Art, Architecture, and Nation
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
Post-ADE FAM Tour Classical Tour of History, Culture and Gastronomy April 18 - 22, 2018
Post-ADE FAM Tour Classical Tour of History, Culture and Gastronomy April 18 - 22, 2018 WHERE: Athens – Argolis – Olympia – Meteora –Athens WHEN: April 18-22, 2018 ITINERARY AT A GLANCE: • Wednesday, April 18 o Athens - Corinth Canal - Argolis - Nafplio • Thursday, April 19 o Nafplio – Arcadia - Olympia • Friday, April 20 o Nafpaktos – Delphi - Arachova • Saturday, April 21 o Hosios Lukas – Meteora • Sunday, April 22 o Meteora Monasteries – Thermopylae - Athens COST: Occupancy Price* Double Occupancy $735 Single Occupancy $953 Reservations on this tour MUST be made by December 31, 2017. WHAT’S INCLUDED*: • Private Land Travel o 5-day excursion o Private vehicle o English speaking driver o Gas and toll costs o Fridge with water, refreshments and snacks • Private Guided tours o Mycenae (1.5hr) - State licensed guide o Epidaurus (1.5hr) - State licensed guide o Nafplio Orientation tour (1.5 hr) - State licensed guide o Olympia (2hrs) - State licensed guide o Augmented reality Ipads o Delphi (2hrs) - State licensed guide o Meteora (3.5hrs) – Sunset tour – Specialized local guide o Meteora (5 hrs) – Monasteries tour - State licensed guide Classical Tour of History, Culture and Gastronomy I April 18 - 22, 2018 I Page 1 of 6 WHAT’S INCLUDED (cont.)*: • Entry Fees o Mycenae o Epidaurus o Olympia o Delphi o Hosios Lukas o Meteora Monasteries • Activities o Winery Visit & Wine Tasting in Nemea o Winery Visit & Wine Tasting in Olympia o Olive oil and olives tasting in Delphi • Meals o Breakfast and lunch or dinner throughout the 5-day itinerary • Taxes o All legal taxes • Accommodations– Double room occupancy o Day 1– Nafplio 4* hotel o Day 2 – Olympia 4* hotel o Day 3 – Arachova 5* hotel o Day 4 – Meteora 4* Hotel ESSENTIAL INFORMATION: • A minimum of 2 persons is required to operate this tour. -
Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda Mcclelland Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Summer 8-26-2013 Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda McClelland Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation McClelland, Grizelda, "Constructions of Childhood on the Funerary Monuments of Roman Athens" (2013). All Theses and Dissertations (ETDs). 1150. https://openscholarship.wustl.edu/etd/1150 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Classics Department of Art History and Archaeology Dissertation Examination Committee: Susan I. Rotroff, Chair Wendy Love Anderson William Bubelis Robert D. Lamberton George Pepe Sarantis Symeonoglou Constructions of Childhood on the Funerary Monuments of Roman Athens by Grizelda D. McClelland A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2013 St. Louis, Missouri © 2013, Grizelda Dunn McClelland Table of Contents Figures ............................................................................................................................... -
The Phokikon and the Hero Archegetes (Plate54)
THE PHOKIKON AND THE HERO ARCHEGETES (PLATE54) A SHORT DISTANCE WEST of the Boiotian town of Chaironeia the Sacred Way I Lcrossed the border into Phokis. The road went past Panopeus and on toward Daulis before turning south toward the Schiste Odos and, eventually, Delphi (Fig. 1). To reach the famous crossroads where Oidipos slew his father, the Sacred Way first had to pass through the valley of the Platanias River. In this valley, on the left side of the road, was the federal meeting place of the Phokians, the Phokikon.1 This is one of the few civic buildings from antiquity whose internal layout is described by an eyewitness.2 Pausanias says, Withrespect to size the buildingis a largeone, and withinit thereare columnsstanding along its length; steps ascend from the columnsto each wall, and on these steps the delegatesof the Phokianssit. At the far end there are neithercolumns nor steps, but a statuegroup of Zeus, Athena, and Hera; the statueof Zeus is enthroned,flanked by the goddesses,with the statueof Athenastanding on the left (1O.5.2).3 Frazersuggested that the interior of the building resembledthe Thersilion at Megalopolis.4 The location of a federal assembly hall so close to the border with Boiotia, an often hostile neighbor, seems puzzling, but given the shape of the entire territory of Phokis, the position of the Phokikonmakes sense (Fig. 2). As Philippson noted, "Die antike Landschaft Phokis ist nicht nattirlichbegrenzt und kein geographisch einheitliches Gebiet."5 Ancient Phokis was dominated by Mount Parnassos, and the Phokians inhabited two distinct 1 An earlier draft of this paper was delivered at the 92nd Annual Meeting of the Archaeological Institute of America (San Francisco 1990; abstract, AJA 1991, pp. -
