New York City

Total Page:16

File Type:pdf, Size:1020Kb

New York City july 3 0-august 19, 2010 ww w.documentar y. org new york IFC Center: 323 Sixth Av enue at West Third Street About IDA Your IDA at Work Founded in 1982, the IDA Wikipedia categorizes advocacy as an effort to Earlier this year, we also filed a 59-page brief with the is a nonprofit 501(c)(3) “influence public-policy and resource allocation FCC explaining the importance of net neutrality as it organization that supports decisions within political, economic, and social relates to documentary filmmakers; petitioned the systems and institutions; it may be motivated U.S. Copyright Office for fair use exemption to the documentary filmmaking from moral, ethical or faith principles or simply to DMCA (Digital Millenium Copyright Act), which worldwide. At IDA, we believe protect an asset of interest.” criminalizes the digital copying of DVDs even if used that the power and artistry of The IDA’s advocacy is motivated from moral and to exercise fair use; and filed an amicus brief in U.S. the documentary art form are ethical principles as well as protecting an asset of vs. Stevens, which, had it been overturned by the vital to cultures and societies interest. That asset is the work of documentary Supreme Court, would have criminalized legitimate globally, and we exist to filmmakers — the varied, vital, and important depictions of animal cruelty in the line of journalism. serve the needs of those nonfiction work produced by IDA members and Yowsa. That’s a lot of advocating — on some who create this art form. the greater documentary community. And it’s pretty serious issues. And cliché as it may be, been quite a busy year for us where advocacy’s we can’t do all this without help from generous IDA is the portal into concerned. As if awakened from a slumber, we’ve supporters like you. In order to have the staff, the world of documentary been on something of an advocacy bender. The informational and institutional resources, and “Lost Weekend” of fervent advocating, if you will. organizational muscle to target and substantiate filmmaking. We provide these efforts, we need to be fully operational. up-to-date news, information Most recently, we filed an amicus brief in support of filmmaker, Joe Berlinger, who had been ordered by a So what can YOU do? and community through our New York judge to turn over all of the footage shot website, documentary.org, Please make a generous donation to help for his film “Crude” to oil giant Chevron. A copy of IDA support documentary filmmaking and and our quarterly publication, this brief which includes detailed and heartfelt the courageous individuals who create this Documentary Magazine. statements from many notable filmmakers, including unique and important art form. Our major program areas yours truly, can be found at documentary.org. Sincerely, are: Advocacy, Filmmaker Prior to the brief, we co-authored an open letter containing over 200+ (and eventually nearly 400) Services, Education, and filmmakers signing on in support of Berlinger. Public Programs and Events. Eddie Schmidt We promote and celebrate President, IDA Board of Directors nonfiction filmmakers and we are dedicated to increasing public awareness and appreciation for the CHECK: Yes, I support IDA! To help, I’m enclosing my gift of: documentary genre. I $25 I $40 I $50 I $60 I $80 I $___________ _____________ ONLINE: To make a donation online, please go to documentary.org/donate For more information visit PLEASE MAIL THIS FORM TO: www.documentary.org . CREDIT: I VISA I MASTERCARD I DISCOVER I AMEX IDA 1201 W. 5th Street NAME ON CARD AMOUNT OF GIFT $ Suite M270 Los Angeles, CA 90017 ACCOUNT # EXPIRATION DATE Your contribution to IDA SIGNATURE PHONE ( ) is tax deductible. EMAIL Thank you very much. IDA’s 14th Annual DocuWeek s™ Theatrical Documentary Showcase SPECIAL THANKS • HBO Documentary Films • Harris Dew, John Vanco • Langley Productions & the entire staff at IFC Center • Documentary Channel • Chad Brice & the entire staff at ArcLight Hollywood • FotoKem • DocuWeek s™/DOCtober ™ Ticket Information • Chainsaw founders Mitchell Block Tickets for individual DocuWeeks ™ films at the IFC Center • Westdoc Conference and Betsy McLane are $ 13 for general admission, $8 for IDA members, and • Jonathan Liebert & • and all of our Hermosa Beach Filmworks wonderful volunteers $9 for seniors and students. Tickets can be purchased at the IFC Center box office located 2010 DOCUWEEKS SCREENING COMMITTEE at 323 Sixth Avenue at West Third Street, New York, NY 10014, Adam Chapnick Lynne Littman Rich Samuels or online at www.documentary.org/docuweeks20 10. Sara Hutchison Thomas G. Miller Audrey Stein Senain Kheshgi Steve Reich Susan West DocuWeeks is a trademark of the International Documentary Association. Christina Linhardt Marjan Safinia Nancy Willen SPONSORED BY The West Coast Documentary and Reality Conference CONFERENCE www.documentary.org 3 WEEK 1 : JULY 30 - AUG 5 Apaporis DIRECTOR/WRITER: Antonio Dorado PRODUCERS: Alberto Dorado, Juan Carlos Paredes, Omar Dorado Fundación Imagen Latina | 72 min. | Colombia Fri 7/30 12:05 pm 5:45 pm Apaporis follows the journey of ethnobotanist Richard Evans Schultes, who, in 1941 led an Sat 7/31 2:05 pm 7:50 pm epic 12-year research trip down the Amazon and through the Andes, navigating unknown Sun 8/1 4:00 pm 9:50 pm rivers, collecting new plant species, establishing friendships with indigenous tribes and un - covering age-old secrets of sacred plants. The filmmakers navigated the Apaporis river, Mon 8/2 12:05 pm 5:45 pm and sought the cultures that Schultes found, with surprising results. Apaporis records the Tue 8/3 2:05 pm 7:50 pm present state of the customs and beliefs of the communities, such as the use of psy - Wed 8/4 4:00 pm 9:50 pm chotropic plants and the threats to community survival, posed by increasing globalization. Thu 8/5 12:05 pm 5:45 pm Louder Than a Bomb DIRECTORS/PRODUCERS: Greg Jacobs, Jon Siskel Siskel/Jacobs Productions 100 min. | USA Fri 7/30 3:35 pm 9:45 pm Louder Than a Bomb tells the story of four Chicago high school poetry teams as they pre - Sat 7/31 12 noon 7:40 pm pare for and compete in the world’s largest youth slam. By turns hopeful and heartbreak - Sun 8/1 3:35 pm 9:45 pm ing, the film captures the tempestuous lives of these unforgettable kids, exploring the ways writing shapes their world, and vice versa. Louder Than a Bomb is about language as Mon 8/2 3:35 pm 9:45 pm a joyful release, irrepressibly talented teenagers obsessed with making words dance, and Tue 8/3 12 noon 7:40 pm the communities they create along the way. While the topics they tackle are often deeply Wed 8/4 3:35 pm 9:45 pm personal, what they put into their poems, and what they get out of them, is universal: the defining work of finding one’s voice. Thu 8/5 3:35 pm 9:45 pm Steam of Life (Miesten vuoro) DIRECTORS/WRITERS: Joonas Berghäll, Mika Hotakainen PRODUCER: Joonas Berghäll Oktober Oy | 84 min. | Finland/Sweden Fri 7/30 1:45 pm 7:30 pm Naked Finnish men in saunas speak straight from the heart