March 1942) James Francis Cooke

Total Page:16

File Type:pdf, Size:1020Kb

March 1942) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1942 Volume 60, Number 03 (March 1942) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 60, Number 03 (March 1942)." , (1942). https://digitalcommons.gardner-webb.edu/etude/241 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. '$ is I /ill /I ® o #1 « I sr/ « # d ® m CHA IMAM Latest C # a p * 1 1 i # * "MMl MIMA APmmiQMATA" — 1 , STUDY? WHERE SHALL 1 GO TO BY JOSEPHINE HOVEY PERR £ XCELLENT FFERINGS M miIIIIIIIIIUIll»*AAAAAA4 M £ (Western) Teachers (Eastern) o m Private Teachers Private PRACTICAL THE HOUSE THAT TO M BUILT 2 MAY MACDONALD HOPE CORYELL KATE S. CHITTENDEN JACK j Repertory — Appreciation „ * Pianist Artist Teacher Pianoforte — helping little children of primary Concert — This is a splendid book for Directors Choral 853 7th AVE.. notation and to play on Godowsky THE WYOMING, J grade ages to learn to read music H Pupil of Teresa Carreno and Leopold means of note, NEW YORK „ piano keyboard that which they read. By 775 Colusa Ave., Berkeley, Calif. L.A.S. 5530 the X clear the relation of 2 key, and linger charts it makes very TEACHING the staff to the keys of the the position of the notes on FREEMANTEL accompany- ROSE FREDERIC j; piano. There are many charming illustrations ; OUGH little pieces and showing very graphically n VOICE Voice Instruction ing the attractive J manner. SERVICES Former Assistant to Lazar S. Samoiloff the various interval skips in a unique FOB AFTER-EASTER Author of 24 home study lessons, n in Hollywood Price, 75 cents "The Fundamental Principals of Voice Production and N * Reopened Her Voice Studios at Singing"; also "High Tones and Ho— to Sing Them „ 1931—8TH AVENUE OAKLAND. CALIFORNIA 2 West S7th Street x Mixed Voices Treble Voices Telephone Glencourt 6115 Studios: 205 J New York City Phone Circle 7-5420 x MATERIALS 35403 Hark! Hark My Soul Hawley 35240 He Shall Feed His Flock (3 Part) Gates .12 PLEASURE PATH 35419 Heaven is My Home Speaks A 35103 I Not Ask, O Lord (3 Part) S 35421 I Am the Light of the World Do EDNA GUNNAR PETERSON Harborne Spross .12 x ALBERTO JONAS « PIANO This Way x 35031 I Shall Not Pass Again TO THE 35426 I Met My Master Face to Face Concert Pianist—Artist Teacher Miller (3 Part) Effinger .12 Celebrated Spanish Piano Virtuoso x Calif. to Thee. Arioso (3 Part) H 229 So. Harvard Blvd. Los Angeles, pianists x THE PRE-SCHOOL CHILD 35259 I Shall Not Pass Again This Way 35377 Thanks Be Teacher of many famous FOR FE. 2597 « Effinger Handel-Douty .12 M 19 WEST B5TH ST.. N. Y. C. Tel. Endicott 2-8920 35425 Jesus, the Very Thought of Thee X of the On Thursdays in Philadelphia, 132 South 18th Street. „ PIANO This fascinating study book for the very youngest student Thompson Men's Voices Tel. Victor 1577 or Locust 9409 . rote-playing book wherein the child (a) sings 35412 Lead, Kindly Light Spross LAZAR S. SAMOILOFF piano starts as a l Not connected with any Conservatory. x A 35149 Lord is My Shepherd, The.. Hawley 35395 I Shall Not Pass Again This Way what has been played, and plays a selection by rote, (b) reads .12 x 35027 Love Divine . Marks Effinger Voice teacher of famous singers is ad- J M and finally, (c) writes it. Gradually the young student 35057 My Redeemer and My Lord. Buck 35257 Love Divine La Forge .10 * From rudiments to professional engagements vanced until reading and playing are welded into one. All of the 35401 My Spirit on Thy Care MacForlane 35424 O Spirit of Life (Ancient Air) x courses I Used and Endorsed by 35151 O Mother of My Heort Arr. Marks .12 Beginners accepted. Special teachers' EDITH SYRENE LISTER material presented in story form and the book abounds in ^ is (Mother's Day) Davis 35166 One Hundred and Twenty-First M AUTHENTIC VOICE PRODUCTION » illustrations that appeal to the child imagination. Ask for FREE m 610 So. Von Ness Ave., Los Angeles, Cal. w Leading Contemporary 35404 Praise Ye, the Lord. ...Stoughton Psalm ..La Forge .12 405 Hall, N«w York City Carn«gi« 2 copy of brochure on the psychology, pedagogy and procedure in 3S4I8 Te Deum Laudamus, in B-Flat Marks 35396 Thanks Be to Thee. Arioso n Collaborator and Associate Teacher with the late W. n 35370 Thy Will Be Done .12 Educational Authorities pre-school piano teaching with this book Price, $1.00 Speaks Handel-Spross ELIZABETH SIMPSON Warren Shaw and Endorsed by Dr. Floyd S. Muckey H 1 Wednesday: Troup Music Studio, Lancaster, Pa. M Author of "Basic Pianoforte Technique" Thursday: 309 Presser Bldg., Philadelphia, Pa. 2 J FOR SPRING CONCERT PROGRAM USE * Teacher of Teachers. Coach of Young Artists. 