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AUG QUITO.Indd
QUITO A student at work in the carpentry workshop of the Escuela Taller Quito, which was established in 1992 to teach traditional construction techniques to underprivileged youngsters HEART AND SOUL Quito’s World Heritage-listed colonial centre is the largest in the Americas. And thanks to municipal intervention and the eff orts of a school for disadvantaged children, the Ecuadorian capital’s historic heart is being revitalised. Dominic Hamilton reports rom the outside, the Escuela Taller Quito (Quito Workshop School) is deceiving. A two-storey mansion F set on one of the narrow streets in the Ecuadorian capital’s historic centre, it looks like a family home. Pass through its ornately carved doorway, however, and it’s another story. Pupils in blue overalls hurry between classrooms, criss-crossing the elegant patio in gaggles of three or four. A bell rings and a hush returns, although this, too, is deceptive. Enter one of the classrooms that ring the patio and you’re confronted with a hive of activity. The fi rst, adjacent to the entrance, is dedicated to carpentry. Inside, pupils are hard at work around half a dozen workbenches. Sketches and examples of completed works in marquetry and inlay decorate the walls. Sculptures at various stages of completion are scattered across the worktops, alongside tools of every size and function. There is a constant hum of knocking, carving, chipping, scraping and banging. The class is led by Maestro Carlos Vinicio Pazmiño, a tall, energetic man in his early 40s who passes from table to table surveying his pupils’ work. A room off to the right is quieter, bathed in studious silence. -
A Mughal Princess in Baroque New Spain Catarina De San Juan (1606-1688), the China Poblana
DOI: http://dx.doi.org/10.22201/iie.18703062e.1997.71.1793 GAUVIN ALEXANDER BAILEY CLARK UNIVERSITY A Mughal Princess in Baroque New Spain Catarina de San Juan (1606-1688), the china poblana EW FIGURES HAVE so captivated the popular Mexican imagination as the china poblana, yet few are so poorly understood.1 Her pervasive Fimage is beloved by tourists and schoolchildren, celebrated by folk troupes, lauded in poetry, reenacted in plays and cinema, and extolled by politicians. Originally a symbol of civic pride for the city of Puebla, she went on to epitomize the Republican spirit following the French invasión (1862- 1863), and eventually embodied the very essence of México itself. As the designer of an elabórate municipal monument in her glory proclaimed in the 1940S: "[the china poblana] simboliza el ALMA NACIONAL... el arquetipo 2 NACIONAL de la virtuosa mujer mexicana." Some say she was an ancient princess from China, whose luxurious silks inspired the folk costume of today. Others insist that her origins are to be found on Mexican soil, in the Poblano heartland. So, who was she? She was in fact two people. The china poblana of the popular imagina- tion—of the brightly embroidered blouse and rebozo shawl—is an invention 1. I would like to thank Clara Bargellini for rekindling my interest in the china poblana, and for directing me to readings in viceregal painting. I am also grateful to Elizabeth Rhodes for her editorial comments. 2. Luis G. Andrade (1941), quoted in Rafael Carrasco Puente, Bibliografía de Catarina de San Juan y de la china poblana, México, Secretaría de Relaciones Exteriores, 1950, p. -
The Reconstruction of Colonial Monuments in the 1920S and 1930S in Mexico ELSA ARROYO and SANDRA ZETINA
The reconstruction of Colonial monuments in the 1920s and 1930s in Mexico ELSA ARROYO AND SANDRA ZETINA Translation by Valerie Magar Abstract This article presents an overview of the criteria and policies for the reconstruction of historical monuments from the viceregal period in Mexico, through the review of paradigmatic cases which contributed to the establishment of practices and guidelines developed since the 1920s, and that were extended at least until the middle of the last century. It addresses the conformation of the legal framework that gave rise to the guidelines for the protection and safeguard of built heritage, as well as the context of reassessment of the historical legacy through systematic studies of representative examples of Baroque art and its ornamental components, considered in a first moment as emblematic of Mexico’s cultural identity. Based on case studies, issues related to the level of reconstruction of buildings are discussed, as well as the ideas at that time on the historical value of monuments and their function; and finally, it presents the results of the interventions in terms of their ability to maintain monuments as effective devices for the evocation of the past through the preservation of its material remains. Keywords: reconstruction, viceregal heritage, neo-Colonial heritage Background: the first piece of legislation on monuments as property of the Mexican nation While the renovation process of the Museo Nacional was taking place in 1864 during the Second Empire (1863-1867) under the government of the Emperor Maximilian of Habsburg, social awareness grew about the value of objects and monuments of the past, as well as on their function as public elements capable of adding their share in the construction of the identity of the modern nation that the government intended to build in Mexico. -