and in the warmth of rusty Sat 7/31 3:45 pm 9:50 pm stoves, cleansing themselves both physically and mentally towards the film’s deeply Sun 8/1 1:45 pm 5:40 pm emotional and unforgettable finale. The film travels through Finland, inviting men of all walks of life in many different saunas to share their touching stories about love, death, Mon 8/2 1:45 pm 7:30 pm birth and friendshi p—about life. Steam of Life reveals the men’s naked souls in an Tue 8/3 3:45 pm 9:50 pm exceptionally intimate and poetic way. Wed 8/4 1:45 pm 5:40 pm Thu 8/5 1:45 pm 7:30 pm 4 DOCU WEEKS 2010 week 1 Summer Pasture DIRECTORS/PRODUCERS: Lynn True, Nelson Walker True-Walker Productions 86 min. | USA/Tibet/China Fri 7/30 3:45 pm 9:40 pm Filmed in the high grasslands of eastern Tibet, with unprecedented access to a place Sat 7/31 12:05 pm 5:50 pm seldom visited by outsiders, Summer Pasture is a rare and intimate glimpse into the life Sun 8/1 2:00 pm 7:50 pm of a young couple and their infant daughter during a time of great transition. Locho and Yama are nomadic herders who carve their existence from the land as their ancestors Mon 8/2 3:45 pm 9:40 pm have for generations. But now, as traditional nomadic life confronts rapid modernization, Tue 8/3 12:05 pm 5:50 pm Summer Pasture captures a family at a crossroads, ultimately revealing the profound Wed 8/4 2:00 pm 7:50 pm sacrifice they will make to ensure their daughter’s future. Thu 8/5 3:45 pm 9:40 pm This Way of Life DIRECTOR: Tom Burstyn PRODUCER/WRITER: Barbara Sumner Burstyn Cloud South Films Ltd. | 88 min. | New Zealand Fri 7/30 1:50 pm 7:35 pm Set against the imposing mountains and isolated beaches in a remote part of North Is - Sat 7/31 3:50 pm 9:40 pm land, New Zealand, This Way of Life is an intimate portrait of a Maori famil y—Peter and Sun 8/1 12:05 pm 5:45 pm Colleen Karina and their six children, ages 2 through 1 1—and their relationship with each other, nature and horses.
Recommended publications
  • Brasilien Eine Einführung
    Peter Birle (Hg.) Brasilien Eine Einführung B I B L I O T H E C A I B E R O - A M E R I C A N A Veröffentlichungen des Ibero-Amerikanischen Instituts Preußischer Kulturbesitz Band 151 Wissenschaftlicher Beirat Peter Birle (Ibero-Amerikanisches Institut) Sandra Carreras (Ibero-Amerikanisches Institut) Ulrike Mühlschlegel (Ibero-Amerikanisches Institut) Héctor Pérez Brignoli (Universidad de Costa Rica) Janett Reinstädler (Universität des Saarlandes) Friedhelm Schmidt-Welle (Ibero-Amerikanisches Institut) Liliana Weinberg (Universidad Nacional Autónoma de México) Nikolaus Werz (Universität Rostock) Peter Birle (Hg.) Brasilien Eine Einführung Vervuert Verlag • Frankfurt am Main 2013 Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie: detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Alle Rechte vorbehalten. © Vervuert 2013 Elisabethenstr. 3-9 D-60594 Frankfurt am Main Iberoamericana c/ Amor de Dios, 1 E-28014 Madrid [email protected] www.ibero-americana.net ISSN 0067-8015 ISBN 978-3-86527-782-4 (Vervuert) Depósito legal: M-22966-2013 Umschlaggestaltung: Carlos Zamora Umschlagabbildung: Innenraum der Catedral Metropolitana Nossa Senhora Aparecida in Brasília (Ausschnitt). Gedruckt auf säure- und chlorfreiem, alterungsbeständigem Papier. Gedruckt in Spanien. Inhalt Einleitung 7 Peter Birle Im Spannungsfeld zwischen globalem Wandel und regionaler Dynamik. Die Großregionen Brasiliens 15
    [Show full text]
  • Sundance Institute Presents Institute Sundance U.S
    1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr.
