PIPEDREAMS Programs, March 2021 Winter Quarter:

The following listings detail complete contents for March 2021 Winter Quarter broadcasts of PIPEDREAMS. The first section includes complete program contents, with repertoire, artist, and recording information. Following that is program information highlighted in "short form".

For more information, contact your American Public Media station relations representative at 651-290-1225/877- 276-8400 or the PIPEDREAMS Office (651-290-1539), Michael Barone ).

For last-minute program changes, watch DACS feeds from APM and check listing details on our PIPEDREAMS website: http://www.pipedreams.org

AN IMPORTANT NOTE: It would be prudent to keep a copy of this material on hand, so that you, at the local station level, can field listener queries concerning details of individual program contents. That also keeps YOU in contact with your listeners, and minimizes the traffic at my end. However, whenever in doubt, forward calls to me (Barone).

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PIPEDREAMS Program No. 2109 – Women’s History Month (distribution on 3/1/2021)

Women First . . . from the 19th, 20th and 21st centuries, music by women composers and performers.

[Hour 1] JOHANNA SENFTER: 3 Chorale-preludes, fr Op. 70 (Mach dich mein Geist bereit; Nun ruhen alle Wälder; Herr, ich habe missgehandelt) –Christa Rakich (2008 Richards, Fowkes/Goodson Chapel, Duke University, Durham, NC) Loft 1139

THEOPHANE HYTREK: Rhapsody of Praise –Sheri Masiakowski (2011 Schantz-Kimball-Kilgen/Churech of the Gesu, Madison, WI) PD Archive (r. 12/17/20)

LIBBY LARSEN: Llif (Flow) –Caron Farmer (1928-2009 Austin/St. Paul’s Episcopal Church, Muskegon, MI) PD Archive (r. 5/21/20)

CHELSEA CHEN: Mountain of Youth, fr Taiwanese Suite. CHEN: Chorale-prelude on Bethold –Chelsea Chen (1877 Johnson/Chapel of Our Lady of Good Counsel, Mankato, MN) PD Archive (r. 8/8/17)

SHARON J. WILLIS: Exodus –Sarah Simko (1992 Pilzecker/Cathedral of St. Paul, Detroit, MI) Living Voices 1001

MARGARET SANDRESKY: Variations on Morning Star –Ilona Kubiaczyk Adler (2006 Richards, Fowkes/Pinnacle Presbyterian Church, Scott sdale, AZ) PD Archive (r. 11/20/20)

[Hour 2] SOLFA CARLIILE: Silver Tree Fanfare –Ellie Lovegrove, trumpet; Richard Moore 1994 Nicholson/Cathedral of St. Thomas, Portsmouth, England) Convivium 039

HINA SAKAMOTO: Kuhon Raigo-zu IV (On Cloud; To the door; The pure land) --Ayano Tanaka, soprano; Hatsumi Miura (1998 Fisk/Minato Mirai Concert Hall, Yokohama, Japan) PD Archive (r. 11/18/20)

RACHEL LAURIN: Symphony No. 1, Op. 36 –Isabelle Demers (1921-2006 Casavant/Holy Angels Church, Lachine, Quebec) Acis 61256

PIPEDREAMS Program No. 2110 (distribution on 3/8/2021)

The Well-tempered Clavier . . . Bach was the most thorough but not alone in writing in support of a ‘modern’ tuning system.

