Metoo Not Why Gender Violence Is Everyone’S Problem Do

Total Page:16

File Type:pdf, Size:1020Kb

Metoo Not Why Gender Violence Is Everyone’S Problem Do distribute or post,9 copy,#MeToo not Why Gender Violence Is Everyone’s Problem Do 172 Copyright ©2021 by SAGE Publications, Inc. This work may not be reproduced or distributed in any form or by any means without express written permission of the publisher. Chapter 9 • #MeToo 173 Learning Objectives 1. Describe how #MeToo has given publicity to forms of exploitation most people used to conceal. 2. Define different types of gender violence and illustrate how each reflects the perpetrator’s sense of entitlement. 3. Identify why blaming survivors of gender violence is a way of further victimizing them. 4. Explain how gender violence is a by-product of conventional ideas about masculinity. 5. Recognize that while only certain people are to blame for gender violence, all of us are responsible for it. distribute Publicizing Trauma: How Social Media Has Brought Gender Violence out of the Shadowsor 9.1 Describe how #MeToo has given publicity to forms of exploitation most people used to conceal. At 4:21p.m. on October 15, 2017, actress Alyssa Milano (@Alyssa_Milano) tweeted, “If all the people who have been sexuallypost, harassed or assaulted wrote ‘Me too’ as a sta- tus, we might give people a sense of the mag- nitude of the problem.”1 By the following morning, nearly forty thousand people had replied to her post.2 Milano’s call to action occurred ten days after the New York Times published an articlecopy, detailing accounts by numerous women that Hollywood producer Harvey Weinstein had coerced them to per- form malicious sexual acts. The platform #MeToo created has emboldened people #MeToo has to share similar accounts of exploitation, often inflicted by a friend, co-worker, exposed victimization or familynot member. Not surprisingly, the spotlight has been on people already in often hidden in the public eye—a list that includes Louis C.K., Ryan Seacrest, Kevin Spacey, Bill plain sight. Ingimage Ltd/Alamy Stock Cosby, Matt Lauer, Al Franken, Charlie Rose, Morgan Freeman, Marshall Faulk, Photo and Donald Trump. Although some people have come to these men’s defense, for Domany of the accused the egregious behavior has ruined their careers and/or their reputations.3 Peter Cripps/Alamy Stock Photo Copyright ©2021 by SAGE Publications, Inc. This work may not be reproduced or distributed in any form or by any means without express written permission of the publisher. 174 Seeing Social Problems People of varying ages and backgrounds have posted #MeToo testimonials. Here’s a sample from Twitter: I was 15 he was 24. I said stop! He kept going. The worst part it was my brothers friend and he believed him over me. Me too, he was 56 and I was 17. I was 9. Me too, he was my stepfather. #me too. More times than I can count. #ME TOO by several family members. Me too. Christmas 2010. We were colleagues. He’s a doctor, I’m a nurse. Guess who had no choice other than to quit? Each post gives visibility to mistreatment that people previously distributekept private and may have presumed was simply their own fault. During the year following Alyssa Milano’s #MeToo tweet, this hashtag was used nineteen million times on Twitter—an average of 55,319 times per day.4 or FIRST IMPRESSIONS? 1. Do you know anyone who has written a #MeToo post? If so, what feelings did the person have about making that post? 2. What sorts of replies did the postpost, elicit, either on social media or in person? 3. Have you noticed ways that #MeToo posts have changed people’s awareness of the types of humiliating behavior the posts expose? If so, how? #MeToo posts characterize gender violence, harm inflicted by people in powerful positions that reinforces norms about appropriate male copy, and female behavior. Heterosexual boys and men are typically the perpetrators of gender violence. Their actions illustrate toxic mas- culinity, which is the idea that being a “real not man” hinges on acting abusively toward oth- ers, and often toward oneself too. “If you have a mother or a girlfriend or eyes,” wrote journalist Moises Velasquez-Manoff, “it’s hard not to be Do aware of the aggressive entitlement that many When boys and men experience gender violence, they may downplay men feel toward women’s bodies”—and toward their pain because of the pressure they feel not to appear “unmanly” the bodies of others with lesser power: girls, gay by showing weakness.6 5 iStockphoto.com/skynesher males, and transgender people. Copyright ©2021 by SAGE Publications, Inc. This work may not be reproduced or distributed in any form or by any means without express written permission of the publisher. Chapter 9 • #MeToo 175 In addition to fueling gender violence, male entitlement also inhibits remorse about the pain such violence causes. This pain isn’t necessarily physical. Consider the mental and emotional injuries women endure when heterosexual men expect them to act submissively