ALESIS Studio 24 Reference Manual

Total Page:16

File Type:pdf, Size:1020Kb

ALESIS Studio 24 Reference Manual ALESIS Studio 24 Reference Manual Contents Contents Important Safety Instructions ................................................................................ 5 Safety symbols used in this product ........................................................................................... 5 Please follow these precautions when using this product:..................................................... 5 Instructions de Sécurité Importantes (French) .......................................................................... 7 Symboles utilisés dans ce produit............................................................................................. 7 Veuillez suivre ces précautions lors de l’utilisation de l’appareil: ........................................ 7 Beim Benutzen dieses Produktes beachten Sie bitte die folgenden Sicherheitshinweise: (German)..................................................................................................... 9 CE Declaration of Conformity...................................................................................................... 10 Introduction .............................................................................................................. 11 How to use this manual................................................................................................................. 11 For beginners .................................................................................................................... 11 For the experienced: a quick overview ....................................................................................... 13 About the Studio 24........................................................................................................................ 15 Basic Principles of Mixing & Multitrack Recording................................................................. 17 The stages of multitrack recording............................................................................... 18 The different mixes and what they’re needed for .................................................................... 20 Multitrack Mix..................................................................................................................20 Monitor (Control Room) Mix......................................................................................... 22 Aux Sends and Returns: Effects .................................................................................... 24 Guided Tour .............................................................................................................. 25 Recorder Mix/Monitor Mix System............................................................................................ 25 Starting at the source: input and trim .......................................................................... 25 The equalizer .................................................................................................................... 26 Fader and assignment section ....................................................................................... 27 Monitor 1/2 section......................................................................................................... 28 Aux Send/Return System ............................................................................................................. 29 Aux sends.......................................................................................................................... 29 Stereo Aux Returns.......................................................................................................... 29 Control Room System .................................................................................................................... 30 Control Room source ...................................................................................................... 30 Solo ..................................................................................................................................... 31 Meters................................................................................................................................. 31 Hooking It Up ........................................................................................................... 33 Unpacking and Inspection ............................................................................................................ 33 Power ................................................................................................................................................ 34 Avoiding ground loop noise.......................................................................................... 35 Channel Inputs and Outputs........................................................................................................ 36 Mic Inputs ......................................................................................................................... 36 Line Inputs ........................................................................................................................ 37 Tape Inputs ....................................................................................................................... 37 Direct Outputs..................................................................................................................38 Insert................................................................................................................................... 38 Master Inputs and Outputs........................................................................................................... 39 Main Outputs....................................................................................................................39 Main Inserts ...................................................................................................................... 39 Group Outputs ................................................................................................................. 39 Group Inserts.................................................................................................................... 40 Control Room Outputs ................................................................................................... 40 2 Track Inputs................................................................................................................... 40 Stereo Aux Returns.......................................................................................................... 40 MONITOR OUTS 1/2 and AUX SENDS 3/4............................................................. 40 STUDIO 24 REFERENCE MANUAL 1 Contents Headphones......................................................................................................................40 Chart of Connections...................................................................................................................... 41 Connecting to an Unbalanced -10 dBV Multitrack Recorder .................................. 42 Connecting to a 2-Track Mixdown Deck..................................................................... 43 Connecting to a Control Room amplifier .................................................................... 44 Connecting to a Headphone Amp................................................................................ 44 Connecting to a Patchbay............................................................................................... 44 Effects and Signal Processing................................................................................ 45 Connecting Aux Sends and Returns to Outboard Effects....................................................... 45 Should you use one or two inputs to effects?............................................................. 46 Using Effects .................................................................................................................................... 47 Connecting Signal Processors to Insert Jacks ............................................................................ 49 Multitrack Recording Applications........................................................................ 51 Recording ......................................................................................................................................... 51 Setting Levels.................................................................................................................... 51 How to Record a Single Source to One Track............................................................. 53 Recording Multiple Sources to One Track .................................................................. 54 Recording Multiple Sources to Two Tracks (Stereo)................................................. 55 Recording Tips ................................................................................................................. 57 About Metering................................................................................................................ 57 Overdubbing.................................................................................................................................... 58 Using MONITOR 1/2 to Monitor the Multitrack...................................................... 58 Using the Channel Faders to Monitor the Multitrack............................................... 59 Getting the Mix to the Headphones ............................................................................
