Why Choose Long & Mcquade?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eastman School of Music, Thrill Every Time I Enter Lowry Hall (For- Enterprise of Studying, Creating, and Loving 26 Gibbs Street, Merly the Main Hall)
EASTMAN NOTESFALL 2015 @ EASTMAN Eastman Weekend is now a part of the University of Rochester’s annual, campus-wide Meliora Weekend celebration! Many of the signature Eastman Weekend programs will continue to be a part of this new tradition, including a Friday evening headlining performance in Kodak Hall and our gala dinner preceding the Philharmonia performance on Saturday night. Be sure to join us on Gibbs Street for concerts and lectures, as well as tours of new performance venues, the Sibley Music Library and the impressive Craighead-Saunders organ. We hope you will take advantage of the rest of the extensive Meliora Weekend programming too. This year’s Meliora Weekend @ Eastman festivities will include: BRASS CAVALCADE Eastman’s brass ensembles honor composer Eric Ewazen (BM ’76) PRESIDENTIAL SYMPOSIUM: THE CRISIS IN K-12 EDUCATION Discussion with President Joel Seligman and a panel of educational experts AN EVENING WITH KEYNOTE ADDRESS EASTMAN PHILHARMONIA KRISTIN CHENOWETH BY WALTER ISAACSON AND EASTMAN SCHOOL The Emmy and Tony President and CEO of SYMPHONY ORCHESTRA Award-winning singer the Aspen Institute and Music of Smetana, Nicolas Bacri, and actress in concert author of Steve Jobs and Brahms The Class of 1965 celebrates its 50th Reunion. A highlight will be the opening celebration on Friday, featuring a showcase of student performances in Lowry Hall modeled after Eastman’s longstanding tradition of the annual Holiday Sing. A special medallion ceremony will honor the 50th class to commemorate this milestone. The sisters of Sigma Alpha Iota celebrate 90 years at Eastman with a song and ritual get-together, musicale and special recognition at the Gala Dinner. -
December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
Martin Hutchinson Interviews Steve
18 wow! Friday, November 20, 2009 wow! music Friday, November 20, 2009 wow! 19 Two years ago, The Magic Numbers stepped off the From Genesis to jazz, Steve’s FAMILY AND FRIENDS exhausting treadmill they’d AGAIN: The Magic Numbers been on since their debut have regrouped stronger a heck of an eclectic guitarist album became a hit and and better than ever disappeared. Now they’re back, STEVE Hackett is a happy chap at the mo- turous journey, and using one style is limit- ment, not only has the litigation over his ing yourself unnecessarily.” rested and rejuvenated, with a latest album been settled in his favour, he is He warms to his theme: “There’s Turkish also about to undertake a UK tour. influences and Spanish music has been an new album in the pipeline. “There was an injunction stopping me from influence ever since I first picked up a Frontman Romeo told JUDITH releasing the album, but it was settled last nylon string guitar,” continued the 59 year- week and it’ll be out next week,” he says. old Londoner. DORNAN how they rediscovered After two weeks on the continent, he’s very “ Still Waters is a blues number. It’s really upbeat about touring: an excuse to play blues guitar. their magic “It’s been very good The music has a spirit, an unre- and I still feel fresh. It lenting pulse and audiences get Tales from MAGIC Numbers frontman must be the lack of excited by it.” Romeo Stodart clearly remembers smoking and drinking. Also in the mix is a bit of jazz with the day they realised they had to I sleep better these Ghost In The Glass. -
Blue Book of Electric Guitars Sixth Edition
Blue Book of Electric Guitars Sixth Edition Gibson Electric Guitars and Basses Edited by S.P. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 1999 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. Please note: At the request of Blue Book Publications, Inc., all pricing information has been omitted. For detailed pricing information, please either contact Blue Book Publications for ordering information, or visit their web site at www.bluebookinc.com Table of Contents Gibson Background History ----------------------------------------- 3 Identifying Features --------------------------------------------------- 4 Gibson Electric Guitars ---------------------------------- 5 B.B. King Series -------------------------------------------------------- 5 Barney Kessel Series --------------------------------------------------- 6 Byrdland Model --------------------------------------------------------- -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
Kunstner/Titel
Page 1 23-04-2010 16:25:09 Kunstner / Titel Liste Artist Title Album Artist Album Title Format Release Length File Size Year 2 Brothers On The 4th Floor Can't Help Myself Various Artists Powerdance "The Sampler" CD 1992 05:28 13138632 2 Brothers On The 4th Floor Fly (Ccqt Radio Edit) Various Artists Turn Up The Bass 09 CD 1995 03:51 9261016 2 Dance 2 Feel The Rhythm Various Artists Turn Up The Bass 09 CD 1995 03:31 8475252 2 In A Room Wiggle It Various Artists Greatest Hits Of The 90's CD 2004 07:40 18404918 2 In A Room Wiggle It Various Artists Now (That's What I Call Music) Uk 19 LP 1991 07:40 18404918 2 In A Tent When I´m Cleaning Windows Various Artists Turn Up The Bass 08 CD 1995 02:38 6348885 2 Unlimited Faces Various Artists Mr. Music Hits 93-10 CD 1993 03:31 8453309 2 Unlimited Get Ready For This Various Artists Now (That's What I Call Music) UK 20 CD 1991 02:52 6899546 2 Unlimited Here I Go Various Artists Turn Up The Bass 08 CD 1995 03:17 7884885 2 Unlimited Maximum Overdrive Various Artists Mr. Music Hits 93-12 CD 1993 03:41 8854550 2 Unlimited No Limit Various Artists Now (That's What I Call Music) UK 24 CD 1993 03:16 7878616 2 Unlimited No Limit (Extended Version) Various Artists Turn Up The Bass CD 1993 05:54 14191889 2 Unlimited No Limit (Rap Version) Various Artists Mix Mag. -
7.9 the Wood Determines the Sound?
7-102 7. Neck and body of the guitar 7.9 The Wood Determines the Sound? Mahogany! Maple! Rosewood! Men oft believe, if only they hear wordy pother, that there must surely be in it some thought or other [Goethe]. And the usual thinking is: “the electric guitar is a musical instrument made of wood. In all musical instruments made of wood, the wood determines the sound. The more noble the wood, the more noble the sound.” Goethe’s witch’s kitchen – a suitable location for deception and magic – holds more such articles of faith, but let us keep some distance from alchemy, and give physics the priority here: how does the body of the guitar vibrate, and in what way will the vibration of this body influence the sound? In the material-science course, every luthier learns about different tonewoods and their sound-determining material-parameters: “the denser the wood, the more brilliant, treble- rich the sound; the higher the stiffness, the longer the sustain (P. Day).” As if that were self- evident, this statement and similar ones are based on the assumption that the findings that are valid for violins and acoustic guitars apply to electric guitars, as well. If we now add that board of experts who listen to an electric guitar first of all without amplification, we quickly arrive at a conglomerate of teachings that, between them, could not be more contradictory. All the while two simple principles would really help us: 1) Compared to the acoustic guitar, the electric guitar functions very differently. Findings derived from the one type of guitar may not be sight-unseen applied to the other type. -
By Mike Haid
by Mike Haid hen Drummers Collective proprietors Paul Siegel and Rob Wallis began Wvideotaping master classes with high- profile drummers at their New York City music school in 1982, they had no idea that this bold move into the modern age of VHS tape recording would spiral into an internationally successful multimedia business, establishing them as the pre- eminent drum-video gurus of the industry. One could argue that this dynamic duo of drumming education is just as responsible for the advance- ment of the art of drumming as many of the innov- ative players they’ve painstakingly archived over their nearly thirty-year partnership. In 2000, Modern Drummer magazine honored Siegel and Wallis with an Editors’ AchievementPaiste: Tradition, Innovation, And Family Values Award, “in recognition of outstanding contribu- tion to the drum/percussion community.” In 2001, the Percussive Arts Society presented them with the President’s Achievement Award. In 2009, they celebrated ten years at the helm of their most recent successful venture, the award-winning drum instructional multimedia company Hudson Music. AN IDEA TAKES SHAPE Siegel and Wallis were students at a small underground music school in Manhattan called Drummers Collective when they sat down for Hudson’s Rob Wallis and Paul Siegel have collaborated with many of the greatest drummers of our time. Clockwise lunch one day and discussed the possibilities of from top left: Steve Gadd, Neil Peart, Gregg Bissonette, buying the school, which was coming up for sale Jason Bittner. by founder Rick Kravitz. They had known each other maybe a total of three hours prior to the now-historic meeting. -
Hannoart Presents Dave's Guitar Shop
HannoArt presents IN A WORLD FULL OF SO MUCH SAMENESS, HannoArt stands apart as one of the most distinctive coated sheets in the industry. Thanks to a proprietary triple-coating process, HannoArt offers an outstanding ink lay that holds crisp details and rich, dense solids—all on an incomparably smooth, uniform surface. Simply put, HannoArt represents a level of craftsmanship that is without peer—making it the ideal sheet for those with a passion for the exceptional. THE BENEFITS OF HANNOART Superior Surface Smoothness A unique triple-coated surface provides exceptional ink lay— enabling spectacular image fidelity and print depth. Outstanding Gloss Finish Provides an outstanding surface for excellent reproduction and visual impact. Exceptional Silk Finish Provides a superior and elegant tactile experience. Broad Basis Weight Range A broad range of sheet fed grades enables HannoArt to handle a variety of print projects. Custom sizes are also available through Sappi’s Special Making Order (SMO) services. Environmental Responsibility HannoArt boasts FSC Chain of Custody certification. This guarantees that trees used to produce HannoArt papers were procured from responsibly managed forests. YOU’D PROBABLY EXPECT a place called Dave’s Guitar Shop to be happily ensconced in some strip mall catering to America’s adolescents. But as the old adage goes, one cannot judge a book — or, in this case, a shrine — by its cover. You see, Dave’s Guitar Shop is a veritable mecca for guitar aficionados from around the world. Tucked away in La Crosse, Wisconsin, a city more famous for its barrels of brew than its Gibsons and Gretsches, Dave Rogers has created a haven for those seeking the finest in guitar design and craftsmanship. -
Jeff Root Danielle Miraglia Lay Low Moon the Countess Zaleska
•Our 33rd Year Proudly Promoting All Things Music• FREE! December 2018 The Countess Zaleska Lay Low Moon Jeff Root Danielle Miraglia Metro•Scene ATWOOD’S TAVERN 12/12- Gang of Youths HOUSE OF BLUES 12/29- Becky and the Swinging Bards Cambridge, MA. 12/13- Lemaitre Boston, MA. (617) 864-2792 12/14- Street Dogs; Art Thieves; Noi!se (888) 693-BLUE 12/15- Street Dogs; Slapshot; Ramallah; Dori Cameron & the MIDDLE EAST 12/1- Julie Rhodes Invisible Monsters 12/3- Miracle On Lansdowne Street RESTAURANT & NIGHTCLUB 12/2- Jimmy Ryan & Hayride 12/16- Street Dogs; Ramallah; 1916 12/5- Russell Dickerson and Carly Pearce Cambridge, MA. 12/3- Monday Night Bluegrass 12/20- Big Something; Dewpoint; Butterchild 12/7 & 8- Brett Young (617) 864-3278 12/6- The Wolff Sisters 12/21- Emo Night Brooklyn 12/9- Amine 12/8- Roy Sludge 12/22- Kung Fu 12/10- YBN Nahmir; YBN Almighty Jay; YBN Cordae Upstairs 12/9- Old Fox; Doug Paisley 12/29- Doom Lover; Oompa; Cliff Notez 12/12- Boston Music Awards 12/1- Moe Dee 12/11- The Talbott Brothers 12/31- New Years’ Eve w/The Felice Brothers 12/16- Jorja Smith 12/2- Wes Walker; Javan 12/13- Anjimile; Nova One 12/20- Nghtmre B4 Xmas Tour 12/4- Elley Duhe; Butch Dawson 12/14- Beware The Dangers Of A Ghost Scorpion; Kremlin Bats 12/26- The Roots 12/7- Wyland; Valley; Jantsen, Uncle Bob b2b BIZDO, Electrya 12/15- Nickel & Rose; Hy Brasil BULL RUN RESTAURANT 12/28, 29 & 30- The Mighty Mighty Bosstones 12/8- Charing Cross; JZAC 12/17- Monday Night Bluegrass Shirley, MA. -
NEIL PEART Constante (R)Évolution…
Interview par Laurent Bendahan NEIL PEART Constante (r)évolution… OBTENIR UNE INTERVIEW DU BATTEUR DE RUSH EST LOIN D’ÊTRE UNE SINÉCURE , ET POUR CAUSE , IL N’EN ACCORDE PRATIQUEMENT PLUS ! L A RENCONTRE A EU LIEU À AMSTERDAM LE 3 JUIN DERNIER , QUELQUES HEURES AVANT LE SHOW DONNÉ AU ZIGGO DOME . A VANT DE POUVOIR PARLER AU MAESTRO , VOTRE SERVITEUR A DÛ PROUVER SES BONNES INTENTIONS (AUTREMENT DIT SA VOLONTÉ DE NE PAS FROISSER L’ARTISTE ) EN LIVRANT SES QUESTIONS À L’AVANCE . U NE FOIS LES THÈMES QUI FÂCHENT ÉLAGUÉS , L’ENTRETIEN PUT COMMENCER , TOUJOURS SOUS LA SURVEILLANCE RAPPROCHÉE D’UN STAFF PRÊT À INTERVENIR À LA MOINDRE CONTRARIÉTÉ . Pourtant notre homme n’a aucunement besoin de me mettre en pilote automatique, mais pour d’au - chansons en figeant chaque mouvement et transi - telles mesures. Il reste avant tout intègre, ne fait ja - tres, je dois faire très attention, devant faire face à tion. Ensuite je les réécoutais autant de fois qu’il le mais semblant, répondant volontiers comme un de nombreux changements. Le solo appartient à fallait afin d’être pleinement satisfait, portant mon moulin à paroles sur les sujets qui l’intéressent, et cette seconde catégorie. Bien entendu, il ne faut pas attention sur le respect d’une certaine symétrie. vous rabattant le caquet dans le cas contraire. Nul négliger l’aspect « préparation physique » car cette Mais j’ai réalisé qu’il n’était pas forcément néces - doute qu’il sait se défendre tout seul, comme en at - musique réclame énormément d’énergie ! J’en parle saire d’appliquer une telle méthode.