1 BUSY WORK FOR * Pupils Prepared for Concert Work. Class Courses II M in Technique, Pianistic Interpretation, Normal (Frank) (Ernetfo) N 35032 Rachem (3 Part) Mano-Zucca .15 BEGINNERS Mixed Voices Methods for Piano Teochers. • 35020 Recessional (2 Part) De Koven .12 2 LaFORGE-BERUMEN STUDIOS 35019 Recessional (3 Part) De Koven .15 m 609 Sutter St., San Francisco; A WRITING BOOK FOR 2627 Defenders Farwell Voice—Piano N 35021 Don’t Be Weary, Traveler (6 Part) 35018 Recessional (4 Part) De Koven .12 M 2833 Webster St.. Berkeley. Cal. of Lawrence Tibbett since IT22 LITTLE PIANISTS Deft 35186 Somebody's Knocking at Your Door N Frank LaForge teacher 2 BY (3 Part) .. Dett .20 1100 Pork Ave., Corner B*th St., New York MARY BACON MASON 35073 Green Cathedral, The Hahn „ The object of this book is to furnish 35008 There's Tel. Atwater 9-7470 35272 I Love Life Mana-Zucca a Meeting Here Tonight entertaining and constructive “busy (Mid-West) J 35209 In Maytime Speaks (3 Part) Dett .15 S Private Teachers work” to little folk beginning piano FOLK SONGS AND 35394 Lark Now Leaves His Watery 35355 When Love Come into Bloom study. Especially is this useful in class Nest, The Parker (3 Part) Steinel .10 FAMOUS PICTURES instruction. It aims to teach the rela- —I 35294 Last Hour, The Kramer 35105 Will-o-the-Wisp (3 Part) Spross .12 1 ARNOLD SCHULTZ RICHARD McCLANAHAN tionship between the fingers, piano KA Sonj(s .1/.' Famous Picture's 35387 Liberty Bell, The Sousa 35002 Wi!l-o-the-Wisp (4 Part) Spross .15 A method book designed to meet the needs of piano begin- keys, and their note representations on Teacher of Piano Representative TOBIAS MATTHAY 35048 Yesterday and Today Part) M fjvr A B. yuutm 35311 Little Dutch Garden, A (S.A.B.) (3 ners from seven to eleven years of age. Notation, rhythm, •the grand staff. All directions are in Author of the revolutionary treatise on Private lessons, class lessons in Fundamentals « scales, keyboard harmony, transposition and fnusical form Mead Spross .15 M Lecture-demonstrations for teachers rhyme. 1 Teachers of private pupils fre- . piono technique » 35411 Zohra! It Is the Morning are presented in a most efficient quently 35094 Mighty Lak a Rose Nevin (3 Part) CW.it- and unique manner. Three assign this book as “home work” to stimulate the child’s interest. "The Riddle of the Pianists’ Fingers" x 35062 Mighty Spross .12 806 Steinway Bldg., New York City dozen art pictures over Lak' a Rose (S.A.B.) . Nevin <w and a half-hundred cards are pro- Price, 60 cents published by the University of Chicago Press vided. The former are to be cut out and pasted in the book 35353 My Heart is a Haven Steinel N Vf* 1 at designated places latter 2588 Our America Case m 622 FINE ARTS BLDG. CHICAGO, ILL. ; the are cut out at the teacher’s Male Voices direction and the item of information they contain mem- 2607 Our Country’s Prayer Farwell X orized. 35015 Recessional EDWARD E. TREUMANN Mnn| Biu-oti Muscat As may be gleaned from the title the basic mate- De Koven 35156 At Sea Buck rial of the exercises is folk song, the basic music of MORE BUSY WORK 35016 Recessional (S.A.B.) De Koven 35416 Bubbles Von der Mehden n RAYMOND ALLYN SMITH. Ph.B., A.A.G.O., Concert Pianist—Artist-Teacher 35374 J nations Price, $1.00 Recessional (S.A.T.B. Divided) 35173 Dawn, The Hammond Recommended by Emil Von Sauer, Moritz Mosxkowtki 2 Dean « De Koven I FOR THE PIANO BEGINNER 35207 Love^ Life Mana-Zucca Central and Josef Hofmann. M 35413 Song H Y.M.C.A. College Teachers should be sure send for the brochure How to Track of the Mountains, The 35009 Lamp in the West, The to the Nine Year Porker School of Music Studio. Carnegie Hall, Suite 837. 57th St. at 7th Ave. m Cadman Liberty M Old Beginner, Teacher’s Manual for this book. 35386 Bell . a It's FREE for the asking. A WRITINC BOOK WITH A MUSICAL APPROACH The Souso-Wiilson T el. Columbus 5-4357 New York City « 35260 Stars and Stripes Forever, The h Complete courses leading to degrees.
