P>A Quarterly Newsletter from NIKON ISSUE 25 • JAN 10 • MICA (P) 155/07/2009 QUICK GLANCE
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Test Pentax 645D an Accessible Medium Format DSLR?
Test Pentax 645D An accessible medium format DSLR? o announce a camera costing With time, cameras evolved, and The 645D sports digital SLR will have no problem card followed by the other, etc.) €10,000 as "accessible" might today the most modern models the classic form of a solid medium working with a 645D. As the overall The Raw format used is DNG, and T sound somewhat strange to (Hasselblad H and Leica S) have format camera. It ergonomics are based on highly in- images can be read directly by many photographers. The term de- abandoned the "body plus inter- is pleasing to tuitive controls, you can instantly Adobe software. Other Raw conver- serves a few explanations. Finan- changeable back" form for a solid handle and find your way around. ters (DxO and others) should very cially, it is justified because a 40 architecture that enables a more ef- comfortable to Original functions are also found use: Pentax has shortly be able to read 645D files. Mpix digital medium format cur- ficient design. This is the type of given it the very in the 645D, for example double The camera handles nicely. The rently sells for more than €15,000, construction used by Pentax. best in APS-C SLR level (front/back and right/left tilt), a grip, which seems a little uncomfor- whereas the Pentax 654D is at The "body plus separate back" ar- ergonomics. A misty landscape Use in the handheld position would be good! camera is less rapid (continuous very useful feature for shooting table at first, turns out to be very ef- Jpeg and Raw €9,900 (including VAT). -
LYNDON B. JOHNSON SPACE CENTER Houston, Textja
.. HANDBOOK OF PILOT OPERATIONAL EQUIPMENT FOR MANNED SPACE FLIGHT Report No. CD42-A/SL-997 Prepared By POE Development Section Crew Equipment and Design Branch Flight Crew Integration Division NatiDnal AeronautiC� aml Space Administration LYNDON B. JOHNSON SPACE CENTER Houston, TextJA JUNE 1973 • MSC-U72l0 PROJECT DOCUMENT COVER SHEET HANDBOOK OF PILOT OPE RATIONAL EQUIPMENT FOR MANNED SPACE FLIGHT REPORT �UMBER jo ATE CD42-A/SL-997 1 June 16 , 1972 PREPARED BY: POE Development Section APPROVED: APPROVED: APPROVED: REVISIONS DATE PREPARED BY APPROVALS CHG. LETTER ,..-IJIV\SION P�-111 BFFIG-�, 9/5/72 H. D. Yeates A 0 t:J + 3/15/73 H. D. Yeates B [\) � -......._ UJ. [-< ;o I C'l \0 ""() \0 �-; -..:) z c !!:: rn C'l ;o MSC FORM !5!A (JUL 66) TABLE OF CONTENTS Foreword Li st of Illustr ations 1.0 Introduction 2.0 16 mm . Sequence Camera System 2.1 Data Acquisition Camera (DAC ) (SEB33100100) 2.2 DAC Film Magazine (140) (SEB33l00l25) 2.3 DAC Transport Mechanism (SEB33l00278) 2.� DAC Film Cas sette (400) (SEB33100279) 2.5 5 mm . Lens (SEB33100056) 2.6 10 mm . Lens (SEB33100010) 2.7 18 mm. Lens (SEB33100018) 2.8 25 mm . Lens (SEB33l00054) 2.9 75 mm . Lens (SEB33l000l9) 2.10 100 mm . Lens (SEB33100025) 2.11 180 mm . Lens (SEB33100017) 2.12 Right Angle Mirror (SEB3310005l) 2.13 DAC Power Cable (CM) (SEB33l00038) 2.14 DAC Power Cable (sws) (SEC33l00567) 2.15 DAC Spare Fuse (SEB33100266) 2.16 Remote Control Cable (SEB33100020) 2.17 DAC Power Pack (SEB33l00304) 2.18 Universal Mount (SEC39lo6239) 2.19 DAC EVA Bracket (SEC33lOOOo6) 2.20 DAC Handle (SEB33100303) 2.21 DAC RCU Bracket (SEB33100396) 2.22 DAC Right Angle Adapter Bracket (SEB33100277) 2.23 DAC Wedge Bracket (SEB33100564) 3.0 35 mm. -
A Field Guide to Bulkhead Connectors for Aquatica Digital Camera Housing: a Field Guide to Aquatica’S Strobe Connectors
