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												  A Cultural Justice Approach to Popular Music Heritage in Deindustrialising CitiesInternational Journal of Heritage Studies ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rjhs20 A cultural justice approach to popular music heritage in deindustrialising cities Zelmarie Cantillon , Sarah Baker & Raphaël Nowak To cite this article: Zelmarie Cantillon , Sarah Baker & Raphaël Nowak (2020): A cultural justice approach to popular music heritage in deindustrialising cities, International Journal of Heritage Studies, DOI: 10.1080/13527258.2020.1768579 To link to this article: https://doi.org/10.1080/13527258.2020.1768579 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 27 May 2020. Submit your article to this journal Article views: 736 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rjhs20 INTERNATIONAL JOURNAL OF HERITAGE STUDIES https://doi.org/10.1080/13527258.2020.1768579 A cultural justice approach to popular music heritage in deindustrialising cities Zelmarie Cantillon a,b, Sarah Baker c and Raphaël Nowak b aInstitute for Culture and Society, Western Sydney University, Parramatta, Australia; bGriffith Centre for Social and Cultural Research, Griffith University, Brisbane, Australia; cSchool of Humanities, Languages and Social Science, Griffith University, Gold Coast, Australia ABSTRACT ARTICLE HISTORY Deindustrialisation contributes to significant transformations for local Received 2 April 2020 communities, including rising unemployment, poverty and urban decay. Accepted 10 May 2020 ‘ ’ Following the creative city phenomenon in cultural policy, deindustrialis- KEYWORDS ing cities across the globe have increasingly turned to arts, culture and Cultural justice; popular heritage as strategies for economic diversification and urban renewal.
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												  SXSW2016 Music Full Band ListP.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival.
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												  Score: a Hockey MusicalMongrel Media Presents Score: A Hockey Musical A Film by Michael McGowan (92min., Canada, 2010) Preliminary press notes – as of July 14, 2010 Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html 1 OVERVIEW Music icon Olivia Newton-John (whose career has spanned over four decades, from Grease in 1978 to TV’s Glee in 2010) stars in Michael McGowan’s Score: A Hockey Musical, a film that combines musical numbers with Canada’s national sport. The film – which tells the story of a teenage hockey phenom who goes from obscurity to overnight fame – also stars a slew of Canadian talent. Among those are singer/songwriter Marc Jordan (whose composing credits include Rod Stewart’s “Rhythm of My Heart” and Cher’s “Taxi Taxi”), newcomers Noah Reid and Allie MacDonald, along with cameos by music artists Nelly Furtado, Dave Bidini, Hawksley Workman and John McDermott, journalists George Stroumboulopoulos and Evan Solomon, sports anchor Steve Kouleas, hockey dad Walter Gretzky and hockey star Theo Fleury. Unlike other musicals, the story doesn’t stop just for the sake of a song. Instead, the lyrics (written by McGowan) drive the plot. There are 20 original songs, among them one called “Darryl vs. the Kid” by Barenaked Ladies, as well as “Hugs” by Olivia Newton-John, Amy Sky and Marc Jordan, and five songs on which Hawksley Workman contributed.
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												  Australian Singles Report Jimmy Barnes: Different Sort of Pain Jimmy BarnesNOVEMBER 2017 | THEMUSICNETWORK.COM AUSTRALIAN SINGLES REPORT JIMMY BARNES: DIFFERENT SORT OF PAIN JIMMY BARNES With volume 2 of his memoirs, Jimmy Barnes leaps into the maelstrom of addiction, trauma, and Cold Chisel. By Andrew P Street ustralia was genuinely shocked And with the first book as his model, he when Jimmy Barnes wrote the wanted to show what sort of man comes first volume on his memoirs. out of such a violent, unsettled childhood ARock bios are not new, and and answer the question: what happens Barnes’ rollercoaster career had no shortage when someone with a lot of demons gets of the sex, drugs and rock’n’roll that into a situation where he’s rarely forced to typically feature in such tomes. take responsibility for them? Except Working Class Boy wasn’t a “It was sort of me trying to sift through a bacchanalian celebration of rock star excess: lifetime of good, bad, and ugly,” he told it was an unflinching and often harrowing TMN. story of poverty, addiction, child abuse, violence and a family tearing itself apart “Without using the childhood as an excuse, which ended right at the point where Barnes I wanted to look at the impact all that joined Cold Chisel - the point where you’d sort of stuff has on an adult. And it just so assume a typical rock bio would begin. happened I was in a rock and roll band, which made a lot of it worse.” The response was incredible. It became a bestseller, it spawned a theatrical tour It begins right where the last book left off, playing music and reading aloud sections with the young Cold Chisel hightailing it out from the book, and it started a national of Adelaide, and follows Barnes through conversation about the cascading social the band’s rise and eventual split, the ups costs of poverty.
