Working in Music Forging a Career After the RCM
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INTERNATIONAL CHAMBER MUSIC Competition for Young Professionals
9th INTERNATIONAL CHAMBER MUSIC competition for Young Professionals SATURDAY | APRIL 10 | 2021 PROGRAM Dior Quartet Joseph Haydn—Quartet Op. 76 No. 3 “Emperor” IV. Finale: Presto Welcome to Chesapeake Music’s 9th International Caroline Shaw—Blueprint Christos Hatzis—Quartet No. 2 “The Gathering” Chamber Music Competition and while the world-wide III. Nadir health crisis makes it necessary to hold this event virtually, I Anton Dvorak—Quartet No. 13 in G Major, Op. 106 am confident you will be rewarded with a day of outstanding II. Adagio ma non troppo performances highlighted by musical skill and youthful Dmitri Shostakovich—Quartet No. 9, Op. 117 enthusiasm. V. Allegro This biennial event began nineteen years ago when a group of local music lovers resolved to create a way to encourage and AYA Piano Trio support young musicians in their efforts to build careers. This Wolfgang Amadeus Mozart—Piano Trio in C Major K. 54 vision has been fulfilled as many of the ensembles have become I. Allegro well known in the concert world and all of the participants gain Felix Mendelssohn—Piano Trio in C Major, Op. 66 valuable insights from our judges. I. Allegro energico e con fuaco I am amazed and enormously grateful for the effort put Maurice Ravel—Piano Trio in A minor forth by our Competition Committee. Every other year these I. Modéré volunteers take on the challenge of producing this major II. Pantoum, Assez vif musical competition and then last year the event was cancelled Dimitri Shostakovich—Piano Trio No. 2 in E minor just days before it was to go on. -
BBC Four Programme Information
SOUND OF CINEMA: THE MUSIC THAT MADE THE MOVIES BBC Four Programme Information Neil Brand presenter and composer said, “It's so fantastic that the BBC, the biggest producer of music content, is showing how music works for films this autumn with Sound of Cinema. Film scores demand an extraordinary degree of both musicianship and dramatic understanding on the part of their composers. Whilst creating potent, original music to synchronise exactly with the images, composers are also making that music as discreet, accessible and communicative as possible, so that it can speak to each and every one of us. Film music demands the highest standards of its composers, the insight to 'see' what is needed and come up with something new and original. With my series and the other content across the BBC’s Sound of Cinema season I hope that people will hear more in their movies than they ever thought possible.” Part 1: The Big Score In the first episode of a new series celebrating film music for BBC Four as part of a wider Sound of Cinema Season on the BBC, Neil Brand explores how the classic orchestral film score emerged and why it’s still going strong today. Neil begins by analysing John Barry's title music for the 1965 thriller The Ipcress File. Demonstrating how Barry incorporated the sounds of east European instruments and even a coffee grinder to capture a down at heel Cold War feel, Neil highlights how a great composer can add a whole new dimension to film. Music has been inextricably linked with cinema even since the days of the "silent era", when movie houses employed accompanists ranging from pianists to small orchestras. -
American Idol S3 Judge Audition Venue Announcement 2019
Aug. 5, 2019 TELEVISION’S ICONIC STAR-MAKER ‘AMERICAN IDOL’ HITS THE RIGHT NOTES LUKE BRYAN, KATY PERRY AND LIONEL RICHIE TO RETURN FOR NEW SEASON ON ABC Twenty-two City Cross-Country Audition Tour Kicked Off on Tuesday, JuLy 23, in BrookLyn, New York Bobby Bones to Return as In-House Mentor In its second season on ABC, “American Idol” dominated Sunday nights and claimed the position as Sunday’s No. 1 most social show. In doing so, the reality competition series also proved that untapped talent from coast to coast is still waiting to be discovered. As previously announced, the star-maker will continue to help young singers realize their dreams with an all-new season premiering spring 2020. Returning to help find the next singing sensation are music industry legends and all-star judges Luke Bryan, Katy Perry and Lionel Richie. Multimedia personality Bobby Bones will return as in-house mentor. The all-new nationwide search for the next superstar kicked off with open call auditions in Brooklyn, New York, and will advance on to 21 additional