Recommended publications
  • Vindicating Karma: Jazz and the Black Arts Movement
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
    [Show full text]
  • Finding Aid for the Sheldon Harris Collection (MUM00682)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr.
    [Show full text]
  • Coleman 1 the CROSS-GENRE BENEFITS of CLASSICAL MUSIC INSTRUCTION in THE
    Coleman 1 THE CROSS-GENRE BENEFITS OF CLASSICAL MUSIC INSTRUCTION IN THE COLLEGIATE MUSIC PRODUCTION AND ENGINEERING CLASSROOM ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Science in Communication ______________________________________ by Elizabeth G. Coleman May 2020 Coleman 2 This thesis has been approved by The Honors Tutorial College and the School of Media Arts and Studies _________________________________ Josh Antonuccio Professor, Media Arts and Studies Thesis Adviser _________________________________ Beth Novak Director of Studies, Media Arts and Studies _________________________________ Dr. Donal Skinner Dean, Honors Tutorial Colleg Coleman 3 CONTENTS Introduction…………………………………………………………………….………...4 Review of Literature………………………………………………………….….………..5 A Whole New Mind and Range……………………………………………….…16 Review of Survey Results………………………………………………………….…….17 The Cross-Genre Benefits of Classical Music………………………………….……..20 Music Proficiency > Tech Proficiency…………………………….…………………….21 Learning to Listen……………………………………………………………….……….26 Exposure Reduces Fear……………………………………………………..……………30 Cross-Genre Influences in the Billboard Top 200 of 2019……………………………………..………………..31 Communication is Key…………………………………………………………………..36 Hypothetical Course Outline……………………………………….………………….38 Conclusion………………………………………………………………………………46 Works Cited…………………………………………………….……………………….49
    [Show full text]
  • Mark Laver Jazzvertising
    Jazzvertising: Music, Marketing, and Meaning by Mark Laver A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy in Ethnomusicology Faculty of Music University of Toronto © Copyright by Mark Laver 2011 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-78257-6 Our file Notre référence ISBN: 978-0-494-78257-6 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author's permission.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • Chronology 1916-1937 (Vienna Years)
    Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere
    [Show full text]
  • Doctoral Dissertation Template
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE ALLISON NELSON: PIANIST, TEACHER AND EDITOR A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By LYNN WORCESTER Norman, Oklahoma 2015 ALLISON NELSON: PIANIST, TEACHER AND EDITOR A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY ______________________________ Dr. Jane Magrath, Chair ______________________________ Dr. Stephen Beus, Co-Chair ______________________________ Dr. Barbara Fast ______________________________ Dr. Edward Gates ______________________________ Dr. Eugene Enrico ______________________________ Dr. Joseph Havlicek © Copyright by LYNN WORCESTER 2015 All Rights Reserved. ACKNOWLEDGMENTS This work would not have been possible without the guidance and support of the faculty members who served on my committee, Dr. Jane Magrath, Dr. Barbara Fast, Dr. Edward Gates, Dr. Eugene Enrico, Dr. Stephen Beus and Dr. Joseph Havlicek. To Dr. Jane Magrath: Thank you for your patience and continued support through every turn and for showing me how to be the finest professional I can be. Your guidance has allowed me to come in to my own as a pianist, teacher and writer. Special gratitude is reserved for Dr. Allison Nelson who shared her time, memories, and efforts over the course of this past year. Her wisdom, energy, and passion for music will stay with me for the rest of my life. Thank you to all of Dr. Nelson’s colleagues and former students who shared their time and participated in this study. A special thanks is owed to my family—my father, Mark Worcester, my mother, Eiki Worcester and my sister, Leya Worcester—whose love and dedication will always be cherished.