Recommended publications
  • Reference Manual
    Reference Manual This page intentionally left blank 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% Table Of Contents Introduction..........................................................5 Welcome!......................................................................................................5 About the iMultiMix16 USB .............................................6 iMultiMix16 USB Key Features................................................................6 How to Use This Manual ...................................................8 A Few Words for Beginners..............................................9 Chapter 1: Getting Started ................................11 Hooking up the iMultiMix16 USB ...................................11 Using Proper Cables ..........................................................12 Setting Levels ......................................................................12 Chapter Two: A Tour of the MultiMix.............13 Patchbay...............................................................................13 1) MIC INPUTS (Channels 1 – 8) ...........................................................13 2) LINE/GUITAR INPUTS (Channels 1 – 2)......................................13 3) LINE INPUTS (Channels 3 – 8).........................................................14 4) LINE INPUTS (Channels 9 – 16).......................................................14 5) DIGITAL OUT Jack.............................................................................14 6) PHONES Jack........................................................................................14
    [Show full text]
  • ALESIS Studio 32 Reference Manual
    ALESIS Studio 32 Reference Manual Contents CONTENTS Important Safety Instructions...................................................5 Safety symbols used in this product.........................................................................5 Please follow these precautions when using this product:.........................................5 Introduction.................................................................................7 How to use this manual..........................................................................................7 For beginners..............................................................................................7 For the experienced: a quick overview....................................................................9 About the Studio 32................................................................................................10 Basic Principles of Mixing & Multitrack Recording..................................................11 The stages of multitrack recording..............................................................12 The different mixes and what they’re needed for....................................................14 Multitrack Mix..........................................................................................14 Monitor (Control Room) Mix.......................................................................16 Aux Sends and Returns: Effects...................................................................18 Guided Tour.................................................................................19
    [Show full text]
  • Studio 12R Reference Manual 1 Table of Contents
    ALESIS Studio 12R Reference Manual Table of Contents TABLE OF CONTENTS Table of Contents.................................................................1 Important Safety Instructions................................3 Safety symbols used in this product............................................................3 Please follow these precautions when using this product:....................3 Introduction.............................................................................5 The Alesis Studio 12R Microphone Preamplifier/Mixer......................5 Using this manual..........................................................................................5 Grounding Instructions.................................................................................6 Installation...............................................................................7 Unpacking........................................................................................................7 AC power..........................................................................................................7 Grounding............................................................................................7 Use clean power..................................................................................8 Power switch........................................................................................8 Mounting..........................................................................................................8 Connections.............................................................................9
    [Show full text]
  • 13 02R with Akai DR8 Hard Disk Recorder
    Table of Contents Introduction . 1 Equipment in this Guide . 1 Part 1: 02R Applications . 5 System Operating Notes . 5 02R Optional Interface Cards. 7 Wordclock Connection and Termination . 8 Wordclocks . 9 Setting the 02R’s Wordclock . 9 1. 02R with One ADAT (Timecode on Tape Track) . 12 2. 02R with ADAT & JL Cooper Datasync-2 . 14 3. 02R with Two ADATs & JL Cooper Datasync-2. 16 4. 02R with ADAT & BRC. 18 5. 02R with Two ADATs & BRC . 20 6. Two 02Rs with Four ADATs & BRC . 22 7. 02R with Two ADATs (Timecode on Tape Track). 24 8. 02R with ADAT & RD-8 . 26 9. 02R with One DA-88 . 28 10. 02R with Two DA-88s . 30 11. 02R with Four DA-88s . 32 12. Two 02Rs with Four DA-88s . 34 13. 02R with Akai DR8 Hard Disk Recorder . 36 14. 02R with Akai DR16 Hard Disk Recorder . 38 15. 02R with Analog 16-Track Multitrack Recorder . 40 16. 02R with Video Machine, ADAT, & BRC . 42 17. 02R with Video Machine, ADAT, & AI-2 . 44 18. 02R with Video Machine & DA-88 . 46 19. 02R with Two Fostex D-90s . 48 20. 02R with Pro Tools for Music Recording . 50 21. 02R with Pro Tools for Video Post . 52 Yamaha 02R & 03D Applications Guide Trademarks ADAT and Alesis are registered trademarks of Alesis Corporation. ADAT MultiChannel Optical Digital Interface is a trademark of Alesis Corporation. Akai is a trademark of Akai Electric Corporation. Digidesign is a trademark of Digidesign or Avid Technology, Inc. Fostex is a trademark of Fostex Corporation.