    [Show full text]
  • The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi T Audiovisual Archives
    Copyright ©2012 Academy of Motion Picture Arts and Sciences. “Oscar,” “Academy Award,” and the Oscar statuette are registered trademarks, and the Oscar statuette the copyrighted property, of the Academy of Motion Picture Arts and Sciences. The accuracy, completeness, and adequacy of the content herein are not guaranteed, and the Academy of Motion Picture Arts and Sciences expressly disclaims all warranties, including warranties of merchantability, fi tness for a particular purpose and non-infringement. Any legal information contained herein is not legal advice, and is not a substitute for advice of an attorney. All rights reserved under international copyright conventions. No part of this document may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without permission in writing from the publisher. Published by the Academy of Motion Picture Arts and Sciences Inquiries should be addressed to: Science and Technology Council Academy of Motion Picture Arts and Sciences 1313 Vine Street, Hollywood, CA 90028 (310) 247-3000 http://www.oscars.org Printed in the United States of America Library of Congress Cataloging-in-Publication Data The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi t Audiovisual Archives 1. Digital preservation – Case Studies. 2. Film Archives – Technological Innovations 3. Independent Filmmakers 4. Documentary Films 5. Audiovisual I. Academy of Motion Picture Arts and
    [Show full text]
  • Sundance Institute Presents Institute Sundance U.S
    1 #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance Check website or mobile app for full description and content information. The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 110 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr.
    [Show full text]
  • Terri Ivens SAG FILM Director 86 MELROSE AVE
    Terri Ivens SAG FILM Director 86 MELROSE AVE. Supporting Lili Matta THE LAST EXORCIST Lead Robin Bain COVEN Lead Margret Malandruccolo GROWING UP Supporting Annabelle K. Frost UNTOLD Lead G. M. Garcia PIRANHACONDA Lead Roger Corman/Jim Wynorski HAPPENSTANCE Lead Brad Carlson/Eddie Schmidt IN THE HEAT OF PASSION Supporting Rodman Flender POINT BLANK Supporting Matt Earl Beesley STORYTELLING Supporting Paul Dalio CHICKS DIG GAY GUYS Supporting Nathan Apel MARKED FOR DEATH Supporting Dwight H. Little TRANCERS IV & V Lead David Nutter JIMMY HOLLYWOOD Supporting Barry Levinson TELEVISION – Partial List DEADLY MATRIMONY (MOVIE) Supporting LIFETIME THE AGENCY (PILOT) Series Regular CW THE BAY Series Regular AMAZON HOTEL DU LOONE Series Regular BRAT/YOUTUBE TAINTED DREAMS Series Regular AMAZON BACK STABBER Recurring AMAZON ALL MY CHILDREN Contract Role ABC THE BAREFOOT EXECUTIVE (MOVIE) Lead ABC THERE WAS A LITTLE BOY (MOVIE) Lead CBS BREAST MEN (MOVIE) Supporting HBO BOY MEETS WORLD Guest Star ABC CIVIL WARS Guest Star ABC THE BYRDS OF PARADISE Guest Star NBC MELROSE PLACE Guest Star FOX ENEMIES (PILOT) Series Regular FOX SECRET AGENT MAN Guest Star UPN THIS LIFE (PILOT) Guest Star NBC WAKE, RATTLE AND ROLL Series Regular NICKELODEON MARRIED WITH CHILDREN Guest Star FOX LIFE GOES ON Recurring ABC COACH Guest Star ABC BOYS WILL BE BOYS Series Regular FOX MEDICINE BALL Series Regular FOX TRAINING – Andrew Magarian and John Homa MANAGEMENT – TORQUE ENTERTAINMENT – PETER SCOTT 310.576.6025 AQUA TALENT – COURTNEY PELDON – 310.859.8889 .
