Jodie Gates Cell#: 949.310
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www.ohiodance.org 2 www.ohiodance.org Dance Matters: Inscribing The OhioDance Festival and Conference is an annual statewide celebration of dance through classes, workshops, discussions and performances. Nationally recognized Alexis Willson, will serve as a guest artist. As a professional dancer she has performed classically and commercially all over the world. Alexis earned her B.F.A. in drama from the prestigious Carnegie-Mellon University. After retiring from dancing, she acted in commercials and later became a casting associate. Alexis has written and published poetry, a full length musical, made contributions to a variety of published works, and self-published her Melanye White Dixon recent memoir, Not So Black and White. Friday, April 28 Young Artists’ Concert, 10:30-11:30am Master classes begin at 2:30pm. 8:00pm: BalletMet’s Romeo and Juliet at the Ohio Theatre 7:00pm Reception Saturday, April 29 Full day of master classes 12:30-1:30pm Alexis Wilson guest speaker after the Luncheon 2-3:30pm Virtual Dance Collection unveiling Panel Discussion 3:45 Alexis Wilson Composition Master Class Pamela Young 6:30pm Evening Performance and Award Ceremony. Awards will be presented to Dr. Melanye White Dixon for outstanding contributions to the advancement of dance education, Sheri “Sparkle” Williams for outstanding contributions to the advancement of the dance artform and Pamela Young for outstanding contributions to the advancement of dance arts administration. The Maggie Patton dance scholarship and OhioDance outstanding dance student will be awarded to a graduating high school student. Sunday, April 30, 10:00am-3:00pm- Wellness day and Master classes Sheri “Sparkle” Williams Registration and Classes Festival Guide Index held at BalletMet Columbus Festival Schedule........................pg. -
Balletx Program
GENEVA CONCERTS presents Saturday, October 19, 2013 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2013-2014 SEASON Saturday, 19 October 2013, 7:30 p.m. BalletX Still@Life / Silt / The Last Glass Friday, 8 November 2013, 7:30 p.m. Rochester Philharmonic Orchestra Christoph Campestrini, conductor Barry Snyder, piano (1966 Van Cliburn Silver Medalist) Stravinsky: The Fairy’s Kiss: Divertimento Mozart: Piano Concerto No.23 in A Major, K.488 Tchaikovsky: Symphony No. 5 Friday, 31 January 2014, 7:30 p.m. Rochester Philharmonic Orchestra Fabien Gabel, conductor Philippe Quint, violin (four-time Grammy Award nominee) Debussy: Prelude to the Afternoon of a Faun Saint-Saëns: Violin Concerto No. 3 Ravel: Une barque sur l’océan (A Boat on the Ocean) Ravel: Tzigane Stravinsky: Firebird Suite (1919) Saturday, 1 March 2014, 7:30 p.m. Michael Hashim’s New York All-Stars! An elegant quintet of piano, bass, guitar, drums, and Geneva’s own Michael Hashim on saxophone. Friday, 28 March 2014, 7:30 p.m. River City Brass The 17-piece ensemble has delighted audiences with its signature style, building upon the tradition of brass bands popularized in Great Britain and the U.S. Programs subject to change. Performed at the Smith Opera House 82 Seneca Street, Geneva, New York These concerts are made possible by generous underwriting from the Williams Family Foundation and by a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Saturday, October 19, 2013 at 7:30 p.m. STILL@LIFE (2008) Choreographer: Annabelle Lopez Ochoa Music: J.S. -
Balletx Winter Series 2014 Two World Premieres, 1 Company Premiere and the Return of Delicate Balance
Media Contact: Mari Kraske, Communications Manager 215- 893-9456 x128(o) 410-960-2512 (c) [email protected] FOR IMMEDIATE RELEASE December, 2013 “BalletX regularly conceives scintillating programs – mysterious, sexy, funny, and surprising.” –The Philadelphia Inquirer BALLETX WINTER SERIES 2014 TWO WORLD PREMIERES, 1 COMPANY PREMIERE AND THE RETURN OF DELICATE BALANCE Philadelphia, PA--BalletX, PhiladelpHia’s premier contemporary ballet and tHe Resident Dance Company of The Wilma Theater, announces Winter Series 2014 (February 12-16). From tHree distinguisHed cHoreograpHers comes a diverse program that will take audiences on a journey througH a myriad of landscapes set to an eclectic mix of world, pop and classical music. A compelling compilation of botH established work as well as two world premieres, tHis Valentine’s Day Winter Series will bring an astounding array of virtuosic contemporary dance to the Wilma stage. The program features the work of Joshua L. Peugh, James Gregg and Jodie Gates, all establisHed artists influenced by a variety of genres including classical, contemporary, modern and hip hop. A program designed to highlight the musical and technical prowess of the BalletX dancers, Winter Series includes a world premiere pas de deux by Peugh as well as the company premiere of his 2012 work Slump, the return of Gates’ Delicate Balance (BalletX world premiere 2012) and a world premiere by James Gregg. WINTER SERIES 2014 Joshua L. Peugh makes His BalletX debut witH the company premiere of his 2012 work Slump. Set to Klezmer, mambo and jazz music, Slump is “a comedy of frivolous, sexually provocative manners” (Dallas Morning News). -
