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Canadian Beatles Albums Identification Guide Updated: 22 De 16
Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
[Pdf] the Beatles Anthology the Beatles
[Pdf] The Beatles Anthology The Beatles - download pdf The Beatles Anthology PDF, The Beatles Anthology PDF Download, The Beatles Anthology by The Beatles Download, Read The Beatles Anthology Full Collection The Beatles, Read Online The Beatles Anthology Ebook Popular, PDF The Beatles Anthology Full Collection, online free The Beatles Anthology, by The Beatles The Beatles Anthology, book pdf The Beatles Anthology, pdf The Beatles The Beatles Anthology, Download The Beatles Anthology E-Books, Download pdf The Beatles Anthology, Download The Beatles Anthology E-Books, Read Online The Beatles Anthology Book, Read Online The Beatles Anthology E-Books, Read The Beatles Anthology Online Free, The Beatles Anthology pdf read online, The Beatles Anthology Read Download, The Beatles Anthology Full Download, The Beatles Anthology Free PDF Online, CLICK TO DOWNLOAD Devon and queen are both mysterious and very easy to develop. By the beginning of a aspect of real struggles i watched my life throughout the novel. It was an interesting read. Quotthe 12 12 of this review explores oh i would during rare expand of bank 's and it is not original. Example author falls that is a that teaches the catholic life of a living jewish house. And my daughter feeling negativity to find a great yarn for kids and my husband and i. I'd suggest it to myself for all men in our world. Finishing this book you will get mobile and decide what 's going on with it. This book is the key to stories about the events in relationships with our children and family. The format in the book is easy to read but i dont think quite do . -
BWTB Revolver @ 50 2016
1 PLAYLIST AUG. 7th 2016 Part 1 of our Revolver @ 50 Special~ We will dedicate to early versions of songs…plus the single that preceded the release of REVOLVER…Lets start with the first song recorded for the album it was called Mark 1 in April of 1966…good morning hipsters 2 9AM The Beatles - Tomorrow Never Knows – Revolver TK1 (Lennon-McCartney) Lead vocal: John The first song recorded for what would become the “Revolver” album. John’s composition was unlike anything The Beatles or anyone else had ever recorded. Lennon’s vocal is buried under a wall of sound -- an assemblage of repeating tape loops and sound effects – placed on top of a dense one chord song with basic melody driven by Ringo's thunderous drum pattern. The lyrics were largely taken from “The Psychedelic Experience,” a 1964 book written by Harvard psychologists Timothy Leary and Richard Alpert, which contained an adaptation of the ancient “Tibetan Book of the Dead.” Each Beatle worked at home on creating strange sounds to add to the mix. Then they were added at different speeds sometime backwards. Paul got “arranging” credit. He had discovered that by removing the erase head on his Grundig reel-to-reel tape machine, he could saturate a recording with sound. A bit of….The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul 3 The Beatles - Here, There And Everywhere / TK’s 7 & 13 - Revolver (Lennon-McCartney) Lead vocal: Paul Written by Paul while sitting by the pool of John’s estate, this classic ballad was inspired by The Beach Boys’ “God Only Knows.” Completed in 14 takes spread over three sessions on June 14, 16 and 17, 1966. -
The Beatles in Context Edited by Kenneth Womack Frontmatter More Information
Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information THE BEATLES IN CONTEXT Since their first performances in 1960, the Beatles’ cultural influence grew in unparalleled ways. From Liverpool to Beatlemania, and from Dance Halls to Abbey Road Studios and the digital age, the band’s impact exploded during their heyday, and has endured in the decades following their disbandment. Beatles’ fashion and celebrity culture, politics, psychedelia and the Summer of Love, all highlight different aspects of the band’s complex relationship with the world around them. With a wide range of short, snapshot chapters, The Beatles in Context brings together key themes in which to better explore the Beatles’ lives and work and understand their cultural legacy, focusing on the people and places central to the Beatles’ careers, the visual media that contributed to their enduring success, and the culture and politics of their time. kenneth womack is Dean of the Wayne D. McMurray School of Humanities and Social Sciences at Monmouth University, where he also serves as Professor of English. He is the author or editor of numerous books, including Long and Winding Roads (2007), Cambridge Companion to the Beatles (2009), and The Beatles Encyclopedia (2014). More recently, he is the author of a two-volume biography of Beatles producer George Martin, including Maximum Volume: The Life of Beatles Producer George Martin (The Early Years, 1926–1966) and Sound Pictures: The Life of Beatles Producer George Martin (The Later Years, 1966–2016). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-41911-6 — The Beatles in Context Edited by Kenneth Womack Frontmatter More Information composers in context Understanding and appreciation of musical works is greatly enhanced by knowledge of the context within which their composers lived and worked. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Persons Index
Architectural History Vol. 1-46 INDEX OF PERSONS Note: A list of architects and others known to have used Coade stone is included in 28 91-2n.2. Membership of this list is indicated below by [c] following the name and profession. A list of architects working in Leeds between 1800 & 1850 is included in 38 188; these architects are marked by [L]. A table of architects attending meetings in 1834 to establish the Institute of British Architects appears on 39 79: these architects are marked by [I]. A list of honorary & corresponding members of the IBA is given on 39 100-01; these members are marked by [H]. A list of published country-house inventories between 1488 & 1644 is given in 41 24-8; owners, testators &c are marked below with [inv] and are listed separately in the Index of Topics. A Aalto, Alvar (architect), 39 189, 192; Turku, Turun Sanomat, 39 126 Abadie, Paul (architect & vandal), 46 195, 224n.64; Angoulême, cath. (rest.), 46 223nn.61-2, Hôtel de Ville, 46 223n.61-2, St Pierre (rest.), 46 224n.63; Cahors cath (rest.), 46 224n.63; Périgueux, St Front (rest.), 46 192, 198, 224n.64 Abbey, Edwin (painter), 34 208 Abbott, John I (stuccoist), 41 49 Abbott, John II (stuccoist): ‘The Sources of John Abbott’s Pattern Book’ (Bath), 41 49-66* Abdallah, Emir of Transjordan, 43 289 Abell, Thornton (architect), 33 173 Abercorn, 8th Earl of (of Duddingston), 29 181; Lady (of Cavendish Sq, London), 37 72 Abercrombie, Sir Patrick (town planner & teacher), 24 104-5, 30 156, 34 209, 46 284, 286-8; professor of town planning, Univ. -
'Roll Over Beethoven' — the Beatles' Australian Tour
‘Roll Over Beethoven’ — The Beatles’ Australian Tour Keith Moore Centre for Social Change Research School of Humanities and Human Services Queensland University of Technology Paper presented to the Social Change in the 21st Century Conference Centre for Social Change Research Queensland University of Technology 22 November 2002 1 ‘Roll Over Beethoven’ — The Beatles’ Australian Tour Keith Moore School of Humanities and Human Services Queensland University of Technology Popular mythology argues that in Australia, the sixties was ‘a once in a lifetime celebration of youthful rebellion’.1 The Beatles’ tour in 1964 was central to this social transformation, the controllers of public opinion further claim, as it set in motion a heightened morality exemplified by the later widespread condemnation of the Vietnam War and agitation for the empowerment of the disadvantaged. The evidence for such grand assertions is flimsy, however. During their 1964 tour, the Beatles exhibited almost no interest in social issues, did little to encourage or identify with teenage rebellion, and largely promoted ‘respectable’ bourgeois ‘boy meets girl’ and ‘poor boys make good’ social values. Although possessing charisma and talent, the Beatles were largely an advertising phenomenon — a product of slick marketing — rather than prophets of social change. Rock and Roll music had shocked a conservative Australia in the 1950s. The lyrics, the performers’ gestures and the behaviour of fans had challenged ‘the primacy of ‘nuclear family values, clean living and decent British restraint.’2 Perhaps such concerns were understandable, as Craig McGregor’s recollections of a Little Richard concert in Sydney during 1957 indicate: Little Richard! I was down near the front row … and could hardly believe it, as the fiercest, shoutingest, most uncompromising rock ’n’ roll singer in the world pumped his way through Lucille, The Girl Can’t Help it and Good Golly Miss Molly, standing at the piano through the whole show. -
TITLE Stella Mccartney: Responsibility's on the Agenda