cities across the country. In addition to auditioning in person, hopefuls can also submit audition videos online or show off their talent via Instagram, Facebook or Twitter using the hashtag #TheNextIdol. “‘American Idol’ is the original music competition series,” said Karey Burke, president, ABC Entertainment. “It was the first of its kind to take everyday singers and catapult them into superstardom, launching the careers of so many amazing artists. We couldn’t be more excited for Katy, Luke, Lionel and Bobby to continue in their roles as ‘American Idol’ searches for the next great music star, with more live episodes and exciting, new creative elements coming this season.” “We are delighted to have our judges Katy, Luke and Lionel as well as in-house mentor Bobby back on ‘American Idol,’” said executive producer and showrunner Trish Kinane. -
Track 1 Juke Box Jury
CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper -
The Danish String Quartet 2019-2020 Biography
The Danish String Quartet 2019-2020 Biography Frederik Øland (Violin); Rune Tonsgaard Sørensen (Violin); Asbjørn Nørgaard (Viola); Fredrik Schøyen Sjölin (Cello) Among today’s many exceptional chamber music groups, the GRAMMY® nominated Danish String Quartet continuously asserts its preeminence. The Quartet’s playing reflects impeccable musicianship, sophisticated artistry, exquisite clarity of ensemble, and, above all, an expressivity inextricably bound to the music, from Haydn to Shostakovich to contemporary scores. Performances bring a rare musical spontaneity, giving audiences the sense of hearing even treasured canon repertoire as if for the first time, and exuding a palpable joy in music-making that have made them enormously in-demand on concert stages throughout the world. The recipient of many awards and prestigious appointments, including Musical America’s 2020 Ensemble of the Year and the Borletti-Buitoni Trust, the Danish String Quartet was named in 2013 as BBC Radio 3 New Generation Artists and appointed to the The Bowers Program (formerly CMS Two). As part of a three-year residency, the Danish String Quartet brings a series of five concerts, which mirror the programs in its ongoing recording project with ECM New Series, PRISM, to La Jolla Music Society in November 2019. Each PRISM program is an exploration of the symbiotic musical and contextual relationships between Bach fugues, Beethoven string quartets, and works by Shostakovich, Schnittke, Bartok, Mendelssohn, and Webern, forming an expertly curated musical evolution within each individual program and across the entire PRISM repertory. Prism I, the first disc of this five-album project for the ECM label, was released in September 2018 and garnered a GRAMMY® nomination in the category of Best Chamber Music/Small Ensemble Performance for the group’s recordings of Beethoven’s Op. -
Lsnv's Pro Bono Handbook
LSNV’S PRO BONO HANDBOOK Help Close the Justice Gap, Unleash the Power of Pro Bono. LSNV and Volunteers Volunteers play an important role at Legal Services of Northern Virginia. LSNV has limited resources and we often rely on the generous donation of time and effort by members of the community, both attorney and non-attorney alike. Volunteer resources are used to support existing case work and allow us to expand and to help those who would otherwise be turned away due to capacity limitations. Jennifer Fulmer [email protected] TABLE OF CONTENTS LSNV and the Justice Gap .......................................................................................................................................... 2 Becoming a Pro Bono Attorney with LSNV .............................................................................................................. 3 Pro Bono Case Referral Program............................................................................................................................... 4 Questions? .................................................................................................................................................................... 9 Ten Facts About Virginia’s Justice Gap .................................................................................................................. 10 “EQUAL JUSTICE UNDER THE LAW IS NOT MERELY A CAPTION ON THE FACE OF THE SUPREME COURT BUILDING. IT IS PERHAPS THE MOST INSPIRING IDEAL OF OUR SOCIETY…IT IS FUNDAMENTAL THAT JUSTICE SHOULD BE THE SAME, -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