Our Lady of Guadalupe Pilgrimage to Mexico
Our Lady of Guadalupe Pilgrimage to Mexico Dec. 30, 2018– Jan. 5, 2019 Fr. Peter Mangum, JCL, JV Spiritual Director Travel to Mexico City, Mexico to see sites significant to the apparitions of Our Lady of Guadalupe to St. Juan Diego. Itinerary Highlights Mexico City • Metropolitan Cathedral Pilgrim Experience • Shrine of Our Lady of Guadalupe - Basilica • Pray at the Church of - Chapel of Juan Diego - Holy Tilma Healing in Tulpetlac, where - Chapel of Miracles Juan Diego experienced • Church of the Holy Family his fifth apparition of Our - Venerate the Relics of Blessed Miguel Pro Blessed Mother • Palace of the Arts • Celebrate Mass at the • Folklore Ballet Performance Shrine of Our Lady of • National Palace Guadalupe and tour the Basilica where Juan Diego’s San Juan Teotihuacan tilma is located • Church of the Miracles • Aztec Pyramids of the Sun and the Moon • Visit the hilltop Chapel of Tepeyac and hear the story Puebla of Our Lady’s appearance • Puebla Cathedral in Guadalupe • St. Dominic Church • Visit the Cathedral in • Golden Chapel of Our Lady of the Rosary Puebla • Society of Jesus Church • Church of St. Francis of Assisi • Climb the Pyramids of the • Talabera Ceramic Factories Moon and Sun at San Juan • Artist Quarter Teotihuacan Sample Itinerary* Day 1: TRAVEL TO MEXICO CITY Upon arrival, you will have a welcome dinner at your hotel. Visit the Church of the Holy Family, where we will celebrate Mass and venerate the relics of Blessed Miguel Pro. Fr. Pro was martyred during the Cristo Rey era at the beginning of the 20th century. Ovenight in Mexico City. -
MCMANUS-DISSERTATION-2016.Pdf (4.095Mb)
The Global Lettered City: Humanism and Empire in Colonial Latin America and the Early Modern World The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation McManus, Stuart Michael. 2016. The Global Lettered City: Humanism and Empire in Colonial Latin America and the Early Modern World. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493519 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Global Lettered City: Humanism and Empire in Colonial Latin America and the Early Modern World A dissertation presented by Stuart Michael McManus to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts April 2016 © 2016 – Stuart Michael McManus All rights reserved. Dissertation Advisors: James Hankins, Tamar Herzog Stuart Michael McManus The Global Lettered City: Humanism and Empire in Colonial Latin America and the Early Modern World Abstract Historians have long recognized the symbiotic relationship between learned culture, urban life and Iberian expansion in the creation of “Latin” America out of the ruins of pre-Columbian polities, a process described most famously by Ángel Rama in his account of the “lettered city” (ciudad letrada). This dissertation argues that this was part of a larger global process in Latin America, Iberian Asia, Spanish North Africa, British North America and Europe. -
November Artists of the Western Hemisphere: Precursors of Modernism 1860- 1930 Dr
1967 ● September – November Artists of the Western Hemisphere: Precursors of Modernism 1860- 1930 Dr. Atl (Gerardo Murillo), Juan Manuel Blanes, Humberto Causa, Joaquín Clausell, Maurice Gallbraith Cullen, Stuart Davis, Thomas Eakins, Pedro Figari, Juan Francisco González, Childe Hassam, Saturnino Herrán, Winslow Homer, George Inness, Francisco Laso, Martín Malharro, John Marin, Vicente do Rego Monteiro, James Wilson Morrice, José Clemente Orozco, Amelia Peláez, Emilio Pettoruti, José Guadalupe Posada, Maurice Brazil Prendergast, Armando Reverón, Diego Rivera, Julio Ruelas, Albert P. Ryder , Andrés de Santa María, Eduardo Sivori , Joseph Stella, Tarsila do Amaral, Tom Thomson, Joaquín Torres-García, José María Velasco Elyseu d’Angelo Visconti Curator: Stanton Loomis Catlin ● December 1967 – January 1968 Five Latin American Artists at Work in New York Julio Alpuy , Carmen Herrera, Fernando Maza, Rudolfo Mishaan, Ricardo Yrarrázaval Curator: Stanton Loomis Catlin 1968 ● February – March Pissarro in Venezuela Fritz George Melbye, Camille Pissarro Curator: Alfredo Boulton ● March – May Beyond Geometry: An Extension of Visual-Artistic Language in Our Time Ary Brizzi, Oscar Bony, David Lamelas, Lía Maisonave, Eduardo Mac Entyre, Gabriel Messil, César Paternosto, Alejandro Puente , Rogelio Polesello, Eduardo Rodríguez, Carlos Silva, María Simón, Miguel Angel Vidal Curator: Jorge Romero Brest ● May – June Minucode 1 Marta Minujín ● September From Cézanne to Miró1 Balthus (Balthazar Klossowski de Rola), Max Beckmann, Umberto Boccioni, Pierre Bonnard, -
