The Talkative Corner Enjoy These Last Few Fall Days with a Walk Thru the Park
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Students, Trustees to Discuss Future Goals Morgue Where the Bodies Were Being Kept
.. ERAatND-Page 11 VOL. XIV, NO. 131 THURSDAY, MAY I, 1980 Student governtnent: cliches becom.e traditional approach by Michael Lewis This year's Student Body Exec. News Editor Emen"tus President election was panicu- _ larly revealing, because the three basic approaches to SG f!.ditor's Note: This is the first were represented, and stu m a two-part analysis of Notre dents again chose what may be Dame's Student Government. called a "traditional" (for lack Today 's articie looks at the of a better term) approach to Student Government's the office. ''traditional'' approach to SBP Paul Riehle and his issues on campus. Tomorrow's closest competitor Tom Beh artzcle will deal with the ney, both articulated this tradi creation and problems of the tional attitude toward student Campus Lzfe Council. representation. Riehle and Behney stressed Forums, debates, "improve their experience in various communications,'' ''make Stu student offices, their familiari dent Government more effec ty in dealing with administra tive," dorm visits, endorse tion officials, and their "realis ments, ·'make the administra tic" and "feasible" platforms. tion more responsive to the Riehle tole The Observer's students," and, last but not editorial board before the elec least, the call for "student tion that he believed he knew input." "what would fly" with the Student Government cam people under the dome, and paign cliches. Every Notre could use that knowledge in Dame student has heard them planning for SG action. (Riehle at least once. also publicly expressed confi And, just as the same issues dence that the most recent of and cliches seem to surface several keg proposals would be Presidential candtdate Sen. -
August 2002 Readers’ Platform
• APEX THEORY • YAMAHA OAK CUSTOM KIT • GGOOOO GGOOOO DDOLLSOLLS’’ MIKEMIKE MALININ MALININ MMAXIMUMAXIMUM PPOPOP JJEFFEFF PPORCAROORCARO TTRIBUTERIBUTE TTOO AA SSTUDIOTUDIO GGIANTIANT MMATTATT WWILSONILSON’’SS IIMPROVMPROV PPLAYHOUSELAYHOUSE HHOTOT LLATINATIN JJAZZAZZ:: MMETHENYETHENY’’SS AANTONIONTONIO SSANCHEZANCHEZ TTHREADGILLHREADGILL’’SS DDAFNISAFNIS PPRIETORIETO BBRAZILRAZIL’’SS VVERAERA FFIGUEIREDOIGUEIREDO $4.99US $6.99CAN 08 SSHOPHOP TTALKALK:: BBUILDINGUILDING YYOUROUR OOWNWN DDRUMSETRUMSET!! 0 74808 01203 9 Redefining “Drum Machine” Ever wonder why Evans heads are so consistent and easy to tune? Designed and built in-house by our staff of engineers, this robotic “Drum Machine,” called the Gluing Gantry, ensures that every Evans head has a true collar. A series of vacuum fixtures holds the film in place for each head while the robotic gluing arm circles above the hoop and dispenses epoxy. The result is a drumhead that tunes both easily and consistently. At Evans, we do it right the first time. And every time. Check out what Peter Erskine has to say about Evans drumheads at www.evansdrumheads.com PO Box 290 • Farmingdale, NY 11735 We’ve been making the world’s finest sticks for years. And experience tells us that there are no shortcuts when it comes to making a stick. There is, however a very good short- cut when choosing one. The journey from wooden dowel to finished drumstick is a tough one. Each stick makes its way through the hands of several craftsmen before it leaves us. And at every test, there’s always the chance of getting turned into firewood. But it does get easier when our sticks reach the store. Because once you feel a pair in your hands, you’ll appreciate the time it spent in ours. -
In Years - Be the Album to Open up Any Party Whether Re- R