    [Show full text]
  • Department of Music Programs 1968 - 1969 Department of Music Olivet Nazarene University
    Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 1969 Department of Music Programs 1968 - 1969 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 1968 - 1969" (1969). School of Music: Performance Programs. 1. https://digitalcommons.olivet.edu/musi_prog/1 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. 7 8 0 . 7 3 9 O M p 1 9 6 8 - 6 9 PROGRAMS 1968-69 7 $ e . DEPARTMENT OF MUSIC i u M a OLIVET NAZARENE COLLEGE DEPARTMENT OF MUSIC presents SENIOR RECITAL GEORGENE FISH PIANO AND CALBERT HOLSTE I N TENOR PHYLLIS HOLSTEIN/ ACCOMPANIST Lasciatemi morire, "Ariana"0oe.....0Claudio Monteverdi Dove sei, amato bene?, "Rodelinda".0o.George F 0 Handel If With All Your Hearts, "Elijah"....Felix Mendelssohn Prelude and Fugue, No. 3.0o...o..Johann Sebastian Bach Fantasia in D minor 0 D 0«».,«5.«.Wolfgang Amadeus Mozart Viens Aurore..ooooooooooooooooooooooooooo.c.o Arro A o L . F el d e m s a m k e i t oooooooo..o.o.oooo..oo.. odohannes Brahms Du bist wie Eine BlumeDo,...t.t....o««Anton Rubenstein M*appari tut" amor, "Martha".....Friedrich von Flowtow Mouvements Perpetuels for Piano........Francis Poulenc I.
    [Show full text]
  • RCA Victor LCT 1 10 Inch “Collector's Series”
    RCA Discography Part 28 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor LCT 1 10 Inch “Collector’s Series” The LCT series was releases in the Long Play format of material that was previously released only on 78 RPM records. The series was billed as the Collector’s Treasury Series. LCT 1 – Composers’ Favorite Intepretations - Vienna Philharmonic Orchestra [195?] Rosca: Recondita Amonia – Enrico Caruso/Madama Butterfly, Entrance of Butterfly – G. Farrar/Louise: Depuis Le Jour – M. Garden/Louise: Depuis Longtemps j’Habitais – E Johnson/Tosca: Vissi D’Arte – M. Jeritza/Der Rosenkavailier Da Geht ER Hin and Ich Werd Jetzt in Die Kirchen Geh’n – L Lehmann/Otello: Morte d’Otello – F. Tamagno LCT 2 – Caruso Sings Light Music – Enrico Caruso and Mischa Elman [195?] O Sole Mio/The Lost Chord/For You Alone/Ave Maria (Largo From "Xerxes")/Because/Élégie/Sei Morta Nella Vita Mia LCT 3 – Boris Goudnoff (Moussorgsky) – Feodor Chalipin, Albert Coates and Orchestra [1950] Coronation Scene/Ah, I Am Suffocating (Clock Scene)/I Have Attained The Highest Power/Prayer Of Boris/Death Of Boris LCT 4 LCT 5- Hamlet (Shakespeare) – Laurence Olivier with Philharmonia Orchestra [1950] O That This Too, Too Solid Flesh/Funeral March/To Be Or Not To Be/How Long Hast Thou Been Gravemaker/Speak The Speech/The Play Scene LCT 6 – Concerto for Violin and Orchestra No. 2 in G Minor Op. 63 (Prokofieff) – Jascha Heifetz and Serge Koussevitzky and the Boston Symphony Orchestra [1950] LCT 7 – Haydn Symphony in G Major – Arturo Toscanini and the NBC Symphony Orchestra [195?] LCT 8 LCT 9 LCT 10 –Rosa Ponselle in Opera and Song – Rosa Ponselle [195?] La Vestale: Tu Che Invoco; O Nume Tutelar, By Spontini/Otello: Salce! Salce! (Willow Song); Ave Maria, By Verdi/Ave Maria, By Schubert/Home, Sweet Home, By Bishop LCT 11 – Sir Harry Lauder Favorites – Harry Lauder [195?] Romin' In The Gloamin'/Soosie Maclean/A Wee Deoch An' Doris/Breakfast In Bed On Sunday Morning/When I Met Mackay/Scotch Memories LCT 12 – Concerto for Piano and Orchestra No.