    [Show full text]
  • MIDI and Electronic Music Technology
    CHAPTER 9 MIDI and Electronic Music Technology Today, professional and nonprofessional musicians are using the language of the Musical Instrument Digital Interface (MIDI) to perform an expanding range of music and automation tasks within audio production, audio for video, film post, stage production, etc. This industry-wide acceptance can, in large part, be attributed to the cost effectiveness, power and general speed of MIDI production. Once a MIDI instrument or device comes into the production picture, there’s often less need (if any at all) to hire outside musicians for a project. This alluring factor allows a musician to compose, edit and arrange a piece in an electronic music environment that’s extremely flexible. By this, I’m not saying that MIDI replaces—or should replace—the need for acoustic instruments, microphones and the traditional performance setting. In fact, it’s a powerful production tool that assists countless musicians in creating music and audio productions in ways that are innovative and highly personal. In short, MIDI is all about control, repeatability, flexibility, cost-effective production power and fun. The affordable potential for future expansion and increased control over an integrated production system has spawned the growth of a production industry that allows an individual to cost effectively realize a full-scale sound production, not only in his or her own lifetime … but in a relatively short time. For example, much of modern-day film music owes its very existence to MIDI. Before this technology, composers were forced to create without the benefits of hearing their composition or by creating a reduction score that could only be played on a piano or small ensemble (due to the cost and politics of hiring an orchestra).
    [Show full text]
  • Reference Manual
    Reference Manual 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% Table Of Contents Introduction..........................................................3 Welcome!......................................................................................................3 About the FirePort 1394 and FST/Connect software ................................................................................4 Important features of FirePort 1394 and FST/Connect .....................4 Key Features of the FirePort 1394 and FST/Connect software........................................................................................................6 How to Use This Manual ...................................................7 Important Safety Instructions..........................9 Important Safety Instructions (English).......................9 Safety symbols used in this product.........................................................9 Please follow these precautions when using this product: ...................9 Instructions de Sécurité Importantes (French) ................................................................................11 Symboles utilisés dans ce produit.............................................................11 Veuillez suivre ces précautions lors de l’utilisation de l’appareil: ......................................................................................................11 Lesen Sie bitte die folgende Sicherheitshinweise (German)........................................13 Sicherheit Symbole verwendet in diesem Produkt.................................13
    [Show full text]
  • Reference Manual
    Reference Manual This page intentionally left blank 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% Table Of Contents Introduction..........................................................5 Welcome!......................................................................................................5 About the MultiMix USB2.0..............................................6 All-In-One Mixer and Multichannel Computer Audio Interface .......................................................................................................6 MultiMix USB2.0 Key Features................................................................6 How to Use This Manual ...................................................8 A Few Words for Beginners..............................................9 Hooking up the MultiMix USB2.0 ...................................11 Using Proper Cables ..........................................................12 Setting Levels ......................................................................12 Chapter Two: A Tour of the MultiMix.............13 Patchbay...............................................................................13 Mic Inputs (Channels 1 – 4)......................................................................13 Line Inputs (Channels 1 – 4).....................................................................13 Line Inputs (Channels 5 – 8).....................................................................14 PHONE Jack...............................................................................................14