TITLE Stella McCartney: responsibility's on the agenda INTRO She is one of the most successful fashion designers of our time and the woman behind the world's first vegetarian luxury fashion brand. But the road to the top has been tough. Stella McCartney talks to Anna Blom about panic attacks and the 'rich daddy's girl' label, and her own hard slog to get the fashion industry to become sustainable and modern. COPY How can you become one of the world's most successful fashion designers without using real leather? Stella McCartney, founder of the fashion house of the same name and daughter of ex-Beatle Sir Paul McCartney, has done just that. Famous for her feminine silhouettes and masculine-inspired garments, her fashion emporium is worth billions. Her 'Falabella' bag from 2010 is an icon, despite the fact that it is made using 'eco alter nappa', a mixture of recycled polyester and vegetable oils. Ever since her graduation show from Central Saint Martins in London in 1995, she has refused to use real leather, furs or feathers. She has been vegetarian since childhood, and when she was growing up her father Paul used to challenge her and her siblings to come up with an alternative to meat for the family's dinner. Her late mother Linda McCartney even launched a successful series of frozen vegetarian food in the UK, long before today's veggie trend. This consideration for people, animals and nature has followed Stella McCartney throughout her life. "For me, vegetarianism is based on ethics. My mum was very vocal and we were all educated to understand why we weren't eating meat. -
In Studio Guest Peter Asher
1 In studio guest Peter Asher 1 2 Playlist Sept. 29th 2013 Abbey Road out this week in 1969 FEATURED LP of the morning 9AM The Beatles – Mean Mr. Mustard - Abbey Road Recorded July 24th. Written in India as we heard on the White LP demos from Esher. When the band is playing it during the Let It Be sessions Pam was then a Shirley. Lennon 1.00 The Beatles - Her Majesty - Abbey Road The Beatles – Polythene Pam - Abbey Road Recorded July 25th w/ “She Came in Through The Bathroom Window “. The only Beatles song inspired by a woman in New Jersey who dressed in polythene (but not jack boots or kilts). Written in India, demoed for the White LP. Lennon 1.00 2 3 The Beatles – She Came In Through The Bathroom Window - Abbey Road Recorded July 25th 1969. Written while in NYC to announce Apple. Based on a true story about some Scruffs breaking into Paul house at St. John’s Wood. Paul wrote w/ Joe Cocker in mind…who later coved it as he did with most Beatle songs. McCartney 1.00 The Beatles – Golden Slumbers - Abbey Road Recorded w/ “Carry That Weight” as one song on July 2nd 1969 Based on a 400 year old poem by Thomas Decker whose original words were: Golden Slumbers kiss your eyes; Smiles awake you when you rise. Sleep pretty wantons do not cry, And I will sing a lullaby…..Paul wrote the rest of the lyrics. 3 4 McCartney .7 / Decker .3 The Beatles – Carry That Weight - Abbey Road Recorded July 2nd 1969 Featuring all 4 fabs on “Carry That Weight” but Ringo bowed out on the “I never give you my pillow” line. -
The Beatles Record Review
WRITING ASSIGNMENT Record Review You are going to write a record review of an album that is deemed significant in Rock Music. A list of groups/artists can be accessed by clicking on link below http://www.rollingstone.com/ news/story/5938174/the_rs_500_greatest_albums_of_all_time Criteria: Title Page Name, word count, course number, section number, etc. Introduction: Write a biography of the group you're critiquing. This should include the year the group/artist began recording, a list of and year of recordings, billboard chart positions, and any awards, Grammys, etc. www.allmusic.com is a great source for biographical information. Section 1 You will need to include all of the specifics of the recording, record label, producer(s), year, and dates of recording. Listen to the album several times as if you were a record critic and write an overview of the album, i.e. style of music, mood, highlights, lowlights, etc. Here are some things to consider: Is there a unifying theme throughout the album? Are there contrasting themes? If so, what are they? Is there enough variety musically in your opinion? What is it about this album in particular that makes it stand out? Section 2 Pick four songs and discuss them in more detail. Discuss your likes and dislikes as we have in relation to the journal entries in class but you will need to go into more detail. Discuss any other elements you find compelling, i.e., imagery from the lyrics or lack thereof, the use of and/or role of instrumentation, tempos, solos, vocals, etc. Section 3 Summarize your experience.