Wednesday, October 5, 1977 page 8 daily nebraskan ; "... j I .... ,. J ... arts Cheap tricks'' xln Color one of purest in years - be the album to open up any party whether re- R. Weil Getting back to the band's appearance, it is safe to perfect By Douglas ui The first thing one notices about rock band Cheap say they won't be confused with anyone else in music iresnmenis urgamv inuiwv. include-eve- Trick is their very eccentric appearance. Of course today. Lead vocalist Robin Zander and bass player Tom Besides the forementioned, other highlights ry standing out in a business such! as music is indeed an Petersson are your typical aspiring rock stars-to-b- e from other song on the album. That's right there isn't accomplishment. More important than their physical their Mick Jagger-styl- e dress to their raw and punkish a klunker in this ten song bunch. is Trick's looks. their drummer Bun E. Carlos appearance tre fact that (Cheap new album, good However, Trick has managed to accomplish what several In Color is one of the and most vital rock n right Bun E. Carlos) and lead guitarist Rick NeU-se-n Cheap purest (that's other bands (Boston and Foreigner, just to name two) roll albums in a few , look like characters from one of television's quite years. runaway have that is, combine flashy power chords with lots In 1977 rock n roll is about as common as newest situation comedies. done, pure good and harmony. The difference between Cheap will between countries in the Mideast. -
Naperville Jaycees Announce Cheap Trick and Lucky Boys Confusion at the Last Fling on Sunday September 2, 2018
For Immediate Release July 9, 2018 Contact: Alex Anderson 773-677-0769 [email protected] Naperville Jaycees Announce Cheap Trick and Lucky Boys Confusion at the Last Fling on Sunday September 2, 2018 The Naperville Jaycees is proud to announce Cheap Trick and Lucky Boys Confusion at the Last Fling on Sunday September 2, 2018. Robin Zander (vocals, rhythm guitar), Rick Nielsen (lead guitar) and Tom Petersson (bass guitar) are part of the very fiber of American music, inspiring and delighting generations with their unique union of massive melodies and razorblade riffs, their own special brand of mischievous wit and maximum rock ‘n’ roll. Since the ‘70s, they’ve been blending elements of pop, punk and even metal in a way that is instantly catchy and recognizable. With timeless classics such as “I Want You to Want Me” and “Surrender,” CHEAP TRICK, now with drummer Daxx Nielsen, are a musical institution. The Rockford, IL band is as vital today as ever, having released three records in the last three years -- BANG ZOOM CRAZY...HELLO (2016), WE’RE ALL ALRIGHT (2017) and CHRISTMAS CHRISTMAS (2017) –and toured relentlessly to packed audiences around the world. 2016 saw CHEAP TRICK's long-awaited induction into the Rock and Roll Hall of Fame. The induction honored both the band and the pioneering sound that has earned them total record sales well in excess of 20 million featured appearances and more than 40 international Gold and Platinum certifications. 2017’s WE'RE ALL ALRIGHT! was yet another undisputed triumph for the band as the album's first single, "Long Time Coming," enjoyed an unprecedented run of 18 weeks at #1 on the Mediabase Classic Rock chart. -
Jeremy Porter and the Tucos
Published: March 16, 2010 9:44 PM EST By: Isaac Davis Jr., MBA (Juniorscave.com) New Music Spotlight March 2010 Edition Jeremy Porter Music Now Artist/Band Spotlight Weekly Series Americana/Acoustic Musician Jeremy Porter is bringing his experience, background, passion, heart & soul to the music industry as a solo artist. Jeremy is taking the good and bad that comes with his past band experiences and giving his fans all of him through his new solo project. Our Webzine recently had an opportunity to speak with the artist about his music and life as a solo artist. Here is what developed. Enjoy! Isaac: I just listened to several songs off your new EP/CD. What was the inspiration for making your new album? Jeremy: Hi Isaac. The record came about after a year of playing and writing by myself and for myself outside of the context