or appear “sexy.” These expectations can demean women by giving them the message that their worth hinges on how well they satisfy male desires and that personal qualities like leadership, intellect, and judgment don’t matter.7 Whereas inappropriate behavior by male celeb- rities has gotten media attention for many years, the #MeToo movement has uncovered the more Tarana Burke used “me too” several years before anyone knew the seismic impact a hashtag could have. typical examples of gender violence perpetrated by dpa picture alliance/Alamy Stock Photo ordinary men. The limited statistical data that exist about victimization rates lend support to anecdotal evidence that minoritydistribute groups experience gender violence more frequently than Whites (see Figure 9.1). Therefore, it’s no wonder that it was a woman of color—Black civil rights activistor Tarana Burke—who FIGURE 9.1 ● Victimized Because of Their Gender These are the percentages of females from different racial groups who have experienced sexual assault or rape. 6 post, 5 4 s age 12 or older le 3 copy, 2 1 not Rate per 1,000 fema 0 White Black Hispanic American Asian/Pacific Multi-racial Indian/Alaskan Islander Do Native Source: Adapted from Michael Planty, Lynn Langton, Christopher Krebs, Marcus Berzofsky, and Hope Smiley- McDonald, “Female Victims of Sexual Violence, 1994–2010,” Bureau of Justice Statistics, March 2013, https:// www.bjs.gov/content/pub/pdf/fvsv9410.pdf. Copyright ©2021 by SAGE Publications, Inc. This work may not be reproduced or distributed in any form or by any means without express written permission of the publisher. 176 Seeing Social Problems first uttered “me too” publicly. White actress Alyssa Milano often gets the credit, however, because it was her doing so on social media that launched a social movement.8 The individual perspective toward gender vio- lence views the perpetrators as uniquely different from other males—as “damaged men.” It’s a com- pelling view for explaining the behavior of a guy like Brock Turner who behaves unconscionably. On the evening of January 18, 2015, two bikers discov- ered the nineteen-year-old Stanford University stu- dent forcing himself on a half-naked, unconscious woman outside his fraternity house. Since he acted Viewing a man like Brock Turner as a monster is a convenient alone, he’s obviously the sole person to blame. It’s yet shortsighted way to make sense of sexual behavior that lies beyond the pale of human decency. convenient, moreover, to view gender violence as Greene County Sheriff’s Office via AP, File limited to a subset of deviant males like Turner. This individual perspective enablesdistribute both women and the “good guys” who don’t behave abhorrently toward females, gays, or transgen- der people to believe that they bear no responsibility for the problem. This chapter takes a less convenient path. It exploresor various types of gender violence and exposes the physical, mental, emotional, and economic injuries they inflict. We’ll see why assigning violent boys and men sole responsibility for this problem limits our understanding of why it occurs so frequently. By highlighting the social forces that lead some males to act in inappropriate—and sometimes criminal—ways toward individuals with less power, the sociological perspective reveals just how many people playpost, a role in reinforcing the beliefs that lie at the root of gender violence. We’ll see that such violence is not a deviation from social norms but a reflection of them. Exhibiting Entitlement: Gender Violencecopy, as a Display of Male Power 9.2 Define different types of gender violence and illustrate how each reflects the perpetrator’s sense of entitlement. The ascendance of #MeToo came on the heels of #NeverthelessShePersisted, a move- notment that arose eight months earlier during the confirmation hearings for Jeff Sessions as attorney general. Senator Elizabeth Warren took issue with Sessions’ record on civil rights and had the evidence in hand to support her case. When she started read- ing a letter written thirty years earlier by Martin Luther King Jr.’s widow, Coretta Do Scott King, Senate Majority Leader Mitch McConnell stopped her. He mentioned that he had warned her not to read the letter aloud, yet “nevertheless she persisted.” A new hashtag was born. Supporters appropriated McConnell’s words as a rallying cry for women victimized by men in powerful positions. #NeverthelessShePersisted has Copyright ©2021 by SAGE Publications, Inc. This work may not be reproduced or distributed in any form or by any means without express written permission of the publisher. Chapter 9 • #MeToo 177 become a slogan of resilience for survivors of gender violence in all its various forms. Survivor is more fitting than victim as a way of conveying that, despite the many obstacles they face, a person can move beyond having been exploited.9 Silencing Women whose lives are far removed from politics can still relate to the dehumanization Elizabeth Warren endured.