[Hour 1] J. S. BACH: Prelude & Fugue in C, BWV 846, fr WTC I –Robert Costin (1975 Metzler/Trinity College Chapel, Cambridge, England) Stone 5060182780697

BACH: Prelude & Fugue in C, BWV 870, WTC II – (1970 Koenig/Reformed Church, Aguil, ) Arion 468306

HEINRICH WILHELM STOLZE: Prelude & Fugue in C, fr Die Wohltemperierte Orgel –Reinhard Kluth (1687 Vater-1999 West/Stadtkirche, Celle, Germany) Motette 13061

BACH: Preludes in A-flat, E-flat, G, d and D, fr WTC II –Timothy Albrecht (2005 Jaeckel/Schwartz Center, Emory University, Atlanta, GA) PD Archive (r. 9/9/12)

BACH: Fugues in d/D, BWV 851/850, fr WTC 1 –Frédéric Desenclos 1723 Verhofstad/St. Martin Church, Zaltbommel, Netherlands) Triton 331102

BACH: Prelude & Fugue in C#, BWV 848, fr WTC 1 –J. Bryan Dyker, flute; George Bozeman (1958 Flentrop/Busch Hall, Harvard University, Cambridge, MA) PD Archive (r. 10/27/84)

BACH: Prelude in c#, BWV 849, fr WTC I –Daniele Boccaccio (2006 Zanin/St.Antonio Abate, Padua, Italy) Brilliant Classics 95157

BACH (trans. Reger): Fugue in c#, BWV 849, fr WTC I –Michael Schönheit (1866 Ladegast/Merseburg Cathedral) Querstand 1810

[Hour 2] BACH: Preludes & Fugues in C#/c#, BWV 872/873, fr WTC II –Frédéric Desenclos 1723 Verhofstad/St. Martin Church, Zaltbommel, Netherlands) Triton 331104

BACH: Prelude in D, BWV 875, fr WTC II –Timothy Albrecht (2005 Jaeckel/Schwartz Center, Emory University, Atlanta, GA) A;Bach 2010

STOLZE: Prelude & Fugue in D-flat, fr Die Wohltemperierte Orgel –Reinhard Kluth (1687 Vater-1999 West/Stadtkirche, Celle, Germany) Motette 13061

J. C. F. FISCHER: Preludes & Fugues in c#, g & G, fr Ariadne Musica –Joseph Payne 1987 Mårtensson/St. Göranskyrka, Stockholm & 1770 Speisegger/Parish Church, Büren an der Aare, Switzerland) Naxos 8.550964

BACH: Prelude & Fugue in G, BWV 88 5, fr WTC II –Louis Thiry (1970 Koenig/Reformed Church, Aguil, France) Arion 468306

BACH: Prelude & Fugue in F#, BWV 882 –Daniele Boccaccio (2006 Zanin/St. Antonio Abate, Padua, Italy) Brilliant Classics 95157

BACH: Preludes & Fugues in B/b, WTC 892/892, fr WTC II –Robert Costin (1975 Metzler/Trinity College Chapel, Cambridge, England) Stone 5060182780697

PIPEDREAMS Program No. 2111 - Bach (distribution on 3/15/2021)

There’s No Holding Bach . . . original and unbridled interpretations of music by the incomparable Johann Sebastian.

[Hour 1] J. S. BACH (trans. ???): Toccata in d, BWV 565 (played by a Dutch street organ of unknown provenance) PD Archive

BACH: Fantasy in g, BWV 542/1 –Eric Brottier (2003 Mahler/Church of St. Martin, Suippes, France) Chordis & Organo 2003-01

BACH: Prelude & Fugue in G, BWV 541 –Anthony Newman (1979 Rieger/Performing Arts Center/SUNY- Purchase, NY) Kleos 5107

BACH (trans Widor): Mattheus-Final, fr Bach’s Memento --Edward Berryman (1928 Kimball/Minneapolis Auditorium, MN) PD Archive (r.