A field guide to bulkhead connectors for Aquatica digital camera housing: A Field Guide to Aquatica’s strobe connectors This comprehensive guide is to help Aquatica users in selecting the proper strobe connectors for their housing it is divided in sec- tions addressing the various generation and brand for which we have manufactured housing for over the years. Please make sure to visit our website www.aquatica.ca for updated version of this document. Section 1: The classic Nikon type. These are found in the following legacy Aquatica housings for these cameras; Fuji S2 Pro Fuji S5 (same as Nikon D200) Nikon D2x Nikon D3 / D3x (not the D3s version) Nikon D40 / D40x / D60 Nikon D70 /D70s Nikon D80 Nikon D100 Nikon D200 Nikon D300 (not the D300s) Section 2: The newer Nikon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Nikon D3s (not the older D3/D3x version) Nikon D90 Nikon D300s Nikon D700 Section 3: The Classic Canon type. These are found in the following legacy Aquatica housings for these cameras; Canon 1Ds Mk III & 1D Mk IV Canon 5D (not 5D Mk II) Canon 30D Canon 40D / 50D Canon Digital Rebel / 300D Section 4: The newer Canon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Canon 5D Mk II (not the original 5D) Canon 7D Canon Digital Rebel T2i / 550D Section 5: The optical type. -
Which DSLR? [Complete]
John Henshall’s Chip Shop WHICH DSLR? John Henshall looks at today’s leading Digital – and Film – Single Lens Reflex cameras Canon EOS-1Ds Mark II Nikon D2x Fujifilm FinePix S3 Pro Canon EOS-350D Kodak DCS ProSLR/c Nikon D50 Canon EOS-20D Nikon F6 Nikon D70s ntil 1999, choosing a DSLR suit or conflict with your needs is perhaps even the last – film SLR, the was easy because there was particularly difficult. Nikon F6 . This was loaded with the just one manufacturer: For example, do you want very high latest 35mm film: the new Fujichrome U Kodak. There were no DSLRs resolution, or accurate – or pleasing – Velvia Professional 100 . The film was from Canon or Nikon but Kodak made colour, or high sensitivity with low processed by one of the leading London m o c models for Canon and Nikon lenses. noise? Or is price or weight the most professional laboratories and scanned . e r The situation is much different now. important factor? at 4000 pixels per inch using the latest t n e c Kodak has ceased manufacture of In an attempt to evaluate some of Nikon Super CoolScan 9000 scanner. - i p DSLRs, whilst Canon and Nikon these factors, I got together the major My first shot was of Bear House. e @ n themselves are now the major players. Canon– and Nikon–mount DSLRs for a Over the years, I have been waiting for h o j l There are other manufacturers, of series of side-by-side real-world shots, a camera which could resolve the l a h course, but their systems are nowhere intended to simulate everyday shooting house name in this shot. -
Operating Manual Foreword
DIGITAL U/W HOUSING FOR NIKON D2 SERIES OPERATING MANUAL FOREWORD Thank you for having selected the AQUATICA Pro Digital Camera Housing System for your underwater photography. The AQUATICA Pro Digital Housing is the result of a long and continuing relationship with the most demanding under- water photographers in the world. Each housing is handcrafted, quality checked and pressure tested to 300 feet by a small group of specially trained individuals, each of whom takes the utmost pride and satisfaction in offering the best underwater camera housing in the world. The Aquatica Pro Digital Housing was designed for optimum technical and optical performance and to provide easy and efficient underwater access to essantials functions and controls of the Nikon D2X and D2Hs and D2H SLR. This manual assumes that the User is already familiar with the Nikon D2 series of cameras. If not, please read the Nikon instruction Manual before attempting to use the housing. With basic care and maintenance, your AQUATICA housing will give you a lifetime of enjoyment and satisfaction in pro- ducing underwater images. Please read this manual carefully before using your housing for the first time and note that: wherever cited the right hand is your right when using the housing. SAFETY PRECAUTIONS Improper transportation handling or use of this housing might cause a flood or malfunction. Please read and follow the following precautions: • Store and transport the housing in a sturdy, shock proof container and avoid travelling with the camera mounted inside the housing as impact forces especially on the external push buttons will be transferred to the camera. -
