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Member Association AFTRA / AEA / SAG Hassan El-Amin Height
Member Association A.F.T.R.A. / A.E.A. / SAG Hassan El-Amin Height: 6’ Weight: 212lb Theatres Roles Directors Resident Ensemble Players August: Osage County Bill Fordham Jackson Gay Murder on the Orient Express Samuel Ratchett Sanford Robbins The Crucible Thomas Putnam Ben Barnes Lettice and Lovage Mr. Bardolph Steve Tague Woman in Mind Andy Jackson Gay Minor Fantastical Kingdom Bernard Mark Lamos Inherit the Wind Rev. Brown Sanford Robbins Fences Troy Maxson Cameron Knight The MountainTop Martin Luther King Jr. Walter Dallas From the Author Of Dax Jade King Carroll A Flea in her Ear Dr. Finache Mark Lamos Twelfth Night Antonio Maria Aitken God of Carnage Michael Novak Kate Buckley Clybourne Park Albert/Kevin Lee E. Ernst The Bells Jim Theresa Rebeck The Elephant Man Dr. Carr Gomm Sanford Robbins Dallas Theatre Center Christmas Carol Jacob Marley Joe Ferrell In the Beginning God / Ensemble Kevin Moriarty It’s a Bird, It’s a Plane, It’s Superman! Perry White Kevin Moriarty Death of a Salesman Uncle Ben Amanda Dehnert Henry IV Northumberland Kevin Moriarty God of Carnage Michael Joe Ferrell King Lear Earl of Kent Kevin Moriarty The Odd Couple Roy Kevin Moriarty Fly (2013) Pirate Jeffery Seller A Raisin in the Sun Bobo Tre Garrett Clybourne Park Albert/Kevin Joel Ferrell Sherlock Holmes King of Bohemia Kevin Moriarty Les Misérables Priest Liesl Tommy Driving Miss Daisy Hoke Colburn Joel Ferrell The Kennedy Center August Wilson 20TH Century Fences Gabriel Kenny Leon Two Trains Running Hambone Isreal Hicks Jitney Booster Gordon Davidson The -
Maria Conchita Alonso, Jami Gertz, Jenny O'hara, Harriet
MARIA CONCHITA ALONSO, JAMI GERTZ, JENNY O’HARA, HARRIET SANSOM HARRIS AND CHRISTINE LAHTI JOIN CAST OF LOVE, LOSS AND WHAT I WORE Fifth Cast will Perform Nora Ephron and Delia Ephron’s Fashion-Focused Hit Through September 26 LOS ANGELES, August 25, 2010 — Nora Ephron and Delia Ephron’s Love, Loss, and What I Wore attracts a whole new cast of actresses as it continues its Los Angeles run in the Audrey Skirball Kenis Theater at the Geffen Playhouse through the month of September. The new cast includes Jenny O’Hara, who is known for her Broadway roles in The Odd Couple and Promises, Promises and was most recently seen on the big screen in M. Night Shyamalan’s Devil, as the narrator Gingy; Oscar and Emmy Award winner Christine Lahti, best known in the theater world for her collaboration with Wendy Wasserstein in The Heidi Chronicles; Broadway vet Harriet Sansom Harris, who won a Tony Award for her role in Thoroughly Modern Millie; Jami Gertz, who is well-recognized for her film work in Twister and The Lost Boys as well as a recent stint on HBO’s Entourage; and Maria Conchita Alonso best known for television work on Desperate Housewives. Love, Loss and What I Wore, an intimate collection of stories covering some of life’s most poignant moments and their corresponding wardrobe, is directed by Jenny Sullivan. The evening of vignettes, which is based on the best-selling book of the same name by Ilene Beckerman as well as personal reminiscences from the Ephrons and their friends, features a rotating cast of five actresses who share tales to which every woman can relate. -
Plays to Read for Furman Theatre Arts Majors
1 PLAYS TO READ FOR FURMAN THEATRE ARTS MAJORS Aeschylus Agamemnon Greek 458 BCE Euripides Medea Greek 431 BCE Sophocles Oedipus Rex Greek 429 BCE Aristophanes Lysistrata Greek 411 BCE Terence The Brothers Roman 160 BCE Kan-ami Matsukaze Japanese c 1300 anonymous Everyman Medieval 1495 Wakefield master The Second Shepherds' Play Medieval c 1500 Shakespeare, William Hamlet Elizabethan 1599 Shakespeare, William Twelfth Night Elizabethan 1601 Marlowe, Christopher Doctor Faustus Jacobean 1604 Jonson, Ben Volpone Jacobean 1606 Webster, John The Duchess of Malfi Jacobean 1612 Calderon, Pedro Life is a Dream Spanish Golden Age 1635 Moliere Tartuffe French Neoclassicism 1664 Wycherley, William The Country Wife Restoration 1675 Racine, Jean Baptiste Phedra French Neoclassicism 1677 Centlivre, Susanna A Bold Stroke for a Wife English 18th century 1717 Goldoni, Carlo The Servant of Two Masters Italian 18th century 1753 Gogol, Nikolai The Inspector General Russian 1842 Ibsen, Henrik A Doll's House Modern 1879 Strindberg, August Miss Julie Modern 1888 Shaw, George Bernard Mrs. Warren's Profession Modern Irish 1893 Wilde, Oscar The Importance of Being Earnest Modern Irish 1895 Chekhov, Anton The Cherry Orchard Russian 1904 Pirandello, Luigi Six Characters in Search of an Author Italian 20th century 1921 Wilder, Thorton Our Town Modern 1938 Brecht, Bertolt Mother Courage and Her Children Epic Theatre 1939 Rodgers, Richard & Oscar Hammerstein Oklahoma! Musical 1943 Sartre, Jean-Paul No Exit Anti-realism 1944 Williams, Tennessee The Glass Menagerie Modern -
Alternative North Americas: What Canada and The
ALTERNATIVE NORTH AMERICAS What Canada and the United States Can Learn from Each Other David T. Jones ALTERNATIVE NORTH AMERICAS Woodrow Wilson International Center for Scholars One Woodrow Wilson Plaza 1300 Pennsylvania Avenue NW Washington, D.C. 20004 Copyright © 2014 by David T. Jones All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of author’s rights. Published online. ISBN: 978-1-938027-36-9 DEDICATION Once more for Teresa The be and end of it all A Journey of Ten Thousand Years Begins with a Single Day (Forever Tandem) TABLE OF CONTENTS Introduction .................................................................................................................1 Chapter 1 Borders—Open Borders and Closing Threats .......................................... 12 Chapter 2 Unsettled Boundaries—That Not Yet Settled Border ................................ 24 Chapter 3 Arctic Sovereignty—Arctic Antics ............................................................. 45 Chapter 4 Immigrants and Refugees .........................................................................54 Chapter 5 Crime and (Lack of) Punishment .............................................................. 78 Chapter 6 Human Rights and Wrongs .................................................................... 102 Chapter 7 Language and Discord .......................................................................... -
Young Adult Realistic Fiction Book List
Young Adult Realistic Fiction Book List Denotes new titles recently added to the list while the severity of her older sister's injuries Abuse and the urging of her younger sister, their uncle, and a friend tempt her to testify against Anderson, Laurie Halse him, her mother and other well-meaning Speak adults persuade her to claim responsibility. A traumatic event in the (Mature) (2007) summer has a devastating effect on Melinda's freshman Flinn, Alexandra year of high school. (2002) Breathing Underwater Sent to counseling for hitting his Avasthi, Swati girlfriend, Caitlin, and ordered to Split keep a journal, A teenaged boy thrown out of his 16-year-old Nick examines his controlling house by his abusive father goes behavior and anger and describes living with to live with his older brother, his abusive father. (2001) who ran away from home years earlier under similar circumstances. (Summary McCormick, Patricia from Follett Destiny, November 2010). Sold Thirteen-year-old Lakshmi Draper, Sharon leaves her poor mountain Forged by Fire home in Nepal thinking that Teenaged Gerald, who has she is to work in the city as a spent years protecting his maid only to find that she has fragile half-sister from their been sold into the sex slave trade in India and abusive father, faces the that there is no hope of escape. (2006) prospect of one final confrontation before the problem can be solved. McMurchy-Barber, Gina Free as a Bird Erskine, Kathryn Eight-year-old Ruby Jean Sharp, Quaking born with Down syndrome, is In a Pennsylvania town where anti- placed in Woodlands School in war sentiments are treated with New Westminster, British contempt and violence, Matt, a Columbia, after the death of her grandmother fourteen-year-old girl living with a Quaker who took care of her, and she learns to family, deals with the demons of her past as survive every kind of abuse before she is she battles bullies of the present, eventually placed in a program designed to help her live learning to trust in others as well as her. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public). -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
Download This PDF File
46 Simon Sladen Victoria and Albert Museum, UK “That Sort of Fairy Tale’s No Use in the New Victorian Age That’s Coming”: The Past as a Metaphor for the Present in Peter Nichols’s Poppy In 1982 the Royal Shakespeare Company premiered Peter Nichols’s Poppy at London’s Barbican Theatre. Using the past as a metaphor for the present, Poppy’s historical depiction of the nineteenth century Opium Wars in China resonated strongly with the then Conservative government’s economic policies and negotiations over Hong Kong’s future. Poppy draws comparisons between the ‘reigns’ of Queen Victoria and Conservative Prime Minister Margaret Thatcher and confronts audiences with Britain’s colonial past. By way of theatrical juxtapositioning, the production criticises the present by evoking the past, wherein Nichols also uses contemporary references to 1980s politics and society to strengthen the metaphor. This article examines Nichols’s use of British pantomime conventions to expose Britain’s colonial history and considers the impact of history and Thatcher’s three terms in government on the Half Moon Theatre’s 1988 revival. The author argues that Poppy can be read as an outcry against, not only a celebration of Britain’s colonial past, but also Thatcherism. Simon Sladen is Senior Curator of Modern and Contemporary Performance at the Victoria and Albert Museum and is recognised as one of the UK’s leading experts on British Pantomime. Keywords: Britain, China, Opium Wars, pantomime, postcolonial, Thatcherism Introduction n 2011, to celebrate the Royal Shakespeare Company’s (RSC) fiftieth I anniversary, playwright Mark Ravenhill was invited to curate a weekend of readings in Stratford-upon-Avon. -
Pittsburgh CLO Thanks Its Many Community Partners Who Have Supported the 2013 Annual Pittsburgh CLO Thanks the Guild and Listing Is Complete As of 5/31/13
The Pittsburgh Keep a work-life balance. Civic Light Opera Association Keep ahead of health costs. OFFICERS Keep your head from spinning. Honorary Chairman of the Board Vice Presidents/ Vice President/Special Events Julie Andrews Education & Outreach Laurie M. Mushinsky Christine M. Kobus Chairman of the Board Gary R. Truitt Vice Presidents Joseph C. Guyaux G. Reynolds Clark Vice Presidents/Human Resources James R. Kane President Todd C. Moules William M. Lambert Charlene Petrelli Secretary Vice President/CLO Ambassadors Johanna G. O’Loughlin Vice Presidents/ Frederick C. Leech Long Range Planning Treasurer Vice Presidents/Audit Michael E. Bleier Edward T. Karlovich Timothy K. Zimmerman Alvaro Garcia-Tunon Joseph C. Guyaux Executive Director Emeritus Chairman of the Board Todd C. Moules Vice Presidents/Marketing Charles Gray Michael F. Walsh Vice Presidents/Budget & Finance Corporate Counsel Timothy K. Zimmerman Richard S. Hamilton James M. Doerfler John C. Williams, Jr. Vice Presidents/New Works Chairmen of the Board Emeritus Development & Funding Vice President/Cabaret Theater John C. Williams, Jr. William J. Copeland Daniel I. Booker Mark J. Minnaugh George A. Davidson, Jr. Vice President/ James E. Rohr Construction Center & Facilities Vice Presidents/Nominating Daniel I. Booker Floyd R. Ganassi Scott F. Neill Louis D. Astorino John E. Kosar Vice Presidents/Development Executive Producer Tony Bucci Vice Presidents/Production Van Kaplan Mark J. Minnaugh Helen Hanna Casey Ronald L. Violi Peter J. Germain William M. Lambert President DIRECTORS Neil H. Alexander Stacy Leshock Dee Edward T. Karlovich Mark J. Minnaugh Joann L. Tissue Michael E. Bleier Eric F. Dickerson Joseph M. Klaja Mildred E. -
Marijuana Business Licenses Approved
OREGON LIQUOR & CANNABIS COMMISSION Marijuana Business Licenses Approved as of 9/9/2021 Retail Medical LICENSE NUMBER LICENSEE NAME BUSINESS NAME LICENSE TYPE ACTIVE COUNTY Delivery Grade Hemp 050 100037147CC Hotbox Farms LLC Hotbox Farms Recreational Retailer Yes Baker Yes 050 10011127277 Scott, Inc 420VILLE Recreational Retailer Yes Baker 020 10017768FC7 Burnt River Farms, LLC Burnt River Farms LLC. Recreational Producer Yes Baker 030 10031846B25 Burnt River Farms, LLC Burnt River Farms LLC. Recreational Processor Yes Baker 060 1003692E356 Burnt River Farms, LLC Burnt River Farms LLC. Recreational Wholesaler Yes Baker 050 1003713A8A4 The Coughie Pot, LLC The Coughie Pot Recreational Retailer Yes Baker 050 10047883377 Sumpter Nugget, LLC Sumpter Nugget Recreational Retailer Yes Baker Yes 030 10071310CDB Nugget Candy Co, LLC Nugget Candy Co, LLC/Bad Rabbit Recreational Processor Yes Baker Yes Solventless 060 10079080A50 420BUNKERVILLE LLC 420 Bunkerville Recreational Wholesaler Yes Baker Yes 020 1007910A67C 420BUNKERVILLE LLC 420 Bunkerville Recreational Producer Yes Baker 020 1008998100D Burnt River Farms, LLC Burnt River Farms LLC Recreational Producer Yes Baker 060 1010135EC04 Hotbox Farms LLC Hotbox Farms Recreational Wholesaler Yes Baker 020 10104590FEE Bad Rabbit Farms LLC Bad Rabbit Farms LLC Recreational Producer Yes Baker 020 10001223B25 Fire Creek Farms LLC. Fire Creek Farms Recreational Producer Yes Benton 020 1000140D286 Bosmere Farms, Inc. Bosmere Farms, Inc. Recreational Producer Yes Benton 020 10004312ECD Grasshopper Farm, -
03042021 Clue Program (Final).Pdf
BASED ON THE SCREENPLAY BY JONATHAN LYNN DIRECTED BY DANE CT LEASURE ❘ MARCH 5-13TH WRITTEN BY SANDY RUSTIN. ADDITIONAL MATERIAL BY HUNTER FOSTER, SANDY RUSTIN, AND ERIC PRICE. ADMINISTRATION Interim Program Coordinator Arnold Tunstall, M.F.A. presents Office Manager Alana Weber, M.M. Theatre Coordinator Anna-Jeannine Kemper Dance Coordinator Spring Healy Social Media Manager Madeleine Parks Arts Connections Series Amy Mellinger Photographer John Aylward based on the screenplay by Branding Design Greta Conley and Amanda Ebert JONATHAN LYNN Written by Sandy Rustin Additional Material by Hunter Foster and Eric Price Based on the Paramount Pictures Motion Picture Based on the Hasbro board game CLUE Original Music by David Abbinanti VIDEO PRODUCTION Director Dane CT Leasure, SDC Production Manager Anna-Jeannine Kemper General Manager Juan Eduardo Contreras Barberena, M.A. Stage Manager Cennidie Hall Broadcast Engineer Richard Kent Assistant Stage Manager Arianna Allen Costume Designer Kendra Strickland Production Crew Lighting Designer Patricia Donavan, assisted by the Lighting Design & Technology class Brooke Nappier, Caleb Morgan, Cameron Blenton, Scenic Designer Brian C. Seckfort Connor Vanmaele, De’Abion Strozier, Elek Kitchen, Light Board Operator & Production Assistant Jacen Conlan Jake Herron, Joe Goodman, Jordan Domingo, Kathy Sovak, Michael Matthews, Natalie Savage, Nick McFadden, Sound Engineer Memo Diaz-Capt Nicole Maxhimer, Payton Burkhammer, Tanner Martin Props Master Joseph Fox This show will be performed without intermission. ENSEMBLE CAST Arianna Allen (Ensemble) is a Freshman UA WARNING: Physical Theatre major from Ontario, Ohio who was previously seen as Jinny in The Waves. She The video or audio recording of this performance has spent the last 12 years training as a dancer, by any means is strictly prohibited.