Bbc Radio 3 - Sounds of Shakespeare April – May 2016
BBC RADIO 3 - SOUNDS OF SHAKESPEARE APRIL – MAY 2016 MONDAY 18TH – FRIDAY 22ND APRIL Essential Classics Monday 18th - Friday 22nd April 0900 - 1200 In the week leading up to the Shakespeare 400 anniversary, the guest on Radio 3’s morning programme is Adrian Lester OBE, acclaimed for his performances as Henry V and Othello at the National Theatre – winning the Evening Standard Best Actor award. He’ll talk about Shakespeare, his life as an actor and choose some fascinating music. Producer: Sarah Devonald, Somethin’Else Composer of the Week Monday 18th - Friday 22nd April 1200 – 1300 William Byrd There is frustratingly little evidence that William Byrd was personally acquainted with his fellow Elizabethan, William Shakespeare. Although, a tantalising reference to “the bird of loudest lay” in Shakespeare’s sonnet, The Phoenix and the Turtle hints that they may have been more than mere contemporaries. As a Roman Catholic in Elizabethan England, William Byrd was persecuted by the state and often forced to tread a dangerous path between his personal convictions and his duty to the Queen. His musical talent and his strength of character enabled him not just to survive, but thrive. Despite his trials, he was, and continues to be, celebrated as the greatest British musician of his age. SOUNDS OF SHAKESPEARE LIVE 22nd – 24th April, Stratford-upon-Avon Radio 3 broadcasts live all weekend from its pop-up studio at the Royal Shakespeare Company’s The Other Place theatre in Stratford-upon-Avon and at venues across the town. Actors, musicians, poets, singers and orchestras perform a huge range of songs, film scores, jazz, chamber music, choral works and world music - all inspired by Shakespeare's works. -
MALCOLM WILLIAMSON (1931-2003) 1 Overture ‘Santiago De Espada’ (1957) (6’33”) Elevamini – Symphony No
SRCD.281 STEREO ADD MALCOLM WILLIAMSON (1931-2003) 1 Overture ‘Santiago de Espada’ (1957) (6’33”) Elevamini – Symphony No. 1 (1957) (29’49”) 2 1st movement: Lento (13’27”) Malcolm 3 2nd movement: Allegretto (5’45”) 4 3rd movement: Lento assai - Allegro (10’37”) Sinfonia Concertante for three tumpets, piano and strings (1958/61) * (18’46”) Williamson 5 1st movement: 'Gloria in excelsis Deo' (5’17”) 6 2nd movement: ‘Salve Regina’ (5’16”) 7 3rd movement: ‘Gloria Patri’ (8’13”) Piano Sonata No. 2 (1957 rev.1971) ** (17’28”) Overture ‘Santiago de Espada ’ 8 1st movement: Quasi lento (6’35”) 9 - 2nd movement: Poco adagio (7’19”) Elevamini – Symphony No. 1 10 3rd movement: Allegro assai (3’34”) Sinfonia Concertante (72’43”) * Martin Jones, piano Piano Sonata No. 2 ** Malcolm Williamson, piano Royal Liverpool Philharmonic Orchestra Martin Jones conducted by Malcolm Williamson Sir Charles Groves Royal Liverpool The above individual timings will normally each include two pauses. One before the beginning of each movement or work, and one after the end. ൿ 1976 ** ൿ 1972 The copyright in these sound recordings is owned by Lyrita Recorded Edition, England Philharmonic Orchestra This compilation and digital remastering ൿ 2007 Lyrita Recorded Edition, England © 2007 Lyrita Recorded Edition, England. Made in the UK Sir Charles Groves LYRITA RECORDED EDITION. Produced under an exclusive license from Lyrita by Wyastone Estate Ltd, PO Box 87, Monmouth, NP25 3WX, UK hough Malcolm Williamson lived in London for fifty years, many of the titles central movement, in A flat; it was conceived as a set of variations on a theme related T and first performance venues of his works confirm that he was at heart an to the first movement, but in simpler and less astringent language. -
Britten100launched in San Francisco Included in This Issue: Celebrations for Britten’S Centenary in 2013 Include Performances in 140 Cities Around the World
Boosey & Hawkes Music Publishers Limited October 2012 2012/3 Holloway Britten100launched in San Francisco Included in this issue: Celebrations for Britten’s centenary in 2013 include performances in 140 cities around the world. Robin Holloway travels to Turnage San Francisco on Interview about new works: Highlights in Aldeburgh, where Britten lived including three by the Berliner Philharmoniker 10 January for the world Cello Concerto and Speranza and worked most of his life, include and Simon Rattle. A series of events at premiere of his new performances of Peter Grimes on the beach Carnegie Hall in New York will be announced Debussy song and six new works specially commissioned in early 2013. orchestrations for by the