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Hank Thompson Hank Thompson mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Hank Thompson Country: US Released: 1986 Style: Country MP3 version RAR size: 1776 mb FLAC version RAR size: 1820 mb WMA version RAR size: 1680 mb Rating: 4.2 Votes: 284 Other Formats: AAC MPC MOD MP2 MP3 ASF DMF Tracklist Hide Credits Six Pack To Go A1 Vocals [Special Guest Appearance] – George StraitWritten-By – Dick Hart , Hank 3:00 Thompson, Johnny Lowe The Wild Side Of Life A2 2:59 Written-By – A. A. Carter*, W. Warren* Oklahoma Hills A3 2:33 Written-By – Leon Guthrie , Woody Guthrie Breakin' The Rules A4 2:54 Written-By – Al Blassingame, Billy Gray, Hank Thompson Blondes With No Last Name A5 2:19 Written-By – Joe Bob Barnhill, Ray Hawthorne Walkin' On New Grass B1 2:23 Written-By – Ray Pennington Pick Pocket B2 2:39 Written-By – Byron Hill , Mike Dekle Honky Tonk Good Old Gals And Hillbilly Bands B3 2:16 Written-By – Ray Hawthorne I Let My Heart Do The Talking For Me B4 2:45 Written-By – Marc Rossi Swingin' Side Of Them Swingin' Doors B5 2:18 Written-By – David C. Gillon*, Jay Marshall Companies, etc. Phonographic Copyright (p) – MCA Records, Inc. Copyright (c) – MCA Records, Inc. Manufactured By – MCA Records, Inc. Mastered At – Masterfonics Recorded At – Reflections Studio, Nashville, TN Recorded At – Master's Touch Recorded At – Sound Control Credits Acoustic Guitar – Joe Bob Barnhill Art Direction – Simon Levy Backing Vocals – Marcy Cates, Margie Cates, Wade McCurdy Bass – Jack Ross Design – Katherine DeVault Drums – Clyde Brooks Electric Guitar, Acoustic Guitar – Greg Galbreath*, Paul Yandell Engineer [Head Engineer] – Gene Rice Fiddle – Hubert (Hoot) Hester*, Mark O'Connor Keyboards – Jamey Whiting* Mastered By – Benny Quinn Photography By – Peter Nash Piano – Hargus (Pig) Robbins* Producer – Joe Bob Barnhill Steel Guitar, Dobro – Hal Rugg Barcode and Other Identifiers Barcode (scanned): 076741908912 Related Music albums to Hank Thompson by Hank Thompson Hank Thompson And The Brazos Valley Boys - Previously Unissued 1952 Airshots Hank Thompson And His Brazos Valley Boys - Just An Old Flame Hank Thompson - Hank Thompson's 25th Anniversary Album Hank Thompson & His Brazos Valley Boys - Hank Thompson & His Brazos Valley Boys Hank Thompson And His Brazos Valley Boys - Honky-Tonk Girl / We've Gone Too Far Hank Thompson - Teardrops On The Tea Leaves / I'll Be Your Sweetheart Hank Thompson and The Brazos Valley Boys - My Personal Favorites Hank Thompson - Then I'll Start Believing In You / In The Back Of Your Mind Hank Thompson and His Brazos Valley Boys - Wake Up, Irene / Go Cry Your Heart Out Hank Thompson - Hank Thompson The Gold Standard Collection Of.

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“It Wasn’t God Who Made Honky Tonk Angels”-- Kitty Wells (1952) Added to the National Registry: 2007 Essay by John Rumble (guest post)* Kitty Wells When Kitty Wells first recorded for Decca Records in 1952, she had toured for years with her husband, Johnnie (later Johnny) Wright, and his partner, Jack Anglin. But the mother of three was tired of the road, and earlier sessions for RCA had yielded no hits. This time, her main concern was the session fee she would earn. Wells had moved back to Nashville, her hometown, with Johnnie & Jack on the strength of that duo’s 1951 hit “Poison Love,” their entrée to the Grand Ole Opry cast. Now, with Johnnie’s prospects looking up, she pondered leaving full-time entertaining altogether. As it turned out, Wells’s “It Wasn’t God Who Made Honky Tonk Angels,” her first Decca release, quickly scaled “Billboard” magazine’s country charts. The hit made Wells a major star, and an Opry member in her own right. To be sure, country music had boasted successful female artists since the 1920s. The Carter Family’s Sara and Maybelle Carter, cowgirl singer Patsy Montana, and Opry comedienne Minnie Pearl had already won national fame. But Wells was the first to reach #1 in the decade after World War II, when country entered its takeoff phase. In these years, American women faced enormous pressures to leave their wartime jobs, renounce political concerns, and return to keeping house and raising children. Popular magazines, psychologists, and men (whose jobs women had filled) all told them so.
