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Game Narrative Review
Game Narrative Review ==================== Your name (one name, please): Chris Leonhardt Your school: Dakota State University Your email: [email protected] Month/Year you submitted this review: 12/15 ==================== Game Title: Pokémon Black/ White Version Platform: Nintendo DS Genre: Japanese Roleplaying Game Release Date: September 18, 2010 Developer: Game Freak Publisher: The Pokémon Company Game Writer/Creative Director/Narrative Designer: Toshinobu Matsumiya Overview By the time Pokémon Black/ White Version arrived, the world had been attempting to “be the very best, like no one ever was” for over a decade. Everyone knew the ropes: grab a Pokédex, collect the badges, save the world, and become the Pokémon League Champion. The Pokémon series had a predetermined formula for success that had proven true time and time again. However, when Pokemon Black/ White were released, they chose to forgo the traditional, mostly lighthearted tales of old in favor of a new story that asked the questions that many trainers had been asking themselves for years. Set in a Unova, a region distant from others in the world, the game follows a new, older Pokémon trainer as they determine the morality of the Pokémon world. Characters Hilbert/Hilda – Hilbert and Hilda are the default names of the player character. They act as the avatar of the story, allowing the player to immerse themselves in the Unova region. N – As the king of Team Plasma, an organization within Unova that acts as its own monarchy, N travels the region furthering the cause of the organization. Having been raised by Pokémon, he cares for them more than he cares for people. -
The Journey of a Hero: Musical Evocations of the Hero's Experience in the Legend of Zelda Jillian Wyatt in Fulfillment Of
The Journey of a Hero: Musical Evocations of the Hero’s Experience in The Legend of Zelda Jillian Wyatt In fulfillment of M.M. in Music Theory Supervised by Dr. Benjamin Graf, Dr Graham Hunt, and Micah Hayes May 2019 The University of Texas at Arlington ii ABSTRACT Jillian Wyatt: The Journey of a Hero Musical Evocations of the Hero’s Experience in The Legend of Zelda Under the supervision of Dr. Graham Hunt The research in this study explores concepts in the music from select games in The Legend of Zelda franchise. The paper utilizes topic theory and Schenkerian analysis to form connections between concepts such as adventure in the overworld, the fight or flight response in an enemy encounter, lament at the loss of a companion, and heroism by overcoming evil. This thesis identifies and discusses how Koji Kondo’s compositions evoke these concepts, and briefly questions the reasoning. The musical excerpts consist of (but are not limited to): The Great Sea (Windwaker; adventure), Ganondorf Battle (Ocarina of Time; fight or flight), Midna’s Lament (Twilight Princess; lament), and Hyrule Field (Twilight Princess; heroism). The article aims to encourage readers to explore music of different genres and acknowledge that conventional analysis tools prove useful to video game music. Additionally, the results in this study find patterns in Koji Kondo’s work such as (to identify a select few) modal mixture, military topic, and lament bass to perpetuate an in-game concept. The most significant aspect of this study suggests that the music in The Legend of Zelda reflects in-game ideas and pushes a musical concept to correspond with what happens on screen while in gameplay. -
Use of Progressive Rock in David Wise's Soundtrack for Donkey Kong