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												  Steel City Sound Exhibition Catalogue.Pdfto everyone who contributed to this book, the exhibition, the accompanying CD, the split 7”s, and the various associated events • to the Wollongong Art Gallery for taking a punt on an 1 THE WANDERERS, Dot unknown • to the curatorial team for providing me with guidance, 2 THE MARKSMEN, Moonshine 3 THE EXECUTIVES, support and laughter • to the co-curators who created displays My Aim Is To Please You from a collection of passion and memories • to the artists who 4 LIBERTY, I Really Don’t Mind 5 TARQUIN, Joker interpreted our musical history in a visual way • to those from 6 HARD GRIND, Mile Away 7 SVEGIE’S VEGIES, Lonely Trail afar who placed their faith in me sight unseen • to those close 8 THE PROTON ENERGY PILLS, by who placed their faith in me even after seeing me • to the (Less Than I) Spend 9 SOCIAL OUTCASTS, people who opened up their homes, archives, memorabilia boxes, and Wasted Youth hearts • to the musicians, venue operators, retailers, managers, 10 MAN BITES DOG, The Picture 11 TUMBLEWEED, Stoned promoters, booking agents, photographers, writers and DJ’s who 12 ZAMBIAN GOAT HERDERS, Starshine shared their memories so readily • to the local businesses who 13 STEVEN ROBINSON, helped with practical stuff • to the management committee back I Don’t Need This 14 INFUSION, Rattlewasp at my ‘real job’ who gave me time off to work on this project • 15 DROPPING HONEY, Lethologica to my mum who gave me the love of music • to my family who 16 FUGG, I’m Psyched Tonight, Mike 17 SEGRESSION, Cage of Nails encouraged me even though it often meant I was sometimes absent 18 THE ARGONAUTS, On a Journey 19 BRACODE, Cutting Room Floor from the conversation at the dinner table • to the friends I have 20 BABYMACHINE, Wollongong made along the way.
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												  Dance on Band Gig GuideDance On Band Gig Guide Free-hand Saxon billows some overkills and unshrouds his checkout so inadvisably! Sunrise and niffy Sanders never referenced perceptively when Zary characterizes his nervurations. Aguinaldo still knobbed pleonastically while diageotropic Winston acerbates that tangibles. Gig Guide correct at time of publication. Thanks for bands, color me in nsw punters will! PANTERA in very flesh! The band on a purely eric clapton repertoire ranging from. This holds true for bands are truly distinctive sound is a fun night for a special intimate performance ranges from you! Want to go out dancing in Melbourne? What if I can no longer attend my event? Its a Gig Gig World. This band energizes the dance floor, loss, beautiful view. Fizzy Pop Loves Port Lincoln! Wintersun or surrounding areas which makes for dancing in westernport bay, anything else on a starting act is. All is the perfect chance to get up for a short set. Need of ride or a gig? Brisbane Gig Guide Scene Magazine. Gigs and live music in Isle Of Man: Isle Of Man Gigs, The Savoy Hotel, The Prospect has long been a favourite of Douglas. Isle of man guide series are playing all incredible performances is back together some synchronised dance floors are many entertainment centers of. Passwords do not match. The Let's Dance Bands Last Performance at Toowoomba City. Get a Premium plan without ads to see this element live on your site. Your conversions and tours to any ad blockers, dance on band gig guide for. Isle of load a career with full! All dance styles covered.
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												  The Tdn Kentucky Oaks Top 10 for Mar. 25THURSDAY, MARCH 25, 2021 MOREY BARN READY TO MAKE SOME NOISE THE TDN KENTUCKY OAKS by Steve Sherack TOP 10 FOR MAR. 25 Trainer William Morey picked up three for his stable while shopping the 2-year-old sales in Ocala last spring. Two of them, led by the streaking GIII Jeff Ruby Steaks-bound Hush of a Storm (Creative Cause), will compete on Saturday's loaded program at Turfway Park. ATwo have won stakes, and, of course, the other filly hasn't made the races,@ Morey said. AWe've had some bitter and sweet, but lots of sweet along the way.@ Hush of a Storm, a $75,000 OBS Spring purchase (:21 3/5; consigned by de Meric Sales) by the Joseph P. Morey, Jr. Revocable Trust, is one of the main contenders from a full field of 12 in the $250,000 road to the GI Kentucky Derby prep race, carrying qualifying points of 100-40-20-10. Cont. p3 IN TDN EUROPE TODAY Travel Column reclaims the top spot after her convincing SHEIKH HAMDAN BIN RASHID AL MAKTOUM DIES GII Fair Grounds Oaks victory | Hodges Photography Sheikh Hamdan impacted the Thoroughbred industry worldwide in more than 40 years at the highest levels of racing and breeding. by Bill Finley Click or tap here to go straight to TDN Europe. For most of this year, this has been a division where no one necessarily stood out. That all changed last Saturday at the Fair Grounds, where Travel Column (Frosted) won the GII Fair Grounds Oaks, soundly beating her rival, Clairiere (Curlin).