The Nikon F System
The Nikon F system: FILTERS-Optical quality is as indispensable in filters as in lenses. Only the finest optical glass is employed. Precision ground, polished to plano-parallel flatness and strain-free mounted, these filters are free from striation, stress, or other flaws which might deteriorate image quality. Both surfaces are hard coated to reduce reflection. A complete variety of Nikon filters is available for b&w as well as color (see price list for types and sizes). LENS HOODS - Snap-on hoods are specially designed to combine "slip-on" ease with "screw-in" holding power. Can be reversed on lens for compactness in carrying. Screw-in hoods are also available. All lens hoods are calculated for each focal length to give maximum protection without danger of vignetting. REAR LENS CAPS & BODY CAPS - Use of these is recommended to protect lenses and camera body and keep them dust-free when handled and stored separately. PANORAMA HEAD (Prod. No. 2020)-Mounts between camera and tripod, and accurately spaces series of exposures that will join as a single panorama picture covering up to 360. Click-stop positions for 35, 50 and 105mm lenses, and color coded stop indicators to 28, 85 and 135mm lenses. Bubble level accessory available to check whether camera and Panorama Head are horizontal. FILM CASSETTES - All metal, easy to load with standard bulk film. Cost is quickly defrayed by economy of bulk film. Can be loaded for fewer than 20 exposures. Cassettes are recommended for use with motor drive. Available in 36 and 250-expo sure capacity, latter for 250-exposure motor drive only. -
PROFIFOTO Spezial Sonderheft Für Professionelle Fotografie DIE NIKON S-KLASSE Erscheint Bei GFW Photopublishing Gmbh Media Tower, Holzstr
EEditorial/Impressumditorial/Impressum 0033 DDieie MMultimediaultimedia PProfisrofis FFOTOOTO NNikonikon DD3S3S uundnd DD300S300S 0044 PPROFIROFI NNikonikon SSB-900:B-900: SSystemblitzystemblitz 0099 NNikonikon GGaleriealerie GGeroero BBreloerreloer 1100 OOliverliver BBergerg 1111 MMarcusarcus BBrandtrandt 1122 SSPPEZZIALIAL BBjörnjörn HHakeake 1133 VVomom FFilm-Virusilm-Virus iinfiziertnfiziert IImm GGesprächespräch mmitit GGeroero BBreloerreloer 1144 NNahah ddranran NNeueeue PProfi-Objektiverofi-Objektive 1166 AAlternativenlternativen mmitit VVollformatollformat NNikonikon DD3X3X uundnd DD700700 1188 NNikonikon NNPSPS HHändleradressenändleradressen 2200 91NNIKONIKON SS--KLAASSESSE EDITORIAL www.nikon.de IMPRESSUM PROFIFOTO Spezial Sonderheft für professionelle Fotografie DIE NIKON S-KLASSE erscheint bei GFW PhotoPublishing GmbH Media Tower, Holzstr. 2, 40221 Düsseldorf Postfach 26 02 41 (PLZ 40095) MULTIMEDIA DSLRs Telefonzentrale: (0211) 3 90 09-0 Verschaffen Sie sich einen unfairen Vorsprung. Telefax: (0211) 3 90 09-55 Geschäftsführende Gesellschafter Die neue Nikon D3S. Thomas Gerwers, Walter Hauck, it den Kameras der S-Klasse Frank Isphording, Dr. Martin Knapp Der Funktions- erweitert Nikon die Möglichkeiten kreativer Fotografen: Ihre D-Movie- Redaktion reichtum der neuen M Thomas Gerwers DGPh (verantwortlich) Funktion bietet die Option zur Aufzeichnung Redaktions-Adresse: Nikon D3S und von Multimedia-Filmsequenzen in HD-Qua- Mürmeln 83 B lität. Die neue D3S mit FX-Vollformatsensor 41363 Jüchen der D300S bietet setzt außerdem neue -
Nikon Nikkormat