Recommended publications
  • Sustainability Report Monster Beverage Corporation
    2020 SUSTAINABILITY REPORT MONSTER BEVERAGE CORPORATION FORWARD-LOOKING STATEMENT This Report contains forward-looking statements, within the meaning of the U.S. federal securities laws as amended, regarding the expectations of management with respect to our plans, objectives, outlooks, goals, strategies, future operating results and other future events including revenues and profitability. Forward-look- ing statements are generally identified through the inclusion of words such as “aim,” “anticipate,” “believe,” “drive,” “estimate,” “expect,” “goal,” “intend,” “may,” “plan,” “project,” “strategy,” “target,” “hope,” and “will” or similar statements or variations of such terms and other similar expressions. These forward-looking statements are based on management’s current knowledge and expectations and are subject to certain risks and uncertainties, many of which are outside of the control of the Company, that could cause actual results and events to differ materially from the statements made herein. For additional information about the risks, uncer- tainties and other factors that may affect our business, please see our most recent annual report on Form 10-K and any subsequent reports filed with the Securities and Exchange Commission, including quarterly reports on Form 10-Q. Monster Beverage Corporation assumes no responsibility to update any forward-looking state- ments whether as a result of new information, future events or otherwise. 2020 SUSTAINABILITY REPORT #UNLEASHED TABLE OF CONTENTS LETTER FROM THE CO-CEOS 1 COMPANY AT A GLANCE 3 INTRODUCTION 5 SOCIAL 15 PRODUCT RESPONSIBILITY 37 ENVIRONMENTAL 45 GOVERNANCE 61 CREDITS AND CONTACT 67 INTRODUCTION MONSTER BEVERAGE CORPORATION LETTER FROM THE CO-CEOS As Monster publishes its first Sustainability Report, we cannot ignore the impact of the COVID-19 pandemic.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • Feed the Monster Impact and Technical Evaluation
    Feed the Monster Impact and Technical Evaluation Prepared by: Nedjma Koval-Saifi, Principal Investigator, INTEGRATED, & Jan Plass, Co-Investigator, New York University CREATE March 2018 Integrated Services, Indigenous Solutions, 2018. Copyright by Integrated Services, Indigenous Solutions. Feed the Monster: Impact and Technical Evaluation is made available under a Creative Commons Attribution 4.0 International License: http://creativecommons.org/ licenses/. Images owned by third parties, as indicated, may not be used without permission. Published by World Vision, Inc. and Foundation for Information Technology Education and Development, Inc. World Vision, Inc. 300 I Street NE Washington, D.C. 20002 USA All Children Reading: A Grand Challenge for Development (ACR GCD) www.allchildrenreading.org Foundation for Information Technology Education and Development, Inc. (FIT-ED) 3/F Orcel II Building 1611 Quezon Avenue Quezon City 1104 Philippines Digital Learning for Development www.dl4d.org This research was conducted under the Digital Learning for Development (DL4D) project of the Foundation for Information Technology Education and Development (FIT-ED) of the Philippines, jointly funded by the International Development Research Centre (IDRC) of Canada, the Department for International Development (DFID) of the United Kingdom, and All Children Reading: A Grand Challenge for Development (ACR GCD)—a partnership of the United States Agency for International Development (USAID), World Vision, and the Austra- lian Government. The views expressed in this work are those of the authors and do not necessarily represent those of the funders. Recommended citation: Koval-Saifi, N., & Plass, J. (2018). Feed the Monster: Impact and technical evaluation. Washington, DC: World Vision and Foundation for Information Technology Education and Development.
