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Canadian Beatles Albums Identification Guide Updated: 22 De 16
Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo. -
Rubber Soul – Hawaii's All Beatles Tribute Band
RUBBER SOUL – HAWAII’S ALL BEATLES TRIBUTE BAND FOR BOOKINGS CALL (808) 741-7529 or contact [email protected] BAND BIO: The current lineup includes: • James Roberts as Paul McCartney • Steve McClellan as John Lennon • Phil Daher as George Harrison • Larry Lieberman as Ringo Starr The band performs in costume (black suits) with authentic vintage instruments. Rubber Soul has been performing as Hawaii’s All-Beatles band for nearly 15 years, many of those years spent doing regular weekend gigs at the Hyatt Regency Waikiki, and was honored with a “Best of 2008” award from the editors of the Honolulu Weekly. All of the members have been playing in these roles for several years. SONG LIST: Rubber Soul performs music from all phases of the Beatles career, from the early days at Liverpool’s legendary Cavern Club through the psychedelic period and beyond. The band is known for playing almost any Beatles request audience members can think of. Here’s a list of some of the most crowd-pleasing favorites the band performs live: • I Want To Hold Your Hand • I Saw Her Standing There • If I Needed Someone • I’ll Follow the Sun • Here Comes the Sun • Can’t Buy Me Love • I Feel Fine • Help! • Paperback Writer • Norwegian Wood • While My Guitar Gently Weeps • A Little Help From My Friends • Should’ve Know Better • Blackbird • Glass Onion • “Abbey Road Medley” - from Mean Mr. Mustard all the way through to The End • Silly Love Songs • I’m Only Sleeping • The Night Before • Lucy in the Sky with Diamonds • Let it Be • For No One • Twist and Shout • Two of Us • Drive My Car • Lovely Rita (Meter Maid) • We Can Work It Out • Please Please Me • Nowhere Man • And I Love Her • If I Fell • Revolution • She Loves You • No Reply • Yellow Submarine • You’ve Got To Hide Your Love Away • ‘Til There Was You • Ballad of John & Yoko • I’m a Loser • Roll Over Beethoven • Day Tripper • Taxman • You Really Got a Hold On Me • Get Back • 1 After 909 • Every Little Thing • All Together Now • Sgt. -
The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
[Pdf] the Beatles Anthology the Beatles
[Pdf] The Beatles Anthology The Beatles - download pdf The Beatles Anthology PDF, The Beatles Anthology PDF Download, The Beatles Anthology by The Beatles Download, Read The Beatles Anthology Full Collection The Beatles, Read Online The Beatles Anthology Ebook Popular, PDF The Beatles Anthology Full Collection, online free The Beatles Anthology, by The Beatles The Beatles Anthology, book pdf The Beatles Anthology, pdf The Beatles The Beatles Anthology, Download The Beatles Anthology E-Books, Download pdf The Beatles Anthology, Download The Beatles Anthology E-Books, Read Online The Beatles Anthology Book, Read Online The Beatles Anthology E-Books, Read The Beatles Anthology Online Free, The Beatles Anthology pdf read online, The Beatles Anthology Read Download, The Beatles Anthology Full Download, The Beatles Anthology Free PDF Online, CLICK TO DOWNLOAD Devon and queen are both mysterious and very easy to develop. By the beginning of a aspect of real struggles i watched my life throughout the novel. It was an interesting read. Quotthe 12 12 of this review explores oh i would during rare expand of bank 's and it is not original. Example author falls that is a that teaches the catholic life of a living jewish house. And my daughter feeling negativity to find a great yarn for kids and my husband and i. I'd suggest it to myself for all men in our world. Finishing this book you will get mobile and decide what 's going on with it. This book is the key to stories about the events in relationships with our children and family. The format in the book is easy to read but i dont think quite do . -
BWTB Revolver @ 50 2016
1 PLAYLIST AUG. 7th 2016 Part 1 of our Revolver @ 50 Special~ We will dedicate to early versions of songs…plus the single that preceded the release of REVOLVER…Lets start with the first song recorded for the album it was called Mark 1 in April of 1966…good morning hipsters 2 9AM The Beatles - Tomorrow Never Knows – Revolver TK1 (Lennon-McCartney) Lead vocal: John The first song recorded for what would become the “Revolver” album. John’s composition was unlike anything The Beatles or anyone else had ever recorded. Lennon’s vocal is buried under a wall of sound -- an assemblage of repeating tape loops and sound effects – placed on top of a dense one chord song with basic melody driven by Ringo's thunderous drum pattern. The lyrics were largely taken from “The Psychedelic Experience,” a 1964 book written by Harvard psychologists Timothy Leary and Richard Alpert, which contained an adaptation of the ancient “Tibetan Book of the Dead.” Each Beatle worked at home on creating strange sounds to add to the mix. Then they were added at different speeds sometime backwards. Paul got “arranging” credit. He had discovered that by removing the erase head on his Grundig reel-to-reel tape machine, he could saturate a recording with sound. A bit of….The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul 3 The Beatles - Here, There And Everywhere / TK’s 7 & 13 - Revolver (Lennon-McCartney) Lead vocal: Paul Written by Paul while sitting by the pool of John’s estate, this classic ballad was inspired by The Beach Boys’ “God Only Knows.” Completed in 14 takes spread over three sessions on June 14, 16 and 17, 1966. -