Ballet Technique Demi Pointe- High on the Balls of the Feet
Ballet Unit Guide Name:_________________ Pd. ____ Ballet Technique Demi Pointe- High on the balls of the feet. Demi Plie- Half bend of the knees. Port de Bras- Carriage of the arms. Tendu- Stretched, to point. En Bas- Low (arms). Degage- To disengage. En Haut- High (arms). Devant- Front. Rond de Jambe- Round of the leg, circular movement. A la Seconde- To the second (side). Derriere- Behind, back. Fondu- To melt. In a cross (front, side, back, side). En Croix- Developpe- To develop, developing movement. Reverence- Curtsey. Grand Battement- Large beat. Passe- To pass, passed. Releve- To rise to the balls of the feet from plie. Pirouette- Spin or whirl. Cou de pied- “Neck” of the foot, wrapped. ● En dedans- Inside. Sous Sous- Over, under. ● En dehors- Outside. Saute- to jump, jumped. Chaines- Series of rapid turns, chain, link. Attitude- Position on one leg, other lifted in back, Chasse- Chased. the knee bent at an angle of 90 degrees so that the Tombe- To fall, falling down. knee is higher than the foot. Pas de Bourre- Back, side, front. Bourre step. Arabesque- The position of the body supported on Grand Jete- Large throw. one leg with the opposite leg extended (straight) behind the body. Pas de Chat- Step of the cat. Saut de Chat- Jump of the cat. A series of slow, fluid exercises to develop the dancer’s balance, strength and grace. *Adagio- Support of the skeletal system. Moving in a safe and healthy way Dynamic Alignment- for your body. Turn Out- Rotation of the leg which comes from the hips, causing the knee and foot to turn outward , away from the center of the body. -
2017 - 2018 SEASON World Ballet Stars • Giselle • the Nutcracker • Peter Pan Lightwire Theater: a Very Electric Christmas
2017 - 2018 SEASON World Ballet Stars • Giselle • The Nutcracker • Peter Pan Lightwire Theater: A Very Electric Christmas 2017-2018 SEASON PASSION. DISCIPLINE. GRACE. Attributes that both ballet dancers and our expert group of medical professionals possess. At Fort Walton Beach Medical Center, each member of our team plays an important part in serving our patients with the highest quality care. We are proud to support the ballet in its mission to share the beauty and artistry of dance with our community. Exceptional People. Exceptional Care. 23666 Ballet 5.5 x 8.5.indd 1 8/26/2016 3:47:56 PM MESSAGE FROM THE DIRECTOR Dear Friends: Welcome to the 48th season of the Northwest Florida Ballet! With the return of the Northwest Florida Ballet Symphony Orchestra and FIVE productions at venues all along the Emerald Coast, we have proven our commitment to elevating the performing arts in the communities we serve. As friends of NFB and valued patrons of the arts, we have listened to your feedback and identified new performance locations and expanded use of others to continue bringing you the world-class productions our organization is known for. Todd Eric Allen, NFB Artistic Director & CEO The season begins with World Ballet Stars, a main stage production at the Mattie Kelly Arts Center in September. Through our expanded partnership with Grand Boulevard, we will present Giselle to the community as a free outdoor performance in Grand Park in October. We return to the Mattie Kelly Arts Center in November for our 38th annual production of The Nutcracker. In December we bring back the electrifying Lightwire Theater with A Very Electric Christmas for two performances at the Destin United Methodist Church Life Center. -
Guide to Dance 2018-2019 Study Guide
GUIDE TO DANCE 2018-2019 STUDY GUIDE Learn about the art of dance and go behind-the-scenes with a professional dance company. Written and compiled by Ambre Emory-Maier, Director of Education, and other contributors l ©2018 BalletMet Columbus TABLE OF CONTENTS Behind the Scenes ............................................................................................................................................. 2 Brief History of BalletMet ................................................................................................................................. 3 BalletMet Offerings ........................................................................................................................................... 4 The Five W’s and H of Dance .......................................................................................................................... 5 Brief History of Ballet ..................................................................................................................................... 6-7 Important Tutu Facts ......................................................................................................................................... 8 Important Pointe Shoe Facts .......................................................................................................................... 9 Glossary of Dance Terms ......................................................................................................................... 10-12 Ballet Terminology.......................................................................................................................................... -