Use of Progressive Rock in David Wise’s Soundtrack for Donkey Kong Country and the Advancement of Video Game Music Brooke Spencer Professor Stephanie Lind MUSC501 3 March 2019 Introduction In 1994, Nintendo released the Super Nintendo game: Donkey Kong Country (DKC)– resulting in widespread popularity and new innovative use of music in gameplay. Through the utilization of prog-rock in David Wise’s soundtrack for DKC, Nintendo has expanded its range of musical styles, function, and status as a top contending videogame company. The use of prog-rock can be broken down in David Wise’s three pieces: “Treetop Rock”, “Fear Factory”, and “Aquatic Ambience”. Through elements of prog-rock seen in each of these pieces - harmonic prolongation, fragmentation, distortion, and use of the concept ‘meta- chord’ – we can see that DKC’s music was unlike anything Nintendo had been creating previously, and set expectations for music in videogames to come. History Starting in 1977-78, the video game industry began to rise in popularity through arcades. In the 1960s/1970s when first-generation home consoles were created, sound was not a possibility. It was only when Pong was released on the Atari home console in 1975 that sounds were used deliberately: the game had 3 different sounds coinciding with actions on screen: the ball hitting the wall, the paddle, and a sound for player failure. Most games included sound in future releases to increase profits after Pong’s success.1 By the end of the 70s, arcades were growing in popularity, with Nintendo a primary arcade console producer. -
Programme Edition
JOURNEE 13h00 - 18h00 WEEK END 14h00 - 19h00 JOURJOURJOUR Vendredi 18/12 - 19h00 Samedi 19/12 Dimanche 20/12 Lundi 21/12 Mardi 22/12 ThèmeThèmeThème Science Fiction Zelda & le J-RPG (Jeu de rôle Japonais) ArcadeArcadeArcade Strange Games AnimeAnimeAnime NES / Twin Famicom / MSXMSXMSX The Legend of Zelda Rainbow Islands Teenage Mutant Hero Turtles SC 3000 / Master System Psychic World Streets of Rage Rampage Super Nintendo Syndicate Zelda Link to the Past Turtles in Time + Sailor Moon Megadrive / Mega CD / 32X32X32X Alien Soldier + Robo Aleste Lunar 2 + Soleil Dynamite Headdy EarthWorm Jim + Rocket Knight Adventures Dragon Ball Z + Quackshot Nintendo 64 Star Wars Shadows of the Empire Furai no Shiren 2 Ridge Racer 64 Buck Bumble SaturnSaturnSaturn Deep Fear Shining Force III scénario 2 Sky Target Parodius Deluxe Pack + Virtual Hydlide Magic Knight Rayearth + DBZ Shinbutouden Playstation Final Fantasy VIII + Saga Frontier 2 Elemental Gearbolt + Gun Blade Arts Tobal n°1 Dreamcast Ghost Blade Spawn Twinkle Star Sprites Alice's Mom Rescue Gamecube F Zero GX Zelda Four Swords 4 joueurs Bleach Playstation 2 Earth Defense Force Code Age Commanders / Stella Deus Puyo Pop Fever Earth Defense Force Cowboy Bebop + Berserk XboxXboxXbox Panzer Dragoon Orta Out Run 2 Dead or Alive Xtreme Beach Volleyball Wii / Wii UWii U / Wii JPWii JP Fragile Dreams Xenoblade Chronicles X Devils Third Samba De Amigo Tatsunoko vs Capcom + The Skycrawlers Playstation 3 Guilty Gear Xrd Demon's Souls J Stars Victory versus + Catherine Kingdom Hearts 2.5 Xbox 360 / XBOX -
{DOWNLOAD} Xenosaga Episode II Limt Ebook Free Download
XENOSAGA EPISODE II LIMT PDF, EPUB, EBOOK Cassady | 224 pages | 14 Feb 2005 | DK Publishing | 9780744005301 | English | New York, United States Xenosaga: Episode II Scene - video Dailymotion Learn more. Any international shipping and import charges are paid in part to Pitney Bowes Inc. Learn More - opens in a new window or tab International shipping and import charges paid to Pitney Bowes Inc. Learn More - opens in a new window or tab Any international shipping and import charges are paid in part to Pitney Bowes Inc. Learn More - opens in a new window or tab Any international shipping is paid in part to Pitney Bowes Inc. Learn More - opens in a new window or tab. Related sponsored items Feedback on our suggestions - Related sponsored items. Last one. The Promised Neverland vol. Death Note Vol. Almost gone. Report item - opens in a new window or tab. Seller assumes all responsibility for this listing. Item specifics Condition: New: A brand-new, unused, unopened, undamaged item including handmade items. See the seller's listing for full details. See all condition definitions - opens in a new window or tab Read more about the condition. About Us. International Buyers - Please Note:. These charges are the buyer's responsibility. Shipping and handling. This item will ship to Germany , but the seller has not specified shipping options. Contact the seller - opens in a new window or tab and request a shipping method to your location. Shipping cost cannot be calculated. Please enter a valid ZIP Code. Shipping to: Worldwide. No additional import charges at delivery! This item will be shipped through the Global Shipping Program and includes international tracking. -
