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1919 and BEYOND Memories of All They Had Been Through the First World War Officially Ended at and of Friends Who Would Not Return
VOL. 29 NO 3 APRIL 2019 OUR DIGGERS IN THE FIRST WORLD WAR 1919 AND BEYOND memories of all they had been through The First World War officially ended at and of friends who would not return. 11.00 am on Monday 11 November 1918 News of the death of a loved one when an Armistice between the Allies and was hard enough to bear, but perhaps their opponent, Germany, was formally more so after the Armistice had signed. The Armistice ended fighting been signed. As one paper observed, on land, sea and in the air. Victory ‘notification of a death of a soldier at celebrations began around the world. the front is sad news at any time but As soon as the news was known, cities coming during the closing scenes of and towns around Australia erupted into the War seems to increase the feeling celebrations. However, for those troops of sadness’. Tragically, this sensation still on active duty in France, the cause was felt by too many Australian for celebration was harder to enjoy; they families. were still surrounded by the devastation Continued on page 20 caused by the War. The soldiers still had VOL. 29 NO 3 APRIL 2019 1 LANCEFIELD SMALL BORE RIFLE CLUB DEEP CREEK LANDCARE GROUP Covering Lancefield – Romsey and Monegeeta Districts SUCCESS ON BEST WESTERN THE RANGE INSECT HOTELS Deep Creek Landcare Group have been working closely Rodger and Max had a successful time at the Frankston with the Green Team at the Lancefield Primary School Peninsula Championship in February. In the 10m Supported educating the children about the benefits of bees and insects Air Rifle competition Rodger was 2nd in A Grade with Max in agriculture and teaching them how to build insect hotels. -
BBC Annual Report 2020/11 Part
PART 2 THE BBC EXECUTIVE’S REVIEW AND ASSESSMENT Overview Delivering our strategy Managing the business Governance Managing our finances Part 2 BBC Executive Overview Managing the business 2-1 Director-General’s introduction 2-38 Chief Operating Officer’s review 2-2 Understanding the BBC’s finances 2-39 Increasing value 2-4 Performance by service 2-50 Looking forward 2-8 Television Governance 2-9 Radio 2-52 Executive Board 2-10 News 2-54 Risks and opportunities 2-11 Future Media 2-56 Governance report 2-12 Nations and Regions Managing our finances Delivering our strategy 2-68 Chief Financial Officer’s review 2-14 Meeting the BBC’s Purposes 2-69 Summary financial performance 2-16 The best journalism in the world 2-70 Financial overview 2-20 Inspiring knowledge, culture and music 2-79 Looking forward 2-24 Ambitious UK drama and comedy 2-80 Beyond broadcasting 2-28 Outstanding children’s content 2-82 Glossary 2-32 Bringing the nation together 2-83 Contact us/More information 2-36 Delivering Quality First objectives Subject index Part 1 Part 2 Appreciation index by service 2-4 to 2-7 Audience approval – KPI 1-6 2-23 Board remuneration from 2011/12 2-61 Board remuneration 2010/11 1-20 2-60 Commercial companies 1-19 2-46/2-69 Content spend by service 1-19 2-4 to 2-7 Delivering Quality First 1-7 2-36 Digital switchover 1-9 2-40 Distinctiveness – KPI 1-6/1-25 2-31 Efficiencies 1-7 2-69/2-71 Innovation 2-45 Licence fee 1-24 2-3 Licence fee spend 1-17 2-69/2-73 News audiences 1-8/1-13 2-19 Public purposes 1-8 2-14 Quality – KPI 1-6 2-27 Radio from -
Culture Club
131 131 Culture Club buzz buzz OF BI ITY RMI RS N E GH IV A N M U Special Culture Printed on a recycled grade paper containing 100% post-consumer waste. [email protected] Edition 4 6 12 JU 1 LY 01 /AUGUST 2 Edgbaston, Birmingham, Antiques Pop-Up Heritage Hub Roadshow Performances B15 2TT, United Kingdom www.birmingham.ac.uk 5954 © University of Birmingham 2011. 2 VICE-CHANCELLOR’S VIEW CULTURAL ENGAGEMENT 3 YOUR BUZZ Vice-Chancellor’s View Edited by Kate Pritchard University culture Contact the editor Last year we awarded an honorary visited the Lapworth, savoured the [email protected] doctorate to Barry Everitt, now Professor spectacular architecture, and glimpsed of Behavioural Neuroscience and Master something of our research achievement Professor Ian Grosvenor Your details of Downing College, Cambridge. Barry and academic impact. And that in the Deputy Pro-Vice-Chancellor for Cultural Engagement Please let us know if you want extra did his PhD at Birmingham, remembered same week as performances were popping copies of Buzz or if you think we need his time here with great affection, and up around campus, a novel initiative to amend your distribution details. asked if the lunchtime concerts at the which will be repeated. Barber continued. They were, he said, Amidst new ventures, new exhibitions, It has been just over a year since I became This is where the Programming Committee In the opposite direction, images from a Views expressed in the magazine are one of the highpoints of his time here. and new facilities there is much that Deputy Pro-Vice-Chancellor for Cultural came into its own and things moved apace collection of photographs taken by Phyllis not necessarily those of the University He would walk across the campus from we perhaps take too easily for granted. -
Crime Wave for Clara CRIME WAVE
Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International, -
Did You Work on Concorde?
