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The New Edith Wharton Studies Edited by Jennifer Haytock , Laura Rattray Frontmatter More Information Cambridge University Press 978-1-108-42269-7 — The New Edith Wharton Studies Edited by Jennifer Haytock , Laura Rattray Frontmatter More Information THE NEW EDITH WHARTON STUDIES The New Edith Wharton Studies uncovers new evidence and presents new ideas that invite us to reconsider our understanding of one of America’s most highly acclaimed, versatile, and prolific writers. The volume addresses themes that have previously been missed or underdeveloped and examines areas where previous scholarship does nottakeaccountofkey,contemporaryissues:Whartonandecocriticism, Wharton and queer studies, Wharton and animal studies, Wharton and whiteness, and Wharton and contemporary psychology. Essays explore Wharton’s treatment of the poor in her emerging career, the ways in which French thinkers helped her envision community, the importance of Greece to Wharton, her transnationalism, the ongoing revelations of the author’s archives, and new perspectives on her agency in the literary marketplace. It addresses key themes and examines contemporary issues, while reassessing Edith Wharton’slifeandcareer. jennifer haytock is the author of At Home, At War: Domesticity and World War I in American Literature (2003), Edith Wharton and the Conversations of Literary Modernism (2008), The Middle Class in the Great Depression: Popular Women’s Novels of the 1930s (2013), and The Routledge Introduction to American War Literature (2018). laura rattray is Reader in American Literature and Director of the Centre of American Studies at the University of Glasgow. Her work on Wharton includes Edith Wharton in Context (2012), The Unpublished Writings of Edith Wharton (2009), and the Oxford World Classics edition of Summer (2015). © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42269-7 — The New Edith Wharton Studies Edited by Jennifer Haytock , Laura Rattray Frontmatter More Information TWENTY-FIRST-CENTURY CRITICAL REVISIONS This series addresses two main themes across a range of key authors, genres, and literary traditions. The first is the changing critical interpretations that have emerged since c. 2000. Radically new interpretations of writers, genres, and literary periods have emerged from the application of new critical approaches. Substantial scholarly shifts have occurred too, through the emergence of new editions, editions of letters, and competing biographical accounts. Books in this series collate and reflect this rich plurality of twenty-first-century literary critical energies, and wide varieties of revisionary scholarship, to summarize, analyze, and assess the impact of contemporary critical strategies. Designed to offer critical pathways and evaluations, and to establish new critical routes for research, this series collates and explains a dizzying array of criticism and scholarship in key areas of twenty-first-century literary studies. Recent Titles in This Series matt cohen The New Walt Whitman Studies mark byron The Ezra Pound Studies michelle kohler The New Emily Dickinson Studies jean-michel rabate´ The New Samuel Beckett Studies joanna freer The New Pynchon Studies © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42269-7 — The New Edith Wharton Studies Edited by Jennifer Haytock , Laura Rattray Frontmatter More Information THE NEW EDITH WHARTON STUDIES edited by JENNIFER HAYTOCK The College at Brockport, SUNY LAURA RATTRAY University of Glasgow © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42269-7 — The New Edith Wharton Studies Edited by Jennifer Haytock , Laura Rattray Frontmatter More Information University Printing House, Cambridge cb28bs,UnitedKingdom One Liberty Plaza, 20th Floor, New York, ny 10006,USA 477 Williamstown Road, Port Melbourne, vic 3207,Australia 314–321, 3rd Floor, Plot 3, Splendor Forum, Jasola District Centre, New Delhi – 110025,India 79 Anson Road, #06–04/06, Singapore 079906 Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence. www.cambridge.org Information on this title: www.cambridge.org/9781108422697 doi: 10.1017/9781108525275 © Jennifer Haytock and Laura Rattray 2020 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2020 Printed in the United Kingdom by TJ International Ltd. Padstow Cornwal A catalogue record for this publication is