    [Show full text]
  • UNAFF for SENIORS - a Documentary Film Series February 2020 – December 2020 | Free Admission
    UNAFF for SENIORS - A Documentary Film Series February 2020 – December 2020 | Free Admission Conceived in 1998 at Stanford University by film critic and educator, Jasmina Bojic, in conjunction with the 50th anniversary of the signing of the Universal Declaration of Human Rights, the United Nations Association Film Festival (UNAFF) screens international documentaries dealing with topics such as human rights, environmental survival, women's issues, children, refugee protection, homelessness, racism, disease control, universal education, war and peace. www.unaff.org Screening Location: Channing House, 1st floor auditorium, 850 Webster St, Palo Alto, CA 94301 MONDAY | 3:00 PM | FEBRUARY 10, 2020: A PROMISE TO THE DEAD: THE EXILE JOURNEY OF ARIEL DORFMAN | DIR/PROD: Peter Raymont (91 min, Argentina/Chile/Canada) Exiled writer Ariel Dorfman returns to Chile to discuss political strife of the 1970s. MONDAY | 3:00 PM | MARCH 9, 2020: WHO'S COUNTING? MARILYN WARING ABOUT SEX, LIES AND GLOBAL ECONOMICS | DIR: Terre Nash PROD: Kent Martin, National Film Board of Canada (94 min, Canada) Alternative vision of economics as a value system in which all goods and activities are related to monetary value MONDAY | 3:00 PM | APRIL 13, 2020: THE BATTLE OF CHERNOBYL | DIR: Thomas Johnson (94 min, France/Russia/Ukraine) Testimonials and unseen footage offer a new perspective on the Chernobyl nuclear disaster of 1986. MONDAY | 3:00 PM | MAY 11, 2020: WASTE LAND | DIR: Lucy Walker, Karen Harley, João Jardim, PROD: Angus Aynsley, Hank Levine (99 min, Brazil/UK/US) Modern artist Vik Muniz works with ‘waste pickers’ to create art out of recycled materials.
    [Show full text]
  • Bravo Post Producer
    POST SUPERVISOR: CRITICAL CONTENT, 2018 GET A ROOM WITH CARSON AND THOM [10 EP’s Reality Series] BRAVO POST PRODUCER: KARGA SEVEN PICTURES, 2017 THE HUNT FOR THE ZODIAC KILLER [5 EP’s Documentary Series] HISTORY CHANNEL POST SUPERVISOR: CRITICAL CONTENT, 2016 THE CASE OF: JONBENÉT RAMSEY [4 HR. Doc. Series, Dir. Eddie Schmidt] CBS POST PRODUCER: CHELSEA HANDLER PRODUCTIONS 2015 CHELSEA DOES… [4 EP’s Doc. Series Prod. by Eddie Schmidt, Morgan Neville] NETFLIX POST SUPERVISOR: FINE BROTHERS ENTERTAINMENT 2014 REACT TO THAT [12 EP’s Kid’s Reality Series, Fine Bros. / NCredible Prods.] NICKELODEON VP OF POST, POST SUPERVISOR: VIRGIL PROD. CENTER, GORDO ENT. 2012 – 2014 MARIO LOPEZ: ONE ON ONE [20 EP’s Interview Series] NUVOtv LOVE & SALSA [8 EP’s Dance Competition Series] NUVOtv PARENTAL PAYBACK [Comedy Pilot w/Jamie Kennedy, Stuart Krasnow Prod.] 20th CENTURY FOX POST SUPERVISOR: MORNINGSTAR ENTERTAINMENT 2008 – 2010 BAD UNIVERSE [3 EP’s Doc. Series w/Animated Segments] DISCOVERY CHANNEL MANHUNTERS: FUGITIVE TASK FORCE [39 EP’s Reality Series] A&E DEADLIEST WARRIOR [23 EP’s Reality Series] SPIKE MEDICAL STORIES [3 EP’s Documentary Series] TLC SECRET WORLDS [6 EP’s Documentary Series] TRAVEL CHANNEL SPECIAL OPS MISSIONS [6 EP’s Reality Series] DISCOVERY CHANNEL 7 SIGNS OF THE APOCALYPSE [Documentary] HISTORY CHANNEL PROJECT MANAGER, STUDIO MANAGER: AOL PRODUCTIONS 2006 – 2008 [Supervised the Design-Build of AOL’s Original Production Studio, Beverly Hills] AOL.COM POST SUPERVISOR: PLANET GRANDE PICTURES, 1997 – 2001 FRESHMAN YEAR [14 EP’s
    [Show full text]
  • 10-1918(L), 10-1966(CON) ______In the United States Court of Appeals for the Second Circuit ______