Too Hot to Handel Cincinnati Ballet's the Nutcracker Les Ballets
Too Hot to Handel November 29, 30 2003 Cincinnati Ballet's The Nutcracker December 5-14 2003 Les Ballets Africains February 27 2003 Dance Theatre of Harlem March 4-7, 2003 DETROIT Home of Michigan Opera Theatre David DiChiera, General Director DAIMLERCHRYSLER DaimlerChrysler Corporation Fund Copyright 2010,2003-04 Michigan Dance Series Opera Theatre No one can guarantee success. But knowing how to rehearse for it certainly helps. With over 250 relationship managers dedicated to one-on -one service, a full array of the latest financial products, and an emphasis on helping local businesses succeed, the Standard Federal Commercial Banking team makes sure your needs are always front and center. For more information, call 1-248-822-5402 or visit standardfede ralbank.c om . True Possibility. Standard Federal Bank ABN AMRO standardfederalbank.com ©2003 Standard Federal BankNA Copyright 2010, Michigan Opera Theatre Sur ender to Love DETROIT OPERA HOUSE . HOME OF MICHIGAN OPERA THEATRE ]B~VO 2003-2004 The Official Magazine of the Detroit Opera House BRAVO IS A MICHIGAN OPERA THEATRE PUBLICATION Winer CONTRIBUTORS Dr. David DiChiera, General Director Matthew S. Birman, Editor Laura Wyss cason Michigan Opera Theatre Staff PUBLISHER ON STAGE Live Publishing Company TOO HOT TO HANDEL. .4 Frank Cucciarre, Design and Art Direction Program ............ .5 Blink Concept &: Design, Inc. Production Artist Profiles .................. ... ...... .6 Chuck Rosenberg, Copy Editor Toby Faber, Director of Advertising Sales Rackham Symphony Choir ..... .. .............. .7 Marygrove College Chorale and Soulful Expressions Ensemble 7 Physicians' service provided by Henry Ford Medical Center. Too Hot to Handel Orchestra ... .... .... ........ 7 THE NUTCRACKER .9 Pepsi-Cola is the official soft drink and juice provider for the Detroit Opera House. -
Chapter 9 Ballet Edited.Ppt.Pdf
C H A P T E R 9 Ballet Chapter ?? Chapter 9 Ballet Enduring understanding: Ballet is a classic, Western dance genre and a performing art. Essential question: How does ballet help me express myself as a dancer? Learning Objectives •Recognize major ballet works, styles, and ballet artists in history. •Execute basic ballet technique, use ballet vocabulary, and perform barre exercises and center combinations. •Apply ballet etiquette and dance safety while dancing. •Evaluate and respond to classical and contemporary ballet performances. Introduction Ballet began as a Western classical dance genre 400 years ago and has evolved into an international performing art form. The word ballet comes from the Italian term ballare, meaning to dance. Chapter 9 Vocabulary Terms adagio allegro à la seconde à terre ballet ballet technique barre center derrière stage directions Devant turnout en l’air Ballet Beginnings Ballet moved from Italy to France when Catherine de’ Medici married the heir to the French throne, King Henry II. She produced what has become known as the first ballet, La Comique de la Reine, in 1588. Ballet at the French Court Louis XIV performed as a dancer and gained the title The Sun King after one of his most famous dancing roles. A patron of the arts, Louis XIV established the Academy of Music and Dance. In the next century the Academy would become the Paris Opéra. Court Ballets • During the 17th century, court ballets were dance interludes between dramatic or vocal performances or entire performances. • Sometimes ballets were part of themed balls such as pastoral or masquerade balls. -
Storytelling in Contemporary Ballet Abbey Lutts Western Kentucky University, [email protected]
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 2019 Storytelling in Contemporary Ballet Abbey Lutts Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/stu_hon_theses Part of the Dance Commons Recommended Citation Lutts, Abbey, "Storytelling in Contemporary Ballet" (2019). Honors College Capstone Experience/Thesis Projects. Paper 789. https://digitalcommons.wku.edu/stu_hon_theses/789 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. STORYTELLING IN CONTEMPORARY BALLET A Capstone Project Presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Dance with Honors College Graduate Distinction at Western Kentucky University By Abbey N. Lutts May 2019 ***** CE/T Committee: Professor Anna Patsfall, Chair Professor Amanda Clark Professor Dr. Christopher Keller Copyright by Abbey N. Lutts 2019 ACKNOWLEDGEMENTS I would like to thank my CE/T advisor Anna Patsfall for supporting me and always giving me insightful and helpful critiques and advice throughout the entire research process. I am also grateful to my committee, Amanda Clark and Dr. Christopher Keller for giving me their time and effort to see this research process through. I would also like to thank FUSE for the grant that I received to start this research. The FUSE grant provided me with the opportunity to travel and conduct my research, which allowed me to gather the research material to complete my thesis. -