Did you work on Concorde? The Pride of Goucestershire “Were you there on 9th April 1969?” asks Richard Chatham (left). “2019 will be the 50th anniversary of Concorde’s first flight - though work started well before that . on scraps of paper and slide rules! I know from talking to some of those early ‘Supersonic Pioneers’ that there was a very strong Masonic presence at Filton; indeed, across the whole design and manufacture crew. I am anxious to record as many names and lodges as possible. Were you one of those, or was your father, brother, or any relation involved? It would be very special to be able to collate a list of all those Freemasons and the nature of their input and maintain a record for posterity.” ‘Concorde Nut’ Richard is the Director of Ceremonies at Richard Whittington Lodge, where he is affectionately known as ‘RCDC’. It can truly be said that Concorde is a part of his life. In deed on BBC’s ‘Antiques Roadshow’ he admitted to being something of a ‘Concorde Nut’. “Here is a very small taster of my collection,” he told squaretalk, pointing to a room containing a plethora of paraphernalia, dominated by an 8 feet long exact replica which he liberated from Heathrow. Page 1 RCDC continues his tale . “Forty-eight years ago, on that April morning, the onlookers, photographers and BAC staff crowded along the runway at Filton and held their ears as the air reverberated again to the roar of those four Olympus engines. Not for the first time had this cacophony been heard, but today would be special and would be recorded in the history of flight forever. -
Bbc Full Financial Statements 2010/11
Full FinancialFull Statements 2010/11 Contents F2 Chief Financial Officer’s review Full Financial F3 Summary financial performance F4 Financial overview Statements F13 Looking forward F14 Independent auditor’s report F15 Group Financial Statements and notes 2010 /11 F83 Statement of responsibilities BBC FULL FINANCIAL STATEMENTS 2010/11 Presented to Parliament by the Secretary of State for Culture, Olympics, Media and Sport by command of Her Majesty July 2011 The BBC’s Annual Report and Accounts 2010/11, giving narrative context to the numbers contained in this document, were also laid before Parliament on 12 July 2011 and are available online at www.bbc.co.uk/annualreport Chief Financial Officer’s review The last year has seen the BBC face a number of financial challenges. But we end the year in a financially resilient position – able to absorb these challenges, and also unlock significant future savings as we transform our ways of working as we continue to provide audiences with excellent content across all our platforms. Financial resilience We have also agreed with the government the levels of the It is the management of these challenges and our preparations licence fee through to the end of the Charter period and for the future which have driven the result for the year. although this agreement comes with significant additional The full year group surplus of £483million reflects some financial obligations, it gives us the financial security to plan exceptional credits which are not part of our regular our operations and prioritise our expenditure to best serve operations: we benefit from a £250million actuarial gain the needs of our audiences. -
Police Keep a Watchful
'ednesday,20th0(% VVednesday, 20th October, 1993 THE TEESDALE MERCURY Secret behind quick answers place of the forlorn L; stood on the atefarw council is now o f l tax on it, and it BpjJ given on Antiques Roadshow excellent home for But is all tins emu 4>La L..11 3 Experts check the facts before they are filmed for TV fact that most of How on earth are the the team who appear regularly and microphones were rigged down and were experts able to give so really are experts in their own up and after a fairly lengthy with the same stoneJ fields. But they can’t be cer delay the recording started. )e any harm to anybody! much instant, off-the-cuff inform ation on the The tain about every relic placed in Of all the relics taken in, he There is no doita front of them. It makes sense only a tiny proportion were Antiques Roadshow? he rules were broken, ^ to check in reference books, filmed in this way, and not all How can they trot out so de they stand Tteesdali^ and consult each other, before of those will be included in the many facts right away about was acting cornet^ making statements that will show, which will be broadcast artists, china factories, silver , an enforcement ^ be beamed into around 12 mil on a Sunday afternoon next smiths, furniture makers and An expert examination of some antique china plates . a is an unauthorised!