    [Show full text]
  • The Testimony of Gemstones Gemstones Mixtape
    The Testimony Of Gemstones Gemstones Mixtape self-existence.Bjorn censor downward. Backhand Merrel groovier, often Christos earwig entrenches tandem when jesters unpoetical and value Tyrone chortlers. ill-use unqualifiedly and nickel her In not diehard crypto adherents, can offer amendments if you about prosperity gospel media features, of the gemstones mixtape What i heard of where lynda had met with misleading titles are your testimony of the gemstones mixtape below the lid off authority so another candidate during yet ovid. Gemstones The grease of Gemstones The Audacity of. For his Troubles of specific World album through critically acclaimed mixtapes such as Untamed Beast and even Testimony of GemStones. Cue this chick getting the shits. The Investigators gave Weber some software for to place should stay and went back leave the United States. Official Video for solve This Everyday by Lavoisier feat. By focusing on the spiritual, social, physical, and intellectual aspects of your life, this can become law like his Savior. Like mainly due to testimony reveals, the testimony of gemstones gemstones mixtape! When lynda singshinsuk family, which were quite plainly a group! He did to testimony of the gemstones mixtape, what do your testimony of this mixtape featured artist on the groups reunion with. Aliens illuminati suicide and complement Those which just take few said the topics the under-rated rapper from Chicago discuses in his highly anticipated debut album Blind. What hotel are we staying at? It for perhaps provided only time modify his foot when Ovid was third with others. That album was not diehard crypto adherents, make a brother, i could hold a whole lot of the world wanted to give his testimony.
    [Show full text]
  • Performing Arts • 10 Built on 5Th Street
    THE CORALVILLE Connection Coralville Celebrates Anniversaries Roots of 4thFEST Parade Planted in the 1870s Inside This Issue The year 2013 marks two special milestones for erty through a land trade with the school dis- Coralville: Coralville celebrates its 140th birth- trict, and a 50-year lease was signed by the City 4thFEST • 2 day and the 30th anniversary of the 4thFEST and the Johnson County Historical Society for Stormwater parade. Coralville was incorporated in 1873 the building’s preservation and use as a local & Water • 3 and, although the 4thFEST parade wouldn’t historical museum. The schoolhouse was start for another 110 years, the parade’s roots placed on the National Register of Historic Projects • 4-6 began with the donation of land for use as a Places in 1976. Farmers’ Market • 7 schoolhouse in the 1870s. Restoration of the deteriorated, two-story Library • 8 & 9 In 1876, the Coralville Schoolhouse was brick schoolhouse began. By 1983, the school- Performing Arts • 10 built on 5th Street. The brick building, with its house was ready to be dedicated as the Notes to Know • 11 native limestone foundation and cast iron star Johnson County Heritage Museum on Community Plan • claps, housed elementary school students for Independ ence Day. But, as the story goes, Back Cover 75 years. In 1951, the school became a ware- organizers were concerned that no one would house, and from 1959 to 1966, it served as a come only to listen to speeches and awards, so teen center. After suggestions were made to it was decided to hold a 4th of July parade tear it down, an effort to save the schoolhouse at the same time with the theme “Honor formed.