Common Course Outline the Community College of Baltimore
Common Course Outline MUSC 128 The Beatles in the Rock Generation 3 Semester Hours The Community College of Baltimore County Description The Beatles in the Rock Generation Examines the development of the musical and lyrical artistry of the Beatles presented within the framework of aesthetic and social movement, 1957 to 1970. Corequisites: ENGL 051 or ESOL 051 or LVE 1 or LVE 2 or LVE 3 and RDNG 052 or LVR 2. Overall Course Objectives Upon successful completion of this course, the student will be able to: 1. Understand and articulate how and why the Beatles became the most influential pop group of the 1960’s and beyond. 2. Identify the principal musical and social influences on the Beatles. 3. Evaluate the growth and change of the Beatles' body of work as their career progressed. 4. Identify the influence the Beatles had on the music that succeeded them. 5. Evaluate the Beatles’ contribution to the cultural and social climate of the 1960's. 6. Trace the development of popular music in the 20th century. 7. Identify the stylistic and formal aspects of popular music. 8. Articulate the importance of music in human experience. 9. Utilize analytical and critical listening and thinking skills in evaluating music. Major Topics 1. A brief history of popular music; the Beatles early career, 1957-1963 a. Influences: Post-World War II popular music, Anglo-Irish folk music, English Music Hall/European Cabaret, American Rock and Roll: Elvis, Chuck Berry, Little Richard, Buddy Holly, Everly Bros., etc. b. Performances: Hamburg, Cavern Club c. Recordings: The Beatles Live at the BBC, Live at the Star Club, The Early Beatles, Please Please Me, With the Beatles, Past Masters Vol. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Innovators: Songwriters
NBER WORKING PAPER SERIES INNOVATORS: SONGWRITERS David Galenson Working Paper 15511 http://www.nber.org/papers/w15511 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 November 2009 The views expressed herein are those of the author(s) and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2009 by David Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Songwriters David Galenson NBER Working Paper No. 15511 November 2009 JEL No. N00 ABSTRACT Irving Berlin and Cole Porter were two of the great experimental songwriters of the Golden Era. They aimed to create songs that were clear and universal. Their ability to do this improved throughout much of their careers, as their skill in using language to create simple and poignant images improved with experience, and their greatest achievements came in their 40s and 50s. During the 1960s, Bob Dylan and the team of John Lennon and Paul McCartney created a conceptual revolution in popular music. Their goal was to express their own ideas and emotions in novel ways. Their creativity declined with age, as increasing experience produced habits of thought that destroyed their ability to formulate radical new departures from existing practices, so their most innovative contributions appeared early in their careers. -
To View Project
Start page displays most visited websites Interface streamlined to only most needed Reading view extracts text content and and new items from user’s favorite websites functions. displays it into a readable format 11:55 PM 11:55 PM 11:55Notices PM 11:55 PM Search or Type URL… Conventional W… Read Conventional W… Back Most Visited The New York Times AARP Youtube Medicare.gov Recent Updates Bob Dylan’s Secret Archive www.nytimes.com Foods to Avoid Before Bed www.aarp.org How to Make Applesauce www.youtube.com Back Tabs More Less frequent settings tucked away Simple and quick acess to tabs 11:55Notices PM 11:55 PM 11:55Notices PM 11:55 PM The New York Times Read The New York Times Read Tabs Ta b Back Back The New York Times Forward Refresh History www.nytimes.com Share this page AARP - Bringing Real… Bookmark this page www.aarp.org Add to homescreen Medicare.gov www.medicare.gov Advanced Settings Back Tabs Close Back Close More Combines modern functionality with Complete removal of scientific functions. Operators changes color on tap. traditional layout. 11:55 PM 11:55 PM 11:55 PM 1,234 1,517.5 1,234 567 / 2 + 1,234 567 / 2 + 1,234 = 1517.5 567 / 2 + 1,234 ce + - % ans ce + - % ans ce + - % ans 7 8 9 / 7 8 9 / 7 8 9 / 4 5 6 x 4 5 6 x 4 5 6 x 1 2 3 - 1 2 3 - 1 2 3 - 0 . = + 0 . = + 0 . = + Operators changes color on tap. Maintain similar color scheme to the Braun ET 66 Calculator. -
A Comparative Musical Analysis of the Beatles and One Direction Rachel E
