A Star-Studded Celebration Marks Jeff Bezos Maiden Visit to Mumbai, Commemorating Prime Video’S 3 Years in India

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A star-studded celebration marks Jeff Bezos maiden visit to Mumbai, commemorating Prime Video’s 3 years in India January 17, 2020 Amazon Prime Video brought some of the biggest personalities of the Indian Entertainment Industry together to mark the double celebrations of CEO and President, Amazon – Jeff Bezos’ maiden visit to Mumbai as well as Prime Video completing three years in India. The glamourous evening saw some of the biggest names in Indian cinema, including Kamal Haasan, Farhan Akhtar, Vidya Balan, Madhuri Dixit Nene, Rajkumar Rao, Bhumi Pednekar, Ritesh and Genelia Deshmukh, Hansika Motwani, Arshad Warsi; Producers, Directors and Creators including Kabir Khan, Vidhu Vinod Chopra, Siddharth Roy Kapur, Ritesh Sidhwani, Raj Nidimoru and Krishna D.K., Sajid Nadiadwala, Guneet Monga, Vishal Bhardwaj, Tanuja Chandra, Karan Anshuman, Mayank Sharma, Vikram Malhotra, Rajkumar Hirani, Pritish and Rangita Nandy, Ashutosh Gowarikar, Bhushan Kumar and Divya Khosla Kumar; as well as the powerhouse talent from Amazon Original Series including Manoj Bajpayee, Amit Sadh, R. Madhavan, Angad Bedi, Sapna Pabbi, Vivek Anand Oberoi, Shweta Tripathi, Rasika Dugal, Sayani Gupta, Sunny Kaushal, Sharvari, Pankaj Tripathi, Richa Chadha and Ali Fazal. The evening commenced with an interesting Fireside conversation with Mr. Jeff Bezos and the witty hosts Shah Rukh Khan and Zoya Akhtar. This fun and inspiring conversation was followed by a soulful Sufi performance by none other than the musical maestro and legendary A.R. Rahman. Amazon Prime Video has the largest selection of latest & exclusive movies and TV shows, Stand-Up Comedy, biggest Indian and Hollywood films, US TV series, most popular Indian & international kids’ shows, and award-winning Amazon Originals, all available, ad-free, with a world class customer experience. The service includes titles available in Hindi, Marathi, Gujarati, Tamil, Telugu, Kannada, Malayalam, Punjabi and Bengali. To watch the newest releases in Hollywood & Bollywood, the latest US TV shows, kids’ favorite toons and other Amazon Originals, please visit www.PrimeVideo.com or download the Amazon Prime Video app today and sign-up for a Prime membership only at ₹999 annually or ₹129 monthly..

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OC REGIONAL FILM STARS UNENDING TRAIN OF TRAGEDY 18 `60 REGISTERED NO. DL(ND)-11/6068/2018-20; U(C)-88/2018-20; LICENSED TO FARIDABAD/05/2017-19 POST WITHOUT PREPAYMENT REGISTERED NO. RNI NO. 28587/75 RNI NO. THE INSIDE STORY OF HOW THE PREMIER INVESTIGATING AGENCY WAS ROCKED BY A CORRUPTION SCANDAL AND A DESTRUCTIVE TURF WAR. CAN IT RECOVER? AND WILL THE BLOWBACK SINGE THE GOVERNMENT? DIGITAL EDITION OC FREE WITH YOUR REGIONAL FILMFILM STARS UNENDING TRAIN OF TRAGEDYTRAGED www.indiatoday.in NOVEMBER 5, 2018 `60 9 9 DIGITAL EDITION MAY 8, 2017 OCTOBER 2018 WEAVESOF WONDER Making a difference WHAT TO EAT BEFORE YOUR WORKOUT WHY MAMMOGRAMS MATTER The Tre dsetters 50 INFLUENTIAL WOMEN UNDER 50 REGISTERED NO. DL(ND)-11/6068/2018-20; U(C)-88/2018-20; LICENSED FARIDABAD/05/2017-19 TO POST WITHOUT REGISTEREDPREPAYMENT NO. Anshu Jamsenpa, first Festive Spirit Indian woman to scale the Everest five times CELEBRATE THE SEASON IN STYLE RNI NO. 28587/75 RNI NO. THE INSIDE STORY OF HOW THE PREMIER INVESTIGATING AGENCY WAS ROCKED BY A CORRUPTION SCANDAL AND A DESTRUCTIVE TURF WAR. CAN IT RECOVER? AND WILL THE BLOWBACK SINGE THE GOVERNMENT? EXCLUSIVE MULTIMEDIA CONTENT ONLY FOR IPAD AYODHYA THE MANDIR MOMENTUM BOOK REVIEW BLIGHTLY ON OUR LAND COVER STORY WHAT A MESS BIG STORY BLOOD ON THE TRACKS #CBIWar SUBSCRIBE NOW www.indiatoday.in/digitalmagazines FROM THE www.indiatoday.in EDITOR-IN-CHIEF EDITOR-IN-CHIEF: Aroon Purie GROUP EDITORIAL DIRECTOR: Raj Chengappa heCBI’sinitialshavelongbeenthe tampering with evidence and worse. GROUP CREATIVE EDITOR: Nilanjan Das; GROUP PHOTO EDITOR: Bandeep Singh butt of alternative interpretati- Our cover story this week, by Deputy MANAGING EDITORS: Kai Jabir Friese, Rajesh Jha CONSULTING EDITOR: Ajit Kumar Jha (Research) on—from Narendra Modi’s 2013 Editor Uday Mahurkar, digs deep into the EXECUTIVE EDITORS: Damayanti Datta, S.