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Clarence Belcher Collection
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A Great Western Recording Artist+ a Great Western Swing Band Hank Thompson & His Brazos Valley Boys
2. 1953 Chicago. August 12, 1953 —Benny and Perry Botkin. The Bill Brill and Brad ia none other than Bing himself. nstrumen- Robert Mitchum, the actor, wrote i in -tage Hey. Mr. Cotton-Picker, the Capitol . Sharkey platter by Tennessee Ernie, popu astern dn By HINTON BRADBURY lar ABC deejay. Music is by Dock Tim Spencer Divides Time jas Steak Stanford and publisher is Maurel o 6 a.m« Music. Words were jotted down by session! John Gaunt who won the annual TV Academy Award for Mitchum six years ago when he und I nek producing Red Skelton show in 1952, now handles the popular first became interested in folksy Between Music And Religion Lawrence Welk package. Says there is nothing he would like Tim Spencer, singer and* i package better than a big country and western production originating SHORT ROWS--Marty Robbin, much during his boyhood he ie Doner of Grand Ole Opry, doing guest composer, is best known for feels perfectly at home in New ontier for from Hollywood. spots in Hollywood including Town After u successful 52 weeks on spite of “trends' song and two things. He was an orig Mexico, Oklahoma, or Texas, but ns for t and Country Time. KE GA , . KTTV, Los Angeles Times station, music, the listener will accept inal member of, and (with has resided on the west coast in (avier C*. Bill Ballance, Chicago's gift to recent years. Dude Martin Shoa will continue something with a deep feeling. Hollywood, interviewing a parade Roy Rogers and Bob Nolan) or show ., throughout the summer as option Newest are Crying In the CJiapel.
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NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-934 (Rev. 12-2015) OMB Control No. 1024-0276 (Exp. 01/31/2019) PATSY CLINE HOUSE Page 1 United States Department of the Interior, National Park Service National Historic Landmarks Nomination Form 1. NAME AND LOCATION OF PROPERTY Historic Name: Patsy Cline House Other Name/Site Number: Patsy Cline Historic House Street and Number (if applicable): 608 South Kent Street City/Town: Winchester County: N/A State: Virginia 2. SIGNIFICANCE DATA NHL Criteria: 1 and 2 NHL Criteria Exceptions: n/a NHL Theme(s): III. Expressing Cultural Values 2. Visual and Performing Arts Period(s) of Significance: 1948–1957 Significant Person(s) (only Criterion 2): Patsy Cline (Virginia Patterson Hensley) Cultural Affiliation (only Criterion 6): n/a Designer/Creator/Architect/Builder: unknown Historic Contexts: Women’s History Initiative XXII. Music D. Popular K. Performers (Soloists and Ensembles) O. Recording Designated a National Historic Landmark by the Secretary of the Interior January 13, 2021 Paperwork Reduction Act Statement. We are collecting this information under the authority of the Historic Sites Act of 1935 (16 U.S.C. 461-467) and 36 CFR part 65. Your response is required to obtain or retain a benefit. We will use the information you provide to evaluate properties nominated as National Historic Landmarks. We may not conduct or sponsor and you are not required to respond to a collection of information unless it displays a currently valid OMB control number. OMB has approved this collection of information and assigned Control No. 1024-0276. Estimated Burden Statement. Public reporting burden is 2 hours for an initial inquiry letter and 344 hours for NPS Form 10-934 (per response), including the time it takes to read, gather and maintain data, review instructions and complete the letter/form.
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All Things Country with Rowena Playlist for June 20, 2020
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Christie's Goes Country
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Collaboration and Innovation in Country Music: Analyzing Lyrics A.P
Collaboration and Innovation in Country Music: Analyzing Lyrics A.P. Carter was called a “songcatcher,” a musician who collected lyrics and melodies from family members, friends, and neighbors. Carter worked and traveled with African American musician Lesley Riddle to gather music from towns throughout the U.S. On one of these song-catching trips, Carter found the folk tune that became the the Carter Family's 1929 “I’m Thinking Tonight of My Blue Eyes.” A string of country song-writers — Roy Acuff, Hank Thompson, and Kitty Wells — produced their own hit songs by writing new lyrics to the same melody in the decades that followed. In this ELA exercise, students will compare meaning through lyrical analysis, learn about the concept of an "answer song," and consider the role of collaboration and iteration in music and art more broadly. Lesson Summary In this three-part activity, students will trace the evolution of two melodies and their associated lyrics through country music's history. As they explore how these melodies have been adapted to different messages over time, students will have the opportunity to discuss the role of collaboration in music. They will be introduced to foundational acts in country music, including the Carter Family, Roy Acuff, Hank Thompson, and Kitty Wells. Students will conclude by writing their own lyrics to a melody which will have become familiar. Time Allotment 2-3 class periods. Supplies • Lyrics sheet • The Carter Family: Song-Catching and the “Carter Scratch” • Roy Acuff’s “Great Speckled Bird” • Kitty Wells’ “It Wasn’t God Who Made Honky Tonk Angels” Introductory Activity The Carter Family is widely regarded as one of the foundational acts in country music’s history.
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May 2021 GOOD NEWS, We Will Have a Dance Sunday May 16, 2021 at the Valencia Club in Penryn, 1-5 with Lincon Highway
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