    [Show full text]
  • Reference Manual
    MIXER / MICROPHONE PREAMPLIFIER REFERENCE MANUAL 2002 Important Safety Instructions Important Safety Instructions Important Safety Instructions (English) Safety symbols used in this product This symbol alerts the user that there are important operating and maintenance instructions in the literature accompanying this unit. This symbol warns the user of uninsulated voltage within the unit that can cause dangerous electric shocks. This symbol warns the user that output connectors contain voltages that can cause dangerous electrical shock. Please follow these precautions when using this product: 1. Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with a damp cloth. Do not spray any liquid cleaner onto the faceplate, as this may damage the front panel controls or cause a dangerous condition. 7. Install in accordance with the manufacturer's instructions. 8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
    [Show full text]
  • Drum Machines / Percussion Pads 800-416-5090
    100 Drum Machines / Percussion Pads 800-416-5090 ROLAND #ROSPD20 $ 95 YAMAHA #YAQY100 SPD-20 699 $49900 QY100 The SPD-20 Total Percussion Pad is an electronic percussion multi-pad 700 high-quality percussion, drum and in- strument sounds built-in. It is equipped with 8 velocity-sensitive rubber pads, four dual-trigger inputs for triggering SPD-20 sounds from external pads and other triggering devices and onboard multi effects including reverb, delay, chorus & fl anger. The QY100 is the combination of a midi sequencer, a 16 track digital recorder, a drum machine, and an effects • 700 high-quality drum and percussion sounds • 8 velocity-sensitive rubber pads box. It’s ideal for a musician who wants to create music for practice and live performance, and also as a handy • Internal memory: 99 patches, 8 patch chain • 14 voice polyphony songwriting tool. It features an impressive amount of • Sound parameters: instrument, level, pitch, decay, pan, curve, effect send level internal sounds including more than 4,000 sequencing • (4) dual-trigger inputs for external triggers • Built-in multi-effects phrases and 128 preset styles from Polka to Gangsta. ROLAND #ROHPD15 • Midi I/O, 1/4” Mic/Guitar input, $ 00 1/8” headphone/line output HPD-15 895 • Stores memory to a SmartMedia card The HPD-15 HandSonic is an electronic hand • Powers from AC or 6 AA batteries percussion multi-pad with 600 realistic acoustic • Includes guitar amp simulator & electronic percussion sounds and versatile • Port for optional footswitch realtime control. It features a 10” rubber pad • Mac and PC compatible Data Filer software included with 15 parts, a built-in sequencer and onboard effects include reverb and multi-effects proces- sors.
    [Show full text]
  • ALESIS X2 Reference Manual
    ALESIS X2 Reference Manual Introduction Thank you for purchasing the Alesis X2 24-channel, 8-group output, in-line monitor professional mixing console. To take full advantage of the X2’s functions, and to enjoy long and trouble-free use, please read this user’s manual carefully. How To Use This Manual This manual is divided into the following sections describing the various modules and functions of the X2. Though we recommend you take time to read through the entire manual once carefully, those having general knowledge about mixers should use the table of contents and index to reference specific functions while using the console. Chapter 1: Introduction. Describes the various capabilities of the X2 and explains the basic principles of mixing and recording. Chapter 2: Guided Tour. This section provides a brief tour of the X2, and shows you how particular features interact. Chapter 3: Connections. Details rear panel connections (inputs, outputs, ADAT sync and audio interfaces, etc.), and their proper hook-up procedures. Chapter 4: Applications. Covers the various uses for the X2 in different scenarios, with step-by-step instructions on setting up and mixing techniques. Chapter 5: Mute Automation. Explains how to automate channel mutes using either the X2’s built-in sequencer or with an external MIDI sequencer. Chapter 6: Description of Controls. A “dictionary” of each control. Chapter 7: Trouble-shooting. A guide to trouble-free operation, maintenance and service information. We have also included a block diagram, MIDI Implementation Chart and an Index. Conventions The buttons, knobs, and rear panel connectors are referred to in this manual just as their names appear on the X2, using all capital letters (Example: EQ IN switch, PAN knob, PHONES jack, etc.).