BACH: Menuet & Gigue, fr Cello Suite No. 1 in G, BWV 1007 –Charles Curtis, cello; Naren Budhakar, table; Anthony Burr (Klipp chamber Organ) Bach Guild 2127

BACH: Trio Sonata No. 3 in d, BWV 527 --Cameron Carpenter (Marshall & Ogletree International Touring Organ) Sony 88751

BACH: Ricercare a 6, fr Musical Offering, BWV 1079 –Olivier Latry/1868 Cavaillé-Coll, expanded/Notre Dame Cathedral, ) La Dolce Volta 69

[Hour 2] BACH: Fugue in d, BWV 539 (played by a Dutch street organ of unknown provenance) PD Archive

BACH: Prelude in D, BWV 532/1 –Hanns Ander-Donath, recorded 1944 (1736 Silbermann, altered/Frauenkirche, Dresden) Studios Berlin 100 338

BACH: Fugue in D, BWV 532/2a –Joan Lippincott (1984 Fritts-Richards/St. Alphonsus Church, Seattle, WA) PGM 115

BACH (arr. Klotz): Brandenburg Concerto No. 2, BWV 1047 –Frans Berglund, trumpet; Thilo Muster (1985 Ahrend/Jesuit Church, Porrentruy, Switzerland) IFO Classics 7238

BACH (trans. DeJong): Chaconne, Meine Tage in dem Leide, BWV 150/7 –Euwe & Sybolt de Jong (1721 F. C. Schnitger. St. Michael’s Church, Zwolle, Netherlands) DeJong 7

BACH (trans. Messner): Chaconne in d, BWV 1004 –Eric Plutz (1938 Kimball/St. John’s Cathedral, Denver, CO) Pro Organo 7254

PIPEDREAMS Program No. 2112 - Passiontide (distribution on 3/22/2021)

From Palms to Passiontide . . . meditations in music old and new at the approach to Holy Week.

[Hour 1] C. V. STANFORD (arr. Forster): When in our music God is glorified –Choirs of Christ Church, Cambridge & Church of the Redeemer/Michael Murray; Stuart Forster (2006 Schoenstein/Church of the Redeemer, Chestnut Hill, MA) Affetto 1901\

JEAN LANGLAIS: Dominica in Palmis, Op. 83 –Ann Labounsky (1963 Casavant/Calvary Episcopal Church, Pittsburg, PA) Voix du Vent 5

GABRIEL NIVERS: Pange lingua gloriosi (sung on Holy Thursday) --John Elwes, tenor; Frederic Munoz (1789 J- P Cavaillé/Saint-Guilhem-le-Desert, France) XCP 5003

CRAIG PHILLIPS: Ride on in majesty –All Saints Choir/Thomas Foster; Craig Phillips (1951 Casavant-1978 Rosales-1988 Schlicker/All Saints Episcopal Church, Beverly Hills, CA) Gothic 49207

FRANCIS POTT: My song is love unknown –Carys Lane, soprano; Tenebrae Vocal Consort/Nigel Short; Jeremy Filsell (1954 Harrison/Temple Church, London) Signum CD-501

JEAN LANGLAIS: Les Rameaux, fr Poemes évangéliques, Op. 7 –Ann Labounsky (1894 Cavaillé-Coll-1907 Merklin/Saint Antoine-des-Quinze-Vingts, Paris, France) Voix du Vent 13

[Hour 2] J. S. BACH: Aus tiefer Not, BWV 687 –Gustav Leonhardt (1646 Van Hagerbeer-1724 F. C. Schnitger/St. Laurenskerk, Alkmaar, Netherlands) Sony 886973 18972

SAMUEL SCHEIDT: Da Jesus an dem Kreuze stund’ –Dietrich Kollmannsperger (1624 Scherer/St. Stephanus Church, Tangermunde, Germany) Capriccio 10720

JOHANN NEPOMUK DAVID: Partita, Da Jesus am Kreuze stund –Wolfgang Stockmeier (1981 Weyland/Holy Ghost Church, Olpe-Biggensee, Germany) cpo 999 042

MAX REGER: Fantasy, Alle Menschen müssen sterben, Op. 52, no. 1 –Iver Kleive (1948 Marcussen/Haderslev Cathedral, Denmark) Kirkelig Kulturverksted 126

PIPEDREAMS Program No. 2113 (distribution on 3/29/2021)

Easter Music . . . uplifting and engaging compositions for organs and voices to raise the spirits.