available from the British Library. isbn 978-1-108-42269-7 Hardback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42269-7 — The New Edith Wharton Studies Edited by Jennifer Haytock , Laura Rattray Frontmatter More Information Contents Notes on Contributors page vii Acknowledgments xi List of Editions and Abbreviations xii Introduction 1 Jennifer Haytock and Laura Rattray part i self and composition 13 1 Creative Process and Literary Form in Edith Wharton’s Archive 15 Paul Ohler 2 Wharton’s Letters: Glimpses of the Whole Edith Wharton 32 Julie Olin-Ammentorp 3 Edith Wharton and the Business of the Magazine Short Story 48 Sarah Whitehead part ii international wharton 63 4 Edith Wharton’s Odyssey 65 Myrto Drizou 5 Edith Wharton’s French Engagement 80 Virginia Ricard 6 Edith Wharton and Transnationalism 96 Donna Campbell v © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42269-7 — The New Edith Wharton Studies Edited by Jennifer Haytock , Laura Rattray Frontmatter More Information vi Contents part iii wharton on the margins 111 7 Edith Wharton’s Unprivileged Lives 113 Laura Rattray 8 Wharton, Insurance Culture, and Pain Management 129 Jennifer Travis 9 Edith Wharton’s Humanimal Pity 143 Shannon Brennan 10 Edith Wharton and the Writing of Whiteness 158 Jennifer Haytock part iv sex and gender revisited 173 11 Women, Art, and the Natural World in Edith Wharton’s Works 175 Gary Totten 12 Wharton and the Romance Plot 189 Linda Wagner-Martin 13 Masculine Modernity: Fathers, Sons, and Generational Absolution in Wharton’s Fiction 202 Melanie Dawson 14 Wharton’s Wayward Girls 217 Meredith Goldsmith Bibliography 231 Index 247 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42269-7 — The New Edith Wharton Studies Edited by Jennifer Haytock , Laura Rattray Frontmatter More Information Notes on Contributors shannon brennan is Assistant Professor of English at Carthage College, where she teaches courses in late nineteenth- and early twen- tieth-century American literature and Women’s and Gender Studies. Her writing on Edith Wharton has appeared in Legacy: A Journal of Women Writers, and she is book review editor of the Edith Wharton Review. donna campbell is Professor of English at Washington State University. Her most recent book is Bitter Tastes: Literary Naturalism and Early Cinema in American Women’s Writing (2016). Recent work includes “Yours for the (Marriage) Revolution: Jack London and Mary Austin” in American Literary History and the Turn Toward Modernity, edited by Melanie V. Dawson and Meredith L. Goldsmith (2018), and “Little House in Albania: Rose Wilder Lane and the Transnational Home” in Western American Literature. Her current projects include a critical edition of Edith Wharton’s The House of Mirth in the thirty- volume Oxford University Press edition of the Complete Works of Edith Wharton, a series for which she is associate editor. melanie dawson is Professor of English at The College of William and Mary, where she teaches late nineteenth- and early twentieth- century American literature. She is the author, most recently, of Emotional Reinventions: Realist-Era Representations Beyond Sympathy (2015)andco-editorofAmerican Literary History and the Turn Toward Modernity with Meredith Goldsmith (2018). She has authored articles on Henry James, W. D. Howells, companio- nate marriage, and realist temporalities and is currently at work on a book-length project about Edith Wharton’s fictioninrelationtoa modern sense of aging. vii © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42269-7 — The New Edith Wharton Studies Edited by Jennifer Haytock , Laura Rattray Frontmatter More Information viii Notes on Contributors myrto drizou is Assistant Professor of English at Boğaziçi University in Istanbul, Turkey, where she teaches American and transatlantic litera- ture. She is associate editor of the Edith Wharton Review and editor of the volume Edith Wharton for the Critical Insights series (2017). Her work on Wharton has also appeared in Gothic Landscapes, edited by Sharon Yang and Kathy Healey (2016), Critical Insights: American Writers in Exile (2015), and 49th Parallel: An Interdisciplinary Journal of North American Studies. Other work includes essays on Theodore Dreiser, Frank Norris, Henry Adams, and Mary E. Wilkins Freeman, and a special issue on American naturalism
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