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Bibliography Panza Collection Initiative, Solomon R Bibliography Panza Collection Initiative, Solomon R. Guggenheim Museum General Sources Battcock, Gregory, ed. Minimal Art: A Critical Anthology. New York: Dutton Signet, 1968. Paperback edition with introduction by Anne W. Wagner: Berkeley: University of California Press, 1995. Buskirk, Martha. The Contingent Object in Contemporary Art. Cambridge, Mass.: MIT Press, 2003. ———, Amelia Jones, and Caroline A. Jones. “The Year in ‘Re-.’” Artforum 52, no. 4 (Dec. 2013), pp. 127–30. Cherix, Christophe, Laurent Jenny, and James Meyer. Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art. Geneva: Walther König, 1997. Eichhorn, Maria. The Artist’s Contract: Interviews with Carl Andre, Michael Asher, Daniel Buren, Paula Cooper, Hans Haacke, Jenny Holzer, Adrian Piper, Robert Projansky, Robert Rymane. Edited by Gerti Fietzek. Cologne: Walther König, 2009. Goldstein, Ann. A Minimal Future?: Art as Object, 1958–1968. Exhibition catalogue. Los Angeles: Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 2004. ———, and Anne Rorimer. Reconsidering the Object of Art: 1965–1975. Exhibition catalogue. Los Angeles: Museum of Contemporary Art; Cambridge, Mass.: MIT Press, 1995. Hapgood, Susan. “Remaking Art History.” Art in America 78, no. 7 (July 1990), pp. 114–23, 181. ———, and Cornelia Lauf, eds. In Deed: Certificates of Authenticity in Art. Amsterdam: Roma Publications, 2011. Jones, Caroline A. Machine in the Studio: Constructing the Postwar American Artist. Chicago: University of Chicago Press, 1996. Lippard, Lucy, ed. Six Years: The Dematerialization of the Art Object from 1966 to 1972; A Cross- Reference Book of Information on Some Esthetic Boundaries . New York: Praeger, 1973. Paperback edition with new preface by Lippard: Berkeley: University of California Press, 1997. Bibliography — Panza Collection Initiative, Solomon R. Guggenheim Museum Meyer, James. Los Angeles to New York: Dwan Gallery, 1959–1971. Exhibition catalogue. Washington, D.C.: National Gallery of Art; Chicago: University of Chicago Press, 2016. ———. Minimalism: Art and Polemics in the Sixties. New Haven, Conn.: Yale University Press, 2001. ———. “The Minimal Unconscious.” October 130 (Fall 2009), pp. 141–76. Potts, Alex. The Sculptural Imagination: Figurative, Modernist, Minimalist. New Haven, Conn.: Yale University Press, 2000. “The Producers: A Roundtable,” with Angela Bulloch, Peter Carlson, Lynne Cooke, Jeffrey Deitch, Michelle Kuo, Charles Ray, Mike Smith, and Ed Suman. Artforum 46, no. 2 (Oct. 2007), pp. 352, 354–59, 402, 410. Weiss, Jeffrey. “Things Not Necessarily Meant to Be Viewed as Art.” Artforum 51, no. 7 (Mar. 2013), pp. 220–29. Panza Collection Sources Arte minimal de la Colleción Panza. Exhibition catalogue. Madrid: Centro de Arte Reina Sofía, 1988. Art of the Fifties, Sixties, and Seventies: The Panza Collection. Milan: Editoriale Jaca Book; Wappingers Falls, N.Y.: Antique Collectors’ Club, 1999. Art of the Sixties and Seventies: The Panza Collection. New York: Rizzoli, 1987. Bois, Yve-Alain. “Panza the Idealist?” Journal of Art, Oct. 1990, p. 29. Carl Andre, Donald Judd, Robert Morris: Sculture