tikkormat INSTRUCTIONMANUAL NOMENCLATURE Meter Coupling Pin Neck Strap Eyelet Couples the exposure meter to the lens' auto diaphragm. a,fd ikkprrtt&t 'r- Mirror Lock Shr.rtter-Speed Index Slidedownward to lock the Align with the desired mirror up out of the optical shutter speed. parh. Self-Timer Lens ReleaseButton Trips the shutter in 8 Unlocks the lens for secondsdelay. removing or changing lenses. ASA Lock CameraBack Latch Pressto openthe camera Shutteb'-Speed Lever back. ASA Film-Speed Index Adjusts the meter for the Film-Speed ASA Scale speed of the film used. Range: t2-1.600 ASA. Battery Chamber Houses the silver-oxide battery that powers the meter. Tripod Socket Carnera Back Rewind Button Hinged to swing open from Press to rewind the film. the side. www.orphancameras.com Aperture/Distance Scale I ndex Distance Scale lnfrared Mark Depthof-Field Scale Lines up with the prefocused Color-coded markings give distanceto compensate depth-of-field at different for shift in focus. apertures. Aperture Ring FocusingRing Sets the lens diaphragm to Easy-to-grip,knurled surface the desired f/number. for quick, accuratefocusing. Aperture Scale il/leter Coupling Prong for the meter is set Connectsto the meter maximum aperture of the coupling pin. lens being used. Shutter-SpeedScale Depth-of-Field Preview Button Speedsfrom 1/1000 to 1 Pressto previewhow much secondplus B. or foreground background Shutter ReleaseButton of focus. is in or out (With screw thread for cablerelease). FlashTerminal Acceots:cepts a flash Frame Gounter nch cord. Indicates the number of frames exposed. Rewind Crank Fold out to rewind the film. -
Performance Evaluation of Thermographic Cameras for Photogrammetric Documentation of Historical Buildings
BCG - Boletim de Ciências Geodésicas - On-Line version, ISSN 1982-2170 http://dx.doi.org/10.1590/S1982-217020130004000012 PERFORMANCE EVALUATION OF THERMOGRAPHIC CAMERAS FOR PHOTOGRAMMETRIC DOCUMENTATION OF HISTORICAL BUILDINGS Avaliação da performance de câmaras tremográficas para documentação fotogramétrica de prédios históricos NACI YASTIKLI1 ESRA GULER 1 1Yildiz Technical University Faculty of Civil Engineering Department of Geomatic Engineering Davutpasa Campus, TR- 34220 Esenler-Istanbul, Turkey E-mail: [email protected], [email protected] ABSTRACT Thermographic cameras record temperatures emitted by objects in the infrared region. These thermal images can be used for texture analysis and deformation caused by moisture and isolation problems. For accurate geometric survey of the deformations, the geometric calibration and performance evaluation of the thermographic camera should be conducted properly. In this study, an approach is proposed for the geometric calibration of the thermal cameras for the geometric survey of deformation caused by moisture. A 3D test object was designed and used for the geometric calibration and performance evaluation. The geometric calibration parameters, including focal length, position of principal point, and radial and tangential distortions, were determined for both the thermographic and the digital camera. The digital image rectification performance of the thermographic camera was tested for photogrammetric documentation of deformation caused by moisture. The obtained results from the thermographic camera were compared with the results from digital camera based on the experimental investigation performed on a study area. Keywords: Documentation; Historical Building; Photogrammetry; Thermographic Cameras; Geometric Calibration; Performance Evaluation. Bol. Ciênc. Geod., sec. Artigos, Curitiba, v. 19, no 4, p.711-728, out-dez, 2013. -
Quack Autumn 2008
Newsletter of E.J. Peiker, Nature Photographer and www.EJPhoto.com All contents ©2008 E.J. Peiker Autumn 2008 (Vol 6, Issue 5) Welcome to the quarterly newsletter from E.J. Peiker Nature Photography and www.EJPhoto.com . In this quarterly email publication, I will keep subscribers posted on upcoming workshops including the DuckShop Series as well as sharing some photos and experiences with you. I will also give you brief impressions on any new equipment that I get the opportunity to use and any other general information in the world of digital nature photography. Please feel free to forward this along to other photographers and interested parties but please do so only by forwarding this newsletter in its entirety. Please note that all content is copyrighted by E.J. Peiker. If you would like to be added or