogie Come Dance With Me Come Fly With Me Come Rain Or Come Shine Crazy Critical Condition-.(J. Sapienza) Daddy's Little Girl Day-O ( The Work Song ) Don't Be Cruel (You know I can be found) Don't Get Around Much Anymore Don't Let The Sun Catch You Cryin' Drownin' On Dry Land...slow Early In The Morning Embraceable You Everybody Loves Somebody Sometime Fever Fly Me To The Moon Five Guys Named "MOE' Frim Fram Song God Bless The Child t Georgia Gigolo Girl From Ipanema G. I. Jive G.L.O.R.I.A. Gloria Guess I'll Hang My Tears Out To Dry Help Me Make It Through The Night Honey Child Honky Tonk Woman How About You How Little We Know I Don't Know Why ( I Love You Like I DO ) I Feel Good I Get A Kick Out OF You I Left My Heart In San Francisco In My Chevrolet ( J.
    [Show full text]
  • Breath 2015 Feb 143 曲、11.4 時間、1.27 GB
    1 / 5 ページ breath_2015_feb 143 曲、11.4 時間、1.27 GB 名前 時間 アルバム アーティスト 1 I Asked 3:35 Perfect Animal [Bonus Tracks] Becca Stevens Band 2 Imperfect Animals 5:08 Perfect Animal [Bonus Tracks] Becca Stevens Band 3 Thinking Bout You 4:06 Perfect Animal [Bonus Tracks] Becca Stevens Band 4 Be Still 5:05 Perfect Animal [Bonus Tracks] Becca Stevens Band 5 105 4:37 Perfect Animal [Bonus Tracks] Becca Stevens Band 6 Tillery 5:37 Perfect Animal [Bonus Tracks] Becca Stevens Band 7 You Make Me Wanna 5:08 Perfect Animal [Bonus Tracks] Becca Stevens Band 8 Reminder 5:02 Perfect Animal [Bonus Tracks] Becca Stevens Band 9 Higher Love 5:21 Perfect Animal [Bonus Tracks] Becca Stevens Band 10 JAC 5:15 Perfect Animal [Bonus Tracks] Becca Stevens Band 11 I Asked(acoustic demo version) 2:50 Perfect Animal [Bonus Tracks] Becca Stevens Band 12 I'm A Fool To Want You 4:51 Shadows In The Night Bob Dylan 13 The Night We Called It A Day 3:24 Shadows In The Night Bob Dylan 14 Stay With Me 2:57 Shadows In The Night Bob Dylan 15 Autumn Leaves 3:02 Shadows In The Night Bob Dylan 16 Why Try To Change Me Now 3:38 Shadows In The Night Bob Dylan 17 Some Enchanted Evening 3:28 Shadows In The Night Bob Dylan 18 Full Moon And Empty Arms 3:27 Shadows In The Night Bob Dylan 19 Where Are You? 3:38 Shadows In The Night Bob Dylan 20 What'll I Do 3:21 Shadows In The Night Bob Dylan 21 That Lucky Old Sun 3:37 Shadows In The Night Bob Dylan 22 Feel Like Making Love 5:04 Restoration: Best Of Bob Jame… Bob James 23 Nautilus 5:05 Restoration: Best Of Bob Jame… Bob James 24 Farandole (L'Arlesienne
    [Show full text]
  • Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
    HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution.
    [Show full text]
  • Music 2305 Songs, 6.5 Days, 59.34 GB
    Music 2305 songs, 6.5 days, 59.34 GB Artist Album # Items Total Time AC/DC Back In Black 10 42:08 For Those About To Rock We Salute You 10 40:10 Highway To Hell 10 41:43 Let There Be Rock 8 41:02 Adele 19 12 43:39 21 11 48:04 Aerosmith Honkin' On Bobo 12 43:55 O, Yeah! Ultimate Aerosmith Hits [Disc 1] 16 1:10:26 O, Yeah! Ultimate Aerosmith Hits [Disc 2] 14 1:01:51 Rockin' The Joint [Live] 12 58:28 Al Kooper Rare & Well Done: The Greatest And Most Obscure… 19 1:17:34 Rare & Well Done: The Greatest And Most Obscure… 14 1:17:28 Alice Cooper School's Out 9 36:58 The Allman Brothers Band The Fillmore Concerts [Disc 1] 8 1:04:30 The Fillmore Concerts [Disc 2] 4 1:09:49 One Way Out (Live) [Disc 1] 9 1:13:52 One Way Out (Live) [Disc 2] 9 1:15:12 Amy Winehouse Back To Black 11 36:09 The Beach Boys Pet Sounds 27 1:16:51 Sounds Of Summer 30 1:15:57 The Beatles Abbey Road 17 47:24 The Beatles (White Album) [Disc 1] 17 46:22 The Beatles (White Album) [Disc 2] 13 47:14 Beatles For Sale 14 34:13 A Hard Day's Night 13 30:30 Help! 14 34:21 Let It Be 12 35:11 Magical Mystery Tour 11 36:50 Please Please Me 14 32:46 Revolver 14 34:59 Rubber Soul 14 35:48 Sgt.
