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1 MISSA SOLEMNIS FOR CHOIR, ORGAN, SOLI, PIANO AND CELESTA ANDREAS HALLÉN I. KYRIE 9:23 choir II. GLORIA 15:46 choir, soli SATB III. CREDO 14:07 choir, tenor solo IV. SANCTUS 13:16 choir V. AGNUS DEI 10:06 choir, soli SATB Total playing time: 62:39 Soloists Pia-Karin Helsing, soprano Maria Forsström, alto Conny Thimander, tenor Andreas E. Olsson, bass Lars Nilsson, organ James Jenkins, piano Lars Sjöstedt, celesta 2 The Erik Westberg Vocal Ensemble Soprano Virve Karén (2) Jonatan Brundin (1,2) Linnea Pettersson (1) Olle Sköld (2) Christina Fridolfsson (1,2) Rickard Collin (1) Lotta Kuisma (1,2) Anders Bek (1,2) Alva Stern (1,2) Victoria Stanmore (2) Lars Nilsson, organ Alto James Jenkins, piano Kerstin Eriksson (2) Lars Sjöstedt, celesta Anu Arvola (2) Cecilia Grönfelt (1,2) (1) 11–12 October 2019 Katarina Karlsson (1,2) Kyrie, Sanctus Anna Risberg (1,2) Anna-Karin Lindström (1,2) (2) 28 February–1 March 2020 Gloria, Credo, Agnus Dei Tenor Anders Lundström (1) Anders Eriksson (2) Stefan Millgård (1,2) Adrian Rubin (2) Mattias Lundström (1,2) Örjan Larsson (1,2) Mischa Carlberg (1) Bass Martin Eriksson (1,2) Anders Sturk Steinwall (1) Andreas E. Olsson (1,2) Mikael Sandlund (2) 3 Andreas Hallén © The Music and Theatre Library of Sweden 4 A significant musical pioneer Johan [Johannes1] Andreas Hallén was born on 22 December 1846 in Göteborg (Gothenburg), Sweden. His musical talent was discovered at an early age and he took up playing the piano and later also the organ. As a teenager he set up a music society that gave a very successful concert, inspiring him to invest in becoming a professional musician. -
International Choral Bulletin Is the Official Journal of the IFCM
2011-2 ICB_ICB New 5/04/11 17:49 Page1 ISSN 0896 – 0968 Volume XXX, Number 2 – 2nd Quarter, 2011 ICB International CIhoCral BulBletin First IFCM International Choral Composition Competition A Great Success! Results and Interview Inside Dossier Choral Music in Malaysia, Indonesia, Singapore and Macau 2011-2 ICB_ICB New 5/04/11 17:49 Page2 International Federation for Choral Music The International Choral Bulletin is the official journal of the IFCM. It is issued to members four times a year. Managing Editor Banners Dr Andrea Angelini by Dolf Rabus on pages 22, 66 & 68 Via Pascoli 23/g 47900 Rimini, Italy Template Design Tel: +39-347-2573878 - Fax: +39-2-700425984 Marty Maxwell E-mail: [email protected] Skype: theconductor Printed by Imprimerie Paul Daxhelet, B 4280 Avin, Belgium Editor Emerita Jutta Tagger The views expressed by the authors are not necessarily those of IFCM. Editorial Team Michael J. Anderson, Philip Brunelle, Submitting Material Theodora Pavlovitch, Fred Sjöberg, Leon Shiu-wai Tong "When submitting documents to be considered for publication, please provide articles by CD or Email. Regular Collaborators The following electronic file formats are accepted: Text, Mag. Graham Lack – Consultant Editor RTF or Microsoft Word (version 97 or higher). ([email protected] ) Images must be in GIF, EPS, TIFF or JPEG format and be at Dr. Marian E. Dolan - Repertoire least 350dpi. Articles may be submitted in one or more of ([email protected] ) these languages: English, French, German, Spanish." Dr. Cristian Grases - World of Children’s and Youth Choirs ( [email protected] ) Reprints Nadine Robin - Advertisement & Events Articles may be reproduced for non-commercial purposes ([email protected] ) once permission has been granted by the managing Dr. -
Orgel Acusticum Har Byggts Av Orgelbauwerkstatt Woehl, Marburg, Under Ledning Av Gerald Woehl
PITEÅ ORGELFESTIVAL & SYMPOSIUM 11-22 OKTOBER 2012 Redaktör: Sverker Jullander Översättningar (om inte annat anges): Sverker Jullander Grafisk design och layout: Eva Lestander Illustrationer: Amanda Mendiant Tryck: RC tryck, Piteå INNEHÅLLSFÖRTECKNING Organisation ................................................................ 2 Praktisk information ................................................... 3 Introduktion, hälsningsord ......................................... 4 Programöversikt......................................................... 12 Konsertprogram......................................................... 14 Medverkande ............................................................ 24 Orgeldispositioner..................................................... 44 Orgel Acusticum har byggts av Orgelbauwerkstatt Woehl, Marburg, under ledning av Gerald Woehl. Instrumentet är 10 meter brett och 9,5 meter högt. 2 ORGANISATION Inbjudare Luleå tekniska universitet Piteå Kommun Samarbetspartner Kempestiftelserna Riksbankens Jubileumsfond Wenner-Gren Stiftelserna Norrbottens läns landsting Sparbanken Nord Organisationskommitté Hans-Ola Ericsson, konstnärlig ledare AnnaCarin Johansson, producent Sverker Jullander, symposieansvarig Roger Norén, VD Studio Acusticum Registranter Linda Danielsson Hannus Helena Holmlund David Larsson Shinon Nakagawa Sebastian Ryll João Segurado Projektet Orgel Acusticum Entreprenör Projektgrupp Orgelbauwerkstatt Woehl, Marburg, Tyskland Hans-Ola Ericsson, projektledare Ingemar Jernelöf, prefekt vid Institutionen -
Dissertation / Doctoral Thesis
DISSERTATION / DOCTORAL THESIS Titel der Dissertation /Title of the Doctoral Thesis „The use of phylogenomic tools to investigate diploid and polyploid evolution in Dactylorhiza and other orchids“ verfasst von / submitted by Marie Kristine Brandrud angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) Wien, 2019 / Vienna 2019 Studienkennzahl lt. Studienblatt / A 794 685 437 degree programme code as it appears on the student record sheet: Dissertationsgebiet lt. Studienblatt / Biologie/Biology field of study as it appears on the student record sheet: Betreut von / Supervisor: Ass.-Prof. Dipl.-Ing. Dr. Ovidiu Paun 2 ACKNOWLEDGMENTS I would like to thank Ass. Prof. Ovidiu Paun for allowing me to do this PhD here in Vienna, including me in his research group and being my supervisor these past 3 and a half years. I would also like to thank all our collaborators, and especially Prof. Mikael Hedrén, for sharing all his knowledge and time. Colleagues has come and gone during my time here, but I have been very lucky to always have a good group of PhD students around. I could never have imagined going through this PhD without my steady and silly office colleague Thomas Wolfe, that started his PhD at the same time as me and has been going through the same phases in parallel. Our project working on “The time capsule analysis of ancient variation stuck in polyploids” is now coming to an end. Our Post-Doc, when I started, Emiliano Trucchi as well as Lucia Castello and Sonia Mentrida was good support in the beginning to settle in in the lab in Vienna and I am very thankful for the support and coffee that always would be found in Jacky Heckenhauer’s of- fice.