deleted to the mailing list or if you would like copies of past issues, just send me an email message at [email protected] . Back issues are available online at http://www.ejphoto.com/newsletter.htm Brown Bear, Katmai National Park, Alaska (EOS 1D Mark IIn, 400mm) E.J. Switches to Nikon??? After sending out the Namibia Special Edition, I received dozens of emails including some folks that were quite upset by what they perceived me as switching to Nikon. Have I switched? Well, not really but I am now dual platform. A couple of months ago I acquired a D300 and the Nikon 200-400mm f/4 lens. I simply got tired of waiting for Canon to put out a competitive product in this range. -
Digital Slrs
DIGITAL SLRs ©Jon Ortner A Passion for Achieving Impossibly Beautiful Images Groundbreaking technology. Meticulous engineering. Precision manufacturing. Thoughtful ergonomics. They all contribute to the legendary performance of Nikon digital SLR cameras. The defining element of every Nikon digital SLR is our uncompromising passion for excellent photography. Nikon FX-format digital SLRs have redefined bundled with the 18–55mm Zoom-NIKKOR VR the power and versatility of digital photography. image stabilization lens, also includes EXPEED 2 The flagship D3X, featuring the Nikon-original and full 1080p HD movie capability, and its Guide 24.5-megapixel FX-format (35.9mm x 24.0mm) Mode makes taking great pictures easy. Featuring a CMOS imaging sensor, and the D3S, with its as- Vari-Angle LCD monitor, full HD movie capabilities, tounding ability to capture commercial-quality, a new Effects Mode, and a new HDR setting for low-noise/high ISO images and HD video, unleash great shots in high-contrast conditions, the all-new new creative possibilities. The D700 offers many of D5100 gives your imagination a powerful spring- the imaging capabilities of the already legendary board. With the D90, the first digital SLR with to D3, but in a more compact body. offer video capture, the D5000, and the D3000, there’s a Nikon DX-format camera perfectly suited Nikon DX-format digital SLRs, like the flagship to virtually any task or skill level. 12.3-megapixel D300S, also incorporate many of the D3’s advances. The new D7000 introduces Whatever Nikon digital SLR you choose, you’ll advanced EXPEED 2 image processing, full 1080p have the power, precision, and versatility to HD movies, and an all-new 2,016-pixel RGB produce breathtaking images made possible by your 3D Color Matrix Metering sensor. -
Nikon D700 Users’ Guide
Ken Rockwell I support my growing family through my website, KenRockwell.com, and these online PDFs. Please enjoy reading this online all you want, but this PDF is not free to print. If you wish to print or save your own personal copy of this copyrighted PDF, please PayPal me $5 for every full or partial copy you print or save. This mandatory $5 licence fee is what supports me and keeps these PDFs as easy downloads. My PayPal email address is [email protected]. Your honesty (I send no receipts) lets me keep writing guides and providing easy downloads, instead of having to use a complex pay-before-play system. (If you got your D700 through my website links or have made a previous contribution, you've already paid. THANK YOU!) If reading online, Click Here to pay via PayPal Thanks for reading! Ken © 2009 Ken Rockwell. All rights reserved. © KenRockwell.com. All Rights Reserved. Nikon D700 Users’ Guide Introduction This will teach you every possible nuance general photography issues here. 4.) Contrast, saturation or other fine of using the Nikon D700. This will make Getting great photos out of the D700 points not right? Adjust the Picture you to an expert on the Nikon D700. It really only takes your eye and about two Controls. includes lots of tips, tricks, secrets and settings: For more examples of why you’d want the settings I prefer to use, but this alone 1.) Take a picture. Look at the rear LCD. to change these settings and why, also won’t get great pictures.