    [Show full text]
  • Character Studies After Elias Canetti
    Joseph Klein Character Studies after Elias Canetti for various solo instruments ( 1997-2018 ) About this Collection This collection of short works for solo instruments is based upon characters from Der Ohrenzeuge : Fünfzig Charaktere (Earwitness : Fifty Characters ), written in 1974 by the Bulgaria-born British-Austrian writer Elias Canetti (1905-1994). Canetti’s distinctive studies incorporate poetic imagery, singular insights, and unabashed wordplay to create fifty ironic paradigms of human behavior. Begun in 1997, the present collection was inspired by Canetti’s vividly surreal depictions of these characters; seventeen works have been completed in this series to date : • Der Hinterbringer (The Tattletale) for solo piccolo (2013) • Der Ohrenzeuge (The Earwitness) for solo bass flute (2001) • Der Wasserhehler (The Water-harborer) for solo ocarina (2000) • Der Tückenfänger (The Wile-catcher) for solo basset horn (2014) • Der Leidverweser (The Woe-administrator) for solo contrabassoon (1998) • Die Müde (The Tired Woman) for solo alto saxophone (2004) • Der Schönheitsmolch (The Beauty-newt) for solo bass saxophone (2008) • Die Königskünderin (The King Proclaimer) for solo trumpet (2006) • Die Sternklare (The Starry Woman) for solo percussion (2006) • Der Fehlredner (The Misspeaker) for solo cimbalom (2018) • Die Silbenreine (The Syllable-pure Woman) for solo glass harmonica (2000) • Der Saus und Braus (The Fun-runner) for solo piano (2017) • Der Gottprotz (The God-swanker) for solo organ (2014) • Der Demutsahne (The Humility-forebear) for solo guitar (2008) • Die Tischtuchtolle (The Tablecloth-lunatic) for solo violin (1997) • Die Schadhafte (The Defective) for solo violoncello (2015) • Der Leichenschleicher (The Corpse-Skulker) for solo contrabass (1997) These works may be programmed individually or in sets of two or more.
    [Show full text]
  • Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
    UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body.
    [Show full text]
  • Volume 65, Number 08 (August 1947) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1947 Volume 65, Number 08 (August 1947) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 65, Number 08 (August 1947)." , (1947). https://digitalcommons.gardner-webb.edu/etude/181 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. XUQfr JNftr o 10 I s vation Army Band, has retired, after an AARON COPLAND’S Third Symphony unbroken record of sixty-four years’ serv- and Ernest Bloch’s Second Quartet have ice as Bandmaster in the Salvation Army. won the Award of the Music Critics Cir- cle of New York as the outstanding music American orchestral and chamber THE SALZBURG FESTI- BEGINNERS heard for the first time in New York VAL, which opened on PIANO during the past season. YOUNG July 31, witnessed an im- FOB portant break with tra- JOHN ALDEN CARPEN- dition when on August TER, widely known con- 6 the world premiere of KEYBOARD TOWN temporary American Gottfried von Einem’s composer, has been opera, “Danton’s Tod,” By Louise Robyn awarded the 1947 Gold was produced.
    [Show full text]