of a band. When The OffRamps were coming to an end in late 2008, I started playing some solo-acoustic shows. Then last year, I did a little bit of touring and realized that not only did I have a bunch of new songs without a home, but a record would be a great vehicle to play more shows and connect with more people. Isaac: Who were your influences? Jeremy: When I was really young, I would go Jeremy Porter through my parent's records and listen to stuff like The Beatles, Stones, Beach Boys and Dylan. Then I heard KISS, and shortly thereafter came Cheap Trick and The Knack. A few years later I heard bands like The Clash, The Replacements and Social Distortion and everything changed. -
Poison, Cheap Trick and Pop Evil Join Forces for “Poison…Nothin' but a Good Time 2018” U.S. Summer Tour Starting May 18
POISON, CHEAP TRICK AND POP EVIL JOIN FORCES FOR “POISON…NOTHIN’ BUT A GOOD TIME 2018” U.S. SUMMER TOUR STARTING MAY 18 IN IRVINE, CA TICKETS ON-SALE STARTING FEBRUARY 9 AND 10 LOS ANGELES (Feb. 6, 2018) -- Music fans wanting a little variety with their summer tour package will get that very thing with the “Poison…Nothin’ But A Good Time 2018” tour. Iconic rock band POISON, with all original members, will be joined by CHEAP TRICK and POP EVIL on its trek across the U.S. this summer. The tour is set to launch May 18 in Irvine, CA at Five Points Amphitheatre. Check out this video to learn more about the “Poison…Nothin’ But A Good Time 2018” tour: https://youtu.be/3Hdu4_ha66Q. Produced by Live Nation, tickets for various cities will go on sale starting Friday, February 9 and Saturday, February 10. Each band will be offering their own exclusive VIP packages and meet & greet opportunities beginning February 6 at 12pm local time. POISON will be offering direct-to-fan access to the best seats in the house via their own exclusive pre-sales at PoisonOfficial.com for access to exclusive content, ticket pre-sales and VIP packages. VIP Packages for CHEAP TRICK will be available for all dates, details for which can be found at www.CheapTrick.com. POP EVIL will also be offering VIP meet & greets at PopEvilVIP.com. For more information about the “Nothin’ But A Good Time 2018” tour, please visit Livenation.com. The bands are fired up to make the journey across the U.S. -
Cheap Trick - Surrender Episode 214
Song Exploder Cheap Trick - Surrender Episode 214 Hrishikesh: You’re listening to Song Exploder, where musicians take apart their songs and piece by piece tell the story of how they were made. My name is Hrishikesh Hirway. (“Surrender” by CHEAP TRICK) Hrishikesh: This episode doesn’t contain any explicit language but I still wanted to flag it in case there are any parents out there who listen to the podcast with their kids, and if your kids are not old enough to know what an STD is yet then you might get some questions you’re not ready for. So just a heads up. (“Surrender” by CHEAP TRICK) Hrishikesh: The song “Surrender” by Cheap Trick was released in 1978. Rolling Stone called it the ultimate 70s teen anthem, and included it in their list of the greatest songs of all time. It’s been in a bunch of movies and tv shows - including South Park, Scrubs, Fast Times at Ridgemont High, New Girl, and Guardians of the Galaxy. Cheap Trick formed in Rockford, Illinois in 1973. They’ve released 20 studio albums, they’ve sold over 20 million records, and in 2016 they were inducted into the Rock and Roll Hall of Fame. Rick Nielsen is the guitarist in the band. He wrote “Surrender,” and for this episode, I talked to him about how the song was made. (“Surrender” by CHEAP TRICK) Rick: My name is Rick Nielsen from Cheap Trick. (Music fades out) Rick: Everybody I knew thought their parents were weird or, even if they're not weird to certain people, they're weird to the kid. -
NEW* the Origin of the Cheap Trick Logo