    Case: 10-1918 Document: 241 Page: 1 06/23/2010 57530 39 10-1918(L), 10-1966(CON) _______________________________ In the United States Court of Appeals for the Second Circuit ______________________________ CHEVRON COPRORATION, RODRIGO PEREZ PALLARES and RICARDO REIS VEGA, Petitioners-Appellees, JOSEPH BERLINGER, CRUDE PRODUCTIONS, LLC, MICHAEL BONFIGLIO, THIRD EYE MOTION PICTURE COMPANY, INC. and @RADICAL.MEDIA, INC., Respondents-Appellants. ______________________________ On Appeal from the United States District Court for the Southern District of New York ______________________________ BRIEF OF AMICI CURIAE INTERNATIONAL DOCUMENTARY ASSOCIATION, CENTER FOR ASIAN AMERICAN MEDIA, DIRECTORS GUILD OF AMERICA, INC., FILM INDEPENDENT, IFP, INC., LATINO PUBLIC BROADCASTING, NATIVE AMERICAN PUBLIC TELECOMMUNICATIONS, NATIONAL ASSOCIATION OF LATINO INDEPENDENT PRODUCERS, PACIFIC ISLANDERS IN COMMUNICATIONS, PRODUCERS GUILD OF AMERICA, TRIBECA FILM INSTITUTE, UNIVERSITY FILM AND VIDEO ASSOCIATION, WOMEN MAKE MOVIES, WRITERS GUILD OF AMERICA EAST, WRITERS GUILD OF AMERICA WEST AND INDIVIDUAL AMICI : PATRICIA AUFDERHEIDE, THEODORE BRAUN, KIRBY DICK, ALEX GIBNEY, ANDREW GOLDBERG, ROBERT KENNER, TIA LESSIN, EDDIE SCHMIDT AND RICKI STERN IN SUPPORT OF APPELLANTS Donaldson & Callif, LLP 400 S. Beverly Dr., Suite 400 Beverly Hills, CA 90212 (310) 277-8394 Counsel for Amici Curiae June 23, 2010 Case: 10-1918 Document: 241 Page: 2 06/23/2010 57530 39 CORPORATE DISCLOSURE STATEMENT Pursuant to Rule 26.1 of the Federal Rules of Appellate Procedure, amici
    [Show full text]
  • Fenton Bailey & Randy Barbato
    LA ‘14 Friday, 12/05 The Paramount Theater at Paramount Studios Los Angeles, CA 30 1 2 CONGRATULATIONS ON YOUR 2014 IDA AWARDS NOMINATION BEST LIMITED SERIES ©2014 Showtime Networks Inc. All rights reserved. 3 YEAR OF LIVING DANGEROUSLY - Showtime_YOLD_IDA_NomAd_FIN.indd 1 project: IDA NOMINATION FP 4C AD trim: 8.5" x 11" bleed: 8.75" x 11.25" mo#: 310940 FIN 11/13/14 4:52 PM client: SHOWTIME safe: 7.5" x 10" mech: 100% print: 100% date: 11/13/14 Our Sponsors luminary sponsor platinum sponsors gold sponsors silver sponsors bronze sponsors Law Offices of Larry Verbit Entertainment Law 4 pearl sponsors BIRDSTREET PRODUCTIONS media sponsor 5 RED FIRE FILMS honors and supports this year’s IDA Emerging Filmmaker. Congratulations to Darius Clark Monroe from Houston, Texas. redfirefilmsllc.com 6 December 5, 2014 SCHEDULE AWARDS CEREMONY 7:00 PM HOST: CAROL LEIFER Welcome Reception Celebrating 30 Years of the IDA Documentary Awards 30 Year Tribute Reel LOCATION: Bronson Plaza David L. Wolper Student Documentary Award 8:00 PM ABCNEWS VideoSource Award Awards Ceremony Pare Lorentz Award Best Curated Series Award LOCATION: Paramount Theater Emerging Documentary Filmmaker Award sponsored by Red Fire Films and Modern VideoFilm 9:30 PM Best Short Form Series Award After Party Preservation And Scholarship Award Sponsored by SHOWTIME® HUMANITAS Documentary Award LOCATION: Bronson Plaza Best Episodic Series Award Best Limited Series Award Pioneer Award Creative Recognition Awards: Best Cinematography presented by Canon Best Editing Best Music Best Writing
    [Show full text]
  • An Open Letter in Support of Joe Berlinger and the Documentary Filmmaking Team of "Crude"
    May 12, 2010 An open letter in support of Joe Berlinger and the documentary filmmaking team of "Crude" As members of the documentary film community, we the undersigned strongly object to the Honorable Judge Lewis A. Kaplan's ruling last week in the case involving our colleague Joe Berlinger, the Chevron Corporation, and Berlinger's 600 hours of raw footage shot during production of his documentary film "Crude". Judge Kaplan sided with Chevron and ruled that Berlinger must turn over all of his raw footage to Chevron for their use in the lawsuit discussed in the film. Berlinger and his legal team plan to appeal the ruling. In cases such as these involving access to a journalist's work material, whether they involve a newspaper or online reporter, a radio interviewer, a television news producer, or a documentary filmmaker, it is understood that First Amendment protection of the journalist's privilege is never absolute. Typically, if such privilege is successfully rebutted in court, a turn-over order demanding a document or other thing is issued and the journalist must comply or face the consequences. Therefore, it is astounding to us that Judge Kaplan demanded that all of the footage shot during the production of the film be handed over to the attorneys of Chevron, given that the privilege exists primarily to protect against the wholesale exposure of press files to litigant scrutiny. While we commend Judge Kaplan for stating "that the qualified journalists' privilege applies to Berlinger's raw footage", we are nonetheless dismayed both by Chevron's attempts to go on a "fishing expedition" into the edit rooms and production offices of a fellow documentary filmmaker without any particular cause or agenda, and the judge's allowance of said intentions.