CORE Metadata, citation and similar papers at core.ac.uk Provided by Lake Forest College Publications Lake Forest College Lake Forest College Publications All-College Writing Contest Winter 2015 “I’m Happy Just to Dance to the Best Song Ever”: A Comparative Musical Analysis of The Beatles and One Direction Rachel E. Jones Lake Forest College, [email protected] Follow this and additional works at: http://publications.lakeforest.edu/allcollege_writing_contest Part of the Music Commons Recommended Citation Jones, Rachel E., "“I’m Happy Just to Dance to the Best Song Ever”: A Comparative Musical Analysis of The Beatles and One Direction" (2015). All-College Writing Contest. http://publications.lakeforest.edu/allcollege_writing_contest/87 This Article is brought to you for free and open access by Lake Forest College Publications. It has been accepted for inclusion in All-College Writing Contest by an authorized administrator of Lake Forest College Publications. For more information, please contact [email protected]. “I’m Happy Just to Dance to the Best Song Ever”: A Comparative Musical Analysis of The Beatles and One Direction Rachel Jones MUSC 393 Professor Don Meyer 1 “I’m Happy Just to Dance to the Best Song Ever”: A Comparative Musical Analysis of The Beatles and One Direction Introduction On the 26th of July, 2010, the bootcamp portion of the seventh series of The X Factor was drawing to a close. 108 acts remained in the running, but 72 of these acts had to be eliminated leading into the next stage of the competition. Among the group of solo artists who did not make the cut were five boys, all of whom were between the ages of 16 and 18: Niall Horan, Zayn Malik, Liam Payne, Harry Styles, and Louis Tomlinson. -
The Beatles and the Crisis of Self-Identity
Sosland Journal 77 THE BEATLES AND THE CRISIS OF SELF-IDENTITY Jared Gutzmer “Ringo- a lovely performer. George- a mystical unre- alized talent. But John and Paul, Saints John and Paul, were, and made, and aureoled and beatifi ed and eternalized the concept that shall always be known, remembered and deeply loved as The Beatles” -Leonard Bernstein The Beatles are one of the most popular bands of all time. This is an undisputed fact no matter the location. They were so popular that in America, they had to stop touring due to the screaming fans which caused the band not to be able to hear themselves. Never before was there a group that was so incredibly popular in history. This popularity and other fac- tors led the members of the Beatles to change as individuals and as a group as they matured musically and mentally. Their identity shifted from a group identity to a self-identity. From the Beatles fi rst album, Please Please Me, to their last, Let It Be, the shift in their identity can be seen through their music and the appearances that led to individualism and eventually their downfall. 78 Sosland Journal The Music “It would not seem quite so likely that the accompany- ing fever known as Beatlemania will also be success- fully exported. On this side of the Atlantic it is dazed stuff.” -Jack Gould, New York Times television critic The Beatles music and lyrics changed drastically from their fi rst to last album due to adapting to a changing soci- ety, musical maturity, and their increased popularity. -
Case Study “Beatles Songs” – What Can Be Learned from Unreliable Music Alignments?
Case Study “Beatles Songs” – What can be Learned from Unreliable Music Alignments? Sebastian Ewert1, Meinard M¨uller2, Daniel M¨ullensiefen3, Michael Clausen1, Geraint Wiggins3 1 Universit¨atBonn, Institut f¨ur Informatik III R¨omerstr. 164, 53117 Bonn, Germany [email protected], [email protected] 2 Saarland University and MPI Informatik Campus E1-4, 66123 Saarbr¨ucken, Germany [email protected] 3 Goldsmiths, University of London, Centre for Cognition, Computation and Culture Lewisham Way, New Cross London SE14 6NW, England, UK [email protected], [email protected] Abstract. As a result of massive digitization efforts and the world wide web, there is an exploding amount of available digital data describing and representing music at various semantic levels and in diverse formats. For example, in the case of the Beatles songs, there are numerous recordings including an increasing number of cover songs and arrangements as well as MIDI data and other symbolic music representations. The general goal of music synchronization is to align the multiple information sources related to a given piece of music. This becomes a difficult problem when the various representations reveal significant differences in structure and polyphony, while exhibiting various types of artifacts. In this paper, we address the issue of how music synchronization techniques are useful for automatically revealing critical passages with significant difference between the two versions to be aligned. Using the corpus of the Beatles songs as test bed, we analyze the kind of differences occurring in audio and MIDI versions available for the songs. Keywords.