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University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
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www.ijcrt.org © 2021 IJCRT | Volume 9, Issue 3 March 2021 | ISSN: 2320-2882 Portrayal of Female Identity in Digital Media: An Investigation Based on Selected Indian Web Series Vaishnav V. S. Assistant Professor on Contract Dept. of Journalism and Mass Communication Sree Narayana College, Kollam Abstract: With the introduction of digital media platforms like Netflix, Amazon Prime, Disney Hotstar and other digital streaming services, the web series is viewed as an ideal platform for narrating female stories, reflecting their realities. What makes the internet so popular as an informative and entertainment medium is that it is comparatively free from censorship and budget clutches, providing the creators with much-needed independence with content, genre, forms, and narratives. This study aims to analyse the portrayal of the ideology of feminism in the selected Indian web series. The researcher has chosen some web series in Indian media for this analysis and examines how they represent feminism philosophy through their stigma breaking content. Index Terms - Feminism, Web series, Textual analysis, Stereotypes, Empowerment. I. INTRODUCTION Over the years, through increasing coverage of the internet facilities and cellular devices, the Indian urban society became more and more enabled with modern appliances of communication like smart TVs and smartphones, which became the new means of content consumption. This ushered in a new era of digital opportunities, erasing many ‘laws’ regulating content selection on traditional TV channels. Ironically, as screen sizes shrank, they liberated women from the saas-bahu dichotomy. Fresh and youthful stories were telecasted that mirrored modern lifestyles and their problems with realism and honesty.
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Amazon and Excel Media Announced the Release Date of Mirzapur Season 2 by : Editor Published on : 24 Aug, 2020 04:47 PM IST
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375 © the Author(S) 2019 S. Sengupta Et Al. (Eds.), 'Bad' Women
INDEX1 A Anti-Sikh riots, 242, 243, 249 Aarti, 54 Apsaras, 13, 95–97, 100, 105 Achhut Kanya, 30, 31, 37 Aranyer Din Ratri, 143 Actress, 9, 18, 45n1, 54, 67, 88, 109, Armed Forces Special Powers Act, 170, 187, 213, 269, 342, 347–362, 255, 255n24 365–367, 369, 372, 373 Astitva, 69 Adalat, 115, 203 Atankvadi, 241–256 Akhir Kyon, 69 Azmi, Shabana, 54, 68 Akhtar, Farhan, 307, 317n13 Alvi, Abrar, 60 Ambedkar, B.R., 31, 279n2 B Ameeta, 135 Babri Masjid, 156, 160 Amrapali, 93–109, 125 Bachchan, Amitabh, 67, 203, 204, Amu, 243–249 210, 218 Anaarkali of Aarah, 365, 367, 370, 373 Bagbaan, 69 Anand, Dev, 7n25, 8n27, 64 Bahl, Mohnish, 300 Anarkali, 116, 368–369 Bandini, 18, 126, 187–199 Andarmahal, 49, 53 Bandit Queen, 223–237 Andaz, 277–293 Bar dancer, 151 Angry Young Man, 67, 203–205, 208, Barjatya, Sooraj, 297, 300, 373 218, 219 Basu Bhattacharya, 348, 355 Ankush, 69 Basu, Bipasha, 88 1 Note: Page numbers followed by ‘n’ refer to notes. © The Author(s) 2019 375 S. Sengupta et al. (eds.), ‘Bad’ Women of Bombay Films, https://doi.org/10.1007/978-3-030-26788-9 376 INDEX Bedi, Bobby, 232–235 237, 261, 266–268, 278, 279, Benaras, 333, 334 283, 283n8, 285, 291, 318, 332, Benegal, Shyam, 7n23, 11, 11n35, 13, 334, 335, 338, 343, 350, 351, 13n47, 68, 172n9, 348, 351, 366 355, 356, 359, 361, 372n3 Beshya/baiji, 48, 49, 55, 56 Central Board of Film Certification Bhaduri, Jaya, 209, 218 (CBFC), 224, 246, 335, Bhagwad Gita, 301 335n1, 336 Bhakti, 95, 98, 99, 101, 191n11, 195, Chak De! India, 70 195n18, 196 Chameli, 179–181 Bhakti movement, 320 Chastity, 82,