    [Show full text]
  • Bandworks Song List **Please Circle All Songs You Would Like to Perform in the Next Session**
    BandWorks Song List **Please circle all songs you would like to perform in the next session** After Midnight (Eric Clapton) Break on Through (Doors) Don’t Change Horses [In the Middle A Hard Day’s Night (Beatles) Breathe (Pink Floyd) of a Stream] (Tower of Power) Ain’t That Peculiar (Marvin Gaye) Brick House (Commodores) Don’t Let the Sun Catch You Cryin’ Ain’t Wastin’ Time No More (Allman Bros.) Brown-Eyed Girl (Van Morrison) (Ray Charles) Alison (Elvis Costello) Buddy Holly (Weezer) Don’t Lose Your Cool (Albert Collins) Alive (Pearl Jam) Burning Down the House (Talking Heads) Don’t Speak (No Doubt) All Along the Watchtower (Bob Dylan) Burn to Shine (Ben Harper) Don’t Talk About My Mama All Apologies (Nirvana) By the Way (Red Hot Chili Peppers) (Mem Shanon) All For You (Sister Hazel) Cabron (Red Hot Chili Peppers) Don’t Throw That Mojo on Me All My Love (Led Zeppelin) Caldonia (Bb King) (Wynona Judd) All You Need Is Love (Beatles) Caledonia Mission (The Band) Do Your Thing (Lyn Collins) All Your Love (Otis Rush) California (Lenny Kravitz) Down Payment Blues (AC/DC) Alone (Susan Tedeschi) Callin’ San Francisco (Tommy Castro) Dreams (Fleetwood Mac) American Girl (Tom Petty) Call Me the Breeze (Lynyrd Skynyrd) Dr. Feelgood (Aretha Franklin) American Idiot (Green Day) Can’t Find My Way Home (Blind Faith) Drive South (John Hiatt) And It Stoned Me (Van Morrison) Can’t Get Next to You (Al Green) Drops of Jupiter (Train) And She Was (Talking Heads) Canteloupe Island (Herbie Hancock) Elevation (U2) Angel (Jimi Hendrix) Caravan (Van Morrison)
    [Show full text]
  • Wavelength (December 1984)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1984 Wavelength (December 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1984) 50 https://scholarworks.uno.edu/wavelength/50 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. UNIVERSITY OF NEW ORLEANS EARL K LONG LIBRARY ACQUISITIONS DEPT NEW ORLEANS. LA 70148 1101 S.PETERS PHVSALIA PRODUCTION PRESENTATION NOONE UNOER18 ADMITTED ISSUE NO. 50 e DECEMBER 1984 "''m not sure, but I'm almost she1o's positive, that all music came from New Orleans." -Ernie K-Doe, 1979 D EPARTMENTS LIVE BANDS EVERY December News .... .... .. .. ... 4 Golden Moments . ........... ..... 8 NIGHT OF THE WEEK Flip City . ......... ............. 8 (NO COVER EVER!!!) New Bands ....... ..... .. ... 10 Caribbean . .. .. ........ ... .. .. 12 ENTRANCE ON SOUTH PETERS BETWEEN JULIA & ST. JOSEPH Dinette Set . ......... ............ 14 Rare Record . .. .... .. .. ... ... 16 Reviews . .. ...... ..... ... ... 16 shei Ia's features local, national, Listings . .. ........... .. .. .. 23 and international groups such as ... Last Page . ....................... 30 FEATURES Number 50 . 19 Dear Santa .. .... .. .. .. .. 22 Lady Rae New Orleans 1984 .... .. .. .. ... 25 Neville Brothers The Cold Records .. ........ ... .. ...... 31 One-Stops . .. .. ..... .. .. .. 35 Radia!ors HooDoo Guru's Hanoi Rocks Tim Shaw Cover design by Steve St. Germam. For informa­ Belfegore Java tion on purchasing cover art, ca/1 504/895-2342. John Fred & The Playboys Mrolberof f Habit JD & The Jammers Force o .
    [Show full text]