    [Show full text]
  • Življenje Na Smetišču
    pedagoško gradivo avtorji Bor Pleteršek, Adela Ţeleznik, Maja Modrijan, Maja Rijavec uvodna beseda ............................................................................................................................. 3 o filmu .......................................................................................................................................... 3 filmografski podatki .............................................................................................................. 3 vsebina .................................................................................................................................. 4 o avtorici ............................................................................................................................... 5 o nastajanju filma .................................................................................................................. 5 kritike .................................................................................................................................... 7 izhodišča za pogovor o filmu ..................................................................................................... 9 izhodišča za pogovor o sodobni likovni / vizualni umetnosti ................................................ 11 vprašanja za pogovor .......................................................................................................... 13 spoznajmo slovenske umetnike, ki se ukvarjajo s podobnimi vsebinami ........................... 14 izhodišča za pogovor
    [Show full text]
  • Fostering Artistry and Pedagogy: Conversations with Artist-Teachers Frederick Hemke, Eugene Rousseau, and Donald Sinta
    FOSTERING ARTISTRY AND PEDAGOGY: CONVERSATIONS WITH ARTIST-TEACHERS FREDERICK HEMKE, EUGENE ROUSSEAU, AND DONALD SINTA by Julia Nolan A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Curriculum Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2012 © Julia Nolan, 2012 ABSTRACT This research presents three case studies that explore university teachers in the private music studio and in the master class setting, framed by one central question: how do artist-teachers articulate, negotiate, and give shape to their pedagogical practices about artistry and interpretation within the context of private music education? The cases focus on saxophone artist-teachers Frederick Hemke at Northwestern University, Eugene Rousseau at the University of Minnesota, and Donald Sinta at the University of Michigan. I analyzed instrumental music performance teaching and learning from the perspective of the three artist-teachers. The data collected from interviews, observations, and my personal narratives provide a rich resource for the analysis of the professional lives of master musicians, their pedagogies, and their thoughts about artistry in music performance and instruction. Interviews with many of the artist-teachers’ students also informed my analysis. More important, this study connects present and future saxophonists by capturing the voices of recognized artist-teachers about artistry and pedagogy. Central to this thesis are the discovery of how little has changed in the concepts of artistry and pedagogy over time and across the evolution of musical styles, and recognition of the power of the strong bonds that connect generations of students with their teachers and their teachers’ teachers.
    [Show full text]