Britten-Pears Foundation and Royal soprano Renée Fleming. New books for the centenary include Paul Philharmonic Society. A week-long festival in Michael Tilson Thomas Kildea’s Benjamin Britten - the first major Glasgow sees Scotland’s four leading Photo: Charlie Troman conducts the San biography for twenty years (Penguin’s Allen orchestras and ensembles come together Francisco Symphony in ten settings of Paul Lane), a collection of rare images from The in April 2013. Verlaine’s poetry, which Holloway has titled Red House archive entitled Britten in Pictures, C’est l’extase after one of the chosen songs. Britten’s global appeal is demonstrated with and the sixth and final volume of Letters from Orchestra and conductor have long territorial premieres of his operas staged in a Life (Boydell & Brewer). BBC Radio and championed Holloway’s music, Brazil, Chile, China, Israel, Russia, Turkey, Television honours Britten with a year-long commissioning a sequence of works Japan and New Zealand. -
Counterclaims and Disputes WG Meeting (Montreal, 15/11/2007) Anders ZETTERLUND (STIM)
PUBCD07-1264 CISAC/ICMP/IMPA Working Groups Montreal, 13/11/2007-15/11/2007 Source language: English 06/12/2007 Minutes : Counterclaims and Disputes WG meeting (Montreal, 15/11/2007) Anders ZETTERLUND (STIM) Status: Counterclaims and Disputes working group (Brussels, 11/06/2008 - 12/06/2008) (PUBCD08-2698) Date: 11/06/2008 1/8 Minutes : Counterclaims and Disputes WG meeting (Montreal, 15/11/2007) Present: Fabio Geovane, ABRAMUS [email protected] Mairy Beam, ASCAP [email protected] Michael Tortora, BMI [email protected] Warren Adler, Harry Fox Agency [email protected] Alan Balchin, MCPS-PRS [email protected] Bart De Bock, SABAM [email protected] Oliver le Covec, SACEM [email protected] Christine Tarquinio, SESAC [email protected] Sheila Tozak, SOCAN [email protected] Guylaine Theroux, SODRAC [email protected] Joël Martin, SODRAC [email protected] Jean-Philippe Prince, SODRAC [email protected] Brigitte Küng, SUISA [email protected] Anders Zetterlund, Stim (chair) [email protected] Gustavo Gonzalez, UBC [email protected] Sylvain Piat, CISAC [email protected] Ron Porter, CMRRA [email protected] Audrey J Ashby, EMI [email protected] Ron Cabiltes, EMI [email protected] Richard Thompson, Kobalt/ICMP [email protected] Kevin O’Byrne, Sony/ATV [email protected] Sabine Sachar, Sony/ATV [email protected] Dee Hale, Sony/ATV [email protected] Mike Donegan, Universal [email protected] Fred Buhrs, Universal [email protected] Jeremy Blietz, WCM (co-chair) [email protected] Bobby Robertson, WCM [email protected] ••••• Action items from this meeting # What Who When 1 Letter of recommendation for big societies JB, SC (KOB) January (send to AZ and SP) 2 Communication to these societies AZ, SP February (“good example”) 3 Questionnaire to all societies AZ, SP March 1 - Opening of the meeting and miscellaneous announcements Jeremy Blietz acted as co-chair in this meeting. -
Vivanti Ensemble
Vivanti Ensemble Wednesday Lunchtime Concert providing lunchtime music in the heart of the city since 1974 St Andrew’s on The Terrace WELLINGTON 29 11 17 12.15pm Welcome It is wonderful that you have come. Thank you. We want your experience today to be the best that it can be and would appreciate you taking a moment to read the following before the concert commences. Keep safe by locating the exit nearest to your seat. In the event of an earthquake, our recommendation is to Drop, Cover and Hold. Bon appetit! You are welcome to have your lunch during the performance. Switching your cell phone to silent is important to the performers and other members of the audience. Your support by way of a donation and telling others about the concerts would be fantastic and very much appreciated. It does make a difference. If you wish to photograph or video today’s concert, please ask for permission from the performer(s) before the concert begins. This is important. We invite you now to sit back, relax and enjoy the concert. Our Mission is to create a lively, open Christian faith community, to act for a just and peaceful world, and to be catalysts for discovery, compassion and celebration in the capital. These lunchtime concerts are advertised through Radio New Zealand Concert’s Live Diary at around 8.10 am on the day of the concert, and listed on St Andrew’s website. To be placed on the email circulation list for concert information, please email Marjan on [email protected] Check out the noticeboards in the foyer each time you come.