Video Game Trader Magazine & Price Guide
Winter 2009/2010 Issue #14 4 Trading Thoughts 20 Hidden Gems Blue‘s Journey (Neo Geo) Video Game Flashback Dragon‘s Lair (NES) Hidden Gems 8 NES Archives p. 20 19 Page Turners Wrecking Crew Vintage Games 9 Retro Reviews 40 Made in Japan Coin-Op.TV Volume 2 (DVD) Twinkle Star Sprites Alf (Sega Master System) VectrexMad! AutoFire Dongle (Vectrex) 41 Video Game Programming ROM Hacking Part 2 11Homebrew Reviews Ultimate Frogger Championship (NES) 42 Six Feet Under Phantasm (Atari 2600) Accessories Mad Bodies (Atari Jaguar) 44 Just 4 Qix Qix 46 Press Start Comic Michael Thomasson’s Just 4 Qix 5 Bubsy: What Could Possibly Go Wrong? p. 44 6 Spike: Alive and Well in the land of Vectors 14 Special Book Preview: Classic Home Video Games (1985-1988) 43 Token Appreciation Altered Beast 22 Prices for popular consoles from the Atari 2600 Six Feet Under to Sony PlayStation. Now includes 3DO & Complete p. 42 Game Lists! Advertise with Video Game Trader! Multiple run discounts of up to 25% apply THIS ISSUES CONTRIBUTORS: when you run your ad for consecutive Dustin Gulley Brett Weiss Ad Deadlines are 12 Noon Eastern months. Email for full details or visit our ad- Jim Combs Pat “Coldguy” December 1, 2009 (for Issue #15 Spring vertising page on videogametrader.com. Kevin H Gerard Buchko 2010) Agents J & K Dick Ward February 1, 2009(for Issue #16 Summer Video Game Trader can help create your ad- Michael Thomasson John Hancock 2010) vertisement. Email us with your requirements for a price quote. P. Ian Nicholson Peter G NEW!! Low, Full Color, Advertising Rates! -
Game Developers Conference Europe Wrap, New Women’S Group Forms, Licensed to Steal Super Genre Break Out, and More
>> PRODUCT REVIEWS SPEEDTREE RT 1.7 * SPACEPILOT OCTOBER 2005 THE LEADING GAME INDUSTRY MAGAZINE >>POSTMORTEM >>WALKING THE PLANK >>INNER PRODUCT ART & ARTIFICE IN DANIEL JAMES ON DEBUG? RELEASE? RESIDENT EVIL 4 CASUAL MMO GOLD LET’S DEVELOP! Thanks to our publishers for helping us create a new world of video games. GameTapTM and many of the video game industry’s leading publishers have joined together to create a new world where you can play hundreds of the greatest games right from your broadband-connected PC. It’s gaming freedom like never before. START PLAYING AT GAMETAP.COM TM & © 2005 Turner Broadcasting System, Inc. A Time Warner Company. Patent Pending. All Rights Reserved. GTP1-05-116-104_mstrA_v2.indd 1 9/7/05 10:58:02 PM []CONTENTS OCTOBER 2005 VOLUME 12, NUMBER 9 FEATURES 11 TOP 20 PUBLISHERS Who’s the top dog on the publishing block? Ranked by their revenues, the quality of the games they release, developer ratings, and other factors pertinent to serious professionals, our annual Top 20 list calls attention to the definitive movers and shakers in the publishing world. 11 By Tristan Donovan 21 INTERVIEW: A PIRATE’S LIFE What do pirates, cowboys, and massively multiplayer online games have in common? They all have Daniel James on their side. CEO of Three Rings, James’ mission has been to create an addictive MMO (or two) that has the pick-up-put- down rhythm of a casual game. In this interview, James discusses the barriers to distributing and charging for such 21 games, the beauty of the web, and the trouble with executables. -
Concert Program