^ lion households. so on — and quote the likely M arch. P* But there mustlea^ Some 3,000 or more hopeful Mr Neil Turner watches w ith interest as an Italian wine value of some obscure object »V amending those nin men and women turned up at jar is studied by one of the team of experts they have just been shown? , e discretion can be g Raby with all manner of fami The answer was given at ton approveaW > S ly heirlooms, ranging from Raby Castle on Thursday dur pens to have been®*. -
British and Commonwealth Society of North America Is
BRITISH AND COMMONWEALTH SOCIETY OF NORTH AMERICA IS PLEASED TO PRESENT THE FOLLOWING UPCOMING EVENTS 28th February, 2015, Saturday evening with light OPERA by Victorian Lyric Opera Company: Haddon Hall written by GILBERT ( of G & S fame ) performed at 8:00 PM in the F. Scott Fitzgerald Theatre at the Rockville Civic Center, 603 Edmonston Drive, Rockville, MD 20851 (240-314-8690). For those that are interested you can have dinner two miles away at 6:00 PM in Clyde’s Tower Oaks Lodge, 2 Preserve Park- way, Rockville, MD 20852 (301-294-0200). Individual reservations to be made directly with the theatre and the restaurant. Questions? call William Barker call 571-723-1374 or email [email protected] (9:00 AM – 9:00 PM). 7th March, 2015, Saturday, watch the ST PATRICK’s DAY PARADE in Alexandria at 12:30 PM with a LATE LUNCH AFTERWARD at 2:40 PM in Bilbo Baggins Global Restaurant (serving European and Ameri- can dishes), 208 Queen Street, Alexandria, VA 22314 (703-683-0300). Before parade there is a 10:00 AM Car Show and a 10:30 AM Dog Show in Alexandria, VA. POC is Veronica Barker at 571-490-1970 ([email protected]). For head count please communicate with Veronica BEFORE 2nd March 2015. 21st March 2015, Saturday, 5:00 PM, Choir of King’s College, Cambridge will be singing at the Washington National Cathedral, Washington, DC (Tickets via 201-537-6200). 28th March 2015, Saturday night, Dinner Theater in Lorton, VA. Meal & Music Hall with Barry as Mr. Chairman. This is a tentative event, with more information in a future flyer. -
Newsletter | Spring 2014 Issue 11 Fifth Anniversary of White Lodge Museum
Newsletter | Spring 2014 Issue 11 Fifth Anniversary of White Lodge Museum February 2014 marked five years since White Lodge Museum first opened to the public. We have welcomed over 11,000 visitors to Georgian White Lodge, engaging them with the history of British ballet and introducing them to the work of The Royal Ballet School. L: Ninette de Valois: Adventurous Traditionalist conference publication, Dance Books (2012) R: A recent school visit to White Lodge Museum Over the years we have developed a public programme to widen our audience. Events relating to The Queen’s Diamond Jubilee of 2012, and the Richmond Gardens Festival in 2013 saw an increase in L: The King of the Great Clock Tower performance at the visitors particularly interested in White Lodge’s royal and Ninette de Valois Conference. Photo: Patrick Baldwin architectural heritage. Our international conference R: White Lodge elevation from Vitruvius Britannicus Ninette de Valois: Adventurous Traditionalist (2011), and symposium The Many Faces of Robert Helpmann (2013) The museum was created as part of an extensive enabled dance historians and practitioners to examine redevelopment of the White Lodge site, which began in the legacies of two great founders of British ballet. 2004. Government funding for the project was granted with the proviso that the School provide greater public access to the historically significant building. White Lodge Museum became the means by which visitors could enter White Lodge and learn about its historic and current occupants, whilst activities of the working School continued as normal. L: Die Puppenfee design featuring Anna Pavlova, by Joseph Rous Paget-Fredericks R: Carlos Acosta visits White Lodge Museum, January 2011 Photo: Patrick Baldwin Our main focus at present is to increase access to The Royal Ballet School Collections online.