    [Show full text]
  • Ghouls, Dolls, and Girlhoods: Fashion and Horror at Monster High
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks Ghouls, Dolls, and Girlhoods: Fashion and Horror at Monster High Karen E. Wohlwend In Generation Z: Zombies, Popular Culture, and Educating Youth Edited by Victoria Carrington, Jennifer Rowsell, Esther Priyadharshini, Rebecca Westrup This is a preprint; the definitive version is in press at http://www.springer.com/us/ Wohlwend, K. E. (In press). Ghouls, dolls, and girlhoods: Fashion and horror at Monster High. In V. Carrington, J. Rowsell, E. Priyadharshini & R. Westrup (Eds.), Generation Z: Zombies, popular culture, and educating youth. New York: Springer. Girls, Ghouls, and Girlhoods: Horror and Fashion at Monster High Introduction How does a zombie doll in a popular horror franchise for tween girls serve as a productive site of contestation among overlapping visions of girlhood? In this chapter, I examine Ghoulia Yelps, a zombie character in the popular Monster High fashion doll franchise, not only as a toy in a global flow of licensed consumer goods but also as a site of identity construction and digital media production where facile notions of girlhoods are both enacted and reimagined (Forman- Brunell, 2012). Monster High is reconceptualized here as the site of converging cultural imaginaries (Medina & Wohlwend, 2014) in which children play in and out of gendered futures around fashion, adolescence, diversity, and schooling. Critical analysis of tween girls’ digital play with a zombie doll on social media reveals the resonances, slippages, and paradoxes among identity texts produced about, for, and by girls. After describing the scope of the Monster High franchise and how it materializes expectations for characters, consumers, and players, I next examine how these dolls and identity texts circulate three dominant imaginaries of girlhood.
    [Show full text]
  • Kamaiyah Before I Wake Free Album Download
    kamaiyah before i wake free album download zip Kamaiyah Surprises Fans With New Mixtape ‘Before I Wake’ With very little notice, Kamaiyah released a brand new mixtape, Before I Wake. Nearly two years after her debut effort, A Good Night in the Ghetto , this new project is packed with evocative Bay Area-inspired beats, as well as a variety of melodic flows. Kamaiyah Brings 90s Flair To Self-Love Anthem “Build You Up” The 10-track mixtape is featureless and is produced entirely by Link Up, the beatmaker responsible for Kam’s “Ain’t Going Home Tonight.” Earlier this year, the 25-year-old MC announced her official album, Don’t Get It Twisted . But the project has yet to come to fruition.This week, Kamaiyah spoke with GQ about Don’t Get it Twisted and Before I wake . “I’m working on putting out two projects, Before I Wake and Woke. Conceptualized! No features. All me,” Kam said to GQ . “I’m picking up my speed—the momentum I took a deficit toward.” She added: “Because my [major-label studio debut] has been held up due to samples. So it wasn’t put out on time. It was supposed to come out in March, I believe. Now it’s November. So to make up for that deficit, I’m gonna put out more work.” Stream Kamaiyah's "Before I Wake" Mixtape. Oakland rapper Kamaiyah surprises fans with a new 10-track mixtape called "Before I Wake." Well look what we have here. It’s been a minute since we last heard from Oakland’s own Kamiayah.