Gamer Symphony Orchestra Spring 2014 Concert Saturday, May 3, 2014, 2 p.m. Dekelboum Concert Hall Clarice Smith Performing Arts Center Jacob Coppage-Gross, Conductor Kevin Mok, Conductor Kyle G. Jamolin, Choral Director Bryan Doyle, Assistant Conductor About the GSO In the fall of 2005, student violist Michelle Eng sought to create an orchestral group that played video game music. With a half-dozen others from the University of Maryland Repertoire Orchestra, she founded GSO to achieve that dream. By the time of the ensemble’s first public performance in spring 2006, its size had quadrupled. Today GSO provides a musical and social outlet to 120 members. It is the world’s first collegiate ensemble to draw its repertoire exclusively from the soundtracks of video games. The ensemble is entirely student run, which includes conducting and musical arranging. In February of 2012 the GSO collaborated with Video Games Live!, for the performances at the Strathmore in Bethesda, Md. The National Philharmonic per- formed the GSO’s arrangement of “Korobeiniki” from Tetris to two sold-out houses. In May of 2012 the GSO was invited to perform as part of the Smithsonian’s The Art of Video Games exhibit. Aside from its concerts, GSO also holds the “Deathmatch for Charity” (renamed the “Gamer Olympics” this year) video game tournament every spring. All proceeds benefit Children’s National Medical Center in Washington, D.C. Find GSO online at UMD.gamersymphony.org Beyond the GSO The GSO has also fostered the creation of a multitude of other collegiate GSOs at California State University—Northridge, Ithaca College, Montclair State University, the University of California—Los Angeles, the University of Delaware, and West Char- ter University. -
Analyzing Modular Smoothness in Video Game Music
Analyzing Modular Smoothness in Video Game Music Elizabeth Medina-Gray KEYWORDS: video game music, modular music, smoothness, probability, The Legend of Zelda: The Wind Waker, Portal 2 ABSTRACT: This article provides a detailed method for analyzing smoothness in the seams between musical modules in video games. Video game music is comprised of distinct modules that are triggered during gameplay to yield the real-time soundtracks that accompany players’ diverse experiences with a given game. Smoothness —a quality in which two convergent musical modules fit well together—as well as the opposite quality, disjunction, are integral products of modularity, and each quality can significantly contribute to a game. This article first highlights some modular music structures that are common in video games, and outlines the importance of smoothness and disjunction in video game music. Drawing from sources in the music theory, music perception, and video game music literature (including both scholarship and practical composition guides), this article then introduces a method for analyzing smoothness at modular seams through a particular focus on the musical aspects of meter, timbre, pitch, volume, and abruptness. The method allows for a comprehensive examination of smoothness in both sequential and simultaneous situations, and it includes a probabilistic approach so that an analyst can treat all of the many possible seams that might arise from a single modular system. Select analytical examples from The Legend of Zelda: The Wind Waker and Portal -
Living Faith Lutheran Church Presents
Living Faith Lutheran Church Presents THE WASHINGTON METROPOLITAN GAMER SYMPHONY ORCHESTRA Nigel Horne, Music Director Living Faith Lutheran Church Rockville, Md. April 26, 2014, 2 p.m. WMGSO.org | @MetroGSO | Facebook.com/WMGSO [Classical Music. Game On.] Concert Program Gusty Garden Galaxy Mahito Yokota Super Mario Galaxy (2007) arr. Robert Garner Twilight Princess Toru Minegishi, Asuka Ota, The Legend of Zelda: Koji Kondo Twilight Princess (2006) arr. Robert Garner, Katie Noble Dancing Mad Nobuo Uematsu Final Fantasy VI (1994) arr. Alexander Ryan Objection! Masakazu Sugimori, Phoenix Wright: Ace Naoto Tanaka Attorney (2001) arr. Alexander Ryan Kid Icarus Hirokazu Tanaka Kid Icarus (1987) arr. Alyssa Menes Dämmerung Yasunori Mitsuda Xenosaga Episode I: Der Wille arr. Chris Apple zur Macht (2003) Castles Koji Kondo, David Wise Super Mario World (1990), The arr. Chris Apple Legend of Zelda: Link to the Past (1991), Donkey Kong Country 2 (1995), Super Mario Bros. (1985) Pokémedley Junichi Masuda, Pokémon: The Animated Series John Siegler, Go Ichinose (1998), Pokémon: Red/Blue arr. Chris Lee, Robert Garner, (1998), Pokémon: White/Black Doug Eber (2011) Roster Flute Flugelhorn Tenor Voice Jessie Biele Robert Garner Darin Brown Jessica Robertson Sheldon Zamora-Soon Trombone Oboe Eric Fagan Bass Voice David Shapiro Steve O’Brien Alexander Booth Matthew Harker Clarinet Concert Percussion Alisha Bhore Joshua Rappaport Violin Jessica Elmore Zara Simpson Victoria Chang Lee Stearns Matthew Costales Bass Clarinet Van Stottlemyer Lauren Kologe Yannick -