After the Fire at the Church of La Compañia De Jesus, Quito, Ecuador
Article: After the fire at the Church of La Compañia de Jesus, Quito, Ecuador Author(s): Constance Stromberg Source: Objects Specialty Group Postprints, Volume Six, 1999 Pages: 112-133 Compilers: Virginia Greene and Emily Kaplan th © 2000 by The American Institute for Conservation of Historic & Artistic Works, 1156 15 Street NW, Suite 320, Washington, DC 20005. (202) 452-9545 www.conservation-us.org Under a licensing agreement, individual authors retain copyright to their work and extend publications rights to the American Institute for Conservation. Objects Specialty Group Postprints is published annually by the Objects Specialty Group (OSG) of the American Institute for Conservation of Historic & Artistic Works (AIC). A membership benefit of the Objects Specialty Group, Objects Specialty Group Postprints is mainly comprised of papers presented at OSG sessions at AIC Annual Meetings and is intended to inform and educate conservation-related disciplines. Papers presented in Objects Specialty Group Postprints, Volume Six, 1999 have been edited for clarity and content but have not undergone a formal process of peer review. This publication is primarily intended for the members of the Objects Specialty Group of the American Institute for Conservation of Historic & Artistic Works. Responsibility for the methods and materials described herein rests solely with the authors, whose articles should not be considered official statements of the OSG or the AIC. The OSG is an approved division of the AIC but does not necessarily represent the AIC policy or opinions. AFTER THE FIRE AT THE CHURCH OF LA COMPAÑIA DE JESUS, QUITO, ECUADOR Constance Stromberg Abstract La Compañía de Jesús is a high style Baroque church built between 1605 and 1767. -
Arizona, Southwestern and Borderlands Photograph Collection, Circa 1873-2011 (Bulk 1920-1970)
Arizona, Southwestern and Borderlands Photograph collection, circa 1873-2011 (bulk 1920-1970) Collection Number: Use folder title University of Arizona Library Special Collections Note: Press the Control button and the “F” button simultaneously to bring up a search box. Collection Summary Creator: Various sources Collection Name: Arizona, Southwestern and Borderlands Photograph collection Inclusive Dates: 1875-2011 Bulk Dates: (bulk 1920-1970) Physical Description: 95 linear feet Abstract: The Arizona, Southwestern and Borderland photograph collection is an artificially created collection that consists of many folders containing photographs, from various sources, of Arizona, New Mexico, and Mexico arranged by topics including places, people, events and activities, and dating from about 1875 to the present, but mostly after 1920. Formats include postcards, stereographs, cartes-de-visite, cabinet cards, cyanotypes, view books, photograph albums, panoramas and photoprints. Collection Number: Use folder title Language: Materials are in English and Spanish. Repository: University of Arizona Libraries, Special Collections University of Arizona PO Box 210055 Tucson, AZ 85721-0055 Phone: 520-621-6423 Fax: 520-621-9733 URL: http://speccoll. library.arizona.edu/ E-Mail: [email protected] Historical Note The Photograph subject files were created and added to by Special Collections staff members, over the years, from donations received from various sources, in order to provide subject access to these photographs within Special Collections holdings. Scope and Content Note The files generally fall into the categories of Arizona and New Mexico cities and towns, military posts, and other places; Tucson, Ariz.; Indians of Arizona, New Mexico and Mexico; Mexico; and individual people. Formats include postcards, stereographs, cartes-de-visite, cabinet cards, cyanotypes, viewbooks, and photoprints. -
Travel Guide Puebla
How to use this brochure Tap any button in the contents to go to the Tap the button to get back to the con¬tents selected page. page or to the selected map. Contents Map Tap the logo or the image to go to the Tap the button to book your hotel or tour. webpage. Book Here Tap the logos to access the weather forecast, take a virtual tour of archaeological sites via Street View, enjoy videos and photos of Puebla. Follow us in social media and keep up to date with our latest news, promotions and information about the tourist destinations in Mexico. 25. Magic Route of Gastronomy. Contents Magic Route of Nature. 26. Villages of the Sierra Magica. 27. Villages of the Sierra Magica. 28. Sierra Nororiental. Map. 29. Sierra Nororiental. Villages. 30. Serdan Valley. Map of Villages. 31. Serdan Valley. Villages. 32. Valle de Atlixco y Matamoros. Map. 33. Valle de Atlixco y Matamoros. Villages. Centro Vacacional Atlixco-Metepec. 1. Puebla. 34. Mixteca Route. Map of Villages. 2. 10 Things to do in Puebla. 35. Mixteca Route. Villages. 3. 10 Things to do in Puebla. 36. Mixteca Route. Villages. 4. 10 Things to do in Puebla. 37. Tehuacán and Sierra Negra. Map. 5. Hotel Misión Puebla. 38. Tehuacán and Sierra Negra. Tehuacán. 6. City of Puebla. Hotel & Spa Aldea del Bazar. 7. Colonial Buildings in Puebla. 39. Tehuacán and Sierra Negra. Villages. 8. Colonial Buildings in Puebla. 40. Awe-inspiring natural wonders in Puebla. 9. Puebla and its Museums. 41. Awe-inspiring natural wonders in Puebla. 10. -
Baroque Architecture
'"" ^ 'J^. rfCur'. Fig. I. — Venice. S. Maria della Salute. (See pp. 88-90.) BAROQUE ARCHITECTURE BY MARTIN SHAW BRIGGS A.K.I. B. A. " iAulhor of " In the Heel of Italy WITH 109 ILLUSTRATIONS NEW YORK ; ' McBRIDE, NAST & COMPANY ^ y 1914 ,iMvMV NA (^Ay n^/i/j reserved) In all ages there have been some excellent workmen, and some excellent work done.—Walter Pater. PREFACE is commonly supposed that the purpose of a preface is to IT explain the scope of a book to those who do not read so far as the first page. There is a touch of cynicism in such an opinion which makes one loth to accept it, but I prefer to meet my troubles half way by stating at the outset what I have emphasized in my last chapter—that this book is not in any way an attempt to create a wholesale revival of Baroque Architecture in England. It is simply a history of a complex and neglected period, and has been prepared in the uncertain intervals of an architectural practice. The difficulty of the work has been increased by the fact that the subject has never been dealt with as a whole in any language previously. Gurlitt in his Geschichte des Barockstiles, published in 1887, covered a considerable part of the ground, but his work is very scarce and expensive. To students his volumes may be recommended for their numerous plans, but for details and general views they are less valuable. In recent years several fine mono- graphs have appeared dealing with Baroque buildings in specific districts, and very recently in a new international series the principal buildings of the period in Germany and Italy have been illustrated. -
A Survey of Choral Music of Mexico During the Renaissance and Baroque Periods Eladio Valenzuela III University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2010-01-01 A Survey of Choral Music of Mexico during the Renaissance and Baroque Periods Eladio Valenzuela III University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Music Commons Recommended Citation Valenzuela, Eladio III, "A Survey of Choral Music of Mexico during the Renaissance and Baroque Periods" (2010). Open Access Theses & Dissertations. 2797. https://digitalcommons.utep.edu/open_etd/2797 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. A SURVEY OF CHORAL MUSIC OF MEXICO DURING THE RENAISSANCE AND BAROQUE PERIODS ELADIO VALENZUELA III Department of Music APPROVED: ____________________________________ William McMillan, D.A., CHAIR ____________________________________ Elisa Fraser Wilson, D.M.A. ____________________________________ Curtis Tredway, Ph.D. ____________________________________ Allan D. McIntyre, M.Ed. _______________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School A SURVEY OF CHORAL MUSIC OF MEXICO DURING THE RENAISSANCE AND BAROQUE PERIODS BY ELADIO VALENZUELA III, B.M., M.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Department of Music THE UNIVERSITY OF TEXAS EL PASO MAY 2010 ACKNOWLEDGEMENTS First and foremost I want to thank God for the patience it took to be able to manage this project, my work, and my family life. -
The Voyage of the Beagle
THE VOYAGE OF THE BEAGLE by Charles Darwin PREFACE I have stated in the preface to the first Edition of this work, and in the Zoology of the Voyage of the Beagle, that it was in consequence of a wish expressed by Captain Fitz Roy, of having some scientific person on board, accompanied by an offer from him of giving up part of his own accommodations, that I volunteered my services, which received, through the kindness of the hydrographer, Captain Beaufort, the sanction of the Lords of the Admiralty. As I feel that the opportunities which I enjoyed of studying the Natural History of the different countries we visited, have been wholly due to Captain Fitz Roy, I hope I may here be permitted to repeat my expression of gratitude to him; and to add that, during the five years we were together, I received from him the most cordial friendship and steady assistance. Both to Captain Fitz Roy and to all the Officers of the Beagle [1] I shall ever feel most thankful for the undeviating kindness with which I was treated during our long voyage. This volume contains, in the form of a Journal, a history of our voyage, and a sketch of those observations in Natural History and Geology, which I think will possess some interest for the general reader. I have in this edition largely condensed and corrected some parts, and have added a little to others, in order to render the volume more fitted for popular reading; but I trust that naturalists will remember, that they must refer for details to the larger publications which comprise the scientific results of the Expedition.