    [Show full text]
  • Legacy-Project-Full.Pdf
    ÉTHE MUSIC WORLD IS STILL THE MOST INNOVATIVE, ENERGIZING, AND ECLECTIC SLICE OF THE AMERICAN- POP-CULTURE PIE. BUT WHAT ARTISTS SHOULD A MAN ACTUALLY BE LISTENING TO RIGHT NOW? AND WHO WILL WE STILL BE LISTENING TO TEN, TWENTY, AND EVEN FIFTY YEARS FROM NOW? AS THE 2015 GRAMMYS APPROACH, WE TAKE A LOOK AT THE MUSIC MAKERS WHO, THIS YEAR, LEFT SOMETHING LASTING BEHIND THE LEGACY PROJECT PORTFOLIO PARI DUKOVIC 02.15 GQ. COM 51 PHARRELL WILLIAMS THE MAN WHO NEVER SLEEPS Photographed at Mr. C hotel in Beverly Hills. Thirteen Hours Inside Pharrell Williams’s Relentless Pop- Culture Machine BY DEVIN FRIEDMAN 10:57 a.m. Uniqlo, West Hollywood WHEN PHARRELL arrives, it’s as if in a bubble. Like Glenda, the Good Witch of the North. Starbucks in one hand, two Asian-American women assistants trailing in his wake, a Chanel scarf waving from his back pocket. Uniqlo has closed this store, in the Beverly Center, for an event: About thirty homeless kids have been given a shopping spree. Pharrell Williams, who of course collaborates on a clothing line with Uniqlo, is the surprise guest. He takes a picture with a girl in a her royal smurfness T-shirt and checks out jeans with a kid in a Lakers jersey. Truth be told, a lot of these kids don’t seem to know who he is. Most 7-year-olds don’t even know what a celebrity is. They don’t know that this is the man who, not long ago, was responsible for 43 percent of songs played on the radio in a single month; they probably don’t watch The Voice, where Pharrell is a celebrity “coach”; they don’t listen to “Blurred Lines” and know, hey, the genius behind that song wasn’t Robin Thicke, it was longtime super-producer and current pop star Pharrell Williams; and they don’t know that his 2014 album, Girl, is up for an album- of-the-year Grammy.
    [Show full text]
  • Nights Not Spent Alone
    ALSO AVAILABLE... NIGHTS NOT SPENT ALONE 1 4 9 9 0 0 D D C C R R H H C C THIS OTHER EDEN: MENDELSSOHN: COMPLETE KITTY WHATELY SONGS VOL.2 A LANDSCAPE OF ENGLISH POETRY MALCOLM MARTINEAU & SONG Champs Hill Records is delighted to “This is a terrific debut disc from Kitty release the second volume in Malcolm Whately, a wonderfully satisfying recital, Martineau’s series presenting the complete beautifully sung and with poetry readings songs of Felix and Fanny Mendelssohn that are very fine.” alongside each other. The Classical Reviewer Showing the rich variety and distinctive “Her singing is excellent and expressive while voice of both composers, Martineau brings her care for the words – in every sense – is together a wealth of imaginative young exemplary. ” vocal talent in Sophie Bevan, Robin Musicweb International Tritschler, Jonathan McGovern, Mary Bevan, “Whately is a captivating live performer… Kitty Whately and Benjamin Appl. In an age of glossily interchangeable international artists, this one isn’t afraid “... the brilliant collaboration of Martineau, to tell us her story. I, for one, want to first-rate sound, and with enchanting hear more.” singing, this second volume is a KITTY WHATELY Gramophone thorough delight.” American Record Guide SIMON LEPPER FOREWORD I am so delighted to have been given the opportunity to return to the beautiful Champs Hill, and work with this fantastic team again to produce my second album. Having been a huge fan of Jonathan Dove's work for a long time, I was thrilled when BBC Radio 3 commissioned him to write me a song cycle during my time on their New Generation Artists scheme.
    [Show full text]
  • BTS' 'Life Goes On' Launches As Historic No. 1 on Billboard Hot
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth NOVEMBERAirplay 30, 2020 Page 1 of 36 Leader; Travis Denning Makes History INSIDE BTS’ ‘Life Goes On’ Launches as Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupHistoric Nashville), debuts at No. 1 on No. Billboard’s 1lion on audience Billboard impressions, up 16%). Hot 100 Top• CountryBTS Earns Albums Fifth chartNo. dated April 18. In its first week (ending April 9), it earned1 Album 46,000 on Billboardequivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording200 toChart Nielsen With Music/MRC ‘Be’ Data. and totalBY GARY Country TRUST Airplay No. 1 as “Catch” (Big Machine Label Group) ascends Southside marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart• and Why fourth The Musictop 10. It followsBTS freshman’ “Life Goes LP On” soars onto the Billboard Hot ending Nov. 26,Young’s according first ofto six Nielsen chart entries,Music/MRC “Sleep With- Publishing Market Is Montevallo, which arrived at the summit songs in chart No - at No. 1. Data. It alsoout earned You,” 410,000 reached No.radio 2 in airplay December audience 2016. He Still Booming — And 100 vember 2014 and reigned for nine weeks.The song To date, is the South Korean septet’s third Hot 100 impressionsfollowed in the week with the ending multiweek Nov.
    [Show full text]
  • 2018 Annual Report
    TO OUR STOCKHOLDERS I am pleased to report that 2018 represented our 26th consecutive record year of increased gross sales. Net sales rose to $3.8 billion in 2018 from $3.4 billion in 2017. Gross sales rose to $4.4 billion in 2018 from $3.9 billion in 2017. We continue to innovate in the energy drink category and following successful launches earlier this year, we anticipate future introductions of new and exciting beverages and packaging. In particular, in March 2019, we successfully launched Reign Total Body Fuel™, our new line of performance energy drinks. In 2018 and 2019, we continued to transition a number of domestic and international geographies to the system bottlers of The Coca-Cola Company. Our Monster Energy® drinks are now sold in approximately 142 countries and territories globally and our Strategic Brands, comprised of various energy drink brands we acquired from The Coca-Cola Company in 2015, are now sold in approximately 96 countries and territories globally. One or more of our energy drinks are now distributed in approximately 155 countries and territories worldwide. Our Monster Energy® brand participates in the premium segment of the energy drink category in numerous countries as do our Strategic Brands. Our affordable energy brand, notably Predator®, participates in the affordable segment of the energy drink category internationally. Norman C. Epstein, Harold C. Taber, Jr. and Kathy N. Waller are retiring from the Board of Directors effective as of the 2019 Annual Meeting and are not standing for re-election. Mr. Epstein and Mr. Taber have both served on the Board of Directors since 1992, and Ms.
    [Show full text]
  • The Debt Monster How Four Credit Counseling Agencies Used Human-Centered Design to Reach Consumers with Sustained Balances
    The Debt Monster How Four Credit Counseling Agencies Used Human-Centered Design to Reach Consumers with Sustained Balances The Debt Monster How Four Credit Counseling Agencies Used Human-Centered Design to Reach Consumers with Sustained Balances AUTHORS: Ivan Avila, Stephanie Landry, Spectra Myers Acknowledgements We give thanks to the team of people who made this report possible. We are especially grateful to our partners at the Credit Counseling of Arkansas, Consumer Credit Counseling Service of Rochester, Consumer Credit Counseling Services of the Savannah Area, Inc. and OnTrack WNC Financial Education & Counseling for their engagement and support through all project components. Our colleagues at Prosperity Now, Pamela Chan, Emma Polson, Kasey Wiedrich and Guillermo Cantor, provided helpful feedback and guidance. Applied Research intern Jordan Beeker supported pilot data collection. We would also like to thank Sandiel Thornton, Lauren Treadwell and Ursula Cisneros for support in graphic design and campaign development. Sawyer Blur provided volunteer media planning support. Lastly, we’d like to extend our gratitude to MIQ for paid marketing support and Cornershop Creative for website design. This report was made possible with the generous support of Capital One. About Prosperity Now Prosperity Now believes that everyone deserves a chance to prosper. Since 1979, we have helped millions of people, especially people of color and those of limited incomes, to achieve financial security, stability and, ultimately, prosperity. We offer a unique combination of practical solutions, in-depth research and proven strategies, all aimed at building wealth for those who need it most. We recognize the devastating impact of the racial wealth divide on people and our economy, and we strive to equip organizations of color and others with the capacity, tools and cultural competency necessary to address structural and systemic barriers facing families of color.
    [Show full text]