Vintage Game Consoles: an INSIDE LOOK at APPLE, ATARI
Vintage Game Consoles Bound to Create You are a creator. Whatever your form of expression — photography, filmmaking, animation, games, audio, media communication, web design, or theatre — you simply want to create without limitation. Bound by nothing except your own creativity and determination. Focal Press can help. For over 75 years Focal has published books that support your creative goals. Our founder, Andor Kraszna-Krausz, established Focal in 1938 so you could have access to leading-edge expert knowledge, techniques, and tools that allow you to create without constraint. We strive to create exceptional, engaging, and practical content that helps you master your passion. Focal Press and you. Bound to create. We’d love to hear how we’ve helped you create. Share your experience: www.focalpress.com/boundtocreate Vintage Game Consoles AN INSIDE LOOK AT APPLE, ATARI, COMMODORE, NINTENDO, AND THE GREATEST GAMING PLATFORMS OF ALL TIME Bill Loguidice and Matt Barton First published 2014 by Focal Press 70 Blanchard Road, Suite 402, Burlington, MA 01803 and by Focal Press 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Focal Press is an imprint of the Taylor & Francis Group, an informa business © 2014 Taylor & Francis The right of Bill Loguidice and Matt Barton to be identified as the authors of this work has been asserted by them in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Designing Gameplay Researching and Testing Nintendo’S Game Design
Designing Gameplay Researching and testing Nintendo’s game design Malin Ribäck Arcada Biblioteket och Språkenheten Helsingfors 2019 EXAMENSARBETE Arcada Utbildningsprogram: Mediekultur Identifikationsnummer: 6847 Författare: Malin Ribäck Arbetets namn: Gameplays design – Undersökning och test av Nintendos speldesign Handledare (Arcada): Mirko Ahonen Uppdragsgivare: Sammandrag: Studien gick ut på att utforska hur spelföretaget Nintendo designar gameplay. För att testa resultaten i praktiken skapades ett game design-dokument. Därför börjar arbetet med att diskutera vad game design-dokument är och vad de används för. Game design-dokumentet som gjordes i samband med studien är en kombination av det huvudsakliga game design- dokumentet och ett konceptdokument. Därför tar arbetet också upp skillnaderna mellan dessa dokument. För att utreda hur Nintendo designar gameplay utfördes en litteraturundersökning. Materialet som användes i litteraturundersökningen består av intervjuer. Majoriteten av intervjuerna härstammar från Nintendos egen hemsida. För att utforma en teori tar arbetet upp några befintliga teorier för hur Nintendo designar sina spel. För att kunna diskutera Nintendos gameplay definieras gameplays koncept genom att diskutera olika definitioner av olika författare som tar upp ämnet i fråga. Litteraturundersökningen inleds med en presentation av varifrån materialet för studien har kommit. Inledningsvis tar också arbetet upp två viktiga spelutvecklare från Nintendo, för att ge insikt i varför just de personerna är viktiga. För att presentera en helhet över hur Nintendo designar gameplay studeras, organiseras, presenteras och diskuteras innehållet från litteraturundersökningen. Resultatet från undersökningen visar bland annat att när Nintendo designar sina spel, fokuserar man på följande saker: Att göra spelen användarvänliga, att formge dem enligt deras funktion, att göra spelvärlden responsiv i förhållande till spelaren och att undvika störa eller avbryta spelarens inlevelse i spelet.