    [Show full text]
  • ALESIS ADAT LX20 Reference Manual
    ALESIS ADAT LX20 Reference Manual Contents CONTENTS Introduction 5 How To Use This Manual 6 Conventions 6 1 SETTING UP AND MAKING CONNECTIONS 7 Unpacking and Inspection 7 Operating Environment 7 Thermal Considerations in Rack Mounting 7 Mounting on a Shelf or Non-Rack Enclosure 8 Avoiding Electromagnetic Interference 8 AC Power Hookup 8 Avoiding Ground Loops 9 Line Conditioners and Protectors 10 Analog Audio Connections 11 About Audio Cables 11 Rear Panel Input and Output Layout 11 Inputs 11 Typical input jack hookups 12 Outputs 13 Sync In/Out 14 Digital Audio Connections 15 About Digital Audio In/Out 15 Footswitches 16 2 LX20 ESSENTIALS 20 About The Display 20 Time Counter 20 Meters 20 Record/Input Lights 20 Blocks 21 Status Indicators 21 Interpolation Indicator 21 Buttons and Controls 21 Power Switch 21 Record Enable Buttons 21 Transport Controls 21 Eject Button 21 Input Select Buttons 22 Pitch Control Buttons 22 Location Buttons 22 Edit, Format, and Select Buttons 22 Auto Motion Buttons 22 Differences Compared to Analog Recording 23 “Threaded” vs. “Unthreaded” Tape 23 Digital Distortion and Headroom 23 Choosing the Right S-VHS Cassette Tape 24 ADAT LX20 Reference Manual 1 Contents What is Tape Formatting? 24 3 POWER-UP AND TAPE FORMATTING 26 Power-up and Tape Insertion 26 Setting Tape Length 27 How to Format Tapes 28 About Type I and Type II Formats 28 Defeating The Write Protect Tab 28 General Formatting Procedure 29 Recording While Formatting 31 Re-Formatting a Previously Formatted Tape 31 Notes About Formatting 31 Recording a “Benchmark”
    [Show full text]
  • ALESIS ADAT XT20 Reference Manual
    ALESIS ADAT XT20 Reference Manual Introduction/Contents INTRODUCTION Thank you for purchasing the Alesis ADAT-XT20 20-Bit Digital Audio Recorder. To take full advantage of the XT20’s functions, and to enjoy long and trouble-free use, please read this user’s manual carefully. HOW TO USE THIS MANUAL This manual is divided into the following sections describing the various modes of the XT20. Though we recommend you take time to read through the entire manual once carefully, those having general knowledge about multitrack recorders should use the table of contents and index to reference specific functions while using the XT20. Chapter 1: Introduction. Deals with the necessary preparation before recording and playing, including connections to external devices. This chapter also discusses the difference between “threaded” and “unthreaded” tapes. Chapter 2: Your First Session with the ADAT-XT20. This section provides a brief tour of the XT20, shows you how to format a tape, record and playback, set locate points, auto punch-in and out, bounce tracks, and points out other various features. Chapter 3: Connections. Details rear panel connections (like inputs and outputs, footswitches and the ADAT Optical Digital Interface), and proper hook-up procedures. Chapter 4: Basic Operations. Covers the user interface of the XT20 and the way to use its basic control features, how to read the display, and how to navigate through and edit parameters. Chapter 5: Multiple ADAT Operation. How to lock together multiple ADAT Compatible™ devices, and how to record and transfer digital audio between them. Chapter 6: Applications. Describes several real-world examples of how the XT20 may be used.
    [Show full text]