CheapTrick.com » NEW* The Origin of the Cheap Trick Logo Pages Home News Photos About the Band Discography Fan Club NEW* The Origin of the Cheap Trick Logo NEW* The Origin of the Cheap Trick Logo Setlists Tour Dates THE ORIGIN OF THE CHEAP TRICK LOGO – AN IN-DEPTH INTERVIEW Links Article by Scott Starr Cheap Trick Facebook If Cheap Trick bassist Tom Petersson hadn’t intervened, the band’s classic six-line logo would have never fully materialized. And the guy who created that signature emblem? He didn’t make a penny off Cheap Trick iTunes his world famous design. Cheap Trick Messageboard Cheap Trick MySpace More than 35 years later, the band is currently enjoying a very successful North American tour with Aerosmith as well as helping to hash out the details of a new namesake music complex they plan to Cheap Trick Twitter open in Chicago. Cheap Trick YouTube But things didn’t look so promising in the pre-logo era. Cheap Trick Zazzle Official Cheap Trick Store The mid-1970s in Milwaukee found clubs with funky names like Humpin’ Hanna’s and the Stone Toad, and Archives the “alternative” crowd of that era was the setting for Select Month an alliance destined for success. Future Hollywood writer/producer Christopher Crowe and the members of Cheap Trick were finding their way in the world at the same time and in the same places. While Crowe toiled in his father’s graphic arts studio, Rick Nielsen and his bandmates slowly built upon their core following which featured transvestites and other colorful characters. -
Creem Magazine Reader Polls (1973-77, 79-80)
Creem Magazine Reader Polls (1973-77, 79-80) Creem Magazine 1973 Reader Poll Results Top Albums 1. Mott The Hoople – Mott The Hoople 2. The Who – Quadrophenia 3. Elton John – Goodbye Yellow Brick Road 4. The Rolling Stones – Goat's Head Soup 5. New York Dolls – New York Dolls 6. Pink Floyd – Dark Side of the Moon 7. Allman Brothers – Brothers and Sisters 8. Led Zeppelin – Houses of the Holy 9. Alice Cooper – Billion Dollar Babies 10. Stooges – Raw Power 11. Blue Oyster Cult – Tyranny and Mutation 12. David Bowie – Aladdin Sane 13. Paul McCartney and Wings – Band on the Run 14. Emerson, Lake and Palmer – Brain Salad Surgery 15. Todd Rundgren – A Wizard, A True Star 16. Yes – Yessongs 17. Paul Simon – There Goes Rhymin' Simon 18. David Bowie – Pin-Ups 19. J. Geils Band – Bloodshot 20. Jethro Tull – A Passion Play Top Singles 1. “Angie” – The Rolling Stones 2. “Saturday Night's Alright for Fighting” – Elton John 3. “Ramblin' Man” – Allman Brothers 4. “We're an American Band” – Grand Funk 5. “Brother Louie” – Stories 6. “All the Way from Memphis” – Mott The Hoople 7. “Frankenstein” – Edgar Winter Group 8. “Money” – Pink Floyd 9. “Reelin' in the Years” – Steely Dan 10. “Hello It's Me” – Todd Rundgren Best Re-Issue 1. Thunderclap Newman – Hollywood Dream 2. Allman Brothers – Beginnings 3. The Beatles – 1967-1970 4. Todd Rundgren – Something/Anything? 5. Soundtrack – American Graffiti 6. Pink Floyd – A Nice Pair 7. The Beatles – 1963-1966 8. Spirit – Best of Spirit 9. Buffalo Springfield – Buffalo Springfield 10. The Move – Split Ends * Top Group: 1) Mott The Hoople / 2) The Who / 3) Allman Brothers / 4) The Rolling Stones * Top Live Group: 1) The Who / 2) Alice Cooper / 3) J. -
"Cheap Trick at Budokan" (Album)
"Cheap Trick at Budokan"--Cheap Trick (1978) Added to the National Registry: 2019 Essay by Robert Lawson (guest post)* Cheap Trick At the end of April 1978, Cheap Trick flew to Japan for a six-date headlining tour. To coincide with this, the forthcoming studio album, "Heaven Tonight," was issued in Japan just ahead of its US release. Cheap Trick played shows in Fukuoka (April 25th), Nagoya (April 26th), Osaka (April 27th), Tokyo (April 28th and 30th) and Shizuoka (May 1st). The near- hysterical Japanese fans welcomed the band with rapturous applause. A special tour-book was created, using the exact same picture of lead vocalist Robin Zander and bassist Tom Petersson featured on the "Heaven Tonight" sleeve, but with the