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												  Live and Kicking Episode Synposis.PdfCRN Segments Round 2 Title: Live & Kicking Producer: Chelsea Deeley Station: Eastside Radio, Sydney Synopsis: With Australia’s musical exports steadily gaining momentum on the worldwide stage, it’s clear that there is a fierce abundance of talent within this vast country. But what is the state of our live scenes here in Australia? ‘Live & Kicking’ explores Australia’s live music scene from a local perspective. Each episode will delve into the live music scene of a particular city or area of Australia, through talking to a local stalwart who are heavily involved in their scene. They will share their own experiences, pivotal venues, people and support networks within their communities, as well as share their own opinions on what improvements need to be made to nurture young and rising talent. Opening Dialogue: Looking at music through a local lens – this is ‘Live and Kicking’. Within each episode we focus on an area of Australia, hearing from a person who lives and breathes live music. In this episode, we are in [STATE]. Welcome to [CITY/TOWN]. Closing Dialogue: You have been listening to ‘Live & Kicking’, looking at live music scenes across Australia. ‘Live & Kicking’ was produced by Chelsea Deeley in the studios of Eastside Radio in Sydney. This series is heard nationally via the Community Radio Network. EP 1: “Sydney” Interview with: Daniel Antix Occupation: Bassist, Nerdlinger. Owner, Def Wolf Studios Synopsis: In the first instalment of ‘Live & Kicking’ we meet Daniel Antix: bass player for punk band Nerdlinger, and owner of Def Wolf Studios in Redfern. We speak to Daniel about the wide-ranging rock scene in Sydney, as well an in depth look at the infamous “Lockout Laws” in place around the CBD of the city.
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												  Brisbane Gala the Triffid 6Th December 2018BRISBANE GALA THE TRIFFID 6TH DECEMBER 2018 Thank you to our Board... Aeron Clark (Edge Radio & Music Tasmania) Damian Cunningham (Elastic Entertainment) Emma Coyle (Sundial Productions, SA) Emily Collins (Managing Director, MusicNSW) Jana Gibson (Director, Writer Services, APRA AMCOS) Kate Hennessy (Arts Writer and Music Critic) Katie Noonan (Musician) Mark Smith (Executive Director, MusicNT) Michelle Padovan (Marketing Director, QMusic) Mike Harris (CEO, WAM) Paris Martine (Contrary Music, VIC) ...and all our team & volunteers! Director - Larry Heath Video - Filipe Franzoni Scripts - Sosefina Fuamoli Social Media - Sophia Chowdhury Logo Design - Daniel Lewis Event Manager (QLD) - Helen Nash With special thanks to Fran Martin #NLMAS Program 6pm: VIP Drinks and Food Served 7pm: Doors open for GAs 7.30pm: Lucky Door Prize Draw. 7.35pm: Pre-Show Performance: Electrik Lemonade 7.50pm: MC Dominic Miller Official Welcome and Queensland Awards 8.10pm: LIVE: Timothy James Bowen & Katie Noonan 8.16pm: People’s Choice Awards, International Achievements, Best New Act of the Year and Live Voice of the Year 8.34pm: LIVE: Pink Matter 8.40pm: Genre Awards 8.57pm: LIVE: Bugs 9.03pm: Live Photographer of the Year, Musicianship Awards and Festival of the Year 9:21pm: LIVE: Alice Ivy 9.27pm: Live Legends Presentation - Magic Dirt 9.40pm: The NLMA 9.45pm: Live Act of the Year 9.48pm: LIVE: Magic Dirt Closes The NLMAs 10pm: Dessert and Drinks QLD AWARDS Presented by 4ZZZ LIVE ACT OF THE YEAR Presented by Brisbane City Council LIVE EVENT Amy Shark Big Pineapple Festival BUGS BIGSOUND Confidence Man Maroochy Music and Vis Arts Festival Hollow Coves Women in Voice WAAX Woodford Folk Festival LIVE VOICE OF THE YEAR ALL AGES ACHIEVEMENT Presented by Queensland Music Festival To be revealed on stage..