Minimal. Exhibition catalogue (La Galleria Nazionale d’Arte Moderna, Rome). Rome: De Luca Editore, 1979. Carluccio, Luigi. “Nelle scuderie a Varese: Un tempio per l’arte Americana.” Bolaffi arte 3, no. 17 (Feb. 1972), pp. 42–45. Celant, Germano. Das Bild einer Geschichte 1956/1976, Die Sammlung Panza di Biumo / Die Geschichte eines Bildes: Action Painting, Newdada, Pop Art, Minimal Art, Conceptual and Environmental Art. Milan: Electa International, 1980. ———, and Susan Cross. Percepciones en transformación: La Colección Panza de Museo Guggenheim. Exhibition catalogue (Guggenheim Museum Bilbao). New York: Guggenheim Museum, 2000. p. 2 of 18 Bibliography — Panza Collection Initiative, Solomon R. Guggenheim Museum Chave, Anna. “Revaluing Minimalism: Patronage, Aura, and Place.” Art Bulletin 90, no. 3 (Sept. 2008), pp. 466–86. The First Show: Paintings and Sculpture from Eight Collections, 1940–1980. Exhibition catalogue. Los Angeles: Museum of Contemporary Art, 1983. Galloway, David. “Count Panza Divests.” Art in America 72, no. 11 (Dec. 1984), pp. 9–18. Gendel, Milton. “If One Hasn’t Visited Count Panza’s Villa, One Doesn’t Really Know What Collecting Is All About.” Art News 78, no. 10 (Dec. 1979), pp. 44–49. Glueck, Grace. “Millions for Art, a Lot of It Unfinished.” New York Times, June 12, 1990, sec. C, p. 15. Krauss, Rosalind. “Overcoming the Limits of Matter: On Revising Minimalism.” In American Art of the 1960s, pp. 123–41. Vol. 1 of Studies in Modern Art, edited by John Elderfield. New York: Museum of Modern Art, 1991. Kurtz, Bruce. “Interview with Giuseppe Panza di Biumo.” Arts Magazine 46, no. 5 (Mar. 1972), pp. 40– 43. Mann, Ted. “Il ‘Museo d’Arte Ambientale’ incontra il ‘Tempio della non oggettività’: La collezione Panza degli anni sessanta e settanta e il Guggenheim Museum.” In Giuseppe Panza di Biumo: Dialoghi americani, edited by Gabriella Belli and Elisabetta Barisoni, pp. 85–90. Exhibition catalogue. Venice: Fondazione Musei Civici di Venezia and Marsilio, 2014. Minimal art dans la Collection Panza di Biumo. Exhibition catalogue. Geneva: Musée Rath, 1988. Morris, Robert. “What Did the Guggenheim Gain?: Minimalism Revisited.” Journal of Art 3 (Oct. 1990), p. 28. Nicolson, Adam. “Bambi in the Lion’s Den.” Modern Painters 7, no. 4 (Winter 1994), pp. 42–47. Panza, Giuseppe. Giuseppe Panza: Memories of a Collector. New York: Abbeville Press, 2007. Panza di Biumo, Giuseppe. “Environmental Art Museum.” Data 41, no. 12 (Summer 1974), pp. 28–33. Trini, Tomasso. “At Home with Art: The Villa of Count Giuseppe Panza di Biumo.” Art in America 58, no. 5 (Sept.–Oct. 1970), pp. 102–09. Venice/Venezia: California Art from the Panza Collection at the Guggenheim Museum. Exhibition catalogue (Peggy Guggenheim Collection, Venice). New York: Guggenheim Museum, 2007. p. 3 of 18 Bibliography — Panza Collection Initiative, Solomon R. Guggenheim Museum Dan Flavin Artist’s Writings Flavin, Dan. “‘. in daylight or cool white.’ an autobiographical sketch.” Artforum 4, no. 4 (Dec. 1965), pp. 20–24. ———. “some remarks . excerpts from a spleenish journal.” Artforum 5, no. 4 (Dec. 1966), pp. 27–29. ———. “some other comments . more pages from a spleenish journal.” Artforum 6, no. 4 (Dec. 1967), pp. 20–25. ———. “several more remarks . .” Studio International 177, no. 910 (Apr. 1969), pp. 173–75. ———. Statement. In Flavin and Emily S. Rauh, drawings and diagrams from Dan Flavin, 1963–1972, p. 4. Exhibition catalogue. Saint Louis, Mo.: Saint Louis Art Museum, 1973. ———, and Brydon Smith. “fluorescent light, etc. from Dan Flavin: A Supplement.” Artscanada, nos. 136–37 (Oct. 1969), pp. 14–19. Interviews Bell, Tiffany. Interview with Dan Flavin (July 13, 1982). Chinati Foundation Newsletter 5 (Sept. 2000), pp. 26–35. Reprinted in Dan Flavin: A Retrospective, edited by Michael Govan and Bell, pp. 189–91. Exhibition catalogue. New York: Dia Art Foundation; Washington, D.C.: National Gallery of Art; New Haven, Conn.: Yale University Press, 2004. Glaser, Bruce. “New Nihilism or New Art: Interview with Dan Flavin, Donald Judd and Frank Stella.” Transcript of interview originally broadcast on WBAI FM, New York, in Feb. 1964. In Minimalism, edited by James Meyer, pp. 195–97. London: Phaidon Press, 2000. Tuchman, Phyllis. Interview with Dan Flavin (Mar. 9, 1972). In Govan and Bell, Dan Flavin: A Retrospective, pp. 192–94. Waschek, Mathias. “Installing in Flavin’s Absence: An Interview with Tiffany Bell and Steve Morse.” In Dan Flavin: Constructed Light. Exhibition brochure. Saint Louis, Mo.: Pulitzer Arts Foundation, 2007, pp. 8–13. Essays, Articles, and Reviews Allen, Greg. “The Dark Side of Success.” New York Times, Jan. 2, 2005, sec. 2, p. 28. p. 4 of 18 Bibliography — Panza Collection Initiative, Solomon R. Guggenheim Museum Gibson, Michael. “The Strange Case of the Fluorescent Tube.” Art International 1 (Autumn 1987), pp. 105–10. Muchnic, Suzanne. “Flavin Exhibit: His Artistry Comes to Light.” Los Angeles Times, Apr. 23, 1984, Calendar 2, pp. 1–2. Weiss, Jeffrey. “Evidence of Sculpture.” In Photography and Sculpture: The Art Object in Reproduction, edited by Sarah Hamill and Megan R. Luke, pp. 235–50. Los Angeles: Getty Research Institute, 2017. Books and Catalogues Dan Flavin: The 1964 Green Gallery Exhibition. Exhibition catalogue. New York: Zwirner & Wirth Gallery; Göttingen, Germany: Steidl, 2008. Dan Flavin: The Architecture of Light. Exhibition catalogue (Deutsche Guggenheim Berlin). New York: Guggenheim Museum, 1999. Dan Flavin: Drawing. Exhibition catalogue. New York: Morgan Library & Museum, 2012. Feldman, Paula, and Karsten Schubert, eds. It Is What It Is: Writings on Dan Flavin since 1964. London: Ridinghouse and Thames & Hudson, 2004. Flavin, Dan, and Emily S. Rauh. drawings and diagrams from Dan Flavin, 1963–1972. Exhibition catalogue. Saint Louis, Mo.: Saint Louis Art Museum, 1973. fluorescent light, etc. from Dan Flavin / lumiére fluorescente, etc. par Dan Flavin. Ottawa: National Gallery of Canada, 1969. Govan, Michael, and Tiffany Bell, eds. Dan Flavin: A Retrospective. Exhibition catalogue. New York: Dia Art Foundation; Washington, D.C.: National Gallery of Art; New Haven, Conn.: Yale University Press, 2004. ———, eds. Dan Flavin: The Complete Lights, 1961–1996. Expanded 2004 retrospective catalogue with catalogue raisonné compiled by Bell. New York: Dia Art Foundation; New Haven, Conn.: Yale University Press, 2004. Light in
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