The Art and Archaeology of Ancient Greece Judith M
Cambridge University Press 978-1-107-00123-7 - The Art and Archaeology of Ancient Greece Judith M. Barringer Frontmatter More information The Art and This richly illustrated, color textbook introduces the art and Archaeology of archaeology of ancient Greece, from the Bronze Age through the Roman conquest. Suitable for students with no prior knowledge of Ancient Greece ancient art, this book reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what “messages” they transmitted, and how the surrounding environment shaped their meaning. The book includes more than 500 illustrations (with over 400 in color), including specially commissioned photographs, maps, fl oorplans, and reconstructions. Judith Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta fi gurines, reliefs, jewelry, armor, and wall paintings. Numerous text boxes, chapter summaries, and timelines, complemented by a detailed glossary, support student learning. • More than 500 illustrations, with over 400 in color, including specially commissioned photographs, maps, plans, and reconstructions • Includes text boxes, chapter summaries and timelines, and detailed glossary • Looks at Greek art from the perspectives of both art history and archaeology, giving students an understanding of the historical and everyday context of art objects Judith M. Barringer is Professor of Greek Art and Archaeology in Classics at the University of Edinburgh. Her areas of specialization are Greek art and archaeology and Greek history, myth, and religion. -
Views of Greece, Egypt and Constantinople, Circa 1853-1857
http://oac.cdlib.org/findaid/ark:/13030/kt809nf7gk No online items Finding Aid for Views of Greece, Egypt and Constantinople, circa 1853-1857 Finding aid prepared by Ann Harrison. Finding Aid for Views of Greece, 2001.R.1 1 Egypt and Constantinople, circa 1853-1857 ... Descriptive Summary Title: Views of Greece, Egypt and Constantinople Date (inclusive): circa 1853-1857 Number: 2001.R.1 Creator/Collector: Robertson, James, 1813-1888 Physical Description: 5.3 linear feet(3 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: The collection comprises sixty-nine photographs of Greece, Egypt and Constantinople attributed to the British photographer James Robertson. The majority of these photographs record the ancient monuments of the city of Athens. The remainder document a small number of ancient Greek sites outside Athens, as well as various architectural monuments in Constantinople. Photographs of one ancient and one Islamic monument in Egypt are also included. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical/Historical Note Although James Robertson's photographs have enjoyed broad popularity both in his time and today, until recently many details of his life and career have remained obscure. New research has significantly altered the facts presented in much of the earlier scholarship and helped to clarify the professional relationship between Robertson and Felice Beato, his collaborator. Of Scottish descent, James Robertson was born in Middlesex outside London in 1813. -
Gennadeion Notes, I
GENNADEION NOTES, I (PLATES 119-124) T nHE Gennadius Library, though it has been an integral part of the American School of Classical Studies since 1926, has too often remained terra incognita, or parum cognita, to many of the School's members and visitors. The reasons are not far to seek. As a collector and bibliophile,John Gennadiustook for his subject Greece, Greece in all its aspects and of all periods, classical, medieval and modern alike. Much of the collection, therefore, lies outside the normal range of classical studies. More- over, the classical section, rich though it is in certain restricted areas, notably in Renaissance editions of Greek authors and in early archaeological publications, is far from adequate for most types of research. By deliberate policy, to avoid unnecessary duplication with the main