About the School of Mcb
ABOUT THE SCHOOL OF MCB The not-for-profit School of Missouri Contemporary Ballet, in advancement of the Company’s Mission, cultivates the artistic & personal development of its students by providing a supportive PAID environment of dance study to motivate & inspire. US POSTAGE COLUMBIA, MO PERMIT NO. 5678 PERMIT NONPROFIT ORG NONPROFIT The School of Missouri Contemporary Ballet’s Vision is to develop the skills of the student professionally & artistically by introducing both traditional & innovative dance techniques. This Vision is supported by two fundamental principles which provide our Return Service Requested foundation: continual growth & the pursuit of excellence. At the School of MCB we are guided by the strategic ideals of Missouri Contemporary Ballet: to provide education, promote involvement in the arts & enrich our community. These goals require hiring only the highest caliber instructors, developing a competitive yet supportive class structure & retaining students dedicated to the study of dance. We stand alone as the only dance institution in the area to provide instruction exclusively from professional dancers. Attaining our vision requires diligence, creativity, confidence & fortitude from our staff, instructors, students & supporters. We look forward to the exciting year ahead & invite you to become part of the School of MCB! SCHOOL OF OF SCHOOL BALLET MISSOURI CONTEMPORARY 102 Suite Street, 110 Orr MO 65201 Columbia, 110 Orr Street, Suite 102 & 106 Columbia, MO 65201 573.825.0095 B C WWW. SCHOOLOFMCB.ORG SCHOOL OF [email protected] M OPEN CLASS DIVISION PRE-PROFESSIONAL DIVISION DANCEABILITY FOR TEENS &ADULTS Ages 8 & up. Students are required to take two ballet classes per week. -
NYCDA Inspires
1 2 3 4 5 6 7 8 9 10 11 12 13 20/21 14 15 NYCDA THE DANCE NYCDA EXPERIENCE inspires THAT MOVES YOU WEL COME Dear Dance Friends, Executive Director Joe Lanteri Thanks for joining us – especially this particular season! Without a doubt, we have all been living through the most difficult times of our lives. We have General Manager experienced these challenges together. We will continue to get through them - Travis Fritsche TOGETHER! Programs Manager These weekend events remind each of us of the passion, creativity and Diane Rose community spirit that we all share. More importantly, right now, this an Production Manager opportunity to have a positive impact on the lives of these talented kids. Lionel Christian They are our dance warriors – demonstrating resilience, perseverance and determination through it all. Registration/Event Manager Katie Calder NEW YORK CITY DANCE ALLIANCE is committed to offering a supportive, creative and fun environment. Each season we welcome more dancers, Tour Event Manager parents, teachers, and studios into our special NYCDA family. We have Marika Matuszak earned our reputation: “Without a doubt, the best dance experience ever!” Office Manager NYCDA has set the standard of excellence within our industry. We are excited Vanessa Pereira to lead the way into the future. Our commitment and enthusiasm only gets stronger, while our professional affiliations and support continue to grow. We ONY Competition Manager hope to nurture each student, both as dancers and young people. We are able Michelle Schindledecker to offer the most unique and valuable learning experiences in our industry. -
Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009
http://oac.cdlib.org/findaid/ark:/13030/c8c24wzf No online items Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009 Preliminary processing by Andrea Wang; fully processed by Mike D'Errico in 2012 in the Center for Primary Research and Training (CFPRT), with assistance from Jillian Cuellar; machine-readable finding aid created by Caroline Cubé. The processing of this collection was generously supported by Arcadia funds. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2012 The Regents of the University of California. All rights reserved. Lewis Segal Collection of Dance 1890 1 and Theater Materials, 1902-2011; Bulk, 1970-2009 Descriptive Summary Title: Lewis Segal Collection of Dance and Theater Materials Date (inclusive): 1902-2011; Bulk, 1970-2009 Collection number: 1890 Collector: Segal, Lewis Extent: 24 record cartons (24 linear ft.) Abstract: Lewis Segal is a performing arts critic who has written on various topics related to the performing arts, from ballet to contemporary dance and musicals. He began working as a freelance writer in the 1960s for a number of publications, including the Los Angeles Times, Performing Arts magazine, the Los Angeles Free Press, Ballet News, and High Performance magazine. He joined the staff of the Los Angeles Times in 1976. From 1996 to 2008 he held the full-time position of chief dance critic, writing full features and reviews on dance companies and performing arts organizations from around the world.