title "Concert in Japan" on the front cover. In July, an edited version of the first concert in Tokyo was shown on Japanese TV. The program, "Cheap Trick at Budokan," featured footage from the soundcheck, tracked the eager crowds filing in, and, eventually, followed the band onto the stage. With Zander positively glowing in an all-white three-piece suit and guitarist Rick Nielsen slashing away at his Hamer Standard prototype, the performance is an equal display of incredible showmanship and musicianship. Although all the footage is extremely valuable (and was even more so at the time), it is extra special to witness the previously unreleased, excellent tracks "Lookout" and "Can't Hold On" performed live, along with the 1955 Fats Domino hit "Ain't That a Shame" (which the band learned from John Lennon's 1975 "Rock 'n' Roll" album). -
The Final Cut
SEPTEMBER 15, 2001 VOLUME 16 #1 The Final Cut Plotting World Domination from Altoona Otherwise…CD/Tape/Culture analysis and commentary with D’Scribe, D’Drummer, Da Boy, D’Sebastiano’s Doorman, Da Common Man, D’ Big Man, Al, D’Pebble, Da Beer God and othe r assorted riff raff… D'RATING SYSTEM: 9.1-10.0 Excellent - BUY OR DIE! 4.1-5.0 Incompetent - badly flawed 8.1-9.0 Very good - worth checking out 3.1-4.0 Bad - mostly worthless 7.1-8.0 Good but nothing special 2.1-3.0 Terrible - worthless 6.1-7.0 Competent but flawed 1.1-2.0 Horrible - beyond worthless 5.1-6.0 Barely competent 0.1-1.0 Bottom of the cesspool abomination! I KNOW…Our first official new issue of the year…in September. I know, it does suck. No excuses, just a ton of stuff going, work, breaking in a new computer, a virus attacking that new computer, and all the other hats I wear week in and week out. Alas, it is finally here, the new issue, thanks for waiting. Thanks to my minion of writers and hacks, Ron at Rockpage for keeping this ‘zine on line, and Scott, Danielle and the folks at Eyecatchers for keeping our printed edition afloat. And thanks to all who indulge our periodic rantings and ravings, we appreciate the support! One fresh take before I unleash some pent-up old takes – if you’ve been reading Rockpage recently, you know I’ve been on the warpath regarding the Pennsylvania Liquor Control Board and Bureau of Liquor Control Enforcement’s brief ban on young people attending the popular Lakemont Park Wing-Offs. -
Breaking out in 1978: Rick Nielsen, Bun E. Carlos, Tom Petersson, and Robin Zander (Clockwise from Top)
Breaking out in 1978: Rick Nielsen, Bun E. Carlos, Tom Petersson, and Robin Zander (clockwise from top) 18 PERFORMERS Cheap The group effectively combines rock chops, tuneful power pop, Tricksarcasm, humility, and showmanship. BY IRA ROBBINS t’s the start of 1977, my early days as a rock writer, and I’m up in Black Rock, visiting one of the few label guys who’ll take my calls. A devout fan of Marc Bolan, David Bowie, and Jim Morrison, he Iabsolutely loathes the Who, so we’ve agreed to disagree about that. He pulls out a white label of Cheap Trick, which Epic is weeks away from releasing. “Listen,” he says, exuding real conviction – no mean feat for a man who is as sardonic as they come. “These guys are great. They’re gonna be enormous.” I’m pretty dubious about main- stream American rock & roll, at least as represented in the hallway outside by posters of Ted Nugent, Kansas, Wild Cherry, and Meat Loaf, but I try not to roll my eyes. 19 He puts the record on, guitars and drums roar to life, and animation and spirited irreverence as the new wavers. The I’m in love. So much for Anglophilia. Here was a band group cut a colorful swath through the land of the dino- from the heartland that answered all my dreams: loud, saurs, high-power proof that rock writ large enough for fero ciously energetic, original, funny, melodic, indefinable. stadiums didn’t have to be preening, cocky, bombastic, or Singing about things few others with commercial aspira- self-important.