library of the School, new accessions are made almost en- tirely in the post-classical fields, and the classical portion of Gennadius' collection remains substantially as he left it. Nevertheless, it 'contains many rare items of great value and interest to the student of antiquity, and it seems appropriate, as occasion offers, to call some of these to the attention of classicists through the pages of Hesperia. The followingInote is presented, optimistically, as the first of a proposed series. I. ENGLISH ARCHAEOLOGICAL DRAWINGS OF THE XVIIITmI CENTURY' The Antiquities of Athens, measured and delineated by James Stuart, F.R.S. and F.S.A., and Nicholas Revett, painters and architects: Volume the first was printed in London in 1762. The list of subscribers, headed by the King, is long and impressive, running to five large folio pages in double columns. -
Studies in Pausanias' Periegesis Akujärvi, Johanna
Researcher, Traveller, Narrator : Studies in Pausanias' Periegesis Akujärvi, Johanna 2005 Link to publication Citation for published version (APA): Akujärvi, J. (2005). Researcher, Traveller, Narrator : Studies in Pausanias' Periegesis. Almqvist & Wiksell International. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Studia Graeca et Latina Lundensia 12 Researcher, Traveller, Narrator Studies in Pausanias’ Periegesis Johanna Akujärvi Lund 2005 Almqvist & Wiksell International Stockholm/Sweden © 2005 Johanna Akujärvi Distributed by Almqvist & Wiksell International P.O. Box 7634 S-103 94 Stockholm Sweden Phone: + 46 8 790 38 00 Fax: + 46 8 790 38 05 E-mail: [email protected] ISSN 1100-7931 ISBN 91-22-02134-5 Printed in Sweden Media-Tryck, Lund University Lund 2005 To Daniel Acknowledgements There are a number of people to whom I wish to express my gratitude. -
University Profile
The 12th Annual Journey to Greece 2017 Summer Program June 24 – July 22, 2017 Summer of 2017, study at a fully accredited US University in Greece; learn about modern and ancient Greece. Leave your myth in Greece; see and experience the beauty of the country and its people and earn transferable University credits Building on the solid foundation of the highly successful Journey to Greece programs that have been offered in every year since 2006, AHEPA and Webster University are once again offering an unforgettable learning experience for new and returning college age students. The Journey to Greece program, which is sponsored by AHEPA, has been specially designed to immerse young students in a wonderful learning experience celebrating Greek society and culture. New courses, exciting excursions and special arrangements make the Journey especially attractive to returning students. AHEPA adult advisors will help supervise the students while they attend the program. About Webster University History Webster University, founded in 1915 with its home campus based in St. Louis, Missouri, USA, is the only Tier 1, private, nonprofit university with campus locations around the world including metropolitan, military, online and corporate, as well as American-style traditional campuses in North America, Europe and Asia. With over 160,000 Alumni and 22,000 students from 50 States and 148 Countries Webster is defining global education for the future. Small, highly interactive classes encourage innovation, collaboration, and self-expression. Students have all the advantages of a student-centered university that supports personalized learning and gives every student an opportunity to excel. Webster University Study Abroad programs are ranked in the top 2 percent by U.S. -
Zeus Temple at Olympia ROSS HOLLOWAY, R
Panhellenism in the Sculptures of the Zeus Temple at Olympia ROSS HOLLOWAY, R. Greek, Roman and Byzantine Studies; Summer 1967; 8, 2; ProQuest pg. 93 Panhellenism in the Sculptures of the Zeus Temple at Olympia R. Ross Holloway REEK ARCHITECTURAL SCULPTURE in stone is as old as the Greek G stone temple. By the early fifth century B.C. the Greeks had also developed the idea of programmatic design in archi tectural sculpture. The thematic connections were simple and concrete. The metopes ofthe Athenian Treasury at Delphi, for example, present the comparison of the labors of Herakles and of Theseus. At Aigina the program occupying the pediments of the Aphaia Temple consisted of scenes from the two Greek expeditions against Troy. A century later, however, thematic planning of