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Priyanka Chopra Jonas is the new Chairperson of Jio MAMI Mumbai Academy of Moving Image unveils plans for 2021-22 17th August, 2021, Mumbai - The Mumbai Academy of Moving Image (MAMI) today unveiled its plans for the coming year and edition. The blueprint for the festival will feature new leadership and a new creative vision that is attuned to the radical changes the world has witnessed in the last two years. Taking over the reins as Chairperson is actor, producer and author Priyanka Chopra Jonas. She was unanimously nominated by MAMI’s Board of Trustees which comprises Nita M. Ambani (Co- Chairperson), Anupama Chopra (Festival Director), Ajay Bijli, Anand G. Mahindra, Farhan Akhtar, Isha Ambani, Kabir Khan, Kaustubh Dhavse, Kiran Rao, Rana Daggubati, Riteish Deshmukh, Rohan Sippy, Siddharth Roy Kapur, Vikramaditya Motwane, Vishal Bhardwaj and Zoya Akhtar. The board also welcomed two new members to its fold, acclaimed filmmaker Anjali Menon and renowned filmmaker and archivist Shivendra Singh Dungarpur. "For us, building a unique cultural space and platform for cinema like the Jio MAMI Mumbai Film Festival over six years has been immensely fulfilling. Now more than ever, we need to nurture the power of cinema and art to heal and help humanity move forward. I look forward to my dear friend Priyanka Chopra Jonas joining our team and leading the way for Jio MAMI to reach new heights. She is a multifaceted global artist and a force of nature, we are privileged to have her on board," said Isha Ambani (Board of Trustees, MAMI) “Continuing Jio MAMI’s strong tradition of female leadership, the indomitable Priyanka Chopra Jonas now joins as chairperson.
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GANESH FILMS INDIA LIMITED 503,5th FLOOR, PLOT - 461D, A WING PARSHVANATH, GARDENS, BHAUDAJI ROAD, KINGS CTRCLE, MATUNGA, MUMBAI-4000 19 Email Id - [email protected] I CIN: U74994MH2018PLC307613 I Tel No: +91 810 444 9343 Ref. No.: GFIL/2018-19/COM/BSE/19 Date: 10/1~2018 To, The BSE Limited P. J. Towers, Dalal Street, Fort, Mumbai - 400 001 Scrip Code: 541703 Sub: Corporate Announcement/ Investor Update Dear Sir/ Madam, With reference to the captioned subject, please find enclosed herewith announcement of Ganesh Films India Limited w.r.t. upcoming movies for distribution. You are requested to kindly take the information on record. Thanking you. Yours faithfully, GANESH FILMS INDIA LIMITED Ganapathi Yadav Disclaimer Safe Harbor:-Some information in this report may contain certain “forward-looking statements”. These forward- looking statements generally can be identified by words or phrases such as “aim”, “anticipate”, “believe”, “expect”, “estimate”, “intend”, “objective”, “plan”, “propose”, “project”, “will”, “will continue”, “will pursue” or other words or phrases of similar import. Similarly, statements that describe our strategies, objectives, plans or goals are also forward-looking statements. All forward-looking statements are subject to risks, uncertainties, expectations and assumptions about us that could cause actual results to differ materially from those contemplated by the relevant forward-looking statement. Actual results may differ materially from those suggested by forward-looking statements due to risks or uncertainties
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Farm Bills Passed Amid Unprecedented Drama in RS
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