[Hour 1] HAL HOPSON: We know that Christ is raised --Sanctuary Choir/Bryan Mitnual; Marilyn Keiser (1996 Schantz/Fairmont Presbyterian Church, Cleveland, OH) Arkay 6162

RICHARD PURVIS: Partita, Christ ist erstanden –Tom Hazleton (1934 Aeolian-Skinner/Grace Cathedral, San Francisco, CA) Pipedreams Archive (r. 9/7/2003)

JORG ABBING: Improvisation, Victimae Paschali –Jörg Abbing (1995 Kuhn/St. Arnual Abbey, Saarbrücken, Germany) IFO 029

CESAR FRANCK: Dextera Domini (Offertory for Easter) –Children’s Choir of the Geneva Conservatoire Populaire/Magali Dami; Solistes de Lyon/Bernard Tétu, director; Diego Innocenzi (1880 Cavaillé-Coll/St. François- de-Sales, Lyon) Aeolus 10013

GUY ROPARTZ: Offertoire Pascal (1894) –Jean-Pierre Lecaudey (1890 Cavaillé-Coll/Abbey of St. Sernin, Rouen, France) Pavan 7393/4

-MARIE WIDOR: Surrexit a mortuis, Op. 23, no. 3 --Westminster Cathedral Choir/James O’Donnell, director; Joseph Cullen (1932 Willis/Westminster Cathedral, London) Hyperion 66898

[Hour 2] CHARLES-MARIE WIDOR (arr. Berryman): Toccata, fr Symphony No. 5 –Westminster Brass; Edward Berryman (1981 Möller/Westminster Presbyterian Church, Minneapolis, MN) Ten Thousand Lakes 112

LUDVIG NIELSEN: Prelude to the Easter Mass, Op. 20a –Harald Gullichsen (1954 Jørgensen/Skien Church, Norway) Victoria CD-19007

PETER MØLLER: The Gardener (Easter Morning), fr Visby Orga Book (1996). MØLLER: Aria in d (Victimae Paschali), fr Visby Organ Book (1996) –Peter Møller (1986 Magnussons/St. Mary’s Cathedral, Visby, Gothland) Paula CD-103

RALPH VAUGHAN WILLIAMS: Easter, fr 5 Mystical Songs –Stephen Lancaster, baritone; Kevin Vaughn (2016 Fritts/Sacred Heart Basilica, Notre Dame University, Indiana) Albany 1728

JOHN McCABE: Dies Resurrectionis (1963) –Tom Winpenny (1962 Harrison/St. Alban’s Cathedral, England) Resonus 10114

MARTIN DÜBEN: Erstanden ist der heilig Christ –Hans-Ola Ericsson (1997 Grönlunds/ Norrfjärdens Church, Sweden) Bis CD-1103

WIDOR: Cantilene, fr Symphonie Romane (No. 10), Op. 73 --Jacques Boucher (1915 Casavant/St. John the Baptist Church, Montreal, Quebec, Canada) XXI 1720 \

CHARLES TOURNEMIRE (trans. Duruflé): Choral-Improvisation, Victimae Paschali –Cambridge Voices/Ian de Massini, director; Thierry Escaich (1956 Beuchet-Debierre/St. Etienne-du-Mont, Paris) Calliope 9939

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Short Form Listings:

2109 - Women First . . . from the 19th, 20th and 21st centuries, music by women composers and performers.

2110 - The Well-tempered Clavier . . . Bach was the most thorough but not alone in writing in support of a ‘modern’ tuning system.

2111 - There’s No Holding Bach . . . original and unbridled interpretations of music by the incomparable Johann Sebastian.

2112 - From Palms to Passiontide . . . meditations in music old and new at the approach to Holy Week.

2113 - Easter Music . . . uplifting and engaging compositions for organs and voices to raise the spirits.