architectural sculp ture had moved far beyond such simple and obvious programs and could be conceived with connections that were more suggestive and abstract than declarative and concrete. A case in point is the Nereid Monument at Xanthos in Lycia, a princely tomb designed by a Greek architect and decorated by Greek artists at the beginning of the fourth century B.C. As interpreted by Panofsky,l the frieze of the podium combines scenes from the career of the owner of the tomb with mythical scenes meant to reflect that career on an heroic plane. In the colonnade celestial abstractions suggest a benevolent atmosphere. A final motive of apotheosis is expressed by figures of the Dioskouroi in the pediments. The century between the Aphaia Temple and the Nereid Monu ment saw the design and execution of the monumental architectural sculpture of the high classical age. -
Christopher Bakken All Rights Reserved
after EECE chr istopher bakkenpoems by Truman State University Press New Odyssey Series Truman State University Press Kirksville, Missouri 63501 Copyright © 2001 Christopher Bakken All rights reserved. Published 2001 Printed by Thomson-Shore, Dexter, Michigan, USA Cover illustration: Brygos Painter (5th bce). Maenad (Bacchant), Attic Wine Cup, 490 bce. Staatliche Antikensammlung, Munich. Erich Lessing/Art Resource, N.Y. Cover design: Teresa Wheeler, Truman State University designer Body type Bembo 12/14 by Agfa Monotype Library of Congress Cataloging-in-Publication Data Bakken, Christopher, 1967– After Greece : poems / by Christopher Bakken p. cm. — (New odyssey series) ISBN 1-931112-00-2 (alk. paper) —ISBN 1-031112-01-0 (pbk.) PS3602.A59 A69 2001 811'.6—DC21 2001023530 Some of the poems herein first appeared in other publications: Boulevard: “The Shape of Seconds”; Descant: “Home Thoughts, From Abroad”; Fathoms: “The End of a Century, Hortiatis”; Gettysburg Review: “Traverse”; Gulf Coast” “Ravenna”; Modern Poetry in Translation: “Orthodoxy”; The Paris Review: “Dido,” “Daughter,” “Cliff Lullaby,” “Pro- teus,” “Philoctetes,” “A Concert of Ancient Music”; Parnassus: Poetry in Review: “Burn- ing the Turk”; Sewannee Theological Review: “Alexandroupoli”; Southwest Review: Te r r a Incognita”; Tampa Review: “Melisses”; Texas Review: “The Maenad of Perea,” “Santorini”; Western Humanities Review: “Dion,” “On Ruins,” “Finding the Stones.” No part of this work may be reproduced or transmitted in any format by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval sys- tem, without permission in writing from the publisher. The paper in this publication meets or exceeds the minimum requirements of the American Nation al Standard—Permanence of paper for Printed Library materials ANSI Z39.48 (1984). -
Working Paper, Not for Distribution Without Permission of the Author
Working paper, not for distribution without permission of the author. Tonio Hölscher: Myths, Images, and the Typology of Identities in Early Greek Art 1. Identity: Problems with a modern concept in present times and in the past ‘Identity’, in its double sense as an individual and a collective concept, has since the 1970es become a key term of discourse on historical as well as contemporary societies. The notion of ‘identity’ is not only used as a descriptive category of historical and sociological analysis but is also, and above all, asserted as a legitimate claim of individual and collective entities: Individual persons as well as social groups or national populations claim the right to live according to, and to fight for their identity. In the context of this conference, it is the aspect of collective identity I am going to focus on. Nobody will deny the importance of the concept of collective identity: Communities cannot exist without a conscious or unconscious definition of what they are. That is how they can identify themselves. Nor will anybody on principle contest the right of communities to cultivate and defend their identity: We concede this right to the Greeks in their fight against the Persians as well as to contemporary peoples that are suppressed by superpowers or threatened by foreign enemies. But on the other hand, it is also evident that such emphasis on identity is anything but innocent. For there can be no doubt that during the last generation the increasing